CRACKING Landscape Photography's CODE in the Woodland - Composition Tips
Summary
TLDRIn this engaging video, the host embarks on a Woodland photography adventure, guiding viewers through the process of capturing balanced and uncluttered scenes in the forest. With a focus on composition and lighting, the host shares practical tips, such as using a polarizing filter to enhance color saturation and employing a telephoto lens to compress scenes and emphasize subjects. The video encourages viewers to explore their surroundings with a camera, experiment with different angles, and return to perfect compositions under ideal conditions, such as misty mornings with sunlight filtering through the trees. Additionally, the host recommends Simon Baxter's YouTube channel for further inspiration and learning in Woodland photography.
Takeaways
- 📸 The video is a tutorial on woodland photography, focusing on lighting and composition.
- 🌲 The presenter emphasizes the importance of simplifying scenes and capturing balanced, uncluttered images in woodland photography.
- 👣 The presenter shares their thought process and tips while walking through the forest, encouraging viewers to stick until the end for the best shot.
- 🔍 The process of finding the right composition involves walking around the subject to find a clean background and avoiding clutter.
- 📷 A 15-35 millimeter lens is used to explore different angles and perspectives for the initial composition.
- 🌳 The presenter discusses the challenges of dealing with distracting elements like tree trunks and how to work around them.
- 🎨 The use of a polarizer filter is highlighted to improve color saturation and reduce reflections in the scene.
- 👀 The importance of focusing on the main subject and using a shallow depth of field (f8) to separate the subject from the background is explained.
- 🌟 Simon Baxter's YouTube channel is recommended for those interested in woodland photography for more composition tips and techniques.
- 🌲 The presenter suggests using a telephoto lens (70-200mm F4) to compress the scene and make the subject stand out.
- 📚 A technique of taking multiple shots with different focus points and blending them in post-processing is mentioned to ensure the entire subject is in focus.
Q & A
What is the main theme of the video?
-The main theme of the video is Woodland photography, focusing on capturing scenes in a balanced and uncluttered way.
What is the challenge the video creator is undertaking?
-The challenge the video creator is undertaking is to do Woodland photography and guide viewers through the thought process of lighting and composition.
What is the significance of the last shot in the video?
-The significance of the last shot is that it is often considered the best shot, which encourages viewers to watch the video until the end.
What is the key to capturing scenes in Woodland photography according to the video?
-The key to capturing scenes in Woodland photography is to simplify things and focus on what truly matters, aiming for a balanced and uncluttered composition.
What is the first composition the video creator considers?
-The first composition the video creator considers is a scene involving a tree, where they aim to get a clean background without too many distracting elements.
What equipment is used to take the first shot?
-The equipment used for the first shot includes a 15 to 35 millimeter lens, a polarizer filter, and settings of f8 aperture, 1600 ISO, and a 10-second timer.
Who is Simon Baxter and why is he mentioned in the video?
-Simon Baxter is a photographer known for his Woodland photography skills. He is mentioned because the video creator recommends his YouTube channel for more tips and insights on composition.
What is the issue with the white spot in the sky in one of the compositions?
-The white spot in the sky is problematic because it detracts from the composition, making the scene look cluttered and unbalanced.
Why does the video creator use a telephoto lens for a particular shot?
-The video creator uses a telephoto lens to compress the scene and make the main subject stand out more, which is important for creating a striking photograph.
What technique does the video creator use to ensure sharp focus on multiple subjects in a scene?
-The video creator uses a technique called focus stacking, where they take multiple shots with different focus points and then blend them in post-processing to ensure all subjects are in focus.
Why does the video creator mention mushrooms in the script?
-The video creator mentions mushrooms as an example of the many distractions one might encounter in the forest, and as a segue to promote a previous video they made about mushroom photography.
Outlines
📸 Woodland Photography Challenge
The video begins with the host introducing a woodland photography challenge in the FRS, aiming to guide viewers through the thought process of lighting and composition with helpful tips. The host emphasizes the importance of capturing balanced and uncluttered scenes and shares the first composition idea, which involves finding a clean background and dealing with a distracting tree trunk. The host also suggests using a polarizer filter to enhance colors and discusses the technical aspects of the shot, including focusing, ISO settings, and using a timer to avoid camera shake.
