Dayaw Season 4 Episode 2 : Living Treasures (Part 1)

Summary

This video script celebrates the National Living Treasures of the Philippines, known as Gawad sa Manlilikha ng Bayan awardees, who preserve and pass on their culture's rich heritage. It features three masters from Northern Luzon: a Kalinga teacher, a hat maker from Abra, and an Ilocos Norte weaver. Each showcases their unique crafts and the importance of their work in maintaining cultural identity. The video emphasizes the humility, perseverance, and the quiet strength of these individuals, who have dedicated their lives to their art, inspiring future generations to value and carry on these traditions.

Takeaways

• 🌟 The script celebrates the rich cultural heritage of Northern Luzon, highlighting the importance of preserving and documenting these traditions.
• 🏆 It features three Gawad sa Manlilikha ng Bayan (GAMABA) awardees who are masters in their respective fields, showcasing their dedication to their craft.
• 👵 Magdalena Jameos, a weaver from Ilocos Norte, is recognized for her mastery in weaving complex patterns, particularly the binnacle pattern, using locally grown cotton.
• 🎓 Teófilo Garcia, a hat maker from Abra, is noted for his expertise in creating durable and beautiful hats from gourd, reflecting a deep connection with nature and agricultural knowledge.
• 💃 Alonzo Saclag, a Kalinga master, is devoted to preserving not only dance and music but also the broader aspects of Kalinga culture, including architecture and social rituals.
• 🌱 The script emphasizes the importance of raw materials in the craft, such as locally grown cotton for weaving and the specific variety of gourd for hat making.
• 👶 There is a call for younger generations to learn from these masters to ensure the continuity of these cultural practices and the knowledge they carry.
• 🏫 Teófilo Garcia has successfully integrated hat weaving into the school curriculum, ensuring the preservation of the craft for future generations.
• 🏰 Alonzo Saclag's establishment of the Kalinga Budong dance troupe and his organization of cultural festivals demonstrate his commitment to cultural preservation.
• 🏛 The script suggests that the humility and perseverance of these cultural bearers are lessons that can be applied to modern life, regardless of the specific craft or tradition.

Q & A

What is the main theme of the video script?

The main theme of the video script is the documentation and preservation of precious living cultures and the recognition of the individuals who are the bearers of these cultures, known as Gawad Manlilikha ng Bayan awardees.

Who are the three Gawad Manlilikha ng Bayan awardees featured in the script?

The three Gawad Manlilikha ng Bayan awardees featured are a Kalinga teacher, a hat maker from Abra, and a weaver from Ilocos Norte.

What challenges have these culture bearers faced?

These culture bearers have faced challenges such as colonization, conflict, marginalization, and the struggle to pass on their knowledge and skills in a rapidly changing world.

What is the significance of the binnacle pattern in the weaving of Magdalena Gamaya?

The binnacle pattern is a complex abstraction that represents the whirlwind and is one of Magdalena Gamaya's specialties, showcasing her mastery of weaving and the intricate mathematics of the pattern's construction.

What is the relationship between Teófilo Garcia and the natural environment in his craft?

Teófilo Garcia's craft is deeply connected to the natural environment, as he uses agricultural knowledge, time-honored design, and simple aesthetics to create functional and beautiful hats from gourds.

How did Teófilo Garcia integrate his craft into the local education system?

Teófilo Garcia integrated his craft into the local education system by creating a curriculum based on hat weaving, which includes planting, harvesting, and material collection, and teaching it as part of the practical arts in elementary schools.

What is unique about Alonzo Saclay's approach to preserving Kalinga culture?

Alonzo Saclay's approach to preserving Kalinga culture is unique because he is devoted to preserving not just a particular aspect of the culture but the entire range of dance, music, chanting, architecture, and spiritual and social rituals.

What is the significance of the festivals and workshops held by Alonzo Saclay?

The festivals and workshops held by Alonzo Saclay are significant because they bring together communities to celebrate and compare cultural practices, fostering a spirit of oneness and cultural pride.

What can we learn from the Gawad Manlilikha ng Bayan awardees about perseverance and humility?

We can learn from the Gawad Manlilikha ng Bayan awardees the importance of humility and perseverance in the face of a changing world, as they continue to do what they love without seeking external acclaim or recognition.

