akbar jaipuri note and tashree

Pir Shabir
18 Jun 202108:17

Summary

TLDRThe script is a poetic tribute to Andre Gee, a beloved figure known as Akbar Jaypurie, who was born in October 1928 in Jaipur, Rajasthan. A man of letters, he was deeply involved in the 20th-century literary scene, particularly in Urdu poetry. The narrative delves into his life, his passion for poetry, and his observations on society's contrasts, from the struggles of the poor to the indulgences of the wealthy. It also touches on themes of love, desire, and the human condition, reflecting on the poet's experiences and the world around him.

Takeaways

  • 📜 The script is a narrative about a person named Mohammad Akbar Jaypuri, who is also known as Akbar, and his life and works.
  • 🎓 Born in October 1928 in Jaypur, Rajasthan, Akbar Jaypuri was a prominent figure in the literary and cultural scene, particularly in the 20th century.
  • 📚 He was a romantic poet, with a significant body of work that includes poetry and essays, reflecting his deep connection with his roots and the society around him.
  • 🏛️ The script mentions his experiences and observations of the rich and the poor, highlighting the stark contrasts in their lives and the societal divide.
  • 🌊 It discusses the theme of water scarcity and its impact on the lives of the underprivileged, while the affluent live in luxury and abundance.
  • 🏰 The narrative touches upon the historical significance of the land, mentioning how many great emperors and warriors have found their final resting place in it.
  • 📖 There is a critique of the educational system and the societal norms that seem to perpetuate the cycle of poverty and ignorance.
  • 🌐 The script also reflects on the broader issues of peace and war, and the hypocrisy of those who preach peace but engage in violence and destruction.
  • 🏙️ It provides a vivid description of the urban landscape, contrasting the opulence of palaces with the squalor of slums, and the people's struggle for survival.
  • 🌱 The narrative ends with a call for change, a search for a solution to uplift the living conditions of the marginalized and to bridge the gap between the rich and the poor.

Q & A

  • Who is the person referred to as 'Akbar' in the script?

    -The person referred to as 'Akbar' in the script is Mohammad Akbar Jaypuri, a prominent Urdu poet known for his work in the 20th century.

  • What is the significance of the name 'Akbar' in the context of the script?

    -The name 'Akbar' is significant as it is used to refer to the historical Mughal Emperor Akbar, and in the script, it is also the name of the poet who is discussing various societal issues.

  • What is the poet's stance on the concept of 'Aman' (peace) as depicted in the script?

    -The poet critiques the superficial understanding of 'Aman' by some people who claim to wave the flag of peace but are actually involved in spreading violence and discord.

  • What does the poet imply about the condition of the poor in the script?

    -The poet implies that the poor are struggling for basic necessities like water, while the wealthy indulge in luxury and excess, highlighting the stark contrast in living conditions.

  • What is the poet's view on the hypocrisy of those who claim to be pious?

    -The poet criticizes the hypocrisy of those who claim to be pious but are actually involved in corrupt practices and do not genuinely care for the well-being of others.

  • What does the poet suggest about the value of education in the script?

    -The poet suggests that education is a pathway to empowerment and a means to uplift oneself and others from the cycle of poverty and ignorance.

  • What is the poet's message regarding the importance of water?

    -The poet emphasizes the importance of water by highlighting how the poor struggle for every drop, while the rich take it for granted, indicating a call for awareness and conservation.

  • What does the poet mean by 'the city of gold' in the script?

    -The term 'the city of gold' is used metaphorically to describe a place of wealth and opulence, contrasting it with the harsh realities of poverty and the struggle for survival.

  • What is the poet's perspective on the concept of 'love' as mentioned in the script?

    -The poet discusses love in a broader sense, suggesting that true love and compassion are lacking, and people are more focused on their own desires and materialistic pursuits.

  • How does the poet describe the impact of alcohol and intoxication on society?

    -The poet describes the negative impact of alcohol and intoxication, suggesting that it leads to a loss of reason and contributes to the moral decay of society.

  • What is the poet's call to action regarding the state of the world as depicted in the script?

    -The poet calls for a change in the way people perceive and interact with the world, urging them to be more compassionate, empathetic, and to work towards a more just and equitable society.

Outlines

00:00

🎓 Life and Works of Andre GeeM

The first paragraph introduces Andre GeeM, a significant figure in the cultural and educational landscape of Jaipur, Rajasthan. Born in October 1928, Andre GeeM is known for his contributions to literature and poetry, particularly his romantic verses. He is recognized for his work in the 20th century, with a focus on his early life and education in Kashmir before moving to Jaipur. The paragraph delves into his passion for poetry from a young age, his journey as a poet, and his observations on the lives of people around him. It also touches upon his thoughts on the disparity between the rich and the poor, and the impact of this on society. The narrative is rich with cultural references and personal anecdotes, painting a vivid picture of Andre GeeM's life and the era he lived in.