🌲 Exploring Composition and Gear
In this paragraph, the host continues to explore different compositions in the forest, focusing on a particular tree and experimenting with various angles to minimize clutter and distractions. The host recommends Simon Baxter's YouTube channel for further woodland photography tips. The discussion then shifts to the importance of subject selection and lighting, with the host choosing a well-lit tree as the next subject. The host also explains the choice of a telephoto lens to compress the scene and make the subject stand out, while also providing tips on safely changing lenses to avoid sensor damage.
🏞 Fine-Tuning Compositions and Focus Techniques
The host is now fine-tuning a composition with a focus on a tree and the surrounding environment, imagining how the scene would look with added fog and sunlight. To achieve a depth of field that keeps the subject sharp while slightly blurring the background, the host uses an aperture of f/5.6 and takes multiple shots with different focus points to ensure the entire subject is in focus. This approach may require post-processing to blend the images for optimal clarity. The host also mentions the abundance of mushroom species in the area and plugs a previous video on mushroom photography, before moving on to discover the next subject for the video.
Mindmap
Keywords
💡Woodland photography
💡FRS
💡Lighting
💡Composition
💡Polarizer filter
💡15-35 millimeter lens
💡70-200 millimeter F4 lens
💡Focus
💡ISO
💡Simon Baxter
💡Mushroom photography
Highlights
The speaker is challenging themselves to do Woodland photography within the FRS, aiming to guide viewers through their thought process on lighting and composition.
Emphasis on the importance of sticking until the end of the video, as the last shot is often the best.
The challenge in Woodland photography is to simplify scenes and focus on what truly matters for a balanced and uncluttered capture.
The speaker uses a 15 to 35 millimeter lens to find the best composition and clean background.
Mention of using a polarizer filter to enhance color saturation and reduce reflections in the scene.
Focusing on a tree at f8, with a 10-second timer to avoid camera shake for a sharp image.
Recommendation to check out Simon Baxter's YouTube channel for more advanced Woodland photography tips.
The importance of not disturbing the natural environment, such as small branches, before taking a shot.
The use of a telephoto lens, specifically a 70-200 millimeter F4, to compress the scene and make the subject stand out.
The process of changing lenses carefully to avoid dust or damage to the camera sensor.
The impact of moving just a few inches can make a significant difference in the composition of the shot.
Taking multiple shots at different focus points to ensure the main subject is in focus and the background is slightly blurred for separation.
The consideration of environmental factors like fog and sunlight when planning a shot for optimal conditions.
The value of walking with a camera before setting up a tripod to explore different angles and compositions.
The decision to focus on the intended subject despite the temptation to photograph other interesting elements like mushrooms.
A call to action for viewers to like and subscribe to the channel for more content.
The final composition is chosen with an emphasis on the main subject and the removal of distracting elements from the background.
Transcripts
hello everyone welcome to another video
today I'm in the FRS and I'm challenging
myself to do some Woodland photography
I'll be guiding you through my thought
process in terms of lighting and
composition and try to give you tips
along the way now make sure you stick
until the end because the last shot is
always the best shot come with me
[Music]
just like the world we live in the
forest is full of opportunities however
the real challenge lies in simplifying
things and focusing on what truly
matters
when it comes to Woodland photography
the key is to capture scenes in a
balanced and uncluttered way and today
that's exactly what I'll try to do while
enjoying this walk in the forest
yeah this looks like the first
composition right here
[Music]
all right so basically what I'll do here
is I'm going to take my 15 to 35
millimeter lens and walk around this
tree to see what's the best possible in
goal to get a nice clean background
without too much thing going on
foreign
but the only things bugging me is
the tree trunk right there
so I'm gonna try to move a little bit to
the right this is better but now
I think the most important part of the
of the shot which is probably the top
part of the tree is probably too
cluttered I'm Gonna Keep moving around
again too much going on on the back of
this tree I kind of like what's going on
in the bottom right here so I'll try to
get something around these lines I think
not a fan of this three trunk right
there yeah this start to seems like an
interesting point of view here these are
not the perfect conditions for this shot
right now but I'm not doing it because
it's going to be the best shot I ever
did I'm doing it because I want to work
around the composition and come back
when the conditions are perfect I mean
probably with a little bit more Mist
maybe the sun peeking through the
background let's fine-tune this
composition
so I think I'm gonna get my polarizer
filter out just to see the difference it
makes
we added a little bit of
a little bit of moisture in the air so
it's probably going to help with the
colors anyways so I'm going to focus
right on the tree at f8 and it's going
to give me a half a second uh half a
second shot at the 1600 ISO with a 10
second timer to make sure I'm away from