How does the National Commission on Culture and the Arts recognize the contributions of these culture bearers?

The National Commission on Culture and the Arts recognizes the contributions of these culture bearers through the Gawad Manlilikha ng Bayan awards, which acknowledge their dedication to preserving and passing on traditional knowledge and skills.

Outlines

00:00

🌟 Cultural Preservation and the Gawad Manlilikha ng Bayan

This paragraph introduces the theme of cultural preservation, focusing on the importance of documenting and maintaining traditional cultures. It highlights the challenges faced by culture bearers, such as colonization, conflict, and marginalization, yet their persistence in passing on knowledge through generations. The segment features three Gawad Manlilikha ng Bayan awardees from Northern Luzon: a Kalinga teacher, a hat maker from Abra, and a weaver from Ilocos Norte. The narrative emphasizes the need to learn from these masters and preserve their skills and traditions.

05:02

👵 The Art of Weaving with Magdalena Gamaya

This paragraph delves into the life and work of Magdalena Gamaya, a weaver from Ilocos Norte and a Gawad Manlilikha ng Bayan awardee. At 88 years old when she received the award in 2012, she had been weaving since the age of 16. Her expertise in the Abelana weave, particularly the binnacle pattern, is highlighted, showcasing her ability to create complex and modern designs despite her age. The importance of local materials, such as kappa or cotton, is underscored, and there is a call for younger generations to learn and continue the tradition.

10:05

🎩 The Craft of Hat Making with Teófilo Garcia

The focus shifts to Teófilo Garcia of Abra, another Gawad Manlilikha ng Bayan awardee, who is known for his skill in creating traditional Filipino hats from gourds. The paragraph discusses the resurgence of interest in these hats as a statement of identity and the need for Garcia to pass on his knowledge. His dedication to teaching young people in his community is highlighted, with the hat weaving curriculum integrated into the local school system, ensuring the continuation of this craft.

15:06

🎶 Alonzo Saclagay's Commitment to Kalinga Culture

This paragraph introduces Alonzo Saclagay, a multi-talented Gawad Manlilikha ng Bayan awardee who is devoted to preserving various aspects of Kalinga culture, including dance, music, chanting, architecture, and social rituals. His establishment of the Awit Shan Village in Lubuagan as a tribute to Kalinga culture is featured, along with his efforts to organize festivals and workshops that bring communities together in the spirit of unity and cultural appreciation.

20:06

🏆 The Legacy of Gawad Manlilikha ng Bayan Awardees

The final paragraph reflects on the legacy of the Gawad Manlilikha ng Bayan awardees, emphasizing the humility and perseverance they embody. It discusses the importance of acknowledging their contributions to preserving cultural knowledge and pride. The paragraph concludes by urging the audience to appreciate and thank these bearers of culture for their dedication to their crafts and traditions.

Keywords

💡Cultural Bearers

Cultural bearers are individuals who carry the responsibility of preserving and transmitting their culture's knowledge, traditions, and practices. In the video, this term is used to describe the people who have been awarded for their efforts in maintaining their cultural heritage despite various challenges. They are the 'living vessels' of cultural knowledge, embodying the pride and history of their communities.

💡Gawad sa Manlilik ng Bayan (GAMABA)

Gawad sa Manlilik ng Bayan, or the Award for Outstanding Deeds of the Filipino, is a prestigious recognition given to individuals who have shown exemplary dedication to their craft and culture. In the script, GAMABA winners are highlighted as the masters who continue to uphold the rich traditions of the northern Luzon region in the Philippines.

💡Kalinga

Kalinga refers to an indigenous tribe in the Philippines known for their warrior society and rich cultural heritage. In the video, one of the cultural bearers is a Kalinga teacher who is devoted to preserving not just a particular aspect of his culture but the entire spectrum of Kalinga traditions, including dance, music, chanting, architecture, and social rituals.

💡Weaving

Weaving is a craft of interlacing two set of threads or yarns at right angles to form a fabric or a textile. The video features a weaver from Ilocos Norte who specializes in the intricate weaving of 'Abelana', a traditional Ilocano textile, showcasing the complexity and richness of her work, which is a testament to the cultural pride and knowledge passed down through generations.

