建築家 香山壽夫217 Architectural Lecture Series-HISAO KOHYAMA I short version.2024
Summary
TLDRこのビデオ脚本は、建築の楽しさとその重要性を語る内容です。建築家は64年間のキャリアを振り返り、自然と共存し、人々に空間を創り出して結びつける建築の力について述べています。また、東京大学でのゴシック建築の保存と再設計の経験を通じて、創造性と技術の重要性を強調しています。脚本は、建築の多様な側面を探求し、若い建築家たちに建築の魅力と可能性を示しています。
Takeaways
- 🏛️ 建築は自然の中に立ち、人々を包み、守るアートであり、それが建築の喜びでもある。
- 🏗️ 過去64年間の仕事を振り返ると、建築は地球の上に立ち、空の下で行われる芸術である。
- 🌞 太陽が広がり、光が優しく差し込み、雨が降る環境の中で、建築は存在する。
- 🌍 建築は人々を守るだけでなく、人々をつなげる力がある。
- 🔨 建築の創造は難しいが、その難しさがやりがいでもある。
- 🏯 日本の経済成長期に、古い建物を取り壊して新しいものを建てる動きがあった。
- 🎨 建築は一種の芸術であり、設計やデザインにおいて多くの実験的要素が含まれている。
- 🏠 自身の家や実験的な建物を通じて、様々なアイデアを試みてきた。
- 🎋 手作りの粘土彫刻や、手書きのスケッチによって建築のアイデアを具現化している。
- 🔍 建築には多様な職業があり、建物を創造する仕事には大きな魅力がある。
Q & A
コロナパンデミックから6年が経ったと話されていますが、どのようなことを考えますか?
-スクリプトからは、30年後に100歳の誕生日を祝うことを想像しており、建築の仕事が非常に楽しんでいることが分かります。
建築の仕事の中で最も喜びを感じる部分は何ですか?
-建築は自然の中に立っており、太陽の光や雨に囲まれているという自然とのつながりが喜びの源とされています。
建築が人々に提供する主な機能は何ですか?
-建築は空間を創り出し、人々を包み込んで守り、彼らを結びつけるものであると説明されています。
過去64年間の建築の仕事の中で、特に重要な2つの分野は何ですか?
-自然の中での建築と、建築が創り出す空間が人々に与える影響が、特に重要な2つの分野だと言及されています。
スクリプトで言及された「クーハン」という人物とは誰ですか?
-クーハンはスクリプトの中で出会った人物で、彼の影響によって建築に対する考え方が変わったとされています。
クーハンが伝えた重要な教訓は何ですか?
-クーハンは「良い質問は良い答えより優れている」という教訓を伝え、その影響を受けたと語られています。
1970年代の日本の経済成長と建築にはどのような関連性がありますか?
-日本の経済成長の影響で、多くの古い建物が撤去され新しい建物が建設されたという時代背景があります。
東京大学での建物の撤去と移転についての議論はどのようなものでしたか?
-東京大学のゴシックスタイルの建物が撤去されるか移転されるかについて、議論があり、建築の価値について考えさせられたとされています。
ゴシックスタイルの建物の屋根をどのようにデザインしましたか?
-ガラスブロックとゴールデンライティングを使用して、光の反射を意識したデザインとなりました。
スクリプトで建築家の自宅について話されていますが、どのような特徴がありますか?
-自宅の壁は3つの部分に分けられており、それぞれが異なる機能を果たしており、風や自然とのつながりを意識したデザインです。
ハコodateのトラピという僧侶が作ったクレイキャリアリエとはどうですか?
-トラピ僧侶は、クレイキャリアリエを作成し、6メートルの幅と3メートルの高さを持つ作品を手作りで完成させました。
建築家のスケッチツールについて教えてください。
-建築家がスケッチに使用するツールや方法について話されており、手書きの穏やかさと建築への影響について触れられています。
建築という職業について、どのようなアプローチを提唱していますか?
-建築は多様な仕事があり、掘削から木を彫るまで多岐にわたる。建築家としての幅広い視点で捉え、創造的な仕事だと語られています。
建築の仕事に興味を持った若者たちに何をアドバイスしていますか?
