Chapter 11 (part 1) analysis of The Picture of Dorian Gray by Oscar Wilde

Ms Long English
11 Sept 202014:15

Summary

TLDRIn this video, Mrs. Long delves into Chapter 11 of 'The Picture of Dorian Gray,' exploring Dorian's deepening obsession with the book that mirrors his life. Years have passed since the last chapter, and Dorian's portrait shows signs of decay, reflecting his corrupted soul. Rumors swirl about his life, yet his charm and innocence remain untarnished in the eyes of society. The chapter examines themes of appearance versus reality, hedonism, and the superficiality of perception. Dorian's paranoia about his secret is palpable, and his mental stability is tested by the portrait's power over him.

Takeaways

  • 🕰️ Chapter 11 of 'The Picture of Dorian Gray' takes place years after Chapter 10, showing significant changes in Dorian's life and the state of his portrait.
  • 📚 Dorian becomes obsessed with the book given to him by Lord Henry, which he believes reflects his own life and influences his actions.
  • 🎨 Dorian's portrait decays over time, reflecting his moral decline and the effects of his hedonistic lifestyle.
  • 📖 He procures nine copies of the book's first edition, bound in different colors to match his moods, indicating his deep connection to its content.
  • 🤔 The chapter explores themes of appearance versus reality, showing society's superficial judgment based on Dorian's youthful and innocent appearance.
  • 😈 Dorian takes a cruel joy in the portrait's ugliness, contrasting it with his own unblemished reflection, revealing his twisted sense of self-satisfaction.
  • 🌙 Dorian's mental stability is affected by his actions, as he experiences moments of pity and regret, especially during sleepless nights.
  • 🔍 He develops paranoia about the painting being discovered, which adds to his unease and fear.
  • 🌐 Dorian's life is filled with various interests and indulgences, from perfumes to music, as he seeks to escape the burden of his portrait.
  • 🏰 He cannot bear to be away from England for long, fearing separation from the portrait, which has become an integral part of his identity.
  • 💭 The portrait serves as both a source of pleasure and pain for Dorian, affecting his emotions and actions depending on his mood.

Q & A

  • What significant change occurs in Dorian Gray's life between the end of Chapter 10 and the beginning of Chapter 11?

    -A considerable amount of time has passed, during which Dorian's life has significantly decayed, as evidenced by the deterioration of his portrait and the rumors about his life and reputation.

  • How does Dorian Gray's relationship with the book given to him by Lord Henry evolve over time?

    -Dorian becomes obsessed with the book, recognizing it as a reflection of his own life and a symbol of himself. He procures nine large paper copies of the first edition, bound in different colors to suit his varying moods.

  • What does Dorian Gray perceive as the influence of the book on his life?

    -Dorian sees the book as having a major influence, acknowledging that it is poisonous and that it has led him to indulge in his carnal desires without experiencing the external effects.

  • How does Dorian Gray's appearance contrast with the reality of his actions and life?

    -Despite being involved in many evil deeds, Dorian maintains a youthful and innocent appearance that leads people to believe in his purity and goodness, showcasing the superficiality of society's judgment based on appearance.

  • What does Dorian Gray experience when he compares his reflection to the portrait?

    -Dorian experiences a cruel joy and a sense of triumph, as he sees the portrait bearing all the signs of sin and a life of pleasure, while his own reflection remains unstained.

  • How does Dorian Gray's mental stability fare amidst his hedonistic lifestyle?

    -Dorian's mental stability is compromised, as he experiences moments of self-pity and fear, especially at night, when he contemplates the damage he has done to his soul.

  • What are some of the interests that Dorian Gray explores in his pursuit of hedonistic pleasure?

    -Dorian delves into various interests such as perfumes, music, jewels and precious stones, and embroideries, indulging in each to the fullest extent when he becomes absorbed in them.

  • Why does Dorian Gray fear being away from the portrait for too long?

    -Dorian fears that someone might discover the painting during his absences, which could potentially reveal the truth about his soul and the nature of his life.

  • How does Dorian Gray's obsession with the book affect his perception of himself and the world?

    -His obsession with the book intensifies his self-absorption and the belief that he is living a life that was written before he had experienced it, further isolating him from the world.

  • What role does the portrait play in Dorian Gray's life as he indulges in hedonistic pleasures?

