GTA 5 PS5 - Mission #18 - The Long Stretch [Gold Medal Guide - 4K 60fps]

GTA Series Videos
21 Mar 202212:38

Summary

TLDRThe script depicts a tense and humorous interaction between two characters, Franklin and Magenta, who seem to be involved in some shady dealings. The dialogue is filled with banter, threats, and references to their past criminal activities, suggesting a dynamic of rivalry and camaraderie.

Takeaways

  • 🏡 The script involves characters discussing their living situations and personal dynamics.
  • 💃 Magenta is mentioned as a source of inspiration for someone's femininity.
  • 🚶‍♂️ There is a suggestion of someone being told to leave or 'make themselves scarce'.
  • 💬 Dialogue hints at past conflicts and ongoing tensions between the characters.
  • 🤔 References to masculinity and respect are a recurring theme in the interactions.
  • 💰 There are mentions of financial dealings, possibly involving illicit activities.
  • 🔫 The script includes discussions about weapons and possibly a firing range.
  • 🚗 There is a plan to go somewhere, possibly for a transaction or deal.
  • 🤝 The characters seem to be trying to reconcile or at least manage their differences.
  • 🏠 The script ends with a suggestion of returning home and someone being left behind.

Q & A

  • Who is the character expressing their dissatisfaction with the situation at the beginning of the script?

    -The character expressing dissatisfaction is likely someone who is surprised or upset by the presence of another character, Franklin, who claims to live in the same house.

  • What is the relationship between the characters discussing their masculinity and toughness?

    -The characters are engaging in a typical macho posturing, trying to assert dominance or superiority over each other, possibly indicating a competitive or confrontational relationship.

  • Why does the character suggest that the other character should 'make himself scarce'?

    -The character is likely trying to assert control over the situation or space, possibly because they feel threatened or uncomfortable with the presence of the other character.

  • What does the phrase 'doing well for yourself' imply in this context?

    -This phrase suggests that one character is acknowledging the other's apparent success or prosperity, possibly with a hint of skepticism or disbelief.

  • What is the significance of the mention of 'sweet boys up in the pen'?

    -This likely refers to other inmates in prison who are perceived as being more formidable or intimidating, possibly as a way to belittle the other character's toughness.

  • What does the character mean when they say 'reality' in response to the other character's comment about respect?

    -The character is emphasizing the harsh or unyielding nature of their reality, possibly suggesting that they operate on a different set of principles or values.

  • Why might the characters be discussing a 'drug deal' and what could go wrong?

    -The characters are likely involved in some form of criminal activity, and the mention of a 'drug deal' suggests potential risks and complications, possibly hinting at a plot twist or conflict.

  • What is the significance of the character's comment about 'the power of positive thinking'?

    -This comment could be a critique of the other character's negative attitude, suggesting that a more optimistic approach might be more beneficial or effective.

  • What does the mention of 'firing range' and 'customizable weapons' imply about the characters' activities?

    -This suggests that the characters are involved in some form of organized crime or illicit activity that requires them to be armed and prepared, possibly indicating a violent or dangerous lifestyle.

  • Why does the character express a wish to be back in jail?

    -This could be a reflection of the character's dissatisfaction with their current situation, possibly indicating that they feel safer or more in control in prison.

Outlines

00:00

😀 Reunion and Tension

The script opens with a lively scene marked by music and applause. The characters engage in a banter-filled conversation, hinting at past conflicts and current tensions. One character, Franklin, is questioned about his presence, revealing that he shares a home with another. Magenta's influence on the speaker's femininity is mentioned, suggesting a change in their personal life. The dialogue is peppered with confrontational exchanges, indicating a complex relationship between the characters. There's a mention of a potential drug deal and a hint at a possible deal gone wrong, adding an element of suspense and danger to the narrative.

05:07

😡 Confrontation and Distrust

This paragraph delves into a tense situation where a character accuses another of kidnapping, indicating a high level of mistrust and animosity. The conversation reveals past criminal activities and a recent release from prison, adding depth to the characters' backgrounds. The mention of a gang intervention program suggests an external force attempting to intervene in their lives. The dialogue is filled with interruptions and heated exchanges, reflecting the volatile nature of their interactions. There's also a sense of regret and a desire to escape the current situation, as one character wishes they were back in jail.

