Leon Gallery presents Mauro Malang Santos
Summary
TLDRThe transcript reflects on the life and work of a renowned Filipino artist, Mullah (or possibly Malla), who was widely known and celebrated even among everyday people, like a taxi driver. His art spans from comic illustrations to high art, appealing to both elite and general audiences. He appeared in commercials for bookstores and milk brands, emphasizing his cultural significance. The speaker shares personal anecdotes and insights into Mullah's open approach to his painting technique, which he likens to jazz, showcasing his versatility and influence in Philippine art.
Takeaways
- 🎨 The death of Mullah (also referred to as Marlon) was a significant event, and his art deeply touched Filipino life, as even a taxi driver knew of him.
- 🖌️ Marlon is celebrated as a National Artist of the Philippines, with his name known even at grassroots levels.
- 📺 Marlon appeared in commercials, including one for a bookstore and another for a milk company, making him a well-known public figure.
- 🖼️ The speaker highlights two contrasting works behind them—one a winter-themed still life, and the other a vibrant tropical depiction of the Virgin Mary.
- 🎶 Marlon's painting technique was likened to jazz, with no set formula, just improvisation using available colors and materials.
- 📚 Marlon was candid about his artistic process, in contrast to other artists who often keep their techniques secret.
- 📰 He began his career in illustration and graphic design, creating comic strips like 'Accost Me in the Cup.'
- 👨🎨 Marlon's art transcended his origins in graphic design and comics, evolving into high art that appeals to both elites and the general population.
- 🤝 His art connected deeply with both upper society and the broader Filipino community by being relatable and accessible.
- ✨ The speaker admired Marlon’s openness and the transformative quality of his work, which bridges different aspects of culture and society.
Q & A
Who is the main subject of the transcript?
-The main subject of the transcript is Mullah, also referred to as Marlon, a prominent Filipino artist.
What reaction did the taxi driver have when the speaker mentioned visiting Mr. Malla?
-The taxi driver reacted by acknowledging Mullah as 'National Artist,' surprising and amusing the speaker.
Why does the speaker believe that Mullah would have been amused by the taxi driver's reaction?
-The speaker believes Mullah would have been amused because even a taxi driver was familiar with his name and reputation, demonstrating the wide recognition of Mullah's work across different social classes.
What makes Mullah a well-known artist in the Philippines, according to the transcript?
-Mullah is well-known not only because he was a National Artist, but also because he appeared in several commercials, such as for a bookstore chain and a milk brand.
What is unique about the two works of Mullah mentioned in the transcript?
-The two works mentioned are in complete contrast to each other. One represents a 'winter version' of a still life, while the other is described as a 'tropical splendor' of Philippine colors celebrating the Virgin Mary.
How did Mullah describe his painting style or technique?
-Mullah described his technique as having 'no fixed formula' and compared it to the improvisation of a jazz artist, using whatever colors were available.
What was the background of Mullah before becoming a painter?
-Mullah’s background was in illustration and graphic design. He created several comic strips, including one called 'Accost me in the cup,' before transitioning to fine art.
What type of audience did Mullah’s artwork appeal to?
-Mullah's artwork appealed to both the higher end of society, who appreciate fine art, and a broader section of the population, who enjoy art that communicates and relates to them.
Why does the speaker describe Mullah as 'an open book' when it comes to his artistic technique?
-The speaker describes Mullah as 'an open book' because he was candid and open about his artistic process, unlike many artists who tend to be secretive about their techniques.
What is the speaker’s opinion on Mullah’s contribution to Philippine art?
-The speaker holds Mullah in high regard, viewing him as an exemplar of art that transcends social boundaries by appealing to both elites and everyday people. His ability to transform illustration into high art is also highlighted.
Outlines
🎨 The Legacy of Mullah in Filipino Culture
The paragraph begins with a story about how the name 'Mullah' (possibly a prominent Filipino artist) has become well-known, even among taxi drivers in the Philippines. The speaker recalls an interaction with a taxi driver who referred to Mullah as a 'National Artist,' showing the widespread recognition of his work. This reflects the deep cultural impact that Mullah had on the Filipino community.
