Dayaw Season 4 Episode 3 : Living Treasures (Part 2)
Summary
TLDRThis script explores the resilience and intricacies of indigenous cultures, focusing on the gawad melilla canon bian awardees who embody their community's spirit and traditions. It features Eduardo Mo Top's metalwork, Federico Caballero's chanterelle, and a musician from Basilan, highlighting their dedication to preserving and passing on their art forms amidst challenges like colonization and marginalization. The script emphasizes the importance of recognizing these art forms as more than simple handicrafts, acknowledging the depth of their cultural significance.
Takeaways
- 🌟 Indigenous cultures are treasure troves of knowledge that have been passed down through generations and need to be documented and preserved.
- 🏺 Art forms such as metalwork, chanting, and music are intricate and complex, reflecting the depth of indigenous traditions and their connection to community spirit.
- 🎭 The script highlights the work of Gawad Manlilikha ng Bayan (GAMABA) awardees, who are recognized for their contributions to the preservation of Philippine cultural heritage.
- 🔨 Eduardo Mendoza is a metalwork artist whose craft connects to the gilded age of Catholicism in the Philippines, showcasing the baroque refinements in religious furniture.
- 🎵 Federico Caballero is a chanter who, despite personal tragedy, continues to share his knowledge and passion for the chant, preserving an important oral tradition of his people.
- 📜 The importance of writing down and preserving the vanishing epics and lifeways of indigenous communities is emphasized, as demonstrated by Caballero's efforts.
- 👨👧👦 The script mentions the joyous aspect of family involvement in music-making, where the entire family contributes to create a vibrant tapestry of sound and art.
- 🎼 The music of Danongan Kalanduyan is described as sophisticated and rhythmically complex, with the use of interlocking rhythms creating a unique musical experience.
- 👗 The cultural significance of traditional textiles and clothing is highlighted, as they become a living work of art when combined with music and movement.
- 🔍 The challenges faced by researchers in identifying and preserving indigenous art forms are noted, suggesting the need for a larger pool of knowledgeable individuals.
- 📚 There is a call for a thorough review and evaluation of the laws and guidelines related to the preservation of indigenous cultures, indicating the need for updated policies.
Q & A
What is the main theme of the video script discussing?
-The main theme of the video script is the preservation and transmission of indigenous cultures and art forms, focusing on the bearers of these cultures and the challenges they face in a modern world.
What does the script imply about the general perception of indigenous art forms in today's society?
-The script implies that indigenous art forms are often undervalued and perceived as simple handicrafts or folk songs, rather than being recognized for their intricacy and the depth of knowledge they represent.
Who is Eduardo Mo Top and what is his contribution to the art of metalwork?
-Eduardo Mo Top is a metalwork artist from Pampanga who creates intricate religious furniture and altar pieces. His work connects to the gilded age of Catholicism and represents the art of 'pop' or beaten metal.
What is the significance of the Gawad Manlilikha ng Bayan (GAMABA) awardees mentioned in the script?
-The GAMABA awardees are recognized for their mastery and contribution to the preservation of traditional arts and culture. They embody a commitment to their communities and traditions, and their work is seen as a continuation of their cultural heritage.
What challenges do traditional artists face in preserving their art forms?
-Traditional artists face challenges such as marginalization, indifference, and even armed conflict within their own communities. They also struggle with the pressure of modernization and the potential loss of their cultural practices.
What is the role of Federico Caballero in the preservation of chanterelle traditions?
-Federico Caballero is a chanterelle from Aloo Eno who has mastered the ten important epic tales of his people and is committed to preserving this oral tradition through his chanting, despite personal tragedy.
How does the script describe the music of the blind musician from Basilan?
-The script describes the music of the blind musician from Basilan as sophisticated, intricate, and overlaying beats, suggesting that his blindness may have deepened his internal life and understanding of rhythm.
What is the importance of the family's involvement in the music-making process as described in the script?
-The family's involvement in music-making is portrayed as a joyous aspect that turns their performance into a living work of art, where textiles, colors, movement, and energy become one with the music, showcasing their artistry and cultural heritage.
