Tyler, the Creator - Call Me If You Get Lost ALBUM REVIEW

Summary

In this review, Anthony Fantano explores Tyler, the Creator's sixth studio album, 'Call Me If You Get Lost.' He discusses the album's departure from the narrative style of 'Igor,' noting its mixtape feel and features from artists like Lil Wayne and NBA YoungBoy. Fantano praises the album's eclectic sound, from jazzy bangers to groovy R&B tracks, and commends Tyler's growth as an artist. He also touches on the album's personal success narrative and Tyler's evolving character, giving the album an 8 out of 10.

Takeaways

• 🎤 'Call Me If You Get Lost' is Tyler, The Creator's sixth studio album, following his critically acclaimed 'IGOR'.
• 🔄 Tyler shifts gears from the narrative style of 'IGOR', opting for a more eclectic and holistic approach in his new album.
• 🔥 The album features high-energy tracks and collaborations with artists like Lil Wayne, 42 Dugg, and NBA YoungBoy.
• 🎵 Tyler experiments with various musical styles, including jazz, lo-fi, and reggae, showcasing his versatility as a producer.
• 👏 DJ Drama's presence throughout the album adds a layer of hype and represents a certain sector of the hip-hop world.
• 🏡 The album is likened to a mansion with extravagant pieces of furniture, symbolizing Tyler's growth and success.
• 🎶 'Lemon Head' and 'What's Your Name' are highlighted as standout tracks, blending different genres into a cohesive sound.
• 🔙 Tyler reflects on his past and evolution as an artist, particularly in tracks like 'Masso' and 'Run It Up'.
• 💬 The album includes personal touches, such as an interlude with Tyler's mom, adding depth to his narrative.
• 🌟 Despite being a 'vanity project', the album is well-received, reflecting Tyler's maturation as an artist since his 'Goblin' days.

Q & A

What is the title of Tyler, the Creator's sixth studio album?

Tyler, the Creator's sixth studio album is titled 'Call Me If You Get Lost'.

What was the most successful album for Tyler, the Creator prior to 'Call Me If You Get Lost'?

The most successful album for Tyler, the Creator prior to 'Call Me If You Get Lost' was 'IGOR'.

How does 'Call Me If You Get Lost' differ from 'IGOR' in terms of narrative?

While 'IGOR' was a narrative-driven album, 'Call Me If You Get Lost' does not follow a super narrative but is still artsy, left field, and holistic.

What is the significance of DJ Drama's presence throughout 'Call Me If You Get Lost'?

DJ Drama's presence throughout the album signifies Tyler's inclusion of a certain sector of the hip-hop world, as DJ Drama often represents a specific style within the genre.

What kind of features does 'Call Me If You Get Lost' have?

The album features artists such as 42 Dugg, Lil Wayne, NBA YoungBoy, and a throwback to his Odd Future days with Domo Genesis.

How does the album showcase Tyler's growth since his early work?

The album demonstrates Tyler's growth through his mature execution of the same energy and style from his early work, but with the expertise and finesse he has developed over time.

What is the role of 'sir boat lair' in setting the tone for 'Call Me If You Get Lost'?

The song 'sir boat lair' eases listeners into the album with curious layers of horns and plucky melodies, painting a picture of luxury and refinement.

What is the style of the track 'Lemon Head'?

The track 'Lemon Head' is described as Tyler's own version of a blaring trap banger with a minor key and brassy synth horns.

How does 'What's Your Name' differ from other tracks on the album?

The track 'What's Your Name' stands out as a groovy R&B throwback, a seductive and feel-good summer jam, contrasting with the heavier hip-hop tracks on the album.

What is the significance of the track 'Hot Wind Blows' in the album?

The track 'Hot Wind Blows' is packed with dramatic jazzy piano and flute samples, and it has a vibe that could fit a Rick Ross track, but features Lil Wayne instead.

How does 'Call Me If You Get Lost' reflect Tyler's current status and narrative?

The album reflects Tyler's current status as a successful artist, using his narrative of personal success and his unique personality to drive the project.