10:09

😤 Escalation and Blame

The third paragraph continues the theme of conflict and escalation. The characters discuss a failed deal and the consequences of their actions, with one character blaming another for the situation they find themselves in. There's a clear sense of frustration and resentment, particularly as one character accuses another of owing them. The conversation takes a turn when a character is accused of being a 'punk' and is told to 'get off my feet,' indicating a power dynamic at play. The mention of a 'hook ass' and the desire for revenge further heighten the tension, setting the stage for potential future confrontations.

Mindmap

Keywords

💡femininity

Femininity refers to qualities, appearance, or behavior typically associated with women and girls. In the script, 'magenta is reinvigorating my femininity' suggests a character is rediscovering or embracing traditionally feminine traits, possibly as a form of personal growth or transformation.

💡gang

A gang is a group of individuals who engage in criminal activities and often have a strong sense of loyalty and hierarchy. The script mentions 'gang intervention' and 'gangster,' indicating that the characters are involved in or affected by gang-related activities, which is a central theme in the narrative.

💡respect

Respect in this context is the acknowledgment of someone's worth or standing within a group. The script repeatedly mentions respect, such as 'show some respect here' and 'i got respect for reality,' highlighting the importance of recognition and status within the group dynamics.

💡drug deal

A drug deal refers to the exchange of illicit drugs for money or other goods. The mention of 'drug deal' in the script suggests that the characters are involved in criminal activities, specifically the drug trade, which adds tension and stakes to the story.

💡jail

Jail is a place where people are held in custody, usually as a result of a criminal conviction. The script includes references to characters who have been to jail, such as 'i wasn't here i wasn't even in this state,' indicating past criminal activities and their impact on the characters' lives.

💡homie

Homie is a term used to refer to a close friend or associate, often in a context of camaraderie. The script uses 'homie' frequently, such as 'hey homie,' indicating the strong bonds and relationships among the characters, which is a key aspect of the group's dynamics.

💡cans

In the context of the script, 'cans' likely refers to containers for drugs, as suggested by 'where the base has be taking their cans at.' This term is part of the slang used in the drug trade and indicates the characters' involvement in illicit activities.

💡negative attitude

A negative attitude is a pessimistic or defeatist outlook. The script mentions 'negative attitude' in the context of a character's mindset, such as 'that negative attitude lamar was telling me about,' suggesting that this mindset is detrimental to the group's success or unity.

💡customizable weapons

Customizable weapons are firearms or other weapons that can be modified or personalized. The script mentions 'weapons are customizable,' indicating that the characters have access to and are involved in activities that require specialized or modified weapons, further emphasizing their criminal activities.

💡ambulation

Ambulation refers to the act of walking or moving around. In the script, 'ambulation' is used in a humorous or sarcastic context, such as 'not me [__],' possibly to mock someone's manner of walking or to emphasize a character's physicality.

💡set up

To set up in this context means to arrange or organize something, often with a negative connotation of entrapment. The script includes 'you and lamar wasn't so stupid to set up a deal,' suggesting that someone was tricked or led into a situation, which is a critical plot point in the narrative.

Highlights

Franklin lives in half of the house and is surprised by the situation.

Magenta is helping to reinvigorate Franklin's femininity.

A character is told to leave and stay out of trouble.

A character challenges another's masculinity, implying a lack of respect.

A character expresses disdain for someone's time in prison, suggesting they've been idle.

A character is accused of missing someone, leading to a heated exchange.

A character boasts about their own success and challenges another's.

A character warns about the potential consequences of hanging around with a certain person.

A character suggests that another is not getting along with others and has been doing so for years.

A character expresses relief and happiness at someone's return, despite previous conflicts.

A character discusses the need for respect and reality, possibly in the context of gang life.

A character is frustrated by another's attitude and behavior, suggesting a tense relationship.

A character proposes a plan to move on from the current situation, possibly involving a car.

A character suggests a need for a haircut and a change in behavior, possibly as a sign of maturity.

A character mentions a microphone, possibly indicating a desire to be heard or recognized.

A character discusses a plan involving a firing range and customizable weapons.

A character expresses a desire to get away from the current group and suggests a new location.

A character is accused of setting up a bad deal, leading to a conflict.

A character discusses a drug deal and expresses skepticism about its success.

A character mentions a negative attitude and its impact on the group's success.

A character expresses a desire to be elsewhere, possibly indicating dissatisfaction with the current situation.

A character is brought to a new location and is told to stay with an aunt while the men handle business.

A character is accused of sounding like a snee, possibly indicating a lack of respect or seriousness.

A character discusses the need to make money and avoid getting killed, indicating a dangerous lifestyle.

