El Filibusterismo | Kabanata 21: Mga Ayos-Maynila #elfilibusterismo

Animated Filipino Classics
21 Mar 202404:55

Summary

TLDRThe script revolves around Don Custodio de Salazar y Sánchez de Monterey, a prominent figure in Manila society, known for his intelligence, diligence, and wealth. He travels to Madrid, Spain, to seek medical treatment for a liver ailment. Despite his condition, he is well-received by influential friends, ministers, and writers. The narrative shifts to a theater performance in Madrid, where a play by Don Custodio faces controversy due to its content. The audience is divided, with some supporting the play's artistic merit, while others, led by Padre Salvi, oppose it for moral reasons. Tensions rise as the play's supporters and detractors clash, reflecting the broader conflict between artistic freedom and societal norms.

Takeaways

  • 💼 Don Custodio is a well-known, hardworking, and intelligent figure in Manila's high society.
  • 🇪🇸 He traveled to Madrid, Spain, to seek treatment for a liver condition, but was initially ignored upon arrival.
  • 🤝 Despite early struggles, Don Custodio often spoke about his connections with ministers, writers, and representatives from Madrid.
  • 📚 Don Custodio was tasked with deciding whether to proceed with the establishment of a Spanish language academy.
  • 🎭 There was a major performance at Teatro de Variedades, featuring the operetta 'La Fille de Madame Angot', drawing large crowds.
  • ⏳ Tickets for the show quickly sold out, and by 7:45 PM, people were offering large sums for seats.
  • 👀 Camaroncocido, a disgraced Spaniard living in poverty, observed the chaos at the theater.
  • 👨‍⚖️ The performance was opposed by friars, led by Padre Salvi, and supported by Don Custodio.
  • 💬 The dialogue in Spanish plays was often criticized for containing double meanings and inappropriate content.
  • 🚨 Suspicious individuals were seen near the entrance, signaling to one another, possibly indicating a planned disruption.

Q & A

  • Who is Don Custodio de Salazar y Sánchez de Monterey?

    -Don Custodio de Salazar y Sánchez de Monterey is a high-ranking individual in Manila society, described as a diligent, intelligent, and wealthy man.

  • Why did Don Custodio go to Madrid, Spain?

    -Don Custodio went to Madrid, Spain to seek treatment for an illness affecting his liver.

  • What was the initial reaction of Madrid society towards Don Custodio?

    -Upon his arrival, Don Custodio was not immediately recognized, and Madrid society was more interested in his influential friends, ministers, and writers.

  • What decision was entrusted to Don Custodio regarding the Academy of Castilian Language?

    -Don Custodio was given the authority to decide whether to continue the construction of the Academy of Castilian Language.

  • What event was planned at the Teatro de Variedades?

    -An operetta was planned to be performed at the Teatro de Variedades, with the first performance being 'Lake L de Corn Ville'.

  • Why were there no tickets sold for the first half of the night?

    -No tickets were sold because people were hesitant to attend due to the long line of those waiting to enter.

  • What was the reaction of the audience when they were allowed to enter?

    -The audience was initially reluctant to enter, but once they did, they were impressed and enjoyed the performance.

  • Who is Camaron Cido and what is his role in the story?

    -Camaron Cido is the son of a prominent Castilian family, but he is portrayed as someone who is down-to-earth and speaks candidly.

  • What was Camaron Cido's opinion about the people attending the performance?

    -Camaron Cido noticed that the attendees were not refined and seemed to have hastily dressed in American attire instead of the expected formal wear.

  • What conflict arises between Padre Salvi and Don Custodio regarding the play?

    -Padre Salvi and his followers oppose the performance because of the play's content, which they consider inappropriate, while Don Custodio defends the play's intellectual and artistic merits.

  • What does Camaron Cido notice about the unfamiliar faces in the audience?

    -Camaron Cido observes that there are unfamiliar faces among the audience, people of diverse origins, who seem to be there for the purpose of causing a disturbance.

  • What action does Camaron Cido take when he notices the suspicious behavior?

    -Camaron Cido instructs the guards to be vigilant and not to be alarmed by the unfamiliar faces, ensuring the safety of the event.

Outlines

00:00

🏛️ Don Custodio's Pursuit of High Society

The script introduces Don Custodio de Salazar y Sánchez de Monterey, a prominent figure in Manila's high society. He is depicted as a hardworking, meticulous, intelligent, and wealthy individual. Despite his wealth, he travels to Madrid, Spain, to seek treatment for a back ailment without any fanfare. Upon his arrival, he is warmly welcomed by his friends, ministers, and writers. The narrative highlights his influence and the respect he commands in society. However, his health issues and the subsequent treatment in Madrid are overshadowed by the events that unfold upon his return.

Mindmap

Keywords

💡Don Custodio de Salazar y Sánchez de Moncada

Don Custodio de Salazar y Sánchez de Moncada appears to be a prominent figure in Manila society during the Spanish colonial period. He is described as wealthy, diligent, intelligent, and influential. His character represents the upper class and the colonial elite in the Philippines during the Spanish era. In the script, he is mentioned as someone who went to Madrid, Spain for medical treatment, highlighting his access to resources and connections to the colonial power.