What are some of the issues faced by the government in supporting traditional artists?
-The government faces issues such as ensuring adequate funding, reviewing and updating laws and guidelines to better support traditional artists, and avoiding the transformation of artists into celebrities that could isolate them from their communities.
How does the script suggest that the work of traditional artists contributes to the greater cultural heritage?
-The script suggests that the work of traditional artists, by embodying the spirit of their communities and traditions, becomes a part of the collective knowledge and pride of their culture, ensuring its continuance for future generations.
Outlines
🌟 Preserving Cultural Heritage Through Art
This paragraph introduces the theme of cultural preservation amidst technological advancement. It highlights the importance of indigenous art forms and the dedication of artists who carry on these traditions despite historical challenges such as colonization and marginalization. The paragraph focuses on the Gawad CCPA awardees, showcasing the work of a metalwork artist, a chanterelle, and a musician, whose art forms are intricate and deeply connected to their community's spirit and traditions. Eduardo Mo Top, a metalwork artist, is presented as an example of an artist whose work is a testament to the Baroque refinements of Catholicism, demonstrating the complexity and beauty of indigenous art.
🎨 The Art of Metalworking and Chanting
This paragraph delves into the art of metalworking, showcasing the transformation of a designer's vision into a finished beaten metal piece. It emphasizes the rarity and value of such craftsmanship, with the artist being the inheritor of a long-standing tradition. The narrative then shifts to Federico Caballero, a chanterelle who, despite personal tragedy, continues to share his knowledge and passion for the chant, an epic tradition that he has preserved and passed on, highlighting the importance of oral traditions and the need to document and teach them to future generations.
🎶 The Complexity of Music and Memory
The focus of this paragraph is on the music of the blind musician, whose sophisticated and intricate overlaying of beats and rhythms is explored. It discusses the possibility that his blindness has enriched his internal life and musical expression. The paragraph also touches on the cultural significance of music, with the musician's family playing a vital role in creating a vibrant tapestry of sound and movement, embodying the art and tradition of their community.
🏺 The Vibrancy of Aklanon Music and Community
This paragraph celebrates the rich musical tradition of the Aklanon people, with a spotlight on the musician who has mastered various instruments and the complex rhythms that define their music. It discusses the concept of 'nuclear melodies' created through interlocking rhythms and the energy with which the musician performs. The family's involvement in music-making is highlighted, turning their performances into a living work of art that combines textiles, colors, and movement with music.
🔔 The Challenges and Responsibilities of Cultural Artists
The final paragraph addresses the challenges faced by traditional artists, including indifference, marginalization, and conflict, and their role in ensuring the continuity of their cultures. It discusses the potential pitfalls of confining artists to a celebrity status and the importance of maintaining their integral part within their communities. The paragraph also touches on the financial support provided by the government and the need for a thorough review of the cultural preservation policies, emphasizing the collective responsibility of awardees to pass on their knowledge and pride to future generations.
Mindmap
Keywords
💡Living Cultures
💡Indigenous Art Forms
💡Gawad Manlilikha ng Bayan (GAMABA)
💡Motox
💡Intricacy
💡Federico Kabalyero
💡Oral Tradition
💡Community
💡Cultural Preservation
💡Gamma Ba
💡National Artists
Highlights
The importance of documenting and preserving precious living cultures that have survived colonization, conflict, marginalization, and yet persist.
Indigenous art forms are often underestimated for their intricacy in both the finished product and the process involved.
The Gawad CCPi Bayani Awardees or GAMABA represent a commitment to their communities and traditions through their work.
Eduardo Mo Top, a metalwork artist from Pampanga, connects us to the gilded age of Catholicism with his intricate altars and religious furniture.
Federico Caballero, a chanterelle from Aloo Eno, has mastered the ten important epic tales of his people and preserves the great oral tradition.
The music of Bayani, a musician from Basilan, is sophisticated and intricate, showcasing his mastery of various instruments and rhythms.
