Basic Principles of Oral Interpretation #OralCommunication
Summary
TLDRThis video script from a social studies student at Negotiator State University introduces the basic principles of oral interpretation. It defines oral interpretation as performing literature to communicate meaning, emphasizing the importance of analysis and vocal techniques. The script discusses key principles such as characterization, setting the mood, finding suitable material, and the types of oral interpretation, including storytelling and dramatic interpretation. It highlights the use of voice variety, eye contact, and physical gestures to enhance the narrative and connect with the audience.
Takeaways
- 📚 Oral interpretation is the performing of literature to communicate meaning to an audience.
- 🎭 It involves analyzing literature and using voice to convey the author's intended message.
- 🗣️ Key techniques include reading the literature aloud, analyzing it, and then reading it again with discovered nuances.
- 👤 Characterization is a principle of oral interpretation, involving narration, narrator voice, and physical cues.
- 🔊 The use of a 'confidential' tone, or sotto voice, is important for creating an intimate and impactful delivery.
- 👁️🗨️ Eye contact and character placement are crucial for establishing a connection with the audience.
- 🤸♂️ Physical characterization through facial expressions, postures, and gestures adds depth to the interpretation.
- 🌟 Setting the mood involves creating a specific state of mind or feeling through voice, involvement, and imagery.
- 📖 Finding good material is essential for successful oral interpretation; it should be short, strong, and relevant.
- 🎭 Types of oral interpretation include storytelling, dramatic interpretation, humorous interpretation, and poetry, each with its unique approach and memorization requirements.
Q & A
What is the main focus of the video presentation?
-The main focus of the video presentation is to discuss the basic principles of oral interpretation.
How is oral interpretation defined in the script?
-Oral interpretation is defined as the performing of literature to communicate meaning to the audience, where an interpreter analyzes the literature and uses their voice to convey the results of the analysis.
What is the first step in formulating a successful pattern for interpreting literature?
-The first step is to read the literature aloud, which helps in analyzing it and understanding the author's intended message.
What are the key components of oral interpretation mentioned in the script?
-The key components of oral interpretation mentioned are storytelling, dramatic interpretation, humorous interpretation, choral readings, and readers theater.
What does the term 'characterization' refer to in the context of oral interpretation?
-Characterization in oral interpretation includes narration, the narrator's voice, verbal and non-verbal cues, and physical characterization.
How does the narrator's voice contribute to oral interpretation?
-The narrator's voice is crucial as it helps put imagery towards the context of the literature, using voice, eye contact, character placement, and physical movements such as facial expressions, postures, and gestures.
What is the significance of using a 'confidential tone' or 'soto voice' in oral interpretation?
-A 'confidential tone' or 'soto voice' is used to convey the interpretation of the text in an undertone, which helps in creating a more intimate and impactful connection with the audience.
Why is eye to eye contact important during oral interpretation?
-Eye to eye contact is important to establish a connection with the audience and to convince them of the thoughts or narration being presented.
What are the two types of imagery that can be portrayed during oral interpretation?
-The two types of imagery are physical imagery, which is created using physical movements or senses, and emotional imagery, which involves the emotions the characters need the audience to feel.
Why is finding good material essential for successful oral interpretation?
-Finding good material is essential because it promotes effectiveness and success in presenting the chosen material, which can be sourced from print media, books, novels, or even personal creative writing.
What are the different types of oral interpretations mentioned in the script?
-The different types of oral interpretations mentioned are storytelling, dramatic interpretation, humorous interpretation, and poetry.
Outlines
🎤 Introduction to Oral Interpretation
The speaker, a social studies student from Negotiator State University, introduces the topic of oral interpretation as part of their M403 subject. Oral interpretation is defined as the performance of literature to communicate meaning to an audience. The speaker explains that it involves analyzing literature and using one's voice to convey the author's intended message. The process includes reading the literature aloud, analyzing it to understand the author's intent, and then reading it again with the discovered nuances. Oral interpretation encompasses various forms of literature such as storytelling, dramatic interpretation, humorous interpretation, choral readings, and readers' theater.