💡Madrid

Madrid is the capital of Spain and a significant city in the script as it is where Don Custodio went for medical treatment. Madrid symbolizes the colonial power and the center of Spanish influence. The mention of Madrid in the script situates the narrative within the broader context of Spanish colonialism and its impact on Philippine society.

💡Academy

The term 'academy' in the script likely refers to an institution for learning or the arts. It is mentioned in the context of a debate about whether to continue its establishment. The academy represents cultural and intellectual pursuits, and the discussion around it reflects the tension between preserving Spanish cultural institutions and the evolving needs of the local society.

💡Theatro de Variedades

Theatro de Variedades translates to 'Theater of Varieties' and suggests a venue for diverse performances, possibly including operettas and other forms of entertainment. The script mentions a performance that was to take place there, indicating the cultural activities and social life of the time. This keyword highlights the artistic and recreational aspects of society during the period.

💡Opera

Opera is a form of theatre in which music has a leading role, typically including singing by soloists, a chorus, and orchestral accompaniment. The mention of an opera in the script, 'Lake L de Corneville,' suggests the presence of Western art forms in the local culture and the influence of European high culture on Philippine society.

💡Pilibustero

The term 'pilibustero' seems to refer to a kind of disturbance or ruckus, possibly a protest or an act of rebellion. It is mentioned in the context of people causing a commotion and being unable to sell tickets for the performance. This keyword indicates social unrest or dissatisfaction with the current state of affairs, reflecting underlying tensions within the society.

💡Camarón Cid

Camarón Cid appears to be a character in the script, described as the son of a prominent Spanish family but living humbly. His character might represent the contrast between the colonial elite and the common people. His interactions with others and observations of the unknown faces in the crowd suggest a theme of social stratification and the blending of different social classes.

💡Kiko

Kiko is mentioned as someone who should be informed about the actions of the people, suggesting he might be a figure of authority or a concerned citizen. His name is used in the context of understanding the motives behind the actions of the crowd, indicating a role in maintaining social order or seeking to understand the dynamics of the society.

💡Prayle

The term 'prayle' is used in the script to describe a group of people who are leading a certain action, possibly a performance or a protest. It suggests a form of collective action, which could be either cultural or political in nature. The mention of 'prayle' ties into the broader themes of social organization and the role of community leaders in the narrative.

💡Sainete

Sainete refers to a form of Spanish theatre that is characterized by its satirical and humorous content. The script mentions 'sainete' in the context of the plays that are causing controversy, suggesting a critique of society or the existing order. This keyword highlights the use of theatre as a platform for social commentary and the potential for art to challenge the status quo.

💡Imbestigador

Imbestigador translates to 'investigator' in English. The script mentions 'Imbestigador' in the context of people who are scrutinizing or investigating the actions of others. This keyword suggests a theme of surveillance and the quest for truth or justice within the narrative, as well as the role of authority in maintaining social control.

Highlights

Don Custodio de Salazar y Sánchez de Monteredondo is considered a prominent figure in Manila's high society, known for his diligence, intelligence, and wealth.

He traveled to Madrid, Spain for medical treatment, disregarding his health in the initial months of his stay.

In Madrid, he was highly regarded by ministers, representatives, and writers, who saw him as a father and defender of the Filipinos.

Despite his health, Don Custodio was involved in the decision-making process for the establishment of the Spanish Language Academy.

The Academy's first event was a performance at the Teatro de Variedades, featuring an operetta.

The performance faced difficulties as there were no ticket sales initially, and many people were eager to attend.

General Heneral intervened, causing a commotion and allowing people to enter without tickets.

The performance was met with laughter and mockery from the audience, who were not pleased with the disorder.

Camarón Cid, a son of a prominent Spanish family, was displeased with the chaos and confronted his friend Kiko about it.

Kiko explained that the performance was a creation of the priests, but the ones led by Padre Salvi and others were against it.

Don Custodio heard about the cleanliness of the mind, faith, good origin, and other aspects discussed during the performance.

The performance included words and expressions with double meanings in the Spanish language, causing confusion among the audience.

Camarón Cid noticed unfamiliar faces from various backgrounds entering the venue, which he found suspicious.

He observed that these people seemed to be dressed as Americans, which was unusual for the event.

Camarón Cid's suspicions led him to believe that these individuals might be investigators or thieves.

The commotion was resolved with a gunshot, and the audience was reassured that their safety was a priority.

Despite the chaos, the performance continued, and the audience enjoyed the show, except for Isagani, who was troubled by Paulita's theft.