    -The portrait serves as both a source of pleasure and pain for Dorian. It brings him joy when he contemplates his unaged beauty, but also causes him torment when he is reminded of the sins and degradation it represents.

  • How does Dorian Gray's experience with the portrait reflect his inner conflict?

    -Dorian's relationship with the portrait is a manifestation of his inner conflict between the desire for eternal youth and beauty and the guilt and fear of the moral decay he has caused.

Outlines

00:00

📚 The Portrait's Influence on Dorian Gray

This paragraph delves into the impact of the book 'The Picture of Dorian Gray' on its protagonist, Dorian. It discusses the passage of time from the end of Chapter 10, highlighting Dorian's growing obsession with the book, which he sees as a reflection of his own life. The chapter also touches on the decay of the portrait, rumors of Dorian's scandalous life, and his superficial charm that masks his true nature. The summary emphasizes Dorian's fascination with the book, his hedonistic lifestyle, and the societal superficiality that fails to recognize his true character.

05:02

😈 Dorian's Cruel Joy and Paranoia

In this paragraph, the focus shifts to Dorian's private moments of cruel joy, where he contrasts his own youthful appearance with the monstrous portrait that bears the marks of his sins. The text describes his sense of triumph over nature and the unease that stems from his paranoia about the painting being discovered. It also touches on Dorian's intellectual pursuits and his rejection of any life theory in favor of pure hedonism. The summary captures Dorian's complex relationship with the portrait, his fear of exposure, and his exploration of various interests as a means to escape his inner turmoil.

10:02

🎭 Dorian's Hedonistic Pursuits and the Portrait's Grip

The final paragraph explores Dorian's relentless pursuit of hedonistic pleasures and the dual role the portrait plays in his life—sometimes a source of pride, other times a burden. It details his various obsessions, from gemstones to music, and his ability to immerse himself fully in each new interest. The summary also addresses Dorian's fear of being separated from the portrait and his constant worry about it being discovered, revealing the deep psychological hold the painting has over him.

Mindmap

Keywords

💡Hedonism

Hedonism is a philosophy that emphasizes the pursuit of pleasure and self-indulgence as the primary components of a good life. In the context of the video, Dorian Gray's life is characterized by hedonism, as he indulges in various forms of pleasure without restraint. This is evident in his exploration of perfumes, music, jewels, and other luxuries, which he uses as a means to escape the reality of his soul's degradation.

💡Appearance vs. Reality

Appearance versus reality refers to the contrast between how things seem on the surface and their true nature. The video discusses how Dorian Gray maintains a youthful and innocent appearance despite his corrupt and sinful actions. People are unable to reconcile the rumors about him with his beautiful appearance, demonstrating the superficiality of society's judgment.

💡Obsession

Obsession is a state of being preoccupied with a particular idea or object to the point where it dominates one's thoughts and actions. Dorian Gray's obsession with the book given to him by Lord Henry is a central theme in the video. He procures multiple copies of the book, binding them in different colors to suit his moods, and finds the story to be a reflection of his own life.

💡Sensual Pleasure

Sensual pleasure refers to the enjoyment derived from the senses, often associated with physical gratification. The video describes Dorian's pursuit of sensual pleasure as a means to escape the consequences of his actions and to indulge his desires. His studies in perfumes, music, and jewels are all part of his quest for heightened sensory experiences.

💡Degradation

Degradation in this context refers to the moral and physical decay that results from Dorian's sinful lifestyle. The video mentions the 'real degradation' shown in his portrait, which is a physical manifestation of his moral decline. His obsession with beauty and youth contrasts sharply with the hideousness of the portrait, highlighting the theme of degradation.

💡Paranoia

Paranoia is a state of excessive or irrational suspicion and anxiety. Dorian Gray experiences paranoia in the video, constantly fearing that someone will discover his secret painting, which holds the visible signs of his sins. This fear affects his mental stability and contributes to his overall unease.

💡Innocence

Innocence, in the video, is portrayed as a state of purity and lack of guilt, often associated with youth and naivety. Despite Dorian's corrupt actions, he maintains an innocent appearance, which confuses and misleads those around him. His ability to appear innocent while being deeply involved in sinful activities is a central irony in the narrative.

