Asal-usul Ondel-Ondel | Dongeng Bahasa Indonesia | AKM Literasi SD

Summary

The story of *Ondel-Ondel* originates from Kampung Condet, where a mysterious disease devastates the village. In an effort to stop the plague, the villagers, guided by Mizwar's prophetic dream, create two large effigies to ward off evil spirits. After parading the effigies through the village, the disease vanishes, and prosperity returns. The story of *Ondel-Ondel* spreads across Betawi and becomes a cultural symbol of Jakarta, evolving from a ritual object into an iconic feature of city celebrations, such as weddings, festivals, and official events.

Takeaways

• 😀 Ondel-Ondel originated from Kampung Condet as a traditional protection against a mysterious disease.
• 😀 The villagers in Kampung Condet were prosperous until a disease outbreak caused havoc in their community.
• 😀 The disease caused painful rashes, fever, loss of appetite, and, for some, death.
• 😀 Mizwar, who was unaffected by the disease, had a vivid dream of two giant figures, a white-faced woman and a red-faced man.
• 😀 Mizwar's dream led his father to suggest creating two large dolls resembling the figures in the dream to ward off the disease.
• 😀 The villagers worked together to create the Ondel-Ondel dolls, which were made of bamboo and dressed in traditional Betawi clothing.
• 😀 The dolls were paraded around the village with music and celebrations to rid the village of the disease.
• 😀 After the Ondel-Ondel ritual, the disease disappeared, and the village returned to its previous prosperity.
• 😀 The story of Ondel-Ondel spread across Betawi, and the tradition of the dolls became more widespread.
• 😀 Over time, Ondel-Ondel transitioned from a protective symbol to a cultural entertainment figure used in events like weddings, circumcisions, and official ceremonies.
• 😀 Today, Ondel-Ondel is a symbol of Jakarta, often seen on the streets as part of celebrations and cultural events.

Q & A

What was the cause of the decline in activity in Kampung Condet?

The decline in activity in Kampung Condet was caused by an outbreak of a mysterious disease that affected most of the village's residents.

How did the disease spread in Kampung Condet?

The disease was highly contagious and spread quickly among the residents, causing severe symptoms such as rashes and fever, eventually leading to some deaths.

What did Mizwar dream about during his sleep?

In his dream, Mizwar found himself in the village surrounded by dead bodies and dying villagers. He saw two giant figures—one with a white face and one with a red face—both dressed in traditional Betawi clothing.

How did Mizwar's father suggest dealing with the disaster?

Mizwar's father suggested creating dolls resembling the figures from Mizwar's dream, believing they would serve as a tool to ward off the misfortune and disease affecting the village.

What materials were used to create the ondel-ondel figures?

The ondel-ondel figures were made from bamboo, stood 2.5 meters tall, and were decorated with hair made from ijuk. They also had exaggerated eyes and sharp teeth, with the female figure dressed in a red kurung and the male figure wearing a pangsi outfit and batik cloth.

What happened after the ondel-ondel figures were completed and paraded?

After the ondel-ondel figures were paraded around the village with a ceremonial procession, the disease in Kampung Condet disappeared, and the village returned to its lively state, hosting the fruit harvest festival once again.

How did the story of ondel-ondel spread beyond Kampung Condet?

The story of the ondel-ondel spread throughout Betawi, with other villagers adopting the tradition of using the figures as a way to ward off evil and misfortune.

What role did the song 'Ondel-Ondel' by Benyamin Sueb play in the popularization of ondel-ondel?

The song 'Ondel-Ondel' by Benyamin Sueb, released in 1971, significantly contributed to popularizing the term 'ondel-ondel' and cementing its place in the culture of Jakarta.

What is the modern-day role of ondel-ondel?

In modern times, ondel-ondel are no longer used just for warding off misfortune. They have become a form of entertainment, appearing at various events like weddings, circumcisions, welcoming dignitaries, and even at city celebrations, especially in Jakarta.

What does the transformation of ondel-ondel signify about cultural practices?

The transformation of ondel-ondel from a ritual object to a form of entertainment highlights how cultural practices evolve over time, adapting to contemporary events while retaining their historical and symbolic significance.