Transcripts

play00:06

naglagalag ako at nagsikap makaipon ng

play00:08

maraming salapi upang maisagawa ang

play00:10

aking

play00:28

lon

play00:35

[Musika]

play00:42

si Don Custodio de Salazar y sánchez de

play00:46

monteredondo ay nabibilang sa mataas na

play00:49

lipunan sa Maynila sinasabing siya'y

play00:51

walang kapaguran bantog maingat masipag

play00:56

palaisip matalino mapanuri mayaman at

play01:00

iba pa nang pumunta siya sa Madrid

play01:02

Espanya upang ipagamot ang sakit sa atay

play01:05

walang pumapansin sa kanya sa mga unang

play01:08

buwan niya sa kanyang pagdating ay wala

play01:10

siyang nababanggit kundi ang Madrid ang

play01:13

mabubuti niyang kaibigan mga ministro

play01:16

kinatawan at manunulat ako'y lumalagay

play01:19

na parang Ama at tagapagtanggol ngunit

play01:22

kinakailangan ang bawat bagay ay malagay

play01:25

sa dapat kalagyan dahil sa ipinamamalas

play01:28

na husay at Lino ni Don Custodio sa

play01:31

kanya ipinaubaya ang pasya kung itutuloy

play01:34

ba o hindi ang pagpapatayo ng akademya

play01:37

ng wikang

play01:52

kastila ng gabing yon ay may

play01:55

pagtatanghal sa teatro de variedades

play01:57

itatanghal ng operetang

play02:00

may ang una nilang Palabas ang lake L de

play02:04

corn Ville ikapito at kalahati ng gabi

play02:08

pa lang ay wala n mabiling bilyete para

play02:10

kay Padre salv at iba pang nais

play02:13

makapanood mahabang mahaba na ang hanay

play02:16

ng mga taong nagsisipaghintay na

play02:18

makapasok sa entrada Heneral nagkaroon

play02:21

na ng awayan sa takilya ng mga

play02:23

sinasabing pilibustero mga lahi ngunit

play02:27

ang mga iyo'y hindi rin nakapagpalabas

play02:28

ng mga

play02:30

kaya't ng kulang na lamang ng 15 minuto

play02:33

sa ikawalo ay malaki ng halaga ang

play02:35

iniaalok sa mga upuan makapal ang mga

play02:38

tao sa papasukan at nakaiinggit na

play02:41

pagmasdan ang mga pumapasok tawanan

play02:44

bulungan at batian ang maririnig sa mga

play02:47

huling

play02:48

dumating may isang tila hindi natutuwa

play02:51

sa kaguluhan Siya'y Si camaron cido anak

play02:56

ng isang tanyag na angkang kastila

play02:58

ngunit nabubuhay na parang hampas lupa

play03:01

at pulubi kausap niya ang kanyang

play03:04

kaibigang si

play03:05

Kiko dapat mong malaman na ang dagsa ng

play03:09

mga taong ito'y kagagawa ng mga prayle

play03:12

ngunit ang totoo ang mga prayle na

play03:15

pinamumunuan ni Padre salvi at ilang

play03:18

hindi pari na pinangunguluhan ni Don

play03:21

Custodio ay tutol sa pagtatanghal na

play03:24

iyon pinariringgan ni Don Custodio si

play03:27

bide ng tungkol sa kalinisan ng budhi

play03:31

pananampalataya mabuting asal at iba pa

play03:35

ngunit ang ating mga dulang sainete ay

play03:38

may mga salita't pangungusap na dalawang

play03:40

kahulugan nasa wika kastila naman mga

play03:44

kahalayan sa wika pris tao kayo bide

play03:47

alangalang sa Diyos nasa wikang pris

play03:50

hindi dapat yan habang naglalakad si

play03:53

camaron cocido napansin niya ang

play03:56

pagdating ng ilang mukha na di kilala

play03:59

iba't iba ang pinanggalingan at

play04:01

naghuhudyat sa pamamagitan ng kindat at

play04:04

ubo noon niya lamang nakita ang mga

play04:07

taong iyon mga taong hindi mapalagay at

play04:11

parang noon lamang nakapagsuot Ng

play04:13

Amerikana sa halip na magso sa unang

play04:16

hanay ang mga taong ito upang makakita

play04:18

ng mabuti ay nagsipagtago at nagkanlong

play04:21

sa

play04:22

bilin mga Imbestigador kaya o magnanakaw

play04:26

ang hudyat ay isang putok Opo Huwag

play04:31

kayong mabahala ang Heneral ang may utos

play04:33

niyan ngunit huwag ninyong ipagsasabi

play04:35

kapag sinunod ninyo ang aking utos

play04:38

matataas kayo may taka na ingatan ang

play04:42

mga

play04:43

bulsa masaya ang mga manonood maliban

play04:47

kay Isagani na nakatanaw kay Paulita

play04:50

habang katabi sa pco ang karibal na si

play04:53

Juanito

Rate This

5.0 / 5 (0 votes)

Etiquetas Relacionadas
Manila SocietyCultural PursuitsMadrid EliteTheatrical PerformanceHistorical DramaSocial CommentarySpanish InfluencePhilippines HistoryClass ConflictCustodio Chronicles
¿Necesitas un resumen en inglés?