Caballero's chanting is a powerful indicator of the creativity of the community and the importance of preserving it against consumerism.
The challenges faced by traditional artists include indifference, marginalization, and even armed conflict within their own communities.
The GAMABA awardees share a common responsibility to ensure the continuance of their cultures, turning their knowledge into our pride.
The need to review and update the guidelines for the preservation and promotion of traditional arts to adapt to the digital age.
The importance of not isolating artists from their communities and maintaining their integral role within the community.
The potential issues with stipends for national artists, such as relatives trying to claim a share of the funds.
The role of researchers in identifying and supporting traditional artists, and the need for a larger pool of knowledgeable individuals.
The joyous aspect of Bayani's music-making, where the entire family gets involved, creating a living work of art.
The challenges of preserving traditional art forms in the face of modern demands and the need for government support.
The beauty and artistry displayed by traditional artists when performing in their traditional textiles and clothing.
The need for a thorough review and evaluation of the current laws and guidelines for the preservation of traditional arts.
Transcripts
[Music]
in a world and time when so much is
changing there is still so much of our
culture that has to be documented and
kept alive who are the bearers of these
precious living cultures how do they
pass on a knowledge transmitted through
the ages
[Music]
what they represent a survived
colonization conflict
[Music]
marginalization and yet they persist
Salah oxacillin the living vessels that
store dial our knowledge our pride
[Music]
in a world that is run by technology or
in our own gadget dependent lives we
often think of indigenous art forms as
merely simple handicrafts folk songs or
melodies what we fail to acknowledge is
the intricacy both of the finished
product as well as a process that least
entail in a continuing series on the
gawad melilla canon bian awardees or
gamma ba we look at the intricate
processes of a metalwork artists from
Pampanga a chanterelle from aloo Eno and
a musician from Basilan from the
tangible to the intangible their work
embodies a commitment to the spirit of
their communities and their traditions
[Music]
a man of few words
Eduardo mo top seems like the proverbial
introspective artist who would much
rather let his work speak for himself
and what thoughts what birds and
memories are revealed by his glistening
master works on altars and crows us on
frontals and other pieces of religious
furniture motox work connects us to the
gilded age of our own Catholicism when
altars were replete with the baroque
refinements and excesses call or
describe it in artsy terms for this
quiet man this is simply the art of pop
pop or beaten metal
my reverse a romantic chef no mass or
inertia antics yeah
Fiona wanna go Anya and I mean median
and mode are antiques latin by Bellini
in the goggle shammy toggled upon
another tuna come with Carolyn ganya
younger man Amelia shot in Chicago in a
gala Hoonah Salmonella not when a mr.
Bhushan
but London agoraphobe libera mr. Bhushan
my sorrow in a summer on mr. Robeson -
sir in a villa near the Capitol Avenue
Runa Gupta Solomon universe ACCA
a Gaston young miss is here here in the
goop is an unknown young man go Alfred
novella Lang after Darren Kennedy Nakoa
man panini Korea macapagal-arroyo known
occupation was a CCA you never know
Howard
the master were commissioned by the late
national artists Ramon Busan is now the
proud centerpiece of Bahama quia the
study center that houses a Busan's vast
collection of archival footage folk
dance notations and material artifacts
the piece allows a deeper understanding
of motox skill both as a designer and
craftsman Gaga moon and pattern we are
in a pattern
Kagawa an emoji you know a corny joke
away go a tan pattern you know among
mold young gagawin MO but we are in a
multi you know Hmong yellow brush and
associated no Corrado metal in the
center cally thousand decide sir sorry
Nana mana the guy beside a fearlessness
but cap additional design a total
unanimous a silver pakka was a silver
ornament in our brain motox ability to
design became evident when he
demonstrated how his vision is
transformed from a piece of paper to a
finished beaten plate
atiim decide no crucifix pattern
inclusive Osito but erm pattern Gugino
Sahara more demos foreign langu moment
imagine Union on iguana terminal pattern
ethical Takeshi bikumu govern cemetery
capital commune acronym pattern cemolina
you multi my regarding say no Commission
marination governor
[Music]