💡Superficiality

Superficiality is the quality of being concerned only with surface aspects or appearances. The video critiques the superficial nature of society, which fails to see beyond Dorian's beautiful exterior to the corruption within. This superficiality is highlighted by the public's inability to reconcile rumors of Dorian's misdeeds with his seemingly innocent appearance.

💡Carnal Desires

Carnal desires refer to physical or sexual desires. In the video, Dorian Gray gives into his carnal desires without restraint, which is facilitated by his realization that he can indulge in these desires without experiencing the physical consequences, as they are manifested in his portrait instead.

💡Moral Decay

Moral decay is the gradual decline in moral values or standards. The video discusses Dorian Gray's moral decay as a result of his hedonistic lifestyle and the influence of the book given to him by Lord Henry. His actions and the state of his portrait reflect a deep moral decay that is both a cause and consequence of his obsession with pleasure.

💡Self-Indulgence

Self-indulgence is the act of giving in to one's own desires or impulses, often to the exclusion of others or of self-restraint. Dorian Gray's life is marked by self-indulgence, as he pursues his interests and desires without consideration for the consequences, leading to both personal and moral decline.

Highlights

Chapter 11 of 'The Picture of Dorian Gray' picks up years after the end of Chapter 10, showing the decay of Dorian's portrait and rumors of his life.

Dorian's growing obsession with the book that Lord Henry introduced him to is evident through his collection of nine large paper copies bound in different colors.

Dorian sees the story of the young Parisian in the book as a reflection of his own life, written before he lived it.

The book is described as having a poisonous influence on Dorian, who recognizes it as such but is unable to free himself from its allure.

Dorian indulges in his desires without experiencing the external effects, influenced by Lord Henry's philosophy.

The contrast between Dorian's outward beauty and the monstrous portrait is a central theme of appearance versus reality.

Society's superficiality is critiqued through their inability to see past Dorian's charming appearance to the evil rumors about him.

Dorian takes a cruel joy in observing the portrait's hideousness, contrasting it with his own unblemished reflection.

Dorian's mental stability is affected by his actions, as he experiences moments of pity for the soul he has corrupted.

Dorian's paranoia about the painting being discovered is a constant source of unease.

Dorian's exploration of various interests, such as perfumes, music, and gemstones, is a manifestation of his hedonistic lifestyle.

His fear of the consequences of his actions leads Dorian to a life of 'huge new hedonism' as prophesied by Lord Henry.

Dorian's belief that life itself is more important than any theory of life reflects his commitment to hedonistic living.

Dorian's collection of treasures serves as a means of forgetfulness, allowing him to escape the fear associated with the portrait.

The portrait's role in Dorian's life fluctuates between a source of pleasure and a burden, depending on his mood.

Dorian's reluctance to be long out of England is tied to his fear of being separated from the portrait.

The portrait's significance to Dorian is akin to a part of him, despite the fear and torment it brings.

Transcripts

play00:01

hi and welcome to mrs long's video

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lesson on the picture of dorian gray

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today we're looking at chapter 11.

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um so chapter 11 picks up quite a few

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years after the end of chapter 10.

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much has gone on in dorian's life in the

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inter-intermediary time between this

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chapter and the previous chapter

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and we see evidence of that in

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the decay of the portrait that is

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described and

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in the um description of rumors

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of dorian's life and reputation

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and it also describes his growing

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obsession with the book

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and also the sorts of things he's been

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occupying himself with

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um in the the you know years between

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um that's not covered specifically in

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the book

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okay um so the end of chapter 10 it pick

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dealt with um dorian's saying to lord

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henry

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that he's fascinated by the book but

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that doesn't mean he likes it

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and um lord henry says oh you have have

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you

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you know the difference now um which

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kind of suggests that

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it might also be lord henry um sort of

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hinting at

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his fascination with dorian

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and sort of hinting at dorian's morbid

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fascination with this book

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now says he can't free himself from the

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influence

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or perhaps it would be accurate to say

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he never sought to free himself he

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procured from paris no

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less than nine large paper copies of the

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first edition and had them bound in

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different colors

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and he has them bound in different

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colours to suit his different moods

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depending on when how he's feeling when

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he wants to read it again

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so this young parisian the hero of this

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book becomes

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almost like a symbol of himself to

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dorian

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and it's he says he seems as if the

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whole story contained his own life

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written before he had lived it

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so you can see he's he's definitely

