The melting pot

Harvard University
6 Nov 201708:50

Summary

TLDRIn the 'Letter from Birmingham Jail,' Martin Luther King Jr. addressed the concept of the 'melting pot,' asserting that all within the United States are interconnected. He highlighted the influence of American musicians in creating a hybrid culture, transcending racial boundaries. The script discusses the evolution of music genres like rock and roll and rap, which initially embraced diversity but later succumbed to racial segregation. It emphasizes the Blues as the quintessential American art form, reflecting the country's social dynamics and the struggle for recognition and unity.

Takeaways

  • 📜 Dr. Martin Luther King Jr. emphasized the interconnectedness of all individuals within the United States, using the metaphor of a 'single garment of destiny' to illustrate the concept of a melting pot where everyone is an insider.
  • 🎵 Music, particularly American music, has historically been a blend of various cultural influences, creating a 'hybrid art' that reflects the melting pot of American society.
  • 🎷 Jazz, as an example, was a melting pot of styles and traditions, with musicians of different backgrounds coming together to create a new form of expression that transcended racial boundaries.
  • 🔄 The concept of racial identity as a problem for a multiracial world was addressed by musicians long before it became a topic for modern essayists and scholars.
  • 🎼 American music has always been a reflection of its diverse population, with cultural combinations like Afro-Anglo-Native traditions forming a unique Americana.
  • 🚫 Segregation in the music industry began with the creation of 'race records', a practice that continued to affect the industry and its categorization of music well into the 20th century.
  • 💽 Bessie Smith's success with 'Downhearted Blues' was a significant milestone, as it not only saved Columbia Records but also highlighted the commercial viability of black music, despite the industry's attempts at segregation.
  • 🎸 The emergence of rock and roll in the 1940s as a hybrid of jazz, country, and blues demonstrated the ongoing fusion of musical styles, with early pioneers being a diverse group of American musicians.
  • 🔲 The color coding of music charts in the 1970s showed that racial segregation in the music industry persisted, with genres like rock and roll becoming associated with white artists and R&B with black artists.
  • 🎤 The evolution of rap music from positive and uplifting messages to the adoption of negative stereotypes reflects the industry's manipulation of black culture and the perpetuation of harmful racial tropes.
  • 🎶 The blues is described as the 'melting pot of America', a genre that embodies the encounter with the 'other' and the transformative power of music to bring people together.
  • 🎺 Mark O'Connor's story about Bo Diddley highlights the racial barriers within the music industry, where black musicians were discouraged from playing certain instruments to maintain segregation in recorded music.

Q & A

  • What was Dr. Martin Luther King Jr.'s perspective on the concept of an 'outsider' in the United States according to the script?

    -Dr. King believed that anyone living within the United States could never be considered an outsider, as everyone is caught in an inescapable network of mutuality tied in a single garment of destiny.

  • How did Dr. King describe the melting pot concept in his letter from Birmingham jail?

    -Dr. King described the melting pot as an already consummated process, where attempts to tell different cultures apart were doomed to failure, emphasizing the interconnectedness of all people within the United States.

  • What role did American musicians play in the affirmation of a common racial identity according to Dr. King's speech at the Berlin Jazz Festival in 1964?

    -American musicians, regardless of their racial background, were returning to their roots and affirming a commonality through their music, creating a brilliant hybrid art form that transcended racial boundaries.

  • How did the script describe the evolution of the music industry in terms of racial segregation?

    -The script describes a history of racial segregation in the music industry, from the minstrel shows of the 1840s to the creation of segregated series like 'race records' in the 1920s, and the color-coded music charts of the 1970s.

  • What impact did Bessie Smith's record sales have on Columbia Records in 1923?

    -Bessie Smith's record 'Downhearted Blues' sold 700,000 copies and earned more than $750,000, which helped pull Columbia Records out of receivership.

  • How did the emergence of rock and roll in the late 1940s initially differ from its racial categorization a decade later?

    -Rock and roll initially emerged as a hybrid of jazz, country, blues, and hillbilly music with early pioneers from diverse racial backgrounds. However, within a decade, it became racially categorized with rock and roll being associated with white artists and R&B with black artists.

  • What was the transformation of rap music from the late 1970s to the late 1980s as described in the script?