💡Binnacle Pattern

The binnacle pattern is a complex abstraction in weaving said to represent a whirlwind. It is one of the specialties of the weaver featured in the video, who despite her age, retains the complex mathematics of its construction. This pattern exemplifies the intricate knowledge and skill required in traditional weaving techniques.

💡Abra

Abra is a province in the Philippines known for its unique crafts, such as the making of hats from gourds. In the script, a maker of hats from Abra is highlighted for his craftsmanship and the practicality and beauty of his creations, which are deeply rooted in the agricultural knowledge and traditional aesthetics of the region.

💡Ilocos Norte

Ilocos Norte is a province in the northern part of the Philippines, known for its rich cultural heritage and traditional crafts. The video script mentions a weaver from Ilocos Norte, who is a GAMABA winner and is recognized for her mastery in weaving complex patterns, reflecting the cultural pride and the preservation of traditional textile arts.

💡Preservation

Preservation in the context of the video refers to the act of maintaining, protecting, and keeping alive the cultural practices, knowledge, and artifacts of a community. The cultural bearers featured in the video are all engaged in the preservation of their respective cultural elements, ensuring that these traditions are not lost to time.

💡Hat Weaving

Hat weaving is the craft of creating hats from woven materials, in this case, from gourds. The video mentions Teófilo Garcia, a master hat weaver from Abra, who has not only preserved this traditional craft but also integrated it into the local school curriculum, ensuring the continuation of this skill for future generations.

💡Cultural Pride

Cultural pride is the sense of pride and respect one has for their cultural heritage and traditions. The video emphasizes the importance of cultural pride as a driving force behind the efforts of the cultural bearers to preserve and pass on their traditions, thereby maintaining a strong connection to their roots and identity.

💡National Commission on Culture and the Arts (NCCA)

The National Commission on Culture and the Arts is the government agency in the Philippines responsible for the promotion and development of Philippine culture and the arts. In the script, the NCCA is mentioned as the entity that recognizes the efforts of the cultural bearers through the GAMABA awards, thereby acknowledging their contributions to the preservation of Philippine culture.

Highlights

The importance of documenting and preserving precious living cultures.

Cultural bearers as vessels of knowledge, pride, and identity.

The resilience of culture bearers despite colonization, conflict, and marginalization.

Introduction of three Gawad Manlilikha ng Bayan awardees from Northern Luzon.

Magdalena Jameos, the oldest Gawad Manlilikha ng Bayan awardee, and her impact on the community.

The art of weaving Abelana, a simple hobby with complex patterns.

The significance of the binnacle pattern in weaving and its representation of a whirlwind.

The necessity of raw materials like locally grown cotton for traditional weaving.

The wish for younger generations to learn and carry on the weaving tradition.

The simplicity and durability of Ilocano structures reflecting a strong sense of community.

Teófilo Garcia's craftsmanship in creating functional and aesthetically pleasing hats.

The resurgence of interest in traditional hats as a statement of identity.

Garcia's integration of hat weaving into the school curriculum, ensuring the tradition's continuity.

Alonzo Saclag's dedication to preserving the dance, music, and rituals of the Kalinga culture.

The establishment of the Kalinga Budong dance troupe as a form of cultural education.

The role of cultural festivals and workshops in reviving and celebrating cultural pride.

The humility and perseverance of the Gawad Manlilikha ng Bayan awardees in the face of a changing world.

The importance of acknowledging and valuing the contributions of cultural bearers.

Transcripts

[Music]

in a world and time when so much is

changing there is still so much of our

culture that has to be documented and

kept alive who are the bearers of these

precious living cultures how do they

pass on a knowledge transmitted through

the ages

[Music]

what they represent a survived

colonization conflict

[Music]

marginalization and yet they persist

Salah oxacillin the living vessels that

store dial our knowledge our pride

our series and the culture bearers are

gawad Melilla Khan and Byun awardees or

gababa continues this time you look at

those masters who are still with us

who's continuing work we must

acknowledge learn more about and

preserve northern Luzon is a home of

three gamma ba winners we feature in

this episode the first is a Kalinga

teacher the second is a maker of hats

from Abra the third a weaver from Ilocos

Norte what can we learn from them as we

begin to admire the complexity and the

richness of their work

[Music]