🎭 Principles of Characterization in Oral Interpretation
The speaker delves into the first principle of oral interpretation, which is characterization. This includes narration, the narrator's voice, verbal and non-verbal cues, and physical characterization. Narration is the storytelling part of the selection, and the narrator is a crucial character, often characterized by voice, eye contact, character placement, and physical movements like facial expressions and gestures. The speaker also discusses the use of a 'confidential' or 'sotto' voice, which is an undertone used to convey the text's interpretation. Voice variety is essential, with changes in pitch, volume, speed, and pauses for effect, to match the literature's mood and message.
🌟 Setting the Mood and Imagery in Oral Interpretation
The second principle discussed is setting the mood, which involves creating a state of mind or feeling through voice, involvement, and imagery. The speaker emphasizes the importance of matching the mood with the literature's tone and being mentally and emotionally involved in the piece. Imagery is also crucial, with two types: physical imagery created through physical movements and senses, and emotional imagery, which is the feelings the audience experiences. The speaker stresses the need for harmony between these two types of imagery for effective oral interpretation.
📚 Selecting Material and Types of Oral Interpretation
The speaker addresses the importance of finding good material for oral interpretation, suggesting sources like print media, books, novels, and creative writing. The fourth and final principle is the types of oral interpretation, which include storytelling, dramatic interpretation, humorous interpretation, and poetry. Each type has its unique characteristics and requirements, such as memorization and ad-libbing. The speaker concludes by summarizing the basic principles of oral interpretation: characterization, setting the mood, finding good material, and understanding the types of oral interpretation.
Mindmap
Keywords
💡Oral Interpretation
💡Characterization
💡Narrator
💡Voice
💡Eye to Eye Contact
💡Physical Characterization
💡Setting the Mood
💡Imagery
💡Finding Good Material
💡Types of Oral Interpretation
Highlights
Oral interpretation is the performing of literature to communicate meaning to the audience.
An interpreter analyzes literature and uses voice to communicate the analysis results.
Oral interpretation allows reconstructing the concept of literature.
To interpret literature, read it aloud, analyze, then read again with discovered resonances.
Oral interpretation includes storytelling, dramatic interpretation, humorous interpretation, choral readings, and readers theater.
Characterization in oral interpretation involves narration, narrator voice, verbal and non-verbal cues, and physical characterization.
Narrator is crucial in setting the image of the literature through voice, eye contact, and physical movements.
Confidential tone, or sotto voice, is used for intimate or aside comments in oral interpretation.
Voice variety is essential, changing pitch, volume, speed, and pace for effect.
Eye to eye contact is vital for establishing connection with the audience.
Character placement involves where the eyes move when looking at other characters in the scene.
Physical characterization includes facial expressions, postures, and gestures to convey the message.
Setting the mood in oral interpretation involves considering the mood, voice, involvement, and imagery.
Mood refers to the state of mind or feeling an interpreter tries to create with their voice.
Poise is essential, showing composure, confidence, and self-possession.
Involvement means being mentally and emotionally attached to the piece being interpreted.
Imagery in oral interpretation includes physical and emotional imagery to engage the audience.
Finding good material is crucial for successful oral interpretation.
Types of oral interpretation include storytelling, dramatic interpretation, humorous interpretation, and poetry.
Storytelling in oral interpretation involves children's stories and holiday stories.
Dramatic interpretation requires memorization and is serious and numerous.
Humorous interpretation is lighter and requires a natural character of being humorous.
Poetry in oral interpretation must be memorized, with ad-libs adding spice to the performance.