Outlines

00:00

🎤 Tyler, the Creator's New Album Review

The paragraph introduces a review of Tyler, the Creator's sixth studio album, 'Call Me If You Get Lost.' It discusses the anticipation following his previous successful album 'IGOR' and sets the stage for exploring the new album's direction. The review hints at a return to Tyler's roots with features from artists like Lil Wayne and NBA YoungBoy, while also noting the album's eclectic and artsy nature, suggesting a mixtape vibe with DJ Drama's presence throughout.

05:02

🔥 A Deep Dive into 'Call Me If You Get Lost'

This section delves into specific tracks from the album, highlighting Tyler's lyrical prowess and the album's varied musical influences. It discusses the album's narrative, which focuses on Tyler's personal success and evolution as an artist. The reviewer praises the album's features, production, and the way Tyler has matured in his approach to music, comparing the new work to his earlier projects like 'Wolfen Goblin.' The paragraph also touches on the album's lengthier tracks and their impact on the listening experience.

10:03

🌟 Reflecting on Tyler's Artistic Growth and 'Call Me If You Get Lost'

The final paragraph wraps up the review by reflecting on Tyler's growth as an artist and the overall impression of 'Call Me If You Get Lost.' It acknowledges Tyler's personal success narrative as a central theme of the album and discusses the challenges of creating a vanity project that still resonates with listeners. The reviewer concludes with an appreciation for Tyler's improved production and lyrical skills and invites viewers to share their thoughts on the album, ending with a call to like, subscribe, and engage with the content.

Keywords

💡Tyler the Creator

Tyler the Creator is a multifaceted artist known for his work as a rapper, singer, producer, director, and writer. In the context of the video, he is the central figure whose latest album 'Call Me If You Get Lost' is being reviewed. The script discusses his artistic evolution and how his new album reflects his growth since his early work, particularly comparing it to his previous successful album 'IGOR'.

💡Call Me If You Get Lost

This is the title of Tyler the Creator's sixth studio album, which is the focus of the video review. The album is described as a 'vanity project' that showcases Tyler's personal success narrative, personality, and character. It is noted for its eclectic mix of styles and features, indicating Tyler's artistic range and the album's thematic diversity.

💡Artsy

The term 'artsy' is used to describe the album's overall aesthetic and approach to music. It suggests that the album is creative, experimental, and possibly unconventional in its structure and sound, aligning with Tyler's reputation for pushing boundaries in his work. The script mentions that the project is 'holistic' and 'uniquely Tyler,' indicating a personalized and artistically driven creation.

💡DJ Drama

DJ Drama is featured throughout 'Call Me If You Get Lost,' serving as a hype man and a centerpiece of the album. His presence is significant as he represents a certain sector of the hip-hop world, adding a layer of authenticity and street credibility to the project. His role in hyping up the album is likened to a piece of extravagant furniture in a mansion, suggesting his impact is both noticeable and integral.

💡Grimy Mixtape

The term 'grimy mixtape' is used to evoke a specific style of hip-hop that is raw, gritty, and often associated with underground or street culture. In the review, it is mentioned that much of the album 'runs like a grimy mixtape,' indicating a return to Tyler's roots and a nod to the sound of earlier hip-hop, which is characterized by its rough edges and directness.

💡Odd Future

Odd Future is a collective of artists that Tyler the Creator was a part of during his early career. The script references 'Odd Future days' and 'Wolfen Goblin era' to highlight Tyler's evolution as an artist. It suggests that while there are elements of his past work present in the new album, they are executed with the maturity and expertise he has developed since then.

💡Lofi

Lofi, short for 'low fidelity,' is a genre of music characterized by its relaxed, often imperfect sound. The script mentions a track that 'switches around the halfway point into what sounds like kind of a bad bit crushed mp3,' which is an example of lofi production. This technique is used by Tyler to create a nostalgic or vintage feel, adding texture and depth to the album.

💡Braggadocious

Braggadocious refers to the act of boasting or being excessively proud of oneself. The script notes that Tyler has been critical of braggadocious rappers in the past but has now embraced this aspect of hip-hop in his own work. The album is described as a 'massive flex,' indicating that Tyler is using his success as a narrative device to assert his status in the music industry.