a weaver from Pinelli Ilocos Norte and

perhaps the oldest of the gamma ba

winners at the time when she was honored

Magdalena jameos frail frame and quiet

demeanor belies the strength of her

weaves and the impact overworked on her

community Dahlonega Maya well when she

was given the award in 2012 she was

already 88 years old but I think as

early as 16 really learned the art of

weaving the Abela

the Ilocano a bell a very simple hobby

no and she has a very very bad

repertoire of a really being especially

the binnacle pattern make she knows many

many other patterns some of them are

very difficult to make roster a cameo in

spite of her age can continue doing all

those important very modern designs

[Music]

Kamiya specializes in the waving of the

hardly cotton fabric all available by

the Ilocano

[Music]

the binnacle pattern a complex

abstraction said to represent the

whirlwind is one of her specialties

many variations of the binnacle exist

and she still retains the complex

mathematics of its construction in her

mind and in her heart

[Music]

but for a skill to survive there is a

need for base raw material of her choice

kappa or locally grown cotton

she's educate my life

I don't rely upon is they have a bad

economy the Mayas wish is for more young

Ilocanos to learn from her and to

inherit and carry on the knowledge which

she is only a vessel all that in the

common buffer that Madonna and a mama

know about the gap cone you know man I

am five your Madonna Cortez and I got

such a trouble

no son we need to make her come out of

the cannot rely upon me by that fund

that everything came over

Magdalena is a master of a wide range of

repertoire she can do many designs

techniques color combinations that a

single Weaver will not be so she's

really there and that was what made her

stand out from all the others also the

refinement again

quiet persona a beautiful textile

[Music]

sorry 30 is is really a very strong

sense of community they really are able

to build strong sense of solidarity

among themselves that's why when you

look at Ilocano structures they're quite

simple in many churches show these

structures there are very few ornaments

what you see is the solidity of

structure simple and compound anything

compact it's more durable so this is

what I can say about letting Amaya see

in the showcases with best of the other

kind of mine

[Music]

[Music]

in the work of Magdalena de Mayo we see

how physical frailty and age have not

hindered her from continuing to weave

and to teach in the work of teófilo

Garcia of Abra we see have a close

relationship with nature can shape a

practical object of endurance and beauty

[Music]

a good heart may seem like a simple

thing an item dismissed as a foxy

filipiniana

but in the creations of teófilo Garcia

and Ilocano living in San kingpin abre

the Gord hats or table alone that he

creates a result of agricultural

knowledge time-honored and functional

design and simple but pleasing aesthetic

sensibilities

what others may see is just a hat is in

fact an object that shows just how

deeply traditional Filipino craftsman

was attuned to his environment for

Garcia it

with a perfect gourd to work with he now

begins the process of creating a hat

[Music]

no Madison Madison yamaha yama niyama my

god nobody knew

no medicinal timber

[Music]

so mr. de corazon Oh

during the depart this button I'm

rotating with the gamma Bob recognition

came the sudden resurgence of interest

in the heart as a statement of one's

identity as well as a need for teófilo

to pass on his knowledge

[Music]

you know it's very rare that you find a

person who becomes interested in the one

seemingly curious item a hat no made of

good and you know he single-handedly was

able to really master the skills

necessary for making very strong hats

the taboo mo of the people abruptly

thing ends and if you look at the

external fish they had seems to be

simple but if you dove underneath they

had it's very implicit and one thing

good about your fellow that she i said

she was able to really impart this

knowledge the young kids in his

community now as part of the school

system I think the Department of

Education in his region was able to make

it about making a part of school

curriculum and so I don't think this

edition will disappear anytime soon

simply because of the way he was able to

teach to the young people in this

community how to make a bomb out he's

really an unusual person because since

the time that he was awarded they have

been able to put together a program in

elementary school practical arts one

whole year or one semester of curriculum

based on his his

hat weaving now and it's very

interesting to say the the the the

planning starts with the planting of the

OPO they start with the planting of the

Hoopoe and then he teaches them it's a

special variety of open at any variety

will do and then you harvesting and then

you collecting of materials and there is

a curriculum so so he's really a useful

person to be able to do that and to

teach here he teaches it in his

elementary in the elementary school in

his community for me that's the idea

really of the mama so you have to be

between he's such a quiet man also

[Music]