05:01

🏰 The Dichotomy of Peace and Discord

The second paragraph explores the theme of peace and conflict, contrasting the outward appearance of harmony with the underlying reality of violence and deceit. It discusses the actions of certain individuals who, while preaching peace and brotherhood, engage in destructive behaviors. The narrative criticizes the hypocrisy of such people, who carry hidden agendas and spread discord wherever they go. The paragraph also reflects on the speaker's personal experiences, searching for a solution to uplift the people living in poverty and improve their conditions. It ends with a call for genuine peace and an end to the facade of harmony that masks the true nature of conflict.

Mindmap

Keywords

💡Akbar Jaypurie

Akbar Jaypurie appears to be a central figure in the video script, possibly a poet or a historical figure. The name is mentioned multiple times, suggesting that the video might be about his life, works, or the impact he had on society. The script refers to him as 'Akbar Jaypurie' and 'Agni Halcon', indicating a significant role in the narrative.

💡Shaam

The term 'Shaam' translates to 'evening' in English. It is used in the script to set a particular time of day, which might be significant for the events or mood being described. Evening often symbolizes a time of reflection or transition, which could be relevant to the themes of the video.

💡Shayari

Shayari refers to a form of Urdu poetry that is often recited and performed. The script mentions a 'majmooa' (collection) of 'Shayari', indicating that poetry plays a crucial role in the video. It could be a showcase of Akbar Jaypurie's poetic works or a discussion about the art of Urdu poetry.

💡Bachpan

Bachpan translates to 'childhood' in English. The script mentions a fondness for poetry from childhood, suggesting a lifelong passion for the art. This could be a biographical detail about Akbar Jaypurie or a reflection on the importance of early influences in shaping one's interests and talents.

💡Ghazal

A Ghazal is a poetic form consisting of couplets that often express themes of love, loss, and longing. The script mentions 'Ghazal', which could imply that the video includes performances or discussions of this poetic form, possibly in relation to Akbar Jaypurie's work.

💡Sikandar

Sikandar is a name that appears in the script, likely referring to Alexander the Great, who is known for his military conquests and cultural impact. The mention of Sikandar might be used to draw a parallel or contrast with the life or achievements of Akbar Jaypurie or to discuss historical figures more broadly.

💡Aman

Aman translates to 'peace' in English. The script discusses 'Aman' in the context of flags and spreading peace, suggesting a theme of harmony and the pursuit of peaceful coexistence. This could be a central message of the video, advocating for peace and understanding.

💡Khanjari

Khanjari refers to a type of knife, often used metaphorically to symbolize conflict or violence. The script mentions 'Khanjari' in the context of hiding it, which could imply a message about the futility of violence or the importance of peace over conflict.

💡Basti

Basti translates to 'slum' or 'settlement' in English. The script talks about 'Basti' and the search for a 'rehnuma' (guide) to help people escape from it. This suggests a focus on social issues, possibly poverty and the struggle for a better life, which might be a significant theme in the video.

💡Shahjahan

Shahjahan is the name of a Mughal emperor known for his architectural contributions, most famously the Taj Mahal. The mention of Shahjahan in the script could be a reference to historical grandeur or a comparison to the cultural significance of Akbar Jaypurie's work.

💡Parso

Parso seems to be a name or a term used in the script, possibly referring to a person or a concept. Without further context, it's challenging to define its exact meaning, but it could be a nickname, a title, or a term of endearment used within the narrative of the video.

Highlights

Introduction of Andre Geim, a notable figure, and beginning with 'Bismillah-ir-Rahman-ir-Rahim'.

Reference to a close movie 'Motu' and Akbar Jaipuri, highlighting his life and poetry.

Akbar Jaipuri's birth in October 1928, in Jaipur, Rajasthan, and his education background.

His early inclination towards poetry, beginning his work before moving to Kashmir.

Akbar Jaipuri's work spans various themes, but primarily focused on romantic poetry.

His significant collections include poetry dedicated to both children and adults.

Akbar Jaipuri passed away in 1998, in Srinagar, Kashmir, highlighting the end of a significant poetic journey.

Emphasis on Akbar Jaipuri's expression of deep personal sorrow and heartache in his poetry.

A reflection on the impermanence of life, referencing how many people have passed without being remembered.

