🏡 CASA BUNKER de Concreto MINIMALISTA TE SORPRENDERÁ! | Obras Ajenas | @ARQ.EDITORIAL
Summary
TLDREl arquitecto Santiago Mart’nez de Editorial Les presenta una vivienda recién terminada que destaca por su diseño adaptado al terreno desigual y su espectacular vista. El uso de curvas y materiales como el concreto y la madera contrastan para crear un equilibrio estético. La casa, pensada para un solo ocupante, se caracteriza por su conexión con el exterior y su iluminación cuidadosamente planificada. Destaca la importancia de la arquitectura que responde al contexto y la topografía, así como la búsqueda de espacios abiertos y la integración de elementos naturales en el diseño.
Takeaways
- 🏠 El proyecto presentado es una vivienda recién terminada que destaca por su diseño adaptado al terreno y al contexto.
- 🌄 Uno de los aspectos más importantes del diseño es la incorporación de vistas espectaculares, logradas a través de la curvatura del terreno.
- 🛠️ La arquitectura busca cerrarse al exterior, pero al mismo tiempo abrirse a la vista, utilizando técnicas como el uso de techos invertidos.
- 🏢 El diseño se centra en la dinámica de espacios abiertos y cerrados, con muros de concreto y techos que definen la estética y la funcionalidad del hogar.
- 🪵 Se utilizó madera para contrastar la frialdad del concreto y generar un equilibrio cálido en el ambiente.
- 🌳 La casa se eleva para ventilar la parte inferior y aprovechar la diferencia de altitud, incorporando programas como habitaciones y áreas de servicio.
- 🚪 La entrada de la casa se diseñó para comprimir el espacio inicialmente, para luego sorprender con una gran apertura hacia el área pública.
- 🍳 La cocina está diseñada con una isla, fomentando la interacción entre los que cocinan y los que comen.
- 🌿 Se buscó una conexión室内外, con una extensión de un gran espacio que puede dividirse en dos, utilizando la topografía para no perder la vista.
- 🛋️ La distribución del espacio incluye áreas comunes como salas, comedor y cocina, así como habitaciones secundarias y privadas.
- 🛁 La casa cuenta con una spa, que es una de las partes favoritas del diseñador, destacando la importancia de la iluminación y la textura en el espacio.
Q & A
¿Quién es Santiago Mart’nez y qué representa?
-Santiago Mart’nez es de Editorial Les, y representa a una editorial que se encarga de presentar y discutir proyectos de arquitectura, como la casa que se describe en el guion.
¿Qué características destaca la casa que se presenta en el guion?
-La casa destaca por su diseño adaptado al terreno desigual y su espectacular vista. Incorpora curvas en su diseño y utiliza un slab invertido para maximizar la luminosidad y la visibilidad del paisaje.
¿Cómo se aborda la problemática del terreno desigual en el diseño de la casa?
-Se trabaja con las curvas del terreno para integrar el diseño de la casa de manera que se adapte al terreno de manera natural y se aproveche la vista espectacular.
¿Cuál es la importancia de la madera en el diseño de la casa?
-La madera se utiliza para contrastar la frialdad del concreto, proporcionando calidez al espacio. Es una de las decisiones clave en el diseño para lograr un equilibrio estético.
¿Cómo se aborda la ventilación y la iluminación natural en la casa?
-La casa está diseñada para ventilar la parte inferior aprovechando la diferencia de altitud. Además, se abren grandes ventanas para maximizar la iluminación natural sin impactar la comodidad debido a la incidencia solar.
¿Cuál es la dimensión total de la construcción y cuál es el área construida?
-La construcción tiene 220 metros cuadrados de terreno y una superficie construida de 320 metros cuadrados.
¿Cómo se integra el exterior con el interior en la casa?
-Se busca una conexión室内外, con una extensión de un espacio amplio que puede dividirse en dos áreas, permitiendo así una transición fluida entre el espacio interior y el exterior.
¿Cómo se aborda la privacidad y la funcionalidad en la distribución de las habitaciones?
-Las habitaciones secundarias están diseñadas con patios privados para garantizar privacidad. Además, se ha planeado la casa para ser adecuada para alguien que vive solo, con habitaciones secundarias que no se utilizan regularmente.
¿Qué tipo de materiales se utilizan en la decoración y el acabado de la casa?
-Se utilizan materiales como el mármol, el granito y el ladrillo para los acabados, buscando una estética que se integre con el entorno y proporcione un contraste con el concreto estructural.
¿Cómo se aborda la estética y la funcionalidad en el diseño de las plantas de la casa?
-Se busca una estética minimalista y funcional, reduciendo la paleta de materiales al mínimo y utilizando elementos como el mármol y el ladrillo para crear un equilibrio entre la funcionalidad y la belleza.
¿Cómo se integra la luz artificial en el diseño de la casa para complementar la luz natural?