💡Manifesto

In the context of the album, 'Manifesto' is a track that serves as a statement or declaration of Tyler's artistic and personal beliefs. The script describes it as an 'aggressive response' to expectations placed on Tyler to be a role model or to speak on social and political issues. It reflects Tyler's stance on his own terms as an artist and individual.

💡Wilshire

Wilshire is a track from the album that stands out for its length and narrative content. The script describes it as detailing a scenario where Tyler plays the role of a home wrecker, providing a detailed account of the situation and his emotional aftermath. This track is noted for its length and the use of a distorted mix, which adds to the complexity and depth of the narrative.

Highlights

Tyler, the Creator's sixth studio album 'Call Me If You Get Lost' is a unique and artistic project.

The album does not follow a narrative structure but is still holistic and uniquely Tyler.

DJ Drama's presence throughout the album represents a certain sector of the hip-hop world.

The album features a mix of grimy mixtape style and high-end production.

Tyler collaborates with artists like 42 Dugg, Lil Wayne, and NBA YoungBoy.

The track 'Manifesto' brings back memories of Tyler's Odd Future days.

The album showcases Tyler's growth from his early work to his current mature style.

The opener 'Sir Boat Lair' eases listeners into the project with a dreamy sound.

The track 'Corso' is a return to foundational elements of hip-hop with clever wordplay and energy.

The song 'Lemon Head' is a trap banger with a nasty attitude and brassy synth horns.

'What's Your Name' is a groovy R&B throwback, perfect for a summer feel.

The track 'Hot Wind Blows' has a dramatic jazzy production reminiscent of Madlib and Alchemist.

The album's midpoint introduces a more aggressive and reflective tone with tracks like 'Masso'.

The song 'Run It Up' feels like a time machine back to Tyler's 'Goblin' era.

The track 'Beaten to Death' showcases a different approach to lo-fi for Tyler.

The two-part track 'Sweet/I Thought You Wanted to Dance' is a standout with its unique blend of R&B and reggae.

The album's last leg includes interludes and personal moments, like a conversation with Tyler's mom.

The song 'Juggernaut' features a strong collaboration with Tyler, Uzi, and Pharrell.

The album closer 'Safari' leaves listeners with an energetic and abstract instrumental.

The reviewer gives the album a light 8/10 rating, appreciating its vanity project nature.