    -The script describes rap music starting as positive and uplifting in the late 1970s but by the late 1980s, it had been commandeered by profane, vulgar, racist, and misogynistic stereotypes that had been cultivated since minstrelsy.

  • What does the script suggest about the Blues as a representation of the melting pot of America?

    -The Blues is presented as the melting pot of American styles, a master key that represents the encounter with the 'other' and the transformative experience that comes from it, being an integral part of the American cultural DNA.

  • How did the script describe the Blues as a tool for communication and compromise in American society?

    -The Blues is described as a means of addressing others on human terms, forcing people to be inventive in conversation, prepared to compromise, and to listen and speak with a clearer voice.

  • What anecdote does the script share about Mark O'Connor and Bo Diddley regarding the segregation of musical instruments?

    -The script shares an anecdote where Bo Diddley, a blues legend, told Mark O'Connor that the violin was his first love but blacks were discouraged from playing it on records to maintain segregation, leading to whites playing fiddles and blacks playing guitars.

  • How does the script connect the experience of growing up in a segregated South to the universality of the Blues?

    -The script connects the experience by stating that regardless of where one is from, the Blues is in the American DNA and cannot be outrun, suggesting a shared cultural heritage that transcends racial and geographical divides.

Outlines

00:00

🎵 The Melting Pot of American Music

This paragraph discusses the concept of the 'melting pot' as articulated by Dr. Martin Luther King Jr. in his 'Letter from Birmingham Jail,' emphasizing the interconnectedness of all Americans. It highlights the influence of American musicians from diverse backgrounds on the formation of a unique American culture, particularly through the blending of musical styles. The narrative also touches on the commercial impact of African American music, such as Bessie Smith's records saving Columbia Records, and the segregation within the music industry, including the creation of the 'race records' category. The paragraph concludes with the emergence of rock and roll as a hybrid genre and the subsequent racial division within music, illustrating the ongoing struggle with racial identity in American culture.

05:01

🎶 The Blues: America's Cultural DNA

The second paragraph delves into the origins and significance of the Blues as a fundamental expression of American culture. It describes the Blues as a product of the country's deep-seated racial and social struggles, and as a music form that has always been present despite attempts at suppression and segregation. The narrative mentions Mark O'Connor's encounter with Bo Diddley, which underscores the Blues' roots in various instruments, including the fiddle. The paragraph also reflects on the author's personal experiences with the Blues in a racially segregated South and the universal presence of the Blues in the American musical landscape, suggesting that it is an integral part of the national identity regardless of one's awareness or origin.

Mindmap

Keywords

💡Melting Pot

The term 'Melting Pot' refers to the historical concept in the United States where people of different cultures, ethnicities, and backgrounds come together to form a unified entity. In the video, Dr. Martin Luther King Jr. uses this metaphor to emphasize the interconnectedness of all Americans, regardless of their origins, and to challenge the notion of being an outsider. The script mentions that attempts to separate the 'melted' elements of American society are futile, highlighting the theme of unity in diversity.

💡Mutuality

Mutuality is the concept of mutual relationships or interdependence where the actions of one party affect the other. In the context of the video, Dr. King speaks of an 'inescapable network of mutuality' to illustrate how the fate of one individual is tied to the fate of all in society. This concept is central to the video's message of shared destiny and collective responsibility.

💡Hybrid Art

Hybrid Art in the video represents the fusion of different cultural elements to create a new and unique form of expression. Dr. King mentions that musicians, regardless of their racial backgrounds, were returning to their roots to create a commonality expressed through their art. The script uses the example of how 'Brer Rabbit' becomes 'Bugs Bunny' across cultures, symbolizing the blending of traditions to form a new American identity.

💡Segregation

Segregation refers to the practice of separating people based on race, color, religion, or other factors. In the video, the script discusses the historical practice of segregation in music, such as the creation of a 'race catalog' by Columbia Records for Bessie Smith's recordings. This keyword is integral to understanding the barriers and divisions that existed within the music industry and society at large, contrasting with the theme of unity and mutuality.

💡Rock and Roll

Rock and Roll is a genre of music that emerged in the late 1940s as a hybrid of jazz, country, blues, and hillbilly music. The video mentions early pioneers like Fats Domino, Elvis Presley, and Chuck Berry. However, it also highlights how, within a decade, the genre became racially divided, with rock and roll being perceived as 'white' and R&B as 'black,' reflecting the societal racial tensions of the time.