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grown an obsession with this

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this book and the story um and he

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himself

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um recognizes that it's a poisonous book

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okay so you can look at the book as

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having a major influence on

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dorian lord henry and of course he's the

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one who gave him the book and

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um that was not by accident and of

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course dorian

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just giving into his carnal innermost

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desires

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as a result of realizing that he can um

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indulge in these without experiencing

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the external effects of it

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so this description here

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is describing the cruel joy

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that he used to read the letter part of

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the book which is tragic

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if somewhat or with its tragic if

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somewhat overemphasized account of the

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sorrow despair one who had himself lost

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what in others in the world he had most

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dearly valued so he takes a sort of

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sick pleasure in reading the end of this

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book and it's almost the kind of sick

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pleasure he takes in

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in observing the painting as well for

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the wonderful beauty that had fascinated

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basil and many others seemed never to

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leave him

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even those who had heard the most evil

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things against him

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even the strange rumors that people

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heard

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they couldn't believe anything to

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dishonor when they saw him he always had

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the look of one who'd kept himself

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unspotted from the world

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they wondered how so charming graceful

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how once a chummy and graceful

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could have escaped the stain of an age

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that was as once

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sordid and essential so

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sorry for that freedom slip there so

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um what's what this is dealing with here

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is

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this idea of appearance versus reality

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and also how

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superficial the people in our own

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society are

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in thinking well if he looks beautiful

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and innocent then he must be those

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things

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and then not being able to believe the

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rumors about him because he seems to be

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so pure and um and young and beautiful

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looking

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which of course is a complete fallacy

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like you can

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you know be up to all sorts of horrible

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things

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behind the scenes and

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still look innocent on the surface

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and the fact that people have their

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inability to

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sip separate the two and realize that he

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could still

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be doing these horrible things shows us

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the the sort of superficiality of their

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society

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so this describes now this kind of cruel

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joy

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the sick pleasure he takes in creeping

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upstairs to the locker room

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opening it because he's the only one

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with the key and then

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standing with the mirror in front of the

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portrait and comparing the fair young

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face that laughed back at him from the

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polished glass

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to um this terrible

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monstrous thing um it's described as

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having hideous lines

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um the seared full forehead the heavy

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sensual mouth

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he would place his white hands beside

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the coarse bloated hands of the picture

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and smile

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he mocked the misshapen body and failed

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england

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you can imagine his sense of triumph

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over

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nature standing looking at this hideous

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aging portrait

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and with all the visible signs of sin

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and a life of pleasure

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and then looking at his own unstained

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reflection and just you know

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congratulating himself on having escaped

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all of that

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however the portraits

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all of the benefit that affords dorian

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it doesn't leave him

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unscathed in terms of his mental

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stability

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and it describes how in moments at night

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when lying sleepless in his own

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delicately centered chamber

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or in some sorted room of an ill-famed

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tavern

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reference say to his reputation um

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where he was under an assumed name and a

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disguise

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he would think of the rune he'd bought

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upon his soul with a pity

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that was more poignant because it was

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selfish

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and so he isn't

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unaware of what he's done to his own

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soul

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and what also manifests for dorian

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is his

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complete paranoia that someone is going

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to discover the painting

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which also brings him a sense of unease

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another sort of aspect sort of the

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reason

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that people found chapter 11 to be so

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odorous to read

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is because all the um the long

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descriptions about the things in which

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dorian involved himself

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so he became quite sort of circumspect

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and it's it's

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describes here as he looked back upon

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man moving through history

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he was haunted by a feeling of loss so

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much had been surrendered into such

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little purpose

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there had been mad willful rejections

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monstrous forms of self torture and

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denial

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whose origin was fear and his result was

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a degradation

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infinitely more terrible than that fancy

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degradation from which

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in their ignorance he had sought to

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escape so he looks back

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at everything that man had given up in

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the fear of

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the consequences and this kind of

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confirmed to him that his way of living

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as lord henry had prophesied was it as a

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huge new hedonism

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was to save um

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himself from having a life of puritanism

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and

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a life of denial instead of the life of

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just purely pleasure

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so he he explores

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catholicism um darwinism

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and um but it says that he never fell

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into the air of arresting his

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intellectual development by any form of

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acceptance of a creative system

