№2 Mr. Faig Ahmed — Exclusive ADAlilar Magazine Interview

Summary

In this interview, artist F Ahmed discusses his creative journey and the cultural influences shaping his work. He emphasizes the importance of being true to oneself, the value of failure in the creative process, and the balance between individuality and societal norms. Ahmed's art, deeply rooted in cultural traditions, explores the interplay of local and global perspectives, aiming to connect communities and provoke thought through interactive pieces, particularly his signature carpets that challenge conventional exhibition norms.

Takeaways

• 🌟 The speaker, an artist, emphasizes the importance of art as a lifestyle and a way of thinking, not just a discipline.
• 🎨 The artist's signature style is deeply influenced by cultural and historical objects, reflecting a connection to society and social behavior.
• 🧶 The process of creating art, especially intricate carpets, involves collaboration with traditional carpet makers, primarily women, highlighting the intersection of local craft and global contemporary art.
• 🔍 The artist discusses the evolution of their style over time, focusing on the importance of ideas and concepts behind the art rather than just visual changes.
• ⏳ The artist shares experiences of failure and learning from it, underlining the necessity of perseverance and continuous improvement in the creative process.
• 🤝 The importance of support from others, including friends and community, is acknowledged in the journey of creating art and establishing a studio.
• 💡 Creativity and ideas are central to the artist's work, with the suggestion that ideas can come from anywhere, including dreams and moments of inspiration.
• 🌐 The artist explores the balance between local culture and global influences, bringing traditional cultural knowledge into the global art discourse.
• 👂 Listening to a wide range of perspectives, from various backgrounds, is crucial for an artist's growth and the development of unique ideas.
• 🚫 The artist addresses dealing with criticism and negativity, suggesting that it's a natural part of the creative process and can be valuable for growth.
• 🌈 The interview concludes with advice for students to be themselves, maximize their identity, and find balance between individuality and social norms for success.

Q & A

What is Adalar Journal and what is its significance?

Adalar Journal is a publication founded in 2019 at Ada School. It is more than just a journal, having hosted numerous events and published four issues by the time of the transcript. It serves as a platform for students to express their work and ideas.

What is the role of Denis Sultan in Adalar Journal?

Denis Sultan is the External Affairs Officer for Adalar Journal, responsible for representing the journal and organizing events.

Can you describe the guest F Ahmed's profession and perspective on art?

F Ahmed is an artist who views art as not only a discipline but also a lifestyle and a way of thinking. He believes that art should be shared and is deeply connected to cultural and historical objects, analyzing society and social behavior.

How does F Ahmed's art reflect his cultural background?

F Ahmed's art is influenced by his cultural background, using traditional elements and historical objects that are significant in his culture and others with similar values and visual culture.

What is the process of creating F Ahmed's signature style?

F Ahmed's signature style is developed through a process of analysis and understanding of culture, society, and the interconnection between images and social behavior. It took several years of exploration and collaboration with the local community of carpet makers to refine his style.

How does F Ahmed work with the local community in his art projects?

F Ahmed collaborates with local communities, particularly with women who are traditional carpet makers. He works closely with them, learning from their expertise and integrating their skills into his contemporary art projects.

What challenges did F Ahmed face when starting his art projects involving local traditions?

Initially, F Ahmed faced resistance from the local community, particularly the carpet makers, who were skeptical about his modern approach to their traditional craft. It took time and multiple attempts to gain their trust and acceptance.

How does F Ahmed view the relationship between traditional and contemporary art?

F Ahmed sees traditional art as a part of everyday life and culture, while contemporary art is something that pushes boundaries and makes people look to the future. His work aims to bridge the gap between these two, bringing new questions and perspectives to the art world.

What advice does F Ahmed have for students pursuing success in their endeavors?

F Ahmed advises students to be true to themselves, maximize their individuality, and listen carefully to others while maintaining their unique perspectives. He emphasizes the importance of sharing knowledge and supporting one another as a community.

How does F Ahmed handle criticism and negativity towards his work?

F Ahmed views criticism as a necessary part of the artistic process, acknowledging that not everyone will appreciate his work. He differentiates between constructive criticism, which he values, and destructive criticism, which he tries to disregard.

What is F Ahmed's approach to dealing with creative burnout?

F Ahmed manages creative burnout by controlling his creative energy and taking breaks when necessary. He suggests an 'information diet' and activities like meditation to help refresh the mind and regain balance.

Can you explain F Ahmed's concept of art being both abstract and multi-related?

F Ahmed believes that art, especially his, is abstract and multi-related, meaning it can be connected to many different aspects. It can be described by words, images, or both, and often requires a deeper understanding of the connections it presents.

What is the significance of the carpet in F Ahmed's work and how does he incorporate it?

The carpet is a significant element in F Ahmed's work due to its cultural value and historical significance. He incorporates it by collaborating with traditional carpet makers, transforming the carpets into contemporary art pieces that question and reinterpret cultural values.

How does F Ahmed's work with performance art involve large groups of people?

F Ahmed's performance art involves large groups of people acting together, sometimes numbering in the hundreds. These performances are a form of collective expression that can be seen as a social experiment, exploring the dynamics of group behavior and interaction.

What is the role of memory in F Ahmed's artistic process?

F Ahmed consciously tries not to hold onto memories of his past works, as he believes this can make his creative process heavier and limit his ability to think expansively and innovatively.

How does F Ahmed view the role of art in society?

F Ahmed sees art as a powerful tool for influencing society and individuals. He believes that art should not just be about pleasing the senses but should also challenge and provoke thought and discussion.

What is the relationship between F Ahmed's art and the concept of Sufism?

Sufism, with its philosophical and spiritual teachings, has influenced F Ahmed's worldview and, by extension, his art. He sees parallels between the surrealistic elements of Sufi thought and the abstract and dreamlike qualities in his artwork.

How does F Ahmed's interest in psychology manifest in his art?

F Ahmed's interest in psychology is evident in his exploration of human behavior and the way art influences the human brain. His work often delves into the psychological impact of art and the interplay between individual and collective experiences.

What is the significance of the carpet-cutting incident in F Ahmed's narrative?

The incident of cutting an old, culturally significant carpet for an art project was a pivotal moment for F Ahmed. It symbolizes the tension between tradition and innovation, and the challenges of reinterpreting cultural symbols in a contemporary context.

How does F Ahmed approach the intersection of local and global in his work?