[Music]

[Applause]

[Music]

Alyce's o'clock was given the award in

India 2000 because he was had done sir

very good answer

classic rag was also a musician know he

knows how to play the nose flute of the

Kalinga gangster the co-leader of the

Kalinga and many others so he's a master

of the musical instruments of the

Kalinga and of the dances and

architecture indeed Saqlain a native of

Lube walden is very different from the

other gababa masters in that is devoted

to preserving not just a particular

aspect of his culture his passion covers

dance music chanting architecture

spiritual and social rituals of the

Kalinga

the awit shan village in loop wagon is

his own tribute to the Kalinga culture

he grew up loving but a maple syrup and

cultura sirisha come gastos in a Wahoo

nato media upon aloo potato well

undoubtedly to noon to along - Big D to

a planetary plateau from Mesa I would

measure in a walkway to at my own

expense but mei-chiao chiu para

two-parameter Abajo if you can Priscilla

young the tokuma car in beautiful campus

in along south nila aluminum video from

event a bustling metropolis it to green

taco from rice terraces number in the

atrium about winter Cooper alumnus news

indeed sorry the Camino para may

preserve uncle Torah known but la una

whom successful

I use a tribal war c'est une langue

victory dance is a whom a felon

yesterday noon where's my opera but

paper on my shower but I'm waiting

waiting waiting

so Mario hello whistle volumes I own a

Union victory turns

oh yeah well immunity I see were you

possible by well a move it is as I only

meant I job where are you select a table

mean to nestle if human courtship Naboo

by the lucky boy

yah

[Music]

Inga Yaya

[Applause]

[Music]

[Applause]

no but aku interesado Kusa

sounding Gong but the human can't an

amine bana ballard victory song you

untie spurs up and mitaina matando

you're not Sally do my cologne Hong Kong

luma careful young marine iguana Morocco

param param no tea well Christopher

Young moving moving

so the hakuna Kappa graduate mechanics

the foolish Kahuna who noon Perot pop

that in sedans anta McCauley Nevadan

Anissa pune yin yang defu headed in de

parejas and give nodosa motto la la la

la la the vanilla bragging in Alonso's

o'clock we see a Filipino who is

passionate about the preservation of all

aspects of his culture and the passion

even at his age

seems unabated the establishment and

training of the Kalinga Budong dance

troupe he established is easily the most

accessible form of learning for both his

Kalinga participants and his eager

audience

[Music]

[Music]

[Music]

alonzo sir clamps commitment to

preserving the culture of a warrior

society may strike some of us as

anachronistic what is it truly reviving

courage cultural pride the memory of a

journey that as people have taken from

being members of a tribe to being part

of a nation the through hell and high

water he holds these huge festivals and

workshops in Kalinga and that's that

means he is a good organizer he calls

together not only his community but now

I think neighboring communities they

come together they have their festivals

and they compare and contrast and they

do this all in the spirit of oneness now

in the Cordilleras this is very

important know there are a few people

that can call together such groups and

so the fact that he holds them and then

the topics may sometimes it's for an

instrument making festival sometimes

it's for a dance festival sometimes for

singing but I have I have I have on

several occasions marveled at the fact

of doing this tried to do

I know inside need oh mighty one

[Music]

earlier I asked what can we learn from

the gamma Baba awardees from northern

luzon well we may not learn the

intricacies of weaving a kousaka's

pattern nor understand the social fabric

of a traditional warrior society nor the

way of making a hat from a gourd

these are the end products of their work

what we can learn from what will be most

useful and relevant to our lives today

is the humility and the perseverance

with which Alonzo Saqlain Magdalena

gamaya

MP ophélie Garcia have lived their lives

theirs is a hard choice in the face of a

changing world

they've quietly gone on doing what they

love they sought no acclaim no

recognition no honor from a world that

has yet to learn how to look and value

what they stand for yep slowly but

surely the recognition has come the

state through the National Commission on

culture and the arts has seen to that it

is up to us now to acknowledge the gift

that they have given us and to say thank

you for choosing to be bearers of dayal

our knowledge our pride

[Applause]

[Music]

[Applause]

[Music]