Transcripts

hi everyone swethanyglandtano here the

internet's busiest music nerd and it's

time for a review

of the new tyler the creator album call

me if you get lost

yes this is a brand new album from

rapper

singer producer director writer

doer of things tyler the creator hitting

us with his sixth

studio album his first for this decade

which follows his most

successful release to date both

artistically and commercially igor a

love triangle

slash breakup album that explored

touches of r b

lo-fi and soul alongside the kind of

weirdo rap that tyler is known for

and it went to number one on the charts

so after such a huge conceptual release

the question is where will tyler go next

and ingeniously with call me if you get

lost

tyler's not trying to force lightning to

strike in the same place twice

while he's not going super narrative

with it this time around in a way this

project still ends up being artsy left

field holistic

and uniquely tyler now as the teaser

lumberjack forecast

the bangers are back now they're really

back

and for those of you who are not in the

know a dj drama screaming his brains out

on that song

was not an isolated incident no he is

all

throughout this album hyping up every

corner of it and for good reason if you

know dj drama's history he tends to

represent a certain sector of the

hip-hop world

so considering that his inclusion in

call me if you get lost makes sense

because much of this project runs like a

grimy mixtape you download off of

datpiff like 10 years ago the way i look

at it call me if you get lost is like a

mansion that tyler is building on this

project and

dj drama is just an amazing centerpiece

sitting in the living room like a really

extravagant crazy piece of furniture but

going down this grimy mixtape road is

also why tyler has features on here from

42 doug

lil wayne as well as surprisingly nba

young boy who he pulls

an amazing performance out of on what's

your name tyler even throws it a little

bit back to his odd future days with

domogenesis on the track manifesto and

in a way it does feel like tyler as far

as his

lyrics and vocals and general energy are

concerned

is throwing it a bit back to those odd

future days specifically that wolfen

goblin era but

executing it with the maturity expertise

and finesse he's gained up until this

point

with that being said though this record

is also a

massive flex he's just such a different

person now than he was in 2011 and his

success has essentially become his

narrative but you can't really say he

hasn't taken full advantage of that

between his albums his work with other

artists his festival his clothing line

and while tyler has been critical of

braggadocious rappers in the past

at least he waited until his ducks were

in the neatest and longest of rows

to go this hard the opener sir boat lair

eases us into this project with curious

layers of horns and plucky melodies

as tyler paints this picture of luxury

and refinement

the whole thing sounds like a dream

packed with eccentric and

eclectic details even in the midst of

excess

tyler's a man of taste following this

song though we have a pretty tight

succession

of heavy hitters in the track list

there's corso where lyrically we have

tyler slickly talking his

with all these one-liners over a

whirlwind of jazzy piano fragments

booming drums and

group chants and sure in terms of

meaning it may not be as deeply layered

as anything off igor is

but in so many ways this track is coming

back to the foundational elements of hip

hop to begin with

clever word play visceral energy huge

instrumental

all delivered in that typically tyler

way the following lemon head comes off

like tyler's own version of a

blaring trap banger with a minor key and

brassy synth horns

the 42 dug feature just adds to the

song's nasty attitude

meanwhile what's your name is like a

groovy r b throwback

it's a seductive feel-good summery jam

that feels like

hanging out poolside with a hottie all

day the beat has a sweet but chaotic

feel to it as well it's like tyler's

casually singing and rapping over what

sounds like just a radio snippet of some

oldies with some vocals and various

sounds of this kind of just

being thrown on top of each other in a

controlled chaos sort of way

ty dolla signs guest vocals are great

but really the stunning

performance on the track is nba young

boy who uh

comes off way more passionate and uh

sensible over this kind of production

than i thought he would be

meanwhile the track hot wind blows is

packed with all these

dramatic jazzy piano and flute samples

production really sounds like a

combination of like some mad lib and

alchemist

the vibe and the lyrics feel so rich

like

rick ross could be on this track easily

but i will totally settle for lil wayne

in rare form

as he speeds up his flow quite nicely at

one point even dropping gems like wind

beneath my wings

desert eagle underneath my coat this

somewhat ritzy fever does

break around the midpoint of the record

a bit though we have the song masso

where

the bass the drums and tyler's flow just

feels like

goblin all over again which sort of

makes sense because the song is a meta

moment where tyler lyrically is

explaining his

progression a bit even going into the

shifty sound of cherry bomb

and how his perspective personally and

artistically changed

to get him to this point there's also a

really manic and explosive finish to the

track too where

tyler does come off a little nutty like

he did on a lot of that early work he

put out back in the day and i wonder if

still at this point

does he have trouble relating to his

audience or feeling like he's speaking

to the audience that he wants to

then run it up also feels like i've

taken a time machine back to goblin town

as this track runs like a really

blissful feel-good interlude from that

album but

maybe not as rough around the edges and

wild lyrically this one feels like

another stretch of the same victory lap

but now with tyler juxtaposing this

against his past a bit more

the refrain is beaten to death a bit and

it does take a fair amount of time to

get going

but i do like the way the instrumental

switches around the halfway point into