F Ahmed aims to connect the local, specifically the traditional knowledge and practices of his community, with the global language of contemporary art. He sees this as a way to bring cultural knowledge to a broader audience and challenge conventional notions of what constitutes art.

What advice would F Ahmed give to his younger self?

F Ahmed would advise his younger self to continue on the path he was on, emphasizing the importance of following one's own direction and trusting the process, as it has led him to a place of happiness and fulfillment.

Outlines

00:00

📚 Introduction to Adalar Journal and Artist F Ahmed

The speaker, Denis Sultan, introduces the Adalar Journal, a publication founded in 2019 at Ada School. He highlights the journal's activities, including numerous events and four published issues. Denis also introduces himself as the external affairs officer and expresses pride in the student-led efforts. Guest F Ahmed is acknowledged, and the conversation shifts to discussing F Ahmed's background and his journey as an artist.

05:03

🎨 F Ahmed's Artistic Style and Cultural Influences

F Ahmed discusses his artistic style, emphasizing that being an artist is not just about discipline but also a lifestyle. He explains that his work involves analyzing society, culture, and the interconnection between images and social behavior. F Ahmed's style is deeply rooted in cultural and historical objects, drawing inspiration from both local and global contexts. He also touches on the evolution of his style and the importance of understanding both traditional and contemporary art.

10:03

🔍 The Process of Realizing Artistic Ideas

F Ahmed delves into the process of turning ideas into reality, acknowledging the challenge of making abstract artistic concepts tangible. He discusses the importance of thinking and the role of emotions in the creative process. F Ahmed also shares his experience of working with carpet makers, highlighting the traditional community of women involved in this craft. He emphasizes the connection between local traditions and the global art scene.

15:05

⏳ The Journey to Success and Overcoming Failures

F Ahmed talks about the time-consuming nature of creating intricate carpets and the initial failures he faced in his artistic journey. He shares how he had to communicate his vision to the carpet-making community and the financial losses he incurred due to failed attempts. Despite these setbacks, he persisted and eventually found success, even opening his own studio with the help of supportive individuals.

20:06

🌐 The Influence of Past and Cultural Experiences

F Ahmed reflects on how his interest in the past and different cultures has influenced his work. He discusses the importance of understanding one's own cultural story and the broader history of humanity. His travels, particularly to the Amazon, have exposed him to diverse cultural influences, which he incorporates into his art. F Ahmed also mentions the philosophical ideas of Sufi culture and their impact on his perspective.

25:07

🌟 The Evolution of Artistic Style and Concept

F Ahmed discusses the evolution of his style over time, focusing on the conceptual aspects of his art rather than just the visual changes. He talks about his involvement in various art forms, including performance art, and his interest in how art interacts with society. The artist also mentions his research into the mechanisms of art and its impact on the human brain and psychology.

30:07

🤔 Balancing Individuality and Social Interaction in Art

F Ahmed emphasizes the importance of being true to oneself and maximizing personal identity in the pursuit of success. He advises students to listen to others but also to maintain their individuality. The artist discusses the balance between respecting societal norms and expressing unique ideas, suggesting that finding this balance is a form of success in itself.

35:09

🔊 Dealing with Criticism and the Power of Art

F Ahmed addresses the negativity and criticism he has faced, particularly in relation to his experimental approach to traditional cultural elements like carpets. He views criticism as essential, distinguishing between constructive feedback and destructive criticism. The artist believes that art should not be solely about pleasing others but should have the power to influence and provoke thought.

40:09

🌈 The Significance of Sensory Experience in Culture

F Ahmed explores the relationship between carpets, music, and poetry, highlighting the patterns and structures shared across these art forms. He discusses the importance of engaging all human senses in experiencing culture, from visual and auditory to tactile and olfactory. The artist advocates for a holistic approach to cultural expression that encompasses multiple sensory dimensions.

45:14

💡 The Intersection of Art and Psychology

F Ahmed shares his early interest in psychology, influenced by his mother's medical background. He discusses how his childhood experiences with drawing and art led him to a deeper appreciation of the sciences, including biology and physics. The artist reflects on the interconnectedness of art, psychology, and science, and how his current research focuses on understanding brain activity in relation to art.

50:15

🌟 Embracing Change and the Artistic Journey

In closing, F Ahmed encourages embracing change and following one's instincts, drawing from his own experiences of shifting directions in his artistic and educational pursuits. He appreciates the freedom that art provides and the opportunity it offers for self-discovery. The artist also expresses his gratitude for the opportunity to share his experiences and looks forward to future engagements.

Keywords

💡Adalar Journal

Adalar Journal is a publication founded in 2019 at Ada School. It is more than just a journal, as it has hosted numerous events and published several issues since its inception. In the video, the speaker mentions presenting the latest issue of the magazine as a gift, indicating its significance and the pride they feel in the work produced by the students of ADA School.

💡Artist

The term 'artist' is used to describe the speaker's profession. The speaker discusses how being an artist is not just a discipline or work, but also a lifestyle and a way of thinking. This concept is central to the video, as it shapes the speaker's approach to their work and their interaction with society and culture.

💡Cultural Object

A 'cultural object' is something that is significant in a culture, often reflecting its values, traditions, and history. The speaker mentions that their work is influenced by cultural objects, emphasizing the importance of understanding and analyzing these objects to create art that is deeply connected to culture.

💡Contemporary Art

Contemporary art is a term used to describe art from the present period, often characterized by innovation and a break from traditional forms. The speaker discusses the distinction between contemporary art and traditional art, highlighting their interest in pushing boundaries and exploring new ideas and materials in their work.

💡Carpet

Carpets are a recurring theme in the speaker's work, serving as both a cultural object and a medium for artistic expression. The speaker discusses the process of working with carpet makers and the challenges of transforming traditional carpet-making into a contemporary art form. The carpets are also described as interactive works that invite touch and engagement from the audience.

💡Global and Local

The speaker discusses the relationship between global and local contexts in their work. They explore how local cultural knowledge can be brought into a global dialogue, challenging the notion that everything of value must come from a global perspective. This concept is central to the speaker's approach to art, which seeks to connect local traditions with broader cultural conversations.

💡Creativity

Creativity is a key aspect of the speaker's work as an artist. They discuss the importance of having creative ideas and the challenge of making these ideas real. The speaker also touches on the concept of creative burnout and the need to manage creative energy, suggesting that a balance between creation and reflection is essential.