💡Jim Crow

Jim Crow refers to the laws and racial segregation practices that existed in the United States, particularly in the South, during the late 19th and early to mid-20th centuries. The video touches on the 'peculiar effects of Jim Crow' and how they influenced the perception and categorization of music, contributing to the racial divide in the music industry.

💡Rap Music

Rap Music is a genre that originated in the late 1970s and is characterized by its use of rhythmic speech performed over a musical backdrop. The video discusses the evolution of rap from being initially positive and uplifting to later being associated with profane, vulgar, and derogatory stereotypes. This keyword is used to illustrate the changing perceptions and portrayals of African Americans in popular culture.

💡Blues

The Blues is a music genre that originated from African American work songs and spirituals, reflecting the experiences of hardship and injustice. In the video, the Blues is described as the 'melting pot of America,' embodying the encounter with the 'other' and the transformative power of music. The script uses the Blues to symbolize the authentic voice of America's struggles and the resilience of its people.

💡Fiddle

A Fiddle is a colloquial term for a violin, often used in the context of folk and traditional music. The video recounts a story of blues legend Bo Diddley expressing his love for the fiddle and the discouragement of black musicians from playing it on records to maintain racial segregation in music. This keyword highlights the cultural and racial barriers within the music industry.

💡Black Nationalism

Black Nationalism is a political and social movement advocating for the self-determination and empowerment of Black people. The video mentions growing up in a segregated South during the 'flowering of black nationalism,' suggesting a time of increased racial pride and assertion of cultural identity, which is contrasted with the broader theme of unity and mutuality in American society.

💡DNA

In the context of the video, 'DNA' metaphorically refers to the inherent and inseparable qualities that define American culture and identity. The speaker asserts that the Blues, and by extension the spirit of unity and mutuality, is in the 'American DNA,' suggesting that these values are fundamental to the American experience, regardless of one's awareness or acknowledgment of them.

Highlights

Dr. King's response to being considered an outsider, emphasizing that within the United States, everyone is interconnected and no one can be considered an outsider.

The concept of the 'melting pot' as described by Dr. King, illustrating the fundamental unity of all Americans despite their diverse backgrounds.

Dr. King's perspective on the inevitability of racial integration in America, as influenced by the shared history of slavery and cultural exchange.

The role of American musicians in fostering a sense of commonality and hybrid art, transcending racial boundaries.

The transformation of cultural symbols like Brer Rabbit into Bugs Bunny, reflecting the blending of Afro, Anglo, and Native traditions in American culture.

The love for hybridity in American culture, yet the struggle with the historical packaging of racial segregation.

The impact of Bessie Smith's music on Columbia Records, highlighting the economic power of black music in the 1920s.

The creation of the 'race records' category by Columbia Records, reflecting the institutionalization of racial segregation in the music industry.

The emergence of rock and roll as a hybrid genre, with early pioneers being racially diverse but later becoming racially categorized.

The color coding of music charts in the 1970s, illustrating the ongoing racial segregation in the music industry.

The evolution of rap music from positive and uplifting to being commandeered by negative stereotypes, reflecting societal shifts.

The transformative power of the blues as the melting pot of American styles, influencing the way Americans interact and communicate.

The blues as a tool for addressing societal pressures and the need for compromise, innovation, and clear communication.

Mark O'Connor's anecdote about Bo Diddley, revealing the racial barriers in music and the love for the fiddle transcending them.

The enduring presence of the blues in American DNA, regardless of geographical location or awareness.

Transcripts

play00:01

Martin Luther King jr. in answering

play00:04

fellow clergymen who considered him to

play00:05

be an outsider coming in a folk in

play00:08

letter from Birmingham jail the melting

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pot fundamental dr. King said were

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caught in an inescapable network of

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mutuality tied in a single garment of

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destiny whatever affects one directly

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affects all indirectly anyone who lives

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inside the United States can never be

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considered an outsider anywhere within

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its bounds he was just teaching them the

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meaning of the melting pot things had

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already melted it was too late and

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attempts to tell them apart were doomed

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to failure he knew that this melting had

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already been consummated as far back as

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slavery by American musicians of all

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hues carrying fiddles in addressing the

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Berlin Jazz Festival audience in 1964