you find up any modes of very good
English until now and so here is the
inheritor of a long tradition
unfortunately there are very few other
people who who make this or have
continued this tradition in the country
and we value the work of adding water
because yes actually preserve it and I
hope you can teaches you can teach this
way the people in this community in the
work of a Bhima talk I am reminded of
that old Jesuit moto that all things we
do we do for the greater glory of God ad
majorem Dei gloriam
[Music]
[Music]
[Music]
intricacy is most often seen and works
like those produced by Eddie Murdoch of
Pampanga our eyes take in all the
details of his work and our hearts are
full it is a bit more challenging to
open our minds and hearts to the
intricacy of Federico kabalyero powerful
chanting when the interview was
conducted federico Caballero had just
lost a son but he bravely went on
sharing his knowledge and his passion
for the chant that he had been
recognized for in murder perhaps in the
tragedy that had befallen their family
he was all the more deeply aware of the
impermanence of life as well as a need
to continue an epic tradition that he
was only a vessel a solute bukidnon from
the mountains of central pnai he has
mastered the ten important epic tales of
his people he chanced these in the
canary a language this great oral
tradition would have been lost had not
kabalyero persevered in committing the
epics to memory traditionally sung while
lying on a hammock the stories of mythic
heroes like la bow dongle and Hamada
Noah come to life much as his own
grandmother's chanting brought them to
life for the young Federico
[Music]
present on Angelina from generation to
generation since birth down agafia
yamanami
heart is about me and I'm gonna end up
over who that's will be done and I'm run
this one Osaka nobody coming around Ito
and source not metallic when I became
known tried echo Dance Masters al-hattal
had not done during the mint aluminum
big justice
archaic language maraming inhaled in
archaic language the language of the bus
today he continues to work with the
Bureau of non-formal education traveling
from barangay to barangay an encouraging
older folk to learn to read and write a
poem on came in Sun interesado safety
Yoshioka Nana chant chant Abdul Kalam
Anya so master monster ganja masala
mantra SIA they'll open angling and they
pick me Hogan and lalala did I mean
don't be another policy I mean petunia
marooned on Santa
Alan no on Veronica in today's the hell
was I thinking ahead
epic Oi the presence of the chant is an
indicator of the creativity of the
community the moment a Chinese appears
that means the community has already
become consumerist just like just like
the many urban centers in this country
that's why it's important that we
presently we preserve this chanting the
addition of the facility bukidnon in the
person of Fidel eco kabalyero and
political comedy was able to teach only
a very few people in this community but
now his his teaching has spread to many
many parts of tapas copies and even in
Culina in you know that's why this child
has become much more alive in his in his
area now
[Music]
he knows the importance of committing to
paper The Vanishing epics and life ways
of his people in many ways
Federico Caballero is his own epic story
man tolling the Subura cotton swab
[Music]
[Music]
[Applause]
when I first listen to the music of on a
harness I had to keep reminding myself
that this vr-2 also was in fact blindly
sophisticated is the word that comes to
mind upon hearing the full yacon and
some led by the will to also along Hadas
I can't help but wonder if his deep
understanding his exploration of this
intricate overlaying of beats have
anything to do with his blindness if
that is true then his eye ailments have
made his internal life so much deeper
and much more rewarding a native of
Lomita New Zealand the young moon was
said to have been punished by offended
nature spirits because of his child play
if this is true then the spirits must
have given him an even deeper gift a
mastery of the complicated rhythms and
instruments that make up the economy
cycle and Sun from the gabbana or bamboo
xylophone to the our go to the
deceptively simple Quinn hang on Caillou
to AG and lot of other instruments Huang
Dada has mastered them all and performs
with an energy and bravura that matches
the vibrancy of the akan music
I'm gonna be rockin the accordant
initially has there's only five notes
you cannot play so many melodies with
only five notes that's why their their
concept of music is highly rhythmic and
to the use of what is called
interlocking rhythms in the logarithm
sir you you play simultaneously
different rhythms at the same time you
are able to create melodies some we can
call this nuclear melodies no he's able