💡Sufism

Sufism is a mystical and philosophical aspect of Islam that the speaker mentions as an influence on their work. They discuss how Sufism offers a surrealistic view of the world, which can be applied to art and other forms of expression. This philosophical perspective is integrated into the speaker's approach to art, adding depth and complexity to their work.

💡Interconnection

The concept of interconnection is important in the speaker's work, as they analyze the relationships between images, society, and behavior. They discuss how their art seeks to understand and depict these connections, reflecting on how different elements of culture and society interact and influence each other.

💡Psychology

The speaker expresses an interest in psychology, particularly in understanding human behavior and thought processes. This interest is reflected in their art, which often explores the psychological implications of cultural objects and practices. The speaker also mentions how their work is influenced by psychological theories, such as those of Carl Jung and Noam Chomsky.

💡Success

The speaker discusses the concept of success in the context of art and personal development. They emphasize the importance of being true to oneself and maximizing one's identity. Success is defined not just by external recognition but also by the ability to balance individuality with social interaction and to pursue one's passions while respecting societal norms.

Highlights

Introduction of Adalar Journal and its role as a platform for hosting events and publishing student work.

Guest F Ahmed's perspective on art as a lifestyle and a way of thinking, not just a discipline.

The process of discovering one's artistic style through cultural and societal analysis.

The importance of cultural and historical objects in shaping an artist's work.

The evolution of an artist's style over time, influenced by cultural values and traditions.

The challenges of communicating artistic ideas and the iterative process of creation.

The significance of failure in the creative process and its role in improvement.

The collaboration with traditional carpet makers and the integration of local culture into contemporary art.

The balance between local and global perspectives in art and the impact of cultural knowledge on the global stage.

The time and effort involved in creating intricate art pieces, such as carpets.

The support systems and communities that contribute to an artist's journey and success.

Strategies for managing creative energy and preventing burnout in the arts.

The influence of past and history on current artistic endeavors and their significance.

The role of cultural influences from travel and their integration into an artist's work.

The intersection of personal culture and surrealism in an artist's work and its evolution.

The artist's approach to pushing boundaries and experimenting with new ideas in art.

The artist's philosophy on not favoring past works and focusing on the present for creative freedom.

The interactive nature of art, especially carpets, and the artist's encouragement for audience engagement.

Advice for students on finding success through individuality, self-discovery, and social interaction.

Handling criticism and negativity in the art world and using it as a tool for growth.

The artist's current research on the influence of art on the human brain and psychology.

The relationship between art, music, and patterns, and their integration in cultural expression.

The importance of using all human senses in experiencing and understanding culture and art.