Symbolism of thirst and longing, as metaphors for deeper emotional and existential struggles.

A critique of societal divisions, highlighting the disparity between the rich and the poor.

The deceptive nature of peace brought by some people, who often hide ulterior motives of violence.

Akbar Jaipuri's search for guidance in a world filled with turmoil and unrest.

An expression of disillusionment with the world, especially regarding the lack of peace.

The poet's continued advocacy for peace, despite being ignored or dismissed by society.

Transcripts

play00:00

को उजला यूनिवर्सिटी आंद्रे जीम

play00:02

बिस्मिल्लाहिर्रहमानिर्रहीम

play00:05

कल शाम बिलकुल पास प्यारे बच्चों

play00:09

कि मौजूदा मूवी मोटू है अकबर जयपुरी है

play00:13

जो हमारी ज़िंदगी प्रमुख सनोड और अशआर की

play00:18

तस्वीर आ

play00:21

मैं आपको नाम शेयर मोहम्मद अकबर और

play00:24

तख़ल्लुस अकबर है अग्नि हलकों में अकबर

play00:28

जयपुरी के नाम से जाने जाते हैं आप की

play00:32

विलादत

play00:33

में प्रवेश अक्टूबर 1928 इस विधि को जयपुर

play00:37

राजस्थान में हुई थी वह कॉलेज का नाम आगा

play00:41

सैयद अली भी आधी था अकबर जयपुरी ईएस पेशे

play00:46

से मॉडल इन थे आपका आदमी सफर बीसवीं सदी

play00:50

की चौथी तिमाही में उनके वार्ड कश्मीर

play00:54

होने से पहले ही शुरू हुआ था

play00:58

में रूचि अलावा अकबर जयपुरी ने हमद नाथ

play01:02

मतदाता

play01:04

है और असाइनस में भी लिखी हैं बुनियादी

play01:09

तौर पर वह रूमानी शायर थे

play01:14

इस समय करो जहां शुभ ए वतन स्वच्छता ख्याल

play01:22

लुट फन आप के शायां सुविधा शायरी मजमूए ही

play01:28

चमन 1000 और बच्चों के लिए नजरों का मजमूआ

play01:34

शुरू से उनकी मुलाकात के बाद शायक किए गए

play01:38

हैं

play01:41

अब आप 4 मौर्य 1998 इस विधि को श्रीनगर के

play01:45

हंसना बुध इनका बाहरी इलाके में अल्लाह को

play01:49

प्यारे हो गई है

play01:50

मैं आपको बचपन से ही शायरी का शौक था आपकी

play01:57

ग़ज़लों में पसरी करब की तस्वीर न माया थी

play02:01

मीणा दरअसल आपके सीने में एक दर्द दर्द

play02:05

मंदिल था तो गर्ल नंबर

play02:11

कि स्कूल का पहला प्यार किसको मालूम मिले

play02:15

खाक में मंजर कितने अपने आई नेम छुपाए हैं

play02:21

सिकंदर कितने

play02:24

को खा कमाने मीठी

play02:26

अरे यार ऑफिस को कहेंगे मगर कमाल है नजारा

play02:29

या नजर की जमा है नजर आई ना जाने देखने का

play02:35

शीशा या दर्पण किसको कहेंगे

play02:39

कि इस शहर में अकबर जयपुरी कहते हैं यह

play02:42

बात किसी को मालूम नहीं है कि आज तक कितने

play02:46

लोग जमीन के अंदर सो चुके हैं यानी दफन

play02:50

किए गए हैं और न किसी को यह मालूम है कि

play02:54

सिकंदर-ए-आज़म जैसे कितने बहादर और उवं

play02:59

बादशाह इस जमीन में अपनी मिट्टी में मिला

play03:02

दिए हैं

play03:04

का स्वर्ण बुद्धू

play03:07

ए पर्सनल अवतर प्रश्न लव तरसा के

play03:14

है तो उसने लव तरसा की है प्यास लिए आंखों

play03:18

में और महलों में चल अपने रहे सागर कितने

play03:23

हैं

play03:24

है तो उसने लाभ कमाने है निहाई ही प्यासा

play03:27

किया नाकाम तरसना कमाने है ख्वाहिशमंद

play03:31

होना किसी चीज का भूखा होना अ

play03:36

की प्यास कमाने है पानी पीने की ख्वाइश

play03:39

तमन्ना कमाने है और इस बुखार महल कमाने है

play03:43

आलीशान घर से लिखना कमाने है पानी का

play03:46

गिरना सागर का मान है जहां यहां शराब का