Transcripts

play00:09

[Music]

play00:10

[Applause]

play00:14

wow

play00:16

hello

play00:18

i don't want to know frankly what the

play00:20

[ __ ] i mean what the hell going on here

play00:23

wait a minute franklin what are you

play00:24

doing here i live here this half my

play00:27

house too so you say

play00:29

anyway magenta is reinvigorating my

play00:32

femininity so make yourself scarce boy

play00:34

go go with pleasure go

play00:36

goodness and stay out of trouble

play00:40

yeah yeah

play00:42

i bet you ain't no more of a man than me

play00:44

i hear that gangster [ __ ] [ __ ] look

play00:47

who's been shut up

play00:49

man

play00:50

oh no no show some respect here [ __ ]

play00:53

that man they couldn't hold down his

play00:55

back come on now damn man i gotta spend

play00:58

my day with another middleweight fool

play01:00

trying to recapture his you what this

play01:02

fool just say i missed you dog oh oh you

play01:05

missed me huh

play01:06

no i ain't missed you you ass could have

play01:08

stayed gone for good so i [ __ ] your

play01:10

girl mugged your mom and better yet i

play01:13

ain't thought about your ass and yet

play01:15

you got jokes now huh

play01:17

hey but i see you doing well for

play01:19

yourself check that on out [ __ ] i'm

play01:21

doing just fine that's what i hear but i

play01:24

know some sweet boys up in the pen that

play01:26

got bigger balls than you you've been

play01:28

doing your time looking at sweet boy

play01:29

balls uh-huh yeah it's good to have

play01:31

confirmation this funny [ __ ] while you

play01:33

keep hanging around this clown l shake

play01:36

this fool from the same set stretch why

play01:38

why y'all [ __ ] can't get along y'all

play01:40

been doing this [ __ ] for years man you

play01:42

know what dog it's good you back home

play01:45

glad you here missed you boy damn you

play01:47

definitely got hit up inside hit up hey

play01:50

hey yo [ __ ] i know little [ __ ]

play01:52

like you been turned out on the daily

play01:54

talking about being hit up [ __ ] i swear

play01:56

man you ain't got no [ __ ]

play01:58

respect [ __ ] i got respect for

play01:59

reality reality all right all right you

play02:02

keep thinking that just keep thinking

play02:04

that [ __ ] [ __ ] you gonna get yours [ __ ]

play02:08

you i swear man presents come on man

play02:11

cool chill man this [ __ ] get on

play02:13

my goddamn nerve [ __ ] get on my nerves

play02:15

too man

play02:16

part of the [ __ ] charm man f come on

play02:18

man let's just bust a move man you gonna

play02:20

drive a what bill driveway

play02:23

pick up this heat [ __ ]

play02:25

why

play02:26

business [ __ ]

play02:28

you know business come on y'all [ __ ]

play02:30

act like girl [ __ ] not me [ __ ]

play02:33

ambulation come on let's go

play02:44

[ __ ] homie you gonna drop all that bread

play02:46

on that gear you might as well get a

play02:48

haircut too [ __ ] crazy-haired

play02:51

microphone [ __ ] i got a

play02:53

microphone i can shove right in your

play02:54

prison pocket [ __ ] you walk like you

play02:56

keep [ __ ] anyway

play02:58

you know when i went away you punks was

play03:00

little homies and i was a big homie as

play03:03

soon as we get this [ __ ] as soon as we

play03:05

get paid homie as soon as we get in car

play03:07

fighting

play03:10

ammunition armorer to the stars hey

play03:12

what's up man firing range is in the

play03:15

back and all our weapons are

play03:17

customizable oh hell yeah you could

play03:20

trick your blind blam out up in here

play03:22

quit all that just straight up artillery

play03:24

man all right y'all shut the [ __ ] up i

play03:26

got this you clowns

play03:28

ooh homie get the shotty with the

play03:30

flashlight on

play03:31

why the [ __ ] am i the only one buying

play03:33

this cause we got sheets homie now shut

play03:35

the [ __ ] up and come on

play03:37

take us down to that one spot where the

play03:38

base has be taking their cans at you

play03:40

know on friends in la puerta

play03:53

you got some cans on some [ __ ] i don't

play03:55

know about nah homie we got ourselves a

play03:58

drug deal why do i get the feeling it's

play04:00

gonna be one of them deals gone wrong

play04:01

type situation now see that's that

play04:03

negative attitude lamar was telling me

play04:05

about [ __ ] you ain't getting nowhere

play04:07

thinking like that the power of positive

play04:10

[ __ ]