-建築の仕事は創造的で興味深いが、金銭的な利益を求めるならあまり推奨しないとアドバイスされています。
Outlines
🏠 建築と自然の共生
この段落では、建築家が64年のキャリアを振り返り、建築の2つの主要な分野について語っています。一つは、自然の中で立つ建築であり、空の下、雨の降りかかる場所であることを強調しています。また、建築が人々に空間を作り、それによって人々を繋ぐだけでなく、保護するという第二のポイントにも触れています。建築の創造の喜びとその難しさを共有し、建築の力強さを感じています。
🎨 建築の創造と実験
第二段落では、建築家がゴシック様式の建物と自然との関係を通じて創造活動を語っています。彼の自宅のデザインや、ガラスブロックを使った照明のアイデア、そして粘土彫刻のプロセスについて詳しく説明しています。建築における手書きの優しさと創造性、そして実験的なアプローチの重要性を強調しています。
💰 建築家のキャリアと呼びかけ
最後の段落では、建築家が若い聴衆に向けて、建築という職業の多様性と創造的な側面に焦点を当てています。建築の仕事は、掘削から woodworking まで多岐にわたるため、建築家としてのキャリアを広く捉えることができると示唆しています。また、金銭を追求する目的で建築を学ぶのはあまり推奨されないと述べ、聴衆に貴重な時間を費やすべきだと呼びかけています。
Mindmap
Keywords
💡建築
💡自然
💡空間
💡光
💡歴史
💡デザイン
💡保護
💡つながり
💡創造
💡実験
Highlights
6年后的冠状病毒大流行讨论,以及对未来30年和100岁生日的庆祝。
建筑学的乐趣和对其他职业的无知。
回顾过去64年的工作,建筑学在自然中站立,与天空和阳光的联系。
建筑学创造空间,空间不仅保护人们,还连接人们。
建筑学创造的连接人们的力量,与其他形式相比,特别强烈。
在京都的紫之御所寺得到的灵感和与Khan的会面。
关于提问的重要性:一个好的问题比一个好的答案更重要。
1970年代日本经济快速增长时期的建筑拆除与新建。
东京大学校园内古老建筑的拆除争议和保护。
关于如何在现有哥特式建筑上添加新元素的讨论。
使用玻璃砖和目标照明来创造光泽效果的尝试。
个人住宅设计中的创新,如墙壁的三部分设计。
北海道函馆的Trapi僧侣的陶土雕刻和烧制。
关于手工制作和45分钟创作时间限制的讨论。
关于建筑手绘和表达方式的讨论。
建筑学职业的多样性,从挖掘到雕刻,种植到建造。
对于想要从事建筑学的人的建议,特别是关于金钱的观点。
对听众的感谢和对讨论的总结。
Transcripts
[Music]
Since it's been 6 years since the coronavirus pandemic, we talked in the dressing room about how next time we'll
be celebrating 30 years, maybe 94 years old, and next time we'll be celebrating our 100th birthday here.
After all, architecture is really fun. Even if I say that there is no other job that gives me this much joy
, I don't know because I don't know any other job.
When I look back on the work I've done over the past 64 years,
I think that there are two main areas. One of them
is here. After all, architecture stands on the earth, with the sky above it. The sun spreads out and the light shines gently,
and it rains. Sometimes I get calls saying
it 's raining in the rainforest , but architecture is an art that stands in the midst of nature.
Regarding the second point , in the end, architecture creates space, and space envelops people and
protects them, but it doesn't just protect them.It also connects people.This is what connects people.
It's not like there aren't other forms that have that kind of power, but it's especially strong, and that's the
joy of creating architecture, and it also makes it difficult, but yeah,
I can't really do architecture after all. I once thought to myself, ``I
got that room at Murasaki Daitokuji Temple in Kyoto, and I stayed there most of the time, and I just sat there for a long time,
and at that time, I happened to meet a person named Khan.'' When I saw the building,
I thought, ``Well, if there is such a structure, I'd like to try it.''The first
thing he said to me in class was, ``This is the single biggest thing that will stick with me for the rest of my life.'' As for the topic
, there was a class of about 16 students at a small university, and they all said it was disgusting,
because he said it in the first place because his body and face were burnt, so what he said was not a class or
anything. Don't say anything.Before you say anything, what
is your question to everyone?That's right.Normally,
when you ask a question, you say something, then after you talk, you ask everyone if you have any questions
. Then, even though he didn't say anything,
he said, "is your question." He then went on to say this, which is a famous saying, and he himself
has said it many times
, but a better question is better than a good answer. This is a time when my eyes were opened to
a truly great person, so I'll use it here
for a moment to describe Japan's great economic growth in the 1970s, when they were tearing down buildings and building new ones.