Transcripts

turn off the turn on the phone we

supposed to H the phone yeah it's

okay hello everyone um first I'd like to

thank everyone for coming from adalar

magazine especially Our Guest F Ahmed um

my name is Denis Sultan and I'm the

external Affairs officer in adalar

journal and some of you may ask what is

the adolar journal to be exact well it

is a journal founded in 2019 in Ada

school but honestly speaking it's more

than just a journal well since 2019

we've hosted numerous events both in and

out of AD school and we've also

published four issues of our

magazine this is the latest issue of our

magazine I'd like to present it to you

as a small gift oh thank you and seeing

the quality of it and knowing that it

was fully prepared by students of ADA

School it really makes me

proud yeah it's a lot of work I'd like

my fellow interviewer to

start hi my name is Lea Zen and uh

without any Ado I would like to ask you

the first question so can you tell us

about

yourself yeah but first of all first of

all thank you for inviting it's great to

be here I'm not here first time but in

the school first time uh but in general

not in the other so it's always nice to

have a contact talk and

share uh so I'm just a little bit coming

to the question by this because my my

work is artist so art is

sharing uh so let's start with this and

uh yeah so this is like to be an artist

uh is uh is not is is not only uh um uh

discipline certain work but it's also

style of life it's it's lifestyle it's

it's uh it's way to live way to think

and

yeah so if if I'll tell shortly okay so

if we will go deeper so yeah so because

there are a lot of things that we can

talk okay now let's get into your style

and to be exact how did you discover

your style your signature Style

well this is also uh another artwork

that artist work that

um that

um uh that makes you like makes you

analyze things around so analyze Society

analyze object of society as in like if

you is everyone so my work are everyone

so my work yeah

everyone so um that's why uh uh so if if

you saw that so you understand that of

course that it comes from from culture

it's it's cultural object first of all

historical object uh it's important

object of of our culture first of all

and in general other cultures too who

has similar uh values similar Traditions

similar visual culture also so

um so I'm coming back back to the

question that

um so to to and like the work of art is

analyze all these things that I'm

talking about like culture our society

interconnection between uh images and uh

and social behavior for example so that

was like uh it wasn't if you wait for

like U that I dreamed and uh just wake

up in the night and uh got this idea yes

there are a lot of like this this kind

of artistic idea that you can get in

them like Inspire from something get in

the moment but uh but in general is is

is analyzing work so it took uh I mean

for this style or or this material media

which is right to say it's took like

several years to come to this like it

wasn't only my analyze it also was

analyzing of of our generation of

artists who uh for example we put the

question of of what is aarani

contemporary art like we understand what

is uh what is uh um uh what is uh

uh what is is traditional art so that's

another thing because tradition is uh is

something appears it's it's in the in

the in the Mims it's in it's in our life

every day everyday's life but when

Contemporary Art is something that uh

makes us look Beyond to the Future so

this is what what I'm doing actually uh

it's it's putting new questions so

that's why I I come to this um this

idea um like uh in this way yeah okay

thank you but um how about your ideas

how do you come up to them come up with

them and after come up coming up with

them how do you make them real mhm well

this is this is more important question

how to make them real because we all

have ideas that's the thing actually

that's the one of the moment of art this

very good question that we all can have

ideas and not it's not only about art of

course uh but directly related with art

this idea that uh thought how thoughts

or not only emotions because emotions is

also part of thoughts like because when

we're thinking about something we're

feeling or or we can think not feel for

example uh so but in general our

thoughts uh like the question how how to

make real our over thoughts how and

especially if it's artistic ideas

because artistic IDE is mostly abstract

or like like I would say like multi

multi- related uh things like it's

related with many things it can be

described by words for example like I

can describe my work my works by words

but also you know sometimes it's images

enough sometimes both have to be there

so it's always

like a lot of

connections so um W I think

go away from the question what was the

question how do you how do you create

yes oh how do you well it's also it's

this is even like so again like thinking

is is nice it's fun everyone like to

think and Especial fun thinks it's like

art but to create art like when you're

creating by your hands it's another

thing so the thing is like I'm because

it's carpet uh and uh and I'm not doing

it myself so uh it's carpet makers

tradition who traditionally learn from

the mothers grandmothers how to make

carpets so I'm working with this like uh

we can call it Community uh and because

it's mostly woman it's woman Community

who who doing this works so it's another

interesting moment that uh very

traditional Community as we understand

actually how it's how it's how it's

looks and real uh related with a global

uh system like like Contemporary Art so

it's art like this this kind of what I'm

doing is connecting this uh local to

with the global so and and here so

actually we how how we like how we used

to understand uh Global and local is so

like everything comes from Global is is

is something that we're accepting like

we are part of the global work of course

and uh and actually and mostly local

things needs for local

so this how actually mostly how it works

uh but in this case like it's something

happens uh when we as a local knowled we

can bring our knal cultural knowledge to

the global

language um so if if it's too

complicated sorry but I think it's you

we all understand what I'm talking about

yeah I mean it's abstract yeah but it's

yeah philosophical I'm also interested

how much time does it take for you to

make these carpets cuz look so

intricate well yeah I will continue from

from the question be previous question

that um yes exactly how it's how long it

takes so the the thing is like when I

started like it been failed uh uh so uh

like my first uh my first tries was

failed because first of all like I I

tried to find actually the carpet makers

like and if you saw my works so you

understand what they thought when you

when they saw the works the sketches

because that was something like you know

many thought maybe it's not respected

many thoughts it's something like I'm

teasing or something like this it's not

like nice to do something like that of

course because it's our cultural

value uh and that was the actually my CA

my my think like my case and I mean uh

my uh idea to make a little bit uh think

about what was it like to understand

what is it value or not so it should be

like Ted it should be a little bit in

from my view not spoiled but transformed

right so and then we understanding is it

value or not so yes that was hard first

of all to to uh communicate with

Community First of all I bring this like

again as I said like Lo Global questions

Global interesting like uh ideas to uh

to the local community and make them

connected with each other uh and also

physically because like first things was

F failed and I lost and because it's

carpet is money so I lost a lot of money

and my one of my best friend he even

helped me and I also failed this time

too so it start with a fails which is uh

which is okay when you're doing any work

actually uh and especially if you if you

have Target to make a bigger work bigger

things right so you have to be fail you

have to be prepared for fail uh because

as you fail it's mean like the next time

you will be better next time you better

and and you will go through it and you

will be ready to to get it in the future

too so yeah it wasn't hard it wasn't uh

cheap also so it's took but after like

year or two I start to make first uh

kind of tries become

real uh and uh there was one Gallery

it's it's a gallery in uh in MOS it was

a in MOS Idan salak G which is I'm sure

that you have to know Ian salak

T

um daughter and she's also an artist and

she's also gallery gallery um uh owner

so uh contempor art gather actually so

um so actually it's also there was

another fail that it wasn't sold for

example because should be sold to make

another tries and Etc so uh but at the

end um everything if you go through it

everything is working so I went through

it yeah and now you even have your own

studio and I would want to ask if anyone

helped you in creating this studio or it

was more of a lonely Journey well uh

it's always both actually it's I think

it's always boss uh a lot of people help

me a lot of people help me uh and

they're special people and two of them

for example here and for longer uh path

of of of this like of this this creation

uh hidden part of my uh my team was here

uh was was with me which is very

important of course because again as you

if you're thinking and especially in art

because art needs Big Ideas uh so that