-Se juega con la luz artificial para crear diferentes ambientes, utilizando luces más atmosféricas y directas según sea necesario, y se coloca la iluminación de manera estratégica para aprovechar el diseño de las vigas y los espacios.
Outlines
🏠 Diseño Arquitectónico del Hogar
Santiago Mart’nez de Editorial Les presenta una casa recién terminada que destaca por su diseño adaptado al terreno desigual y su hermosa vista. El enfoque del diseño es en cómo el terreno y el contexto influyen en la arquitectura. Se trabajó con curvas para aprovechar el terreno y se construyeron paredes de concreto y techos de baldosa invertida para maximizar la vista. La casa tiene un diseño cerrado al exterior pero con áreas abiertas para disfrutar de la vista. La construcción tiene 320 metros cuadrados y se utilizó madera para contrastar con el frío del concreto y generar un equilibrio.
💡 Iluminación y Diseño de Interiores
Se discute la importancia de la iluminación en el diseño de la casa, buscando crear diferentes ambientes. Se prefiere una luz atmósfera y directa según sea necesario. También se menciona el uso de PVC para ventanas y puertas debido al ruido exterior. Se destaca la conexión entre la cocina y el exterior, y cómo el diseño de la casa está enfocado en la vida de una persona que vive sola, con hijos que visitan ocasionalmente. Se aborda la importancia de la privacidad y cómo el diseño de las habitaciones secundarias y el jardín contribuye a esto.
🌳 Integración con el Entorno Natural
Se explora cómo el diseño de la casa está integrado con el entorno natural, utilizando materiales como el mármol y el concreto para contrastar y generar un equilibrio. Se destaca la elección de colores y materiales por su apariencia y costo. El diseño vertical de las ventanas y la orientación favorable del terreno permiten maximizar la luz natural y la vista sin impactar la comodidad debido a la incidencia solar.
🛁 Espacios de Ropa y Baño
Se describe el espacio de vestuario y baño con una bañera y una ducha, destacando la dualidad de usos y la iluminación vertical que da vida al espacio. Se menciona la elección de materiales y la importancia de la textura y la dimensión tridimensional en el diseño. Se aborda la transición entre los espacios públicos y privados y cómo se mantiene la privacidad en el diseño de la casa.
🌞 Diseño de la Fachada y Aislamiento Térmico
Se habla sobre el diseño de la fachada y cómo el doble vidrio y el PVC ayudan con la aislación térmica y acústica. Se describen las decisiones de diseño y cómo se abordan los desafíos de la orientación y el tamaño de las ventanas. Se menciona la elección de los materiales y cómo se resuelven los problemas de iluminación y ventilación.
🏡 Filosofía de Diseño y Proceso Creativo
Se comparte la filosofía de diseño y cómo se abordan los proyectos, enfocándose en la simplicidad y la escala. Se destaca la importancia de resolver problemas de diseño de manera eficiente y repetir soluciones exitosas. Se menciona la relación con el cliente y cómo la casa se adapta a sus necesidades y gustos personales.
🎵 Conclusión del Video
El video concluye con música y aplausos, indicando el final de la presentación.
Mindmap
Keywords
💡Contexto
💡Curvas
💡Vista
💡Madera
💡Concreto
💡Iluminación
💡Espacio Público
💡Mezcla de Materiales
💡Diseño de Interiores
💡Arquitectura Sostenible
Highlights
Presentamos una casa recién terminada que nos entusiasma, destacando su diseño en curvas para adaptarse al terreno irregular y aprovechar la vista espectacular.
La casa está diseñada para cerrarse al exterior, abriéndose completamente a la vista, especialmente en la parte trasera.
El diseño de la fachada es detallado, con un slab invertido que proporciona dinámicas para tener una clara vitalidad.
La construcción tiene 320 metros cuadrados, con madera que aporta calidez y contrasta con la frialdad del concreto.
La casa está elevada para ventilar la parte inferior y se incorporan programas como habitaciones y áreas de servicio.
Al ingresar, el espacio se comprime antes de abrirse a una gran sorpresa, donde la casa se abre completamente a la vista.
La cocina con isla es un espacio dinámico que fomenta la interacción entre los residentes.
Se busca una conexión室内外, con una extensión de un gran espacio que se puede dividir en dos.
La topografía permite una vista incluso en la parte inferior de la casa, sin limitar la visión.
Se utilizaron maceteros con vegetación seleccionada para complementar el proyecto.
Las ventanas se elevaron para tener una relación diferente con la vista, mostrando más cielo que paisaje.
Se explora la modulación de los slabs para incorporar iluminación y crear diferentes ambientes en la casa.
La luz y el paisaje son reflexionados en el jardinería, con un enfoque en reducir la paleta de elementos para un diseño más equilibrado.
Las puertas y ventanas de PVC son una elección práctica debido