what sounds like kind of a

a bad bit crushed mp3 sort of a

different approach to the lo-fi thing

for tyler and it was a smart move

then the following manifesto feels like

an aggressive response to

any attempts to force tyler to be like a

role model of sorts

speak up on social and political issues

which he doesn't feel an obligation to

especially since there was a time when

he was kind of like

enemy number one in the music world and

was getting canceled before there was

cancel culture

all in all i think his response and i

think his statement here is pretty well

put together and also passionate clearly

tyler supports

uh efforts to uh change policing

and and get rid of police brutality and

so on and so forth but he doesn't want

to come

in here as like some sort of moral

arbiter and be making decisions and be

making statements speaking over anyone

necessarily or taking the lead

then we have an insane centerpiece on

this record which comes in the shape of

sweet slash i thought you wanted to

dance

which is a two-parter obviously the

first leg of it is this

cynthia r b blend which has a solid tune

and a great performance from brent fayas

on vocals

like if you separated this off from this

track this would be one of the most

solid songs on the record

for sure just on its own but then we get

this really curious transition into i

thought you wanted to dance

which uh radically shifts into a

somewhat dubified reggae direction yes a

reggae tyler track

complete with quirky organs and a really

rock steady beat

instrumentally and aesthetically these

two tracks just feel like really weird

sweet leftovers from the igor vault but

obviously couldn't make it onto the

record because

lyrically they don't contribute to the

narrative of that project

but they're just such fun tracks and i

love the way that they kind of melt into

each other

and the instrumentation just feels so

hazy and fun and colorful

and together these two tracks rack up

like 10 minutes of run time but

each section is so well uh

partitioned off that as we kind of go

from part to part to part

it doesn't really get boring it stays

engaging now from here we move into a

somewhat spotty last leg that has a

couple of interludes

there's one that features tyler's mom

talking with him

for a little bit and even though it's

not a very long portion of the record

it is a really endearing portion of the

record uh just hearing her speech

patterns the way she talks and kind of

referencing back to a past moment in

their life together

it says so much it says a lot it says a

lot about

tyler's personality his upbringing

even the way he talks they talk so alike

from their cadence to their word choice

and i mean of course that's nothing new

or different or weird for parents and

children but

uh to hear it and see it kind of

contextualized in that way

uh puts tyler in a new light i think for

a lot of people that may just sort of

see him in a vacuum

the song rise brings more brags to

tyler's

success doctrine here while also telling

us he's gonna do stuff that you tell him

he can't do but honestly he's kind of

driving this

uh angle into the ground at this point

but juggernaut is an

insane banger where tyler uzi and

pharrell

bounce off of each other quite well the

song wilshire is the second longest tier

at eight minutes and change

and uh you might have caught lyrically

earlier on the lp

tyler alluding to this scenario where

he's playing the role of a home wrecker

i guess he's kind of inserting himself

into a relationship with

someone who's already got somebody and

he doesn't care he's trying to

assert himself get this person to date

him instead

and tyler essentially gives us the

detail

by detail rundown of this whole

situation and his

ball of emotions that he's been left

with in the aftermath

of it and yeah again he goes through

this whole story

for eight minutes with a somewhat like

totally

mix like for some reason the

right channel is

really fuzzed out and kind of clipping

and there's a lot of record static in

there

the other channel has mostly tyler's

voice and a good chunk of the

instrumental

i mean i guess it was an interesting uh

little story to add to

the record but god is it kind of a slog

then the closer safari features this

grand abstract instrumental with a lot

of weird horn and jazz chops

lo-fi bass as well once again this track

to me feels like musically controlled

chaos

there's a really hungry delivery from

tyler in the second half i'm not crazy

about the

pitched chipmunk vocals at the start but

i i will say they sound better than they

did when tyler was trying to pull this

exact kind of thing off

at the start of his career yeah i think

his verse on this track is solid

and he comes off convincing uh leaves us

with a lot of energy but

i imagine it's kind of a difficult task

to

give us a summation or really kind of

you know put a

a bow on a record like this where it's

just kind of like

this is me me me this is the me hour

this is everything going on with me

i'm so great i'm so great i'm so great i

guess in a way he's leaving us with a

determined snapshot before he pops up in

our point of view once again

overall calm if you get lost i loved it

but maybe only about as much as i could

love something that is

such a vanity project so much of this

thing hinges on tyler's

personal success narrative his

personality

his character his likability and

in that regard he as an individual is

still far from perfect

but my god he has improved leaps and

bounds beyond where he was at the goblin

stage for sure

the way tyler produces writes raps and

dissects

and and describes his world

is just so much better than it used to

be and i think even he is uh well aware

of that

i'm feeling a light too decent eight on

this one transition have you given this

album a listen did you love it did you

hate it what would you rate it you're

the best you're the best what should i

review next

hit the like if you like please

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bell as well over here next to my head

is another video that you can check out

hit that up or the link to subscribe to

the channel anthony fantano

tyler the creator forever