if you doing something big you have to

be prepared to share to be with other

people together to be ready to work with

a community with a team with the people

around because like okay there are a lot

of smart people around us genus Etc but

uh the thing is even they I'm sure like

will dig their stories histories and

stories we'll find that a lot of people

will help them or support them and of

course I'm I'm getting this support too

and there will be people who will be

against against you so that's important

that's why it's important to have um

good people around you because World

actually in this kind of things the

world is against you like whatever you

want to bring to world you have to fight

with world and then you bringing and

then it's accepted it's becoming

accepted yeah so um you're telling about

your uh challenges but what about

burnouts creative burnouts have you ever

experienced them yes uh that's that's

that's normal also and especially when

you it's it should be also learned so I

learned to to control kind of Creative

Energy because if you're creating all

the time of course it doesn't matter

like it's art it's music it's even

writing for example because it's those

create whatever we create and creating

as a as a physical part of the physical

world so yes I felt it not once even

like there was longer one there was

shorter one uh but it happens and I

think it's to prevent it uh if I will if

I can give a u um uh I'll forget this

word give a svet advice advice yes so if

if I can give advice so it's

um better if you are too creative like

first you have to make your drive like

make your creativity drive so you have

to create more and get further and wider

and uh try to find some new languages

new ideas like in again like in writing

in in creating in painting in sculpture

whatever again like if you are film

director for example or photo Etc but as

you going bigger so you're kind of a

little bit losing control so in this

moment you have to a little bit of find

a peace not create anything so make some

kind of a

um diet like information diet so you

know I'm sure what it what it's it's

it's when we're without phone for

example smartphones uh If you experience

something like that so it's something

when we need information we want to

process we want to analyze and our brain

um kind of um uh like not triggering but

like making us to to to to um absorve

information around and analyze it so but

when we're giving kind of some

relaxation it's almost not almost but it

can be also meditation for example which

also making you uh your all your

knowledge and all your ability kind of

more more more um healthy inside it

means it's all like like all your part

inside like because we have a

Consciousness right the psych psychic

space so it makes us more um kind of

work more in harmony inside of ourselves

so

we becoming more um uh uh updated so

it's kind of update updated upd updated

updation right

say uh of of yeah our conscious and and

psychological um it's cognitive fun

functions so like how we're thinking how

we remember how we're creating and how

we're doing other things

yeah um to further the discussion in

several interviews of yours you've

mentioned your interest in the past and

I wanted to ask how exactly it has

influenced your work because we're in

the present after

all well uh how we come how we are in

the present like that that question

starts from present actually and what is

the what brings me here like first of

all it's our own story like everyone

have of course has their own

stories uh that's that then we have to

understand like what the story of of our

culture of our nation for example our

country and then when we want to

understand more like what is the history

of humanity for example right so then

even getting more like what was the

humanity as a as a species for example

like because we like Evolution I'm

talking about evolutional history for

example so when I'm talking about past

I'm talking about uh gener in general

like from like starting from F first

cell I'm sure you know like

um this story if it's right so

evolutionary story so it's start

starting from first cell till us because

that's I think I think it's that's

important to understand like as a whole

story not only human story not only like

a local story but as a one bigger story

of humanity and life in general because

we are very like each other like with

the plants even with the bacteria with

other animals of course like that more

looking like us um like apes like

different type of monkeys

Etc yeah so that's that's the past

actually but yeah if again like if I can

talk of course like more details I'm

sorry I stop you so if I can tell more

in details that uh the past also was

interesting to me like as a spiritual

story like spiritual because this is

something also basic of today's thoughts

today's thinking

um even like like how we how we

communicating today is something that

been created in the past and uh now

we're just using it so to understand to

understand it more of course I was

interesting in that

yeah um what are some cultural

influences that find their way in your

work uh cultural influence it's very

good question also

um uh I think the different cultures uh

until like because I'm I like to travel

and I like to travel far and deep for

example I've been in in Amazon in

Peruvian from Peruvian part because

Amazon is is shared by Amazonian Forest

I'm talking about it's shared by

different countries so I've been in Peru

uh I've been in different part of Peru

but that was more most interesting

because this that was farest and

strangest place where I've been so

that's also that's that's culture for

example because uh that was a culture of

uh very simple life it was tribe who

almost they don't have any any objects

almost I don't know if you ever seen uh

Brazilian or or again Amazonian um

tribes who living in Amazon so how are

they looking so they were simple if I

can say uh U if I can say uh it's like

softly um but it was interesting to to

intercon like to connect with uh with

the people who live in very simple

culture like because Al they also have a

culture but it's very simple like much

simpler of course than us our

culture uh but to find this kind of

similarity but even if it's if if this

culture is not let's say rich like your

like in my case my culture but still you

can find some interesting um things

there like for example like way of

drawing so I was interested in a pattern

that I researched during this uh uh

during this travel and spending time

with this

tribes um if you were interesting I can

tell about the story a little bit wider

because I have some materials video

materials Etc so it's another story but

U but it's also interesting that it's

it's I even like that this kind of

culture is also influenced to me but I

can say it's maybe it's two main culture

uh its culture which is aeran is was one

of the center of of this culture is Sufi

culture I don't know how you familiar

and know about this

um uh

philosophical it's actually like we can

call it philosophical schools uh

philosophical and like practition when

you practicing your

philosophy um it was one of the one of

the biggest uh like it's actually it's

Global uh cultural kind of layer that

was I was interested and U and also

because it's it's also related with with

our own culture like nasimi I don't know

again I'm sure you have to know it yeah

Imad nasimi was a great poet and also

philosopher and also who uh talk about

very like a deep philosophical question

of of of our everyday life for

example uh because of they School calls

huia which mean which mean uh like word

knowledge like or like word wers like if

we will try

try to translate in English it's verder

right like CH if we'll say in a it's

more simple

easier

um so the idea was like everything is

what we see around is language and it

can be read it can we can read it uh it

can be transformed because we can

transform language and uh and we can

look to another that was another

interesting philosophical idea that we

can look to world without this language

and then we can see like reality as it

is because actual language making which

is actually today actually it comes to

to the previous question that how past

is important also because that idea that

kind of been um been um approved like

not approved but but kind of discussed

in in academic psychological academic uh

level by for example uh Court Levy one

of the psychologist for example one of

the famous psychologist another is is

another I'm sure you also have to some

have to heard is now Chomsky which is

also great writer and philosopher and

researcher uh that he that talking about

that how language is important to

understand world because so we bring in

other cases when someone don't he can

speak or can hear but still like

understanding World in certain way and

etc etc so yeah that was one of the I I

think uh important uh cultural influence

but not only for art art is kind of

result of this influence in general

influence but in general to my life too

I think that's also important to uh as a

human being to understand this kind of

interesting question yeah and how do you

navigate this intersection of your

culture that has definitely influenced

you a lot as you've mentioned and

surrealism that is present in your works

well uh I can say our culture is

surrealistic look at the carpet this is

very abstract and surrealistic uh

because it's partly made by pattern