to play nuclear medicine interlocking
rhythms and the I think the most well
rapid way of playing the clinton is for
the monday you can especially the
playing of well along hadas and other
Bullington performers simply because the
of the rhythmic way of playing the the
korean tongue to create nuclear melodies
you have to really make sure that you
invest mirai's the audience with a speed
of your playing mana mana magma to Tosa
Gabon
but perhaps the most joyous aspect of
his music making is the fact that an
entire family gets together to help him
create this tapestry of sound when
dressed in there you can finally they
become a living work of art where the
textiles the colors the movement and the
energy become one with the music
[Music]
what I do know about the one is that he
has a fantastic family they probably
should be given a group price but they
do almost anything and music-wise dance
wise wheezing wise all of them are
really amazing and beautiful people
I report seeing them all dressed up no
to play in their traditional textiles in
their in their clothing and you will be
bowled over by them because they look so
stunning and they display so much
artistry the problem is that because of
the demands no because of the demands of
the search it has to be done so slowly
see in an aluminum Yamanaka go out into
the fields among abundant window peony
no a chaja semana islam a joke about
their Tao I know it's hard to find
researchers one who have the savvy know
a young researcher sometimes will miss
what somebody who knows the field will
immediately know this so your enlarging
the pool and providing the
necessarily logistics for that I think
that's that they were making it easier
to send out teams see even in an onion
it's unbelievable how small the search
groups are and the red date that's
involved minimal red dates and beer I
think if there are more people involved
then faster faster faster dynamic
development so that would be one way the
government can can help because of
course gamma bond doesn't have a very
big budget and it has a limited number
of people working under it we were
working on a review a review of the
entire law it's been several decades now
and I think it's time to review actually
there has been some transition
transitioning into a new set of
guidelines pero hindi Pyatt an again
very thorough so I think a very thorough
review and evaluation first and then
based on that review and evaluation then
a project that direction one of the
problems of bumaba was really how do you
make sure that we don't transform yo
army into a a so-called celebrity
because when a person sting allows us an
individual so called artist
there's no quantity of artists and outer
digital culture because every person is
supposed to be an artiste
performer well cool and everything else
not so the moment we just confine the
one upon person to the role of an artist
we will somehow extricate somehow
isolate this person from his community
we can somehow the sense of community
because this person is no longer
function or sell what integrate integral
part of the community another problem
aside from let's say a superstar
developing some kind of ego and
therefore no longer clear for his
community another premium is encoded in
the beginning until now actually said
whenever the stipend comes because
necessarily being treasurer a manatee
Hannibal and receive a regular stipend
from the government just like you know
just like every national artist one of
the problems we have been caught up in
very beginning until now because every
stipend comes all the relatives try to
get a piece of the pie the mama is a
definition of home it's its home because
you have to go home
and what will you find there and that is
the Delmarva artist
[Music]
Adam Muto federico kabalyero and won a
Hadas three traditional artists who have
faced indifference marginalization even
armed conflict in their own communities
but from these adversities has from
intricacy and complexity in beaten metal
in the human voice and the memories it
sinks off in a rich and dynamic musical
tradition in passing on their knowledge
or gamma ba awardees share a common
responsibility to ensure the continuance
of their cultures their dial becomes our
knowledge our pride
[Applause]
[Music]
[Music]
[Music]
[Applause]
[Music]
you
[Music]
تصفح المزيد من مقاطع الفيديو ذات الصلة
LOREN LEGARDA: Dayaw Season 4 Episode 3 - "Living Treasures (part 2)"
EPISODE 4 DEPED TV CPAR CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS
LOREN LEGARDA: Dayaw Season 4 Episode 1 - “The Past Masters”
Dayaw Season 1: Episode 2 Mito, Kwento, Musika – The Indigenous Imagination
LOREN LEGARDA: Dayaw Season 4 Episode 2 - "Living Treasures (part 1)"
Dayaw Season 4 Episode 2 : Living Treasures (Part 1)
5.0 / 5 (0 votes)