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dr. King said long before modern

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essayist and scholars vote of racial

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identity as a problem for a multiracial

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world musicians were returning to their

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roots to affirm that which was stirring

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within their souls what was in their

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souls was the affirmation of a coming of

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a commonality the affirmation of a

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commonality expressed in our brilliant

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hybrid art a singularity of culture

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manifested in our folktales

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across time like Brer Rabbit becomes

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Bugs Bunny all over the Western

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Hemisphere combinations of Afro Anglo

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Native traditions formed a hybrid

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Americana in the United States we love

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the hybrid but we couldn't like it

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better still we love the present but we

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just didn't like the package it came in

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her musicians were not judging they

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accepted what sounded good without

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reservation they were responding to what

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and who they liked and they were

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competing with each other to sound

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better the segregation always came after

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the art even the first minstrel shows in

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the 1840s though rife with unflattering

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caricatures showed a range of Negro

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characters in

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responses after 10 years of sold the

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1-dimensional extremely demeaning

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portrayal became the standard that

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endured until the mid 20th century in

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1923

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Bessie Smith's downhearted blue sold

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700,000 copies for Columbia Records the

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company was in receivership at that time

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by the end of the year her recordings

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have earned more than $750,000 mass some

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old dollars - and it pulled the company

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out of death then southern distributors

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complained about her recording being

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released on the main music series so

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Columbia created a segregated series for

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blacks called the race catwalk the

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echoes of which we have which have been

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heard in the music industry ever since

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someway in the late 1940s a hybrid of

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jazz country blues and hillbilly music

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emerges it's called rock and roll early

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pioneers were Americans Fats Domino

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Elvis Presley Chuck Berry

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Little Richard Buddy Holly amongst

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others but within 10 years of its

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definition as a genre rock and roll

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became white and R&B was black by the

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1970s when I was playing in funk bands

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the music charts was still color coded

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segregation and the peculiar effects of

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Jim Crow didn't end there the first rap

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music of the late 1970s was positive

play03:38

uplifting even in some cases by the late

play03:42

1980s the most progressive rap was being

play03:45

commandeered by the profane vulgar

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racist and misogynistic stereotypes of

play03:50

blacks that had been cultivated since

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minstrelsy and videos added a

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particularly devastating component in

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the early 1960s the British rockers

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tried to tell us but we only heard the

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message for a minute the Blues is the

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melting pot of America it is the melting

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pot of American styles it's the miracle

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part the master key the all-purpose

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tools sold on late-night TV the Blues is

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the encounter with the other that

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transforms you and them and blues came

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from life in a

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we're the people at the top had to

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contend with the people in the middle

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had to contend with the bottom sometimes

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the top had to contend with the bottom

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America where you were constantly

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pressured to address the other on human

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terms and you were forced to be

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inventive in conversational and prepared

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to compromise what competition drove you

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to be better and it could come from

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anywhere and it did and strong counter

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statement was always on the wind it

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forced you to listen and speak with a

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clearer voice that's why the blues is so

play05:00

true West it's casual like folks talking

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around the dinner table or in the

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barbershop where you know people listen

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as hard as they talk or in bed where

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they lie you see I couldn't help it the

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Blues came up from the bowels of this

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country it had to be accurate to survive

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and in the shadow of a racism that had

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many a code name like inner city and

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urban the Blues just kept coming up Mark

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O'Connor told me that when he was a

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teenager blues legend bo Diddley asked

play05:37

him to hold his fiddle in and mr.

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Diddley became teary eye he told mark

play05:42

that the violin was his first love and

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that blacks were discouraged from

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playing fiddle on records so that the

play05:47

recordings could be segregated White's

play05:49

played fiddles blacks played guitars

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anyway both of them were playing blues I

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grew up in a completely segregated south

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in the flowering of black nationalism

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and right here tonight Mark O'Connor and

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I spent a lifetime playing blues on band

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stands all over the world because it's

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in the American DNA whether you're from

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Seattle or New Orleans whether you know

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it or not you just can't outrun it

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[Applause]

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[Music]

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[Applause]

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[Music]

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thank you

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Etiquetas Relacionadas
American MusicCultural ImpactDr. KingMelting PotMusic HistoryRacial IdentityMusic SegregationBlues OriginJazz EvolutionRock and RollMusic Industry
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