the camera long enough to remove any
vibrations
so let's get the shot
thank you
all right so now before moving to
another shot I wanted to say that if you
really enjoy Woodland photography go out
and check Simon Baxter's YouTube channel
because this guy is really amazing with
Woodland photography I think that's
pretty much the only thing he does as
far as his YouTube channel he has a lot
of videos about composition and shares a
lot of tips so if you want some value be
sure to to check out this work so let's
get to another shot
I don't want to disturb too much
too much of the ground because there's a
lot of small branches
that I don't want to move or Crush
before taking the shot
all right again before leaving this
location I want to try another
composition on this three and actually
this might be the one I like the most
for now so obviously this is the main
subject
something that buggings me again is this
tree but I think it's going to be hard
to remove I actually like going a little
bit
lower
but now the problem is definitely
the white spot in the sky so the three
on the right hand side here is framing
the shot nicely you know if I move a
little bit more this way there's too
much clutter behind the top part of the
tree but if I'm moving you know a few
inches right there I think the
composition start to look good again
with the polarizer filter off
if we can say off
but this is off and this is
on right there
and it makes a ton of different as far
as the color saturation in the scene
I'm going to focus on the tree
10 second timer again because this is
not the sturdiest setup possible it's
going to be one fifth of the second f8
ISO 1600. here's a shot
thank you
that's not too bad now I think I had
enough of this tree for now so let's try
to find something else
[Music]
all right
so I think we found our next subject
which is this tree right here now
there's nothing particularly special
about this tree other than it's pretty
well lit right now so that's enough of
your subject and that's really important
in photography to have something that
stands out so here I'm probably going to
be using a telephoto lens because I want
to compress this scene a little bit more
to make that three stand out
here basically I'm going to use my
70-200 millimeter F4 lens because I'm
traveling with a lot of gear making
these videos so that's the main reason
why I choose the F4 lens over the F 2.6
weight and size
so I always have to be careful when I
change my lens
and you should be too in my case I make
sure to close my camera so the curtain
in front of the sensor is closed before
swapping the lens
obviously you do it with your body
pointing down and you do it quick
I'm gonna make sure it's nice and clean
just just to show you an example how
much of a different it makes moving a
couple of inches look how better
this looks the incorporation of this
branches right there makes all the
difference
all right so now I'm ready to take the
shower but before if you want to help my
Channel please go hit this like button
and subscribe to the channel it would
help a lot so this shot is going to be
taken at uh F 5.6 one tenth of a second
and ISO 1600 again I'm not worried about
the noise at this point so yeah I think
I'm happy about this one let me know
what you think
here's the shot
[Music]
all right
now let's try to find another subject
[Music]
[Music]
all right look what we found here
this one is a nice one so I'll leave the
tripod here
and we're going to try to find some
composition here
look at this angle this angle is pretty
nice
just forget the tripod in the background
but I really do love this angle the only
thing I don't like about this
is this three right there
so you see how valuable it is
to walk with your camera before even
considering putting your camera on a
tripod because on the tripod you're kind
of stuck and you cannot move freely so
yeah so this three is kind of in the way
but
if I move closer I think I can work
something out from this angle
not sure if you can see
the bottom of the tree here
and these three kind of a line and keeps
you in the image
and maybe I can yeah maybe I can put
another three this one
over here it's going to do the same
thing and keep the eye in the shot
so if I move this way a little bit more
I don't like this tree behind the main
subject
so I'm probably going to be fine tuning
my shot
from this angle
right so
I'm trying to imagine this one with
again with fog a little bit more fog and
maybe the sun peeking through right on
top of the image okay so now that I'm
happy with this composition I'm gonna
take about three shots to make sure I
have all the subject in Focus since I
don't want the background to be as sharp
because I won't create a separation here
because there's a lot of clutter in the
background so I'm going to be using a uh
probably A 5.6 aperture and I'm going to
focus tag the image so the first point
of focus is going to be right here at
the bottom of the tree which is a little
bit closer to uh to the camera then I'm
gonna take one other shot over here
and maybe one other shot on top
to make sure I have three good Focus
points and if I need to blend them in
post-processing well I'll add the shot
so again 10 second timer to make sure I
don't introduce any vibration
so
here's the shot
foreign
around here
I probably sell like 20 or 30 different
species of mushroom
so I kind of had to pinch myself to not
stop and take photos of these and keep
focusing on what I want to do today it's
kind of a Shameless plug here but
if you want to see more about mushroom
photography
I'm gonna put it right there I did a
whole video about it
but for now
let's
move this way
and see what we can find
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