play03:50

प्याला इस 4 में अगवत जयपुरी कहते हैं कि

play03:55

गरीब लोग दुनिया में पानी की एक-एक बूंद

play03:59

के लिए तरसते रहते हैं और पानी की आस में

play04:04

ही जान दे देते हैं जबकि उनके वर्कर्स

play04:08

महलों में रहने वालों को हर किस्म का सुख

play04:11

और एस में असर होता है और वह शराब और शबाब

play04:17

की

play04:18

वो मस्ती में जिंदगी गुजारते हैं और हर

play04:22

किस्म के भेष में अपनी जिंदगी बसर करते

play04:27

हैं

play04:30

14 नंबर तीन पर चमन लिए फिरते हैं

play04:34

शहरों-शहरों आस्तीनों में छुपाए हुए खंजर

play04:39

कितने प्रथम कमाने का झंडा अमन कमान है

play04:46

पना या चैन अस्तेंद्र

play04:49

कि कमाने है कुर्ते कमीज वगैरह की बहन जी

play04:53

हां खंजर कमान है एजुकेशन का छोरा हूं

play04:57

हाउ टो हिसार में अकबर जयपुर भी कहते हैं

play05:00

कि कौन दुश्मन और बरमसर अमन की परचम लिए

play05:08

शहर-शहर और गांव-गांव जाते रहते हैं वह

play05:12

जवानी कहते रहते हैं कि हम अमन तिथ और

play05:18

रवादारी के आखिरी हां है लेकिन असल में

play05:25

यही लोग खून खराबा करते हैं और वर्तनी

play05:29

फैलाते रहते हैं

play05:31

कि वह जहां भी जाते हैं अपनी आस्तीनों में

play05:34

खंजर छुपाए हुए शर्तें हैं और चेतना व

play05:39

फसाद भड़काते रहते हैं

play05:42

कि इस पर आगे इस चूर्ण 24 है इसका किस तरह

play05:47

देता सदा मुझ को पता यार न था यूं तो

play05:52

बस्ती में नजर आए खुले द्वार कितने

play05:59

मैं सदा कमाने है आवाज या भट्ठ है

play06:05

का पत्ता कमाने ठिकाना या निशान या सुराग

play06:09

बस्ती का मान है आवाज जगह दर का अनुमान है

play06:12

दरवाजा है

play06:14

हैं तो इस 4 में

play06:18

कि अकबर जयपुरी कहते हैं कि मैं गली-गली

play06:22

तलाश कर रहा था कि मुझे कोई रह बढ़िया

play06:25

रहनुमा मिल सके जो इस बस्ती के लोगों को

play06:29

परस्ती से निकाल दे और जितना क्रॉप की

play06:33

फितना अंग्रेज सिर्फ इतना पूर्व प्रशिक्षण

play06:36

और और इतना परिवारों की फितना अंग्रेजों

play06:42

से निजात दिला सके मैं उसको ढूंढता रहा

play06:48

मगर मुझे उसका पता मालूम नहीं था तो आवाज

play06:52

देता तो इसको देता अगर जिम मैंने इस बस्ती

play06:56

में कई दरवाजे खुले देखें मगर मैं इसको पा

play07:02

न सका और ना किसी ने मेरी आवाज दयानंद

play07:07

मेरी आवाज की तरफ ध्यान दिया

play07:11

है तो उसके बाद दूसरा शहर है आखिर शहर

play07:15

देखकर दक्षिणा लगी मेरी ताज्जुब न करो

play07:21

मैंने सहराओं को अक्षय ने समंदर कितने

play07:26

है तू पर्सनल भी से माने है नेहा ने

play07:30

प्यासा मायूस ताज उपकमान है अनोखापन चेहरा

play07:35

कमाने यह रेगिस्तान यह दूसरा माने इसका है

play07:38

बाबा इस शहर में अकबर कहते हैं कि मेरी इस

play07:44

नदी को देखकर आप लोग हैरान हो और इस बात

play07:49

पर ताज्जुब ना करो क्योंकि मैंने कहीं

play07:52

वेरान एक स्थानों को पानी से चेहरा किया

play07:56

है यह ने मैं हमेशा अमनो अमान का हामी रहा

play08:00

लेकिन कोई भी शकस मेरी बात सुनने के लिए

play08:04

तैयार न था लेकिन फिर फिर भी मैंने अमनो

play08:10

अमान का प्रचार किया है

play08:16

हुआ था

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الوسوم ذات الصلة
Akbar JaipuriRomantic PoetryLiterary LegacyJaipur PoetUrdu LiteraturePoet's Life20th CenturyShayari CollectionCultural HeritagePoetry Inspiration
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