🖼️ Mullah's Unique Artistic Style
The speaker discusses two contrasting works of art by Mullah, highlighting their distinct styles: one with a 'winter version of a still life' and the other filled with tropical colors celebrating the Virgin Mary. When asked about his painting technique, Mullah humorously responded that he had no strict formula, likening his style to a jazz artist improvising with whatever colors are available. This showcases Mullah’s openness about his process and playful attitude towards his art.
📚 From Comics to High Art: Mullah's Versatile Career
The paragraph delves into Mullah’s background in comics and graphic design, including his work on popular comic strips like 'Accost Me in the Cup.' His early experience in illustration and graphic design eventually transformed into his high art painting career. Mullah's work appeals to both elite art connoisseurs and the general public, emphasizing his ability to connect with a broad audience through relatable and accessible art.
Mindmap
Keywords
💡Mullah
💡Marlan
💡National Artist
💡Taxi Driver
💡Commercials
💡Still Life
💡Carosa
💡Comic Strips
💡Formula
💡Philippine Colors
Highlights
Upon the death of Mullah, or more formally known as Mao Rome Milan Santos, the speaker recounts a memorable cab ride.
The taxi driver recognized the name of the artist, showing how widely Mulla's work had permeated Philippine culture.
Mullan is celebrated as the only Filipino artist featured in several commercials, including a bookstore and a milk company.
The speaker describes two contrasting works of art by Mulla, one embodying a winter still life and the other a tropical splendor celebrating the Virgin Mary.
When asked about his painting style, Mulla responded, 'Voila a coupe formula,' likening his approach to that of a jazz artist, mixing colors as they are available.
Mulla's candor about his technique contrasts with other artists who are often secretive about their methods.
Mulla's background in magazines and comics, including his creation of comic strips such as 'Accost Me in the Cup,' heavily influenced his graphic design and artwork.
The transition from comic illustrations to fine art showcases Mulla's versatility as an artist.
Mulla's work appeals to both the higher-end society, which appreciates refined art, and a broader audience that connects with art in a relatable manner.
His paintings transformed popular culture into high art, capturing both intellectuals and the general public.
Mulla's open-book attitude about his art reflects his accessible and grounded personality.
His paintings, especially those celebrating the Virgin Mary, are vibrant with Philippine colors and cultural significance.
Mulla's graphic design background influenced the visual structure of his artwork, merging popular media with traditional art forms.
His work bridges the gap between the elite art world and everyday life, making art approachable for the masses.
The lasting influence of Mulla's art is evident in how his name resonates even with everyday citizens, like the taxi driver in the story.
Transcripts
[Music]
[Music]
upon the death of Mullah or more
formally Mao Rome Milan Santos while
Mullen was lying in state I took a cab
and instructed the driver I'm going to
visit mr. Malla and the driver turning
his back says awesome Allah young
National Artist well I was floored and I
think mr. Malik himself would have been
amused by that story the name Allah or
the art of mullah has reached down to
the very grass roots of a Philippine
life such that even a taxi driver would
know his name and and why not
Marlon is the only Filipino artist who
has appeared in several commercials one
for a well-known branch of bookstores
and for a brand of milk company here at
my back you see two works which are in
complete contrast to one another one
might say that we have a winter version
of a still life and on my other side is
a very tropical splendor of Philippine
colors in the celebration of Virgin Mary
I loved the Carosa when I talked to my
line for my book conversations and
Philippine art I asked him for his style
of painting for his technique and he
says very simply voila a coupe formula I
just add Lee para whom jazz artist
whatever painting or rather color that
is available you know in a gamete goes
so I thought I was pretty pleased by the
candor of that statement many artists of
course to be very secretive about their
technique
but my leg was practically an open book
Milan came from the magazines the comics
he created several comic strips among
which was accost me in the cup so the
background of Milan was really
illustration al more graphic design and
which shows transformed into high art in
the paintings that he has created and
Marlon was a great exemplar of the type
of work that appeals both to the higher
end of society who appreciate the finer
things in life and as well it caters
greater section of our population which
enjoys and delights in a kind of art
that communicates to them and that an
art that they can relate to
[Music]
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[Music]
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