partly by realistic um objects like like

nature like I don't know flowers Etc but

still like it's can be also looks as a

looks

abstract

um so that's why I think it's it's but

in general like the Sufism that I'm

talking about that talks about it's also

it itself it's already suristic uh view

to the world so maybe that it's not an

art like it's not a visually

understanded but but philosophically you

can you can kind of apply it to art for

example or you can apply it to the to

the to the Poetry or other or or or or

even science like language

science

yeah um can you tell about your style

and how it has evolved over time well uh

it's good also uh interesting question

so

um it's involving of course like

everything uh so but it can be for

example like I understood that I involve

in different so mechanism of involving

in which actually I'm interested in in

also in um in me mechanism in general

how the mechanism of art like how art is

working uh as a as our like personal

kind of issue like how art working

through me like how it's changing me how

it's making me me uh or it's something

separate or just my work so that was my

one of the reason also how art in

general related with society and

Especial viewer who who um related with

art and my style like it's not only

question of style but also the the

conception the idea how art is involving

because it's not only

visual uh changing it's not only visual

uh changing of style uh but also the

idea behind it um and idea is actually

involving faster like it's it's because

it's like you

just sitting and thinking and you just

can get uh some interesting idea already

uh so that's why like art object is is

more

um so so it should like it should it

should uh be so it's not it's not it's

not actual right so so so actually there

there's I will just mention something

like that that there exists for example

thing like actual art like art that you

can just right now to show uh to the

viewer for

example uh

because because because when we talking

again about art we're talking about some

times when art is working on it and then

showing and maybe it's not actual for

today for example it's not maybe it's

not actual like uh I'm I'm talking about

like as a social

question um so but in involving is in

this case I felt I I mean I can explain

it like I'm involved in um in researches

not maybe not in style like because

Style again visual style can change

sometimes can sometimes like I but I

think it's it's just becoming just nicer

you know more more not the case that

it's a nicer like like design like um

I'm a little bit taking taking U maybe

make giving attention more to the

details to the sizes to the some some

small details like this um but in

general I think I think I can tell like

about ideas conception that behind of

this art not only this because I'm also

doing other art like media art too like

I'm working with a performing I'm doing

also performing art not myself but

um but it's group of people actually

sometimes it's very big group of people

like 300 people together

uh sometimes a little bit less like 100

or 50 that acting together and U and

something happens there so I can tell

maybe later about them this this yeah

and well as you said do you actively try

to like push those boundaries of your

heart of your art and experimenting with

such new completely different

ideas well that's the thing that's the

question of art like you have to take

take opposites and try to bring them

together but because they are not only

two opposites so there are a lot of

opposition in the world so we can that's

why it's you bringing together looking

together and analyzing how maybe things

like um separated in the real world can

come together in

art yeah um by what you said I can tell

that you have experienced a lot of

things in this art but what what's the

project that stands out of the all

what's kind of like memory out of them

all well I'm trying to not keep a

memories let's say I would say right so

I'm looking to the

now uh now is more interesting because

everything I miss now um uh but um so

that's why I don't I I even don't don't

try I'm consciously trying to not love

any of my work for example and

especially keep it in the memory because

it's making me and my throats more heavy

uh so I can U it's making me heavy right

so you understand what I'm saying so

when I'm but when when they're no memory

when they nothing that I relate it with

uh inside of course uh it's make me

makes me light and I can think wider and

uh fly

higher in thoughts of course so that's

why it's um I think I don't have any

work in memory if there I have so I will

find it inside and I will destroy it so

I don't have

any any memories about the external

reception of your work how do you hope

people interpret or interact with your

work well uh if we're talking about

carpets for example because carpet is

very interactive work actually so you

want to touch it mostly people want to

touch it and it's many times in the

museum there was a during exhibition

Sometimes some people comes to me and

say oh can I touch it of course you have

to touch it when there was conflict with

the museum uh stuff because they don't

you can't touch artwork so if everyone

touch so you don't you can it's it's

hard to keep like it's hard to keep it

like but I'm always like kind of uh

trying to make people be more

interactive with that because it's it's

it's also important to use all our

senses not only look or listen but also

in other senses too and especially

touch

um what was the another question how do

you have people inter with your oh yeah

yeah this is also nice question because

um um so

uh there like two ways so you can make

work to be ready to to to make it like

to make people interpretate it uh um so

you already like you can already think

that I want people interpreted in this

way so you can already plan inside of

your work so or like or instead like

another way like uh I don't I don't care

like how people will interpretate it so

I have a like like a central idea like

the the idea how to interpret they have

to ask me um so I think both of them is

not right way uh so there should be

something in the middle in this case and

I'm trying to keep this middle when

something is familiar there that people

already interpretated without me like

without any of our for example points

like views or points uh but another

another part is is is abstract so you

can actually see in the work so there is

it has both part like it's it's it's

made made from two two kind it's it's

one object but made uh like not made I

don't know how to say it right now uh so

it's it's it's it's uh so it has a two

way to look at it or to interpretate it

so one is abstract part so we can see

from from one part of the work so

another is is is familiar which is

carpet itself because carpet is

something we all not only we actually we

like all World understand what carpet is

because it's something like super old

object maybe one of the oldest objects

that was still using hands to make it of

course there's ceramic for example too

you can tell but still like for ceramic

we using uh even new technologies when

for for carpet No not so we doing carpet

still like how it been made 2005 100

years old uh five years uh ago so I'm

I'm telling that because the oldest pile

carpet like our aani carpet been found u

in in alai uh so in dated to 2,500 years

uh old

yeah okay um I can tell that your way to

success is a is a very great way but

what about our students what will you

advise them in their way to

success uh it's very hard to uh to tell

like any of course any

advices uh because not because um I

can't I don't want to share or something

like uh or or or nothing to share but

but because it's uh I think only one

advice that can be here and of course

you will understand it it's it's to be

yourself to be your own own person to to

maximiz maximize your own uh identity

like who I am what I want where I'm

going what is what I want like what

comes from my because as we asking

ourself what I want as less we can

listen people around but it's not it

don't means that we don't have to listen

we don't have to follow at least

immediately to whatever we listen of

course we have to listen we have to

carefully listen to everyone uh even

every every one because for example like

in my in my career in my art so I'm one

of the actually sorry one of the if you

maybe asking to about success I will

tell that uh I learned to listen people

and even if someone like for example

don't understand anything in art but

still the point is interesting to me

till like some super professional

specialist and uh someone who is in art

world for a longer time so all all all

uh meaning all all

points is important in this case for

example also another thing is whatever

we're doing if we want to get success uh

as I mentioned again before that we have

to learn to share to share with other

people with knowledge not only with

material things but but with knowledge

with uh with a support as a friend as a

as a as a just human being because we

need support each other to each other we

are social

animals we have to all the time kind of

uh don't remember about that but still

but like at the same time don't forget

about yourself your personality because

still like we are as even we are social

but we have very unique we are all

unique so everyone here unique we all

that it means that we all can tell

UniQue Ideas we can tell we can create

unique