I took architecture as a textbook, so when I went back to the University of Tokyo,
there was a lot of fuss about how
all these old buildings in Todai were going to be demolished, replaced with new ones, or
relocated to somewhere else.This is the back of the main gate. There is a Gothic-style building in Japan
, and the teacher behind it was Kozo Uchida , who said, ``Let
's tear it down,'' and it's one of the few examples of urban design in Japan. Well, isn't this strange?I
was an assistant professor at Pepe, who had just arrived,
so I thought that Inagaki, the history professor, would do the same thing
and easily destroy something like that. In the first place , what is a university if you
ca n't show it in a space where these things overlap ? So I said , ``Why
don't you give it a try?'' I see, it was made in the 1970s, and the
reason why the roof rests smoothly on top of this gothic style was when I was a little over 30 years old.That
's how it happened. Well, I see, so if we were to preserve and
create that gossi-style building, we all thought, why not put something gossy-style on top of it, but
if we did that, it would turn into a manga, and we couldn't do that with this, this,
this building. It's already complete, so I thought I'd put something on it that would be an evacuation, and
I decided to put it on a different material from that Cole weather.Next, this
is the first design I made when I came up with that idea, so below. I thought I 'd take a quick look at that gothic-style
building that looks like this and the building that shines in a retreat.In a situation
like this, just a sketch of a cat won't do, so I'll move on to the next one.
Mr. Uchida consciously used scratch tiles to see how the light would reflect, and to
use those rough tiles, but he couldn't use stone, so
it was very smooth. What kind of thing would be good for something that shines?I
did it with glass blocks and goal lightning.I
had to try writing it by hand, like stroking a cat.That's how I drew it.Yes, this also applies to houses. I've been doing this all the time.I
feel like I'm getting stiffer because I don't do it all the time.This
is my own house.The walls are divided into 3 parts, 33 parts, and the sailors. The top part sticks out,
and the middle part folds down to become a window sill.The bottom part is just like the wind coming in at your feet,
so the wind blowing in from the river can blow in, so I put a lot of combinations of things together
. Well, this is an example of a study of various things like that, and
it feels a bit like an experimental house. Well, it's
like my child, God, and daughter were used as experiments. Did you like it?
In fact, there is a monk named Trapi from Hakodate, Hokkaido.You
may have seen him before when you were on a school trip.These days, he started
making clay carvings and firing them to create heights. It's 6m wide and 3m, and I did it all with my own hands.This
is the design on the left.This design is the only design I've been working on for about 3 years.Oh
, what's this?My waist is stiff, and the relief is that shape.It's a good shape. Since we use clay that has been kneaded beforehand,
we can do this for about 45 minutes. Today, we will help you with this, where
will you sit, and Shimokawa will take this photo. He will always be there. So, just like in soccer,
we will spend 45 minutes. I play the flute and take a break, so I don't have time, so I play 2 rounds in the morning and 3
rounds in the afternoon.Okay, so I'm tired of
repeating myself, but when I say I create, I have to connect to that.The
truth of what I create is ... I'm afraid you won't be happy about it, but it's so dirty.
Let's erase it a little. But that's what it is. Mr. Yoshi Takehara is here,
so I'm going to show you what kind of tools I use to sketch.
We are looking at a lot of sketches that we have received from
Professor Koyama about how architecture is expressed, but
how do we present it to students? I don't know if it's possible to do that,
but it's embarrassing. Wow, this doesn't show up. That's what I
'm writing in the report. The reason the storyboard is so fast
is that it goes like this all at once. You can do it if you try
, but it's okay because it's too far away to show off, but last year
there was a convention of the Japan Architectural Association in Okinawa, and at that time I saw a banyan tree and thought, ``This is interesting,''
and I kept saying things like this over and over again. The twists and turns of writing are also
very fast with that pencil.The gentleness of writing by hand oozes out in the architecture.From
now on, we will be looking at architecture.Today's talk by Professor Takayama. Could
you tell us a little bit about what kind of profession you would like to pursue after
hearing about this ?There are many types of jobs in architecture.There
are many types of jobs in architecture. There are many different
types of work, from digging holes to carving wood, growing trees, and of course
building, so I think of it as an architect overall
, so I can broadly describe it as an architect. I mean, I think this is really interesting when you think about the work of creating buildings for people to live in.If
you want to make money, I wouldn't recommend it that much.Well,
I guess that's true.Today, I really want to spend that precious time.
Thank you very much. I am also very
grateful to you all today. I was able to have this kind of conversation. Thank you very much.
[
Music]
Masuha
[Music]
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