play04:14

[Music]

play04:20

this ain't new age [ __ ] it's fat you get

play04:23

what you get fool you've been getting

play04:25

dick but you ain't giving it huh some

play04:27

mark talked like that to an og

play04:30

cgf has changed man no wonder the hood

play04:32

is so late

play04:38

right now speaking of change lamar's

play04:40

been

play04:42

hey we meeting them here

play04:48

man how'd you find this place homie set

play04:50

it up it's the kind of spot where we

play04:52

ain't gonna be disturbed

play05:06

what's up boy everything cool on man

play05:09

what the [ __ ] man you was just

play05:10

kidnapping this [ __ ] oh come on dawg

play05:12

don't really recognize real dee my [ __ ]

play05:15

just got out crossing lines did some

play05:17

time with some of your faults hey look

play05:19

this ain't about you man what you know

play05:21

these [ __ ] done what the [ __ ] this

play05:23

trick talking about man

play05:25

yeah yeah yeah yeah somebody said they

play05:27

put a [ __ ] on tv man about some gang

play05:29

intervention [ __ ] hey this ain't the

play05:31

police dog it's some ball it's [ __ ]

play05:33

[ __ ] man [ __ ]

play05:35

shut up [ __ ] this [ __ ] [ __ ]

play05:43

what come on

play05:54

never trust you is the lesson i'm taking

play05:56

away from this [ __ ] that [ __ ] d set

play05:59

us up

play06:00

[ __ ] i said they know after you got

play06:02

clocked you left

play06:05

[Music]

play06:13

[Music]

play06:20

[Music]

play06:28

man go ahead

play06:31

[Music]

play06:43

[Music]

play06:46

get out

play06:49

[Music]

play07:14

see

play07:16

[Music]

play07:34

take it out

play07:53

watch out

play08:09

[ __ ]

play08:12

get up over that [ __ ] we

play08:14

straight low

play08:16

[Music]

play08:18

[Applause]

play08:24

we got

play08:27

this

play08:29

[Applause]

play08:48

just pick me up on the side of the road

play08:50

that's the story

play08:54

[Music]

play09:05

[Music]

play09:12

i ain't catching this

play09:17

[Music]

play09:31

you gonna lose

play09:38

[Music]

play10:00

i wish i was in jail

play10:09

[Music]

play10:14

i wasn't here i wasn't even in this

play10:16

state

play10:22

[Music]

play10:27

believe with me more [ __ ]

play10:31

[Music]

play10:40

keep them rollers off but

play10:43

[Music]

play10:46

that's it that's it we lost him now take

play10:48

us somewhere where we can get it in

play10:49

homie

play10:51

we going back to my crib man and you can

play10:53

walk from there

play10:56

[Applause]

play11:00

[Music]

play11:03

hey what the hell you brought me into

play11:05

back there

play11:08

here we are man you gonna hang with your

play11:10

auntie while the men break it off

play11:12

shut the [ __ ] up hell no [ __ ] you

play11:15

sounding more and more like a snee i

play11:17

itch every day hell nah [ __ ] i sound

play11:19

like somebody trying to make some paper

play11:21

and not get killed he's a hook ass [ __ ]

play11:23

i told you go toss a sally stretch mark

play11:25

ass [ __ ]

play11:38

[Music]

play11:47

hey little homie i was cracking stretch

play11:50

[ __ ] it must be nice speaking on a cell

play11:51

phone i don't spend half the day up your

play11:53

ass where are my dudes [ __ ] it's

play11:55

like membership payment time oh [ __ ] i'm

play11:59

sorry man i'm a little shocked right now

play12:01

you know well maybe your ass should get

play12:03

out and work for your snaps like the

play12:04

rest of us [ __ ] i put in the grind

play12:06

while you was wearing diapers and

play12:07

getting your ass white if you and lamar

play12:09

wasn't so stupid to set up a deal with a

play12:11

ball as full wanted to clap your ass

play12:13

we'd all be fine right now man that was

play12:15

ld's deal [ __ ] not mine man i'm out

play12:18

punk you owe me

play12:20

get off my feet

play12:22

sorry about that sorry about that my bad

play12:24

bad what's cracking bro mess with og

play12:27

you gotta [ __ ] be kidding me

play12:30

are you doing what the [ __ ] i think you

play12:32

knew i just want some of this who else

play12:34

wants some of this

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