Transcripts
hi everyone i am
a basic four social studies student from
negotiator state university uh chat on
campus and as part of our requirement in
the subject
m403
speech and neural communications for
teachers
i'm going to present to you my topic the
basic principles of oral interpretation
[Music]
so before that i'm going to first define
uh what is oral interpretation
so when we say oral interpretation it
involves the performing of literature to
communicate meaning to the audiences
for instance ad interpreter analyzes the
literature and uses his or her voice to
communicate the results
of the analysis of his
of piece of literature
so
oral interpretation gives us an
opportunity
to put a literature
concept back together again after it was
turned apart so we can also use the
following technique to formulate a
successful pattern in interpreting
any form of literature
first is
read the concept aloud that helps
then analyzing it so that is the basic
foundation of
interpreting
any piece of literature to analyze it
before you're going to
determine or gather the concept that the
author wanted to
relate on its reader or audiences
then third is read it aloud again with
the
resonances
discovered in after analyzing it
so
this oral interpretation this is one of
the most practical
usable form of drama
so it includes several aspects of
literature such as storytelling
dramatic interpretation humorous
interpretation uh choral readings and
readers theater
and now that we are able to determine
the
definition and the components of oral
interpretation
to this section
we're going to discuss or tackle the
different principles of oral
interpretation so first we have the
characterization
so when we say characterization it
includes the narration the narrator
voice the verbal and non-verbal cues
so
and also including the physical
characterization so when we say
narration so it is the part of
your selection in which it's the uh
tells which tells the story
the narrators the narrator is the most
uh important character because it may be
characterized uh by using the voice the
eye to eye contact and character
placement and physical movements such as
the facial expression
postures and the gestures so overall
the narrator is the one who
put image towards the
context of the literature the piece of
a
piece of
literature literature then another thing
under the characteristic realization is
aside from the narrator is the voice so
upon doing or performing an oral
interpretation the speaker shall use
confidential confident confidential tone
they call it a soto voice
which is done in an undertone or an uh
or an aside voice so
uh when you say sort of voice it is not
really uh
a huge
usage of your voice or big it's just
when you say confidential it's just very
low using the undertone of your voice
in order to
put up the
uh interpretation of the text
so remember that
uh remember that from
from vocal uh preparation unit we have
to use our voice voice variety voice by
changing the pitch
uh volumes speed and pose for effect
because uh when you are speaking
you should always use the variety of
your voice because uh with
uh
basing on the
atmosphere of the or the tune of the
concept of your
uh
message or the message of the literature
for instance if if
it's atmosphere is low of course you
your voice must be
low if it is in the climax uh climax
point your voice must
be
of course to play must become an
effective one
next is another part of characterization
as principle is eye to eye contact so
eye to eye contact and character
placement so remember that
remember to maintain eye contact
to establish connections towards your
genes of course because
when you speak you should uh either
convince your audience to believe on
your thoughts or done or your narration
you must uh
put some eye to eye contact with your
audiences
then in character
uh placement so
where do your eyes move when you are
look uh looking with other characters in
your scene so keep that in mind that uh
when you are moving you should
always your character placement must uh
also you need to attach a eye to a eye
to eye contact in which if you move the
words uh which you are talking to
you must also
use
eye to eye contact with them
and
lastly under the still under the
principles of characterization is the
physical characterization so it is the
way you portray your character with
physical movements such as facial
expression postures and gestures of
course this is a very important
non-verbal cues in order for you to
in order for you to
relate
the message
from a piece of literature you have to
this is very important to
maintain
maintain good image uh
good
resonance towards what you are talking
about or about the literature you are
interpreting with gesture
is the movement of your hand or
arm or any other part of your body which
conveys feeling or emphasis of uh
up and speaking or communicating towards
other person you need to use gestures in
order to provide
some
good atmosphere or some
additional impact of your message or the
literature you are
speaking then another principle is
another principle number two is setting
the mood so just consider this question
how do you set the mood so in order in
setting the mood uh while doing the oral
interpretation is you need to consider
of course the first the mood then the
voice the involvement
and the imagery so when you say mood so
it is the state of mind or feeling you
are trying to create with your sin of
course uh
every moment of the agreement of the
poem or story or literature that you are
trying to
do with interpretation as
of course several
emotions several moods that you need to
you need to
interpret very carefully
so then the
the poise so when we say
boys it refers to an attitude of
composure
confidence and self
possession so while
in order to become an effective oral
interpreter with some literary
literary
literary
peace
you need to consider voice because
uh
it brings uh for instance if you're
confident
confident on your on the face you are
telling or the story that you are
telling us
audiences of course you will really get
the point we'll get
excited we'll get
will get the point or the the point you
are trying to tell or
interpret from which you know to be what