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now you can imagine how

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dorian's beliefs and his um

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his behavior would clash with the ideals

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of a

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system particularly one of catholicism

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yet as has been said of him before no

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theory of life seemed to him to be

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any importance compared with life itself

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so again we go back to this idea of

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hedonistic living he knew that the

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senses no less the soul

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have their spiritual mysteries and so in

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his search

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to express his love for sensual pleasure

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he studies perfumes he devotes himself

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to music

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he studies jewels and precious stones

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and embroideries and every time he

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comes across an interest he kind of

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throws himself completely into it and

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because there's no

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sort of um

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top but nothing to stop him from

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spending money

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because he's just got the sort of

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seemingly endless um

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well of money he just whenever he

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becomes absorbed in something he would

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completely

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um indulge in everything so

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when he was interested in gemstones he

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would travel

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and um bar all sorts of beautiful stones

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and bars

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of beautiful embroideries okay so he

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really was

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taking lord henry's idea of um

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curing the soul with the senses

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literally

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he always had an extraordinary faculty

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of becoming absolutely absorbed for the

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moment and whatever he took

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up he was almost saddened by the

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reflection of the ruin that tom bought

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on beautiful and wonderful things he at

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any rate had escaped that

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so even when he's looking at beautiful

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things um

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he in the back of his mind he's

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comparing them to himself

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and being sad that everything that's

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beautiful has to age and decay

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and then thanking his lucky stars that

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he doesn't

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that he's escaped that fate no one to

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marry his face or stand his flower like

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bloom again comparing him to a flower

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so he didn't have to suffer the fate of

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all material things

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right so here this extract talks about

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the treasures and everything he

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collected

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were to him to be a means of

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forgetfulness modes by which he could

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escape for a season from the fear that

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seemed to him at times to be almost

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too great to be born okay so

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at night he's like the previous extract

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talks about how he used to lie awake at

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night and think about

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or mourn the loss of his soul and

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now what it addresses is this

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um the sort of heaviness that surrounds

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him

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to do with this painting um he hung with

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his own hands a terrible portrait his

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changing features showed him the real

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degradation for weeks he would not go

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there would forget the hideous painted

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thing and get back his light heart his

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wonderful joyousness

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his passionate absorption

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and he would go away and forget all

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about it now at the end of

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chapter 10 he mentioned that he need

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never look on it again

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obviously he couldn't resist that

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temptation

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sometimes to gaze on it and just

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congratulate himself for

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escaping the fate that the portrait has

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um has had to bear

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and other other times um he'd sit in

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front of the picture

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loathing it and himself filled at other

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times with pride

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of individual vigilism that is half the

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the fascination of sin and smiling with

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secret pleasure than the shape and

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shadow

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that had to bear the burden so it wasn't

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always with pleasure

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it wasn't always with loathing um

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this portrait kind of had us this jewel

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a role in his life depending on his mood

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at the time

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and so after a few years it says he

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could not enjoy to be long out of

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england gave up the villa that he'd

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shared a true will with lord henry

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as well as the little white walls in

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house at old jers where they had more

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than once spent the winter he hated to

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be separated from the picture

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separated from the picture there was

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such a part of his life and was also

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afraid that during his absences someone

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might gain access to the room

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so at the back of his mind always is

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this connection

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that he has to the picture remember that

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formed from the very beginning where

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basil wanted to destroy it and he said

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mode would be murder

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so it's almost as if the picture is

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actually a part of him

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although i mean realistically if anybody

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says it's true the portrait is preserved

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under all the fathers and ugliness

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it's marked like this to himself but

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what could they learn from that

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so even if he told them would they

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believe it so

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logically he knows that the painting

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isn't so much dangerous to him

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but he still has this fear that if

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somebody sees it they might discover his

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truth

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and the sphere was something that he

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couldn't quite shake so much so that he

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couldn't bear to be away from the

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painting for too long

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so what we're gathering now is this

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this picture of um dorian who has

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really thrown himself into a life of

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hedonistic pleasures

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um but at the back of his mind

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is always this little

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little worry of this portrait and

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sometimes it brings in pleasure

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sometimes it brings in pain and torture

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and we'll continue with this analysis in

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the next video

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Dorian GrayHedonismPortraitMoral DecayLord HenryBeautyObsessionSensual PleasureAppearance vs RealitySuperficial Society
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