thoughts uh but when we uh but the thing

is like Society trying to make us uh

General Humanity Society I mean make us

more similar like each other

so like like so that's why we're

thinking most of the people thinking

similar or same uh but as we're becoming

more more individual but at the same

time we respect of we we respected

society and social uh social rules so

we're kind of finding this balance and

this balance I think is is Success

already for person itself but then from

this point you can you can go whatever

you want and everyone everything will be

success in science in art in other paths

that that uh anyone can

choose um yeah and when you listen to

the society I'm pretty sure in the

beginning there was a lot of negativity

especially when you take something

that's such a big part of our culture

like a carpet and experiment with it

some people may not take it lightly how

did you deal with the

negativity well I fight no I'm joking

I started with

no

um well this is actually uh it's it's

important to have a Critic criticism

it's it's it's even I will tell like uh

it's it's good to have it uh because

everyone if everyone like it or like uh

if everyone telling you that they like

it or they hiding something from you

because it's not possible that everyone

will like this one thing right so we all

different of course there's someone I

will tell I like this someone liked

another thing so

um that's why it's it's normal uh that's

why I wait for this even I wait for this

consciously that I knew that there will

be um some negativity some NE negative

uh kind of not negative but criticism

which someone who don't in some certain

way don't like what I'm

doing um of course it's it's it's

emotional sometimes is is hard and

especially if there something not

um uh not related to to what they say if

it's like constructive as as they saying

constructive um criticism then it's okay

so I can listen it it's interesting it's

I need it even I'm sometimes I want it

but um but if not so then it's just

distructive of course but in general yes

that's that's important to have it it's

important to have it because if everyone

um everyone like it so there there's

some lie then it means like no one like

it well so but if someone someone like

it some not I'm very I'm saying in very

simple of course way art is not about

like or not it's about influence power

of influence and Etc so we we can we can

we have to use another instrument to

talk about art in this case so but

simple say like like or not uh so if if

yeah if someone not like it it's okay

and it's good so it's it's just just you

have to just look to the balance to not

make uh the someone who not like more

than like of course but there should be

some Pro of of criticism which is okay

anything like not only in arts or

anything have this process yeah so

that's why I'm setting it as as a as a

uh you know in this case actually it's I

I really

uh it's like some books actually not

only books of course uh so there's

different um different works for of

psychologist social psychologist who

talking about the social

behaviors uh and if you know it before

then you can act to know with like with

with this knowledge if you're acting

with this knowledge how social

structures how Society is structured of

course there are different view to this

uh different uh schools like there was

schools actually so like Jun for example

Carl Jung schools for example he's one

of the famous psychologist who create a

kind of new um way to think about our

psychology or re interpretate uh Western

py psychology ology uh like in Indian

not Indian but it's called vaa actually

it's more if you will go research to

this so

um

yeah I'm thinking what what was maybe

maybe I didn't tell all hope yeah

sorry um for today this is it from our

part does anyone have any

questions

yeah uh my question was Rel your art

like do you have any art that you say

that's my favorite one and I love it so

much um it's not maybe yeah thank you

for a question great question yeah maybe

it's not uh maybe it's not uh uh

like some some some like the art like

some

uh special art like some concrete art uh

but um but it's art process that I'm

doing right now too it's uh

uh my favorite it's not it's a hidden

part actually of of my art somehow

because I'm also doing another as I

mentioned before that uh performance

work so now it's become to level when

I'm doing uh very interesting research

how brain human brain uh in like how art

influence the human brain and also to

our psychology and Etc so that's that's

one of the interesting thing that I'm

doing right now but which is related

with h with art kind of art process that

I all the took for like last five seven

years that I'm working on

yeah thank

you so if you can ask any question guys

so don't worry yeah

yes I wanted to ask that what in your

opinion is the most creative or let's

say the most crazy uh artwork you have

and why do you think so oh this is good

Al it's good question crazy start well I

will tell something like art is always

crazy guys so if you doing art it's

making you I mean in the of course in

the good way because your your craziness

can uh can be applied on Art when it's

not that's that's can be

problem well uh so that's why if you

have uh some emotion inside draw

creating music and don't actually expect

that some someone will tell something

about your art but just do it so it will

just make you also feel good um but

craziest thing I think like it was when

I uh had had an idea to make a

carpet uh to uh and to cut it in the

form of recycle symbol so you you all

know right like it's like uh direct like

One Direction like triangle so yeah with

yeah with arrows and um so that was idea

maybe uh it was just random idea that I

had and there was exhibition and I had a

lot of project at this moment and it was

just oh I'm going to do this I think

it's a nice idea like it's symbolize

recycle like a recycle culture Etc so I

mean you can read it so that that's the

thing actually about my work that I'm

trying to make it more uh read it like

immediately to not talk about it or to

make discuss it for example instead like

inside so and then uh like after I after

was we got it so I I learned that we got

this carpet FM linkan so of course you

know where is it and uh and I thought

like it's just we buy it from from very

old

Grand grandmother and uh she just sold

us to us and I I just start to cut it

and someone called me and tell like uh

that this carpet is uh 200 years old 100

or 150 or 200 years old and because this

woman got it from her grandmother and

she she also got from her family so so

it's it was very old carpet and actually

it's uh actually it was a caraba carpet

so it comes from kabak to laran and then

but the thing is like I already cut it

and half you know and I didn't know how

what to do like you know next and then I

write to exhibition uh project it was it

was in Holland I remember to the Creator

that I'm not going to do that because so

there was some and there was very little

time to prepare work and send it to the

exhibition well but we decide to put

This Woman's because she had very like

I'm not going to it's long story so she

has her own personal story how she got

this carpet and actually it was also

another thing that harder actually uh

that it was a very personal carpet

because uh in aaran for um there was a

there was a tradition when you're

getting getting married like when girl

getting married she have to get carpet

from house from her home or she have to

make it herself or she can get something

from her family and took it as a symbol

of New Life as a new base to the new

house so and she go and this this was it

was this kind of carpet and that was

crazy because it was very like it was

old carpet and very personally valuable

and I'm cutting it and um I think that

was a sorry for long answer but that

yeah I should tell the story

Yeah

question can I ask this question yes

please actually probably you you touched

this in in your speech uh now museums

and they try to get out from the

traditional way

of showing the the things to the

audience and they used probably they

tried the the people to use uh to see to

touch to listen to to smell different

human senses right and in this term uh

your understanding of carpet so do you

how do you associate the carpet more

with words or more with music because

the the carpet is about patterns and we

have patterns in music as well we have

patterns in the poems right in the

Poetry so how do you associate the

carpet mo more with music or more with

words thank yeah thank you thank you

great question actually it's great

question because it's um it's very

interesting to really know it that uh

our like I'm talking about aani carpet

especially because our carpet is very

related with mam which is music like

with a musical structure and there was a

research uh it's not also my it's not my

my point so there was a research by

um I'm very bad in remember names maybe

a later I can remember so I can tell

which he was a a I and crystallographer

I think it's' 70s 60s '70s he did a

research about crystallography and

carpet aeran carpet how the crystals and

and carpet and based on his work some of

his students uh made another research

that uh related carpet uh and and mugam

or bring Mam's music to the to the

colors and then create a carpet with

that and it's become very like looks

very like aabani carpet for

example uh I will add in other things

too like food for example like it's also

very related like the the the the food

is is also one of our sense that's also

Rel so it comes to the idea that's why I

really like the question because it's

it's comes to idea that uh uh tradition

uh the culture is is visual is food like

it's it's all it's have to cover all

senses but also they have to be in

somehow in the same uh harmony with each

other because if they're for example one

is absent so they know food but like

they have the culture has a visual part

Musical part and they related for

example then it's something also missed

there uh so in in our case I think the

all all part of this the cultural

elements like food like all like that

cover all senses imagine guys like we we

can see our art like we can see culture

we can hear culture at the same time

which is related with each other but

also food that also other influence to

our to our sense uh that's also

important but also carpet itself where

on on what we're sitting and also we

using our uh

census yeah sensus so yeah that's why

that's why I think and of course smell

food of smell and Etc so we're using

almost all our senses uh if we use can

use it I think then its culture is

complete then its culture is kind of has

the all parts and it's complete culture

and yeah that that's why I think it's

it's good uh it's good thought to and

there was a research about this so I

mentioned also that so uh it's also

important that it's not um it's

something that already discussed um um

and I'm I hope that someone also working

on this deeper

yeah now I'd like to ask one more

question um so you're very interested in

human behaviors and psychology in

general and I want to ask if your art

was the thing that sparked your interest

in Psychology or your interest in

psychology let your interest in art oh

this is also a good question very good

question so I have to go to my childhood

memories uh not like very deep of course

but sometimes I was really really

interested in in Psychology in general

um how to to try to understand and my

mom is Doctor so she's a medical medical

worker so medical works that's why I was

I was around the around the med

books so um that's why I was interested

in general in Psychology uh but parall I

can I can tell like what was the first

it was like a question of about eggs and

chicken and egg because as I remember

myself I was draw like I was draw and

never sto to draw that's the thing

actually so I because actually in the

childhood everyone is drawing but I draw

in the school on the on the you know on

the on the so now I'm sure that you can

do that we did it in there was even you

know in the on the on the tables that

like School tables so we we there was

drawings a lot of drawings and even

there was some messages like with the

other classes that we messaged each

other there was even two artists I and

another artist and we kind of messaged

each other with the art for with the

drawings uh so that was a good the first

Facebook there wasn't there wasn't even

internet actually when I was in the

school so that's why it was a fun uh to

do something like that so now it's not

I'm another advising right now so but

was just just a moment of history when

things like that happens like that

happens so yes so that's why I don't

remember when which was on because yes I

was an art I was like I like the art all

the time but at the same time like as I

get more um get more educated and as

more I was interested in society and

psychology in general not only that

actually I'm Al in general I'm

interested in science our biology is

super interesting like how we made from

cells it's it's it's crazy like small

cells and they small mechanism like now

we even it's hard to construct like

bigger things like imagine this very

like molecular level like small

mechanism that creating like who we are

and our DNA even like that's Al another

interesting thing that we all almost

have another uh very like almost same

DNA code uh which is like a book

actually so imagine like we all like

made from one but couple of the uh

sentences different which make us all

like different like who we are and and

there like maybe one uh one page

different with with the Apes for example

and maybe like half of the book uh

different with a with a banana for

example which is also interes the same

kind of code creating some part of

banana and some part of our our body so

that's why science in general and

another thing is is physics for example

to understand like matter

deeper uh um like from what from what

everything is made is items and

there you have physics right in your

schools right of course in which I don't

know which in the which uh level so if

you will go further now I think you will

learn also quantum physics or if you

already uh went through this question uh

this topic now quantum physics no next

year well it's it's very interesting so

if you but just I mean like it's kind of

looks for me it was boring boring I

would say true in in the school but when

I came to home I anyway I read this book

I read another scientific like about

physics so I like I wasn't a good uh

students during school actually I had a

bad

um it's not good actually but it was

just a moment again of historical moment

uh but in general I was interested in in

in science generally like uh not only

psychology but how our body for example

related with our psychology our brain

function for example so this is what I'm

researching actually physically right

now yeah yeah um you mentioned your

younger self and I wonder what uh what

advices will you give to Young your

younger self if you could meet the him

for example yeah I thought about this

actually I will tell just do whatever

you're doing you are

right just uh yeah just follow because

I'm here in my moment of life and I'm

happy with that I'm happy with

everything that I have um and uh and I'm

I really wish to everyone here at least

and everyone who is in this past of

knowledge to get this happiness because

it's very also but to be harmony with

your work with your friends with your

family with yourself especially with how

you're thinking and of course you you

will you will have you have

great potential uh and I'm I'm very sure

that I can look to you and I see

different stars that will appear in

different time so that's why I wish you

to get what what you want and what

Society wants so it's if if there will

two questions will will solve what what

you like what you want what you can do

and what from the society needs from us

from you and um then we can be in

harmony we'll be in the in our place in

our place where we have to be in

life wow I'm kind of speech

um you can ask a question um I wanted to

say that this year two months ago in

September in Geneva there was um like

exhibition of your Works was opened what

do you think

about oh well yes thank you for

mentioning this um because yes that was

important exhibition because it took

place in in un building in

Geneva which is like uh Center of uh

Center of un organization and other and

other offices is in New York uh that was

more uh for me it was more I think

official uh because I first time was in

this kind of political place like Center

of politic politic in the in the world

and especially like people who working

with the politicians that to talk with

them and uh so I met another Pol I also

was

um honored to meet our Minister uh air

minister so Jun bov and uh right right a

fair Minister yeah and uh talk a little

bit about art with with the diplomats

that's interesting actually to have this

connection but I was

nervous little bit because in art world

like you are more relaxed you can do

whatever you want so they can expect

from artist whatever like whatever like

whatever artist can do uh so that's

actually another my advice like just

random advice that if you just uh want

to be free uh you don't you don't feel

yourself anywhere then become an artist

because this is place where you can find

yourself at least for sometimes if you

feel in sometimes in your life that you

still don't know where to go what to do

then this is kind of place where you can

find yourself but maybe then you can

change your uh

your your directional FL and this is

okay actually I I like to change

direction like totally for example

now several times I took

a education of of in science to because

I'm I'm

I'm so because my project right now is

related with the scientific so to learn

to to to to researching brain activity

and and and art Etc so it wasn't like

long term uh education so it just took

some courses because some something I

understand something I have to learn

deeper so yeah so it's it's nice to

change direction too

if you want to does anyone have any more

questions thank you for coming thank you

for inviting thank you for

sharing because uh it's also important

to for me to share with uh with some

some experiences and to also I would

love to listen your experience your

interesting views because we all like

again like I said like we all have a

different view so that's Al important to

share yeah thank you we hope to see more

in a school from now on yeah I would

love to actually next time if you will

invite me I will tell more about maybe

my travels this this is crazy things so

time you ask actually that was

a during traveling actually not during

art but during traveling there was

something some interesting things that I

can yeah maybe share in the

future definitely yeah thank you very

much and thank you yeah was nice to

share thank you