the author is telling towards the
audience
then involvement so
involvement is still under the mood
setting the mood so
this be mentally and emotionally
involved when presenting your
selection of course because uh there
should be an attachment with
uh
the piece you are
the piece you are interpreting with with
you because uh if there is a possibility
if there is a possibility that
you are you are far you are far
between the peace that you are um the
peace that you are interpreting with the
the emotional involvement that you have
is even a bit uh you will not be
effective uh interpreter or you will
your piece or your your work is really
not
effective with your audiences and of
course your other
there is possibility with other
other
members of your team
then the
imagery
imagery is the images
and uh what you have imagined
uh
imagine a feel what your selection
causes the audience to image and feel so
under the imagery there are two types of
image imagery that you can
portray
first is the physical imagery and the
emotional imagery so when we say
physical imagery is the that is the
images created using
uh your physical
movements or the senses that can see
uh towards what audience your audience
could see
next is the emotional imagery so that is
uh is sensing the emotions the
characters need to feel that is the
imagery that the audience usually feel
not really
that can be seen that can be here uh
that is just being felt the images that
can be that is very uh that is
thus
the two the two imagery must be uh
harmony but there must be harmony
towards each other in order to uh in
order for it to happen
effectiveness
towards the whole um oral interpreting
of the piece
then the third principle of oral
interpretation is
finding a good material is it really
nice or is it really important to find a
good material of course yes
in doing an oral interpretation it is
very important to find a good material
or
to
have a good material before presenting a
normal interpretation in order to be
successful in doing so so finding a good
material to be delivered or presented is
very
very essential to promote effectiveness
and success in presenting
your chosen material so for instance
into a financial material you have to
look for a short
strong
short but strong incident or story
you can also find
you can also use
several sources in finding your good
materials such as print or newspaper uh
books
or
novels or anything uh any kind of
printed materials then media which i
know this is very
relevant that we can use that is uh
nowadays are we are usually using
because it is very accessible uh
anywhere and everywhere anytime you just
have to click and find the piece you are
you wanted to
use in your invitation
there we go nana uh it is already in
there
uh compact
then another thing is you're going to
create a creative writing
of course if you have your own
your own creative writing that is one
good material that you can use in
interpreting because you are the author
and as well you are the narrator and you
can tell what you wanted to turn towards
your readers that is not limited only
towards what for instance you made your
own creative writing that is not limited
to what the reader could see because you
as a narrator is doing the oral
interpretation you could tell the whole
package of the things that you have
written in there uh or the emotions the
uh lessons the moral the
uh
the about of the story and that is
one way to
deal in finding a good material and
doing oral interpretation
then lastly under the principles of
foreign interpretation is the types of
oral interpretations
as i have mentioned earlier in my
introduction in this video so i have
mentioned that there are types of order
interpretation that we can use in doing
so so there are storytelling dramatic
interpretation humorous interpretation
and poetry so when i say storytelling it
involves the children's stories and
holiday stories
then another thing is the dramatic
interpretation when you say dramatic
interpretation it includes all the
serious non-numerous interpretations so
this must be
memorized so
the opposite of the dramatic
interpretation is the humerus
interpretation so this is a bit lighter
than the dramatic interpretation because
if you have the character of being
humorous or that it's natural to you to
become a
humorous one today you are very
effective
uh
oral interpreter in this type of
oral interpretation in the humorous
interpretation because it takes lighter
to you if you have those characters and
simpler look at the world open has an
upbeat ending
so
since uh still this must be memorized
in order to
to put up this type of oral
interpretation and lastly is the poi
so still poetry must be memorized and
ad-lib is
uh
during doing poetry usually
you select your pau you select your poem
and that is
the poem is already in there so it must
be memorized and of course it's
important also to do some ad-libs or
making up something on the spot while
reading or memorizing the poem in order
to put up some spice or bottoms put up
some additional
uh
information of course that is related to
the bone because if you put
some ad lips towards the bone it's not
really necessary or that it's not really
related towards the
you are interpreting with and that is
not
it it will make
it will create a messy
messy output for outcome towards
erosions and misconnection towards you
and
the whole
so that is all for the basic principles
of oral interpretation so before we
going to end my video or this video
uh let us review first what are the
basic principles of oral interpretation
so we have first is the characterization
so under the uh characterization is the
narration the narrator the voice the eye
to eye contact the character basement
and the physical characteristic
characterization
then number two is setting the mood so
under the setting we have the mood the
voice involvement and imagery the third
is finding a good material
then
and lastly are the types of foreign
interpretation which are
storytelling
romantic interpretation numerous
interpretation and poetry and that is
all for my video once again i am going
to a bbc 4 social studies student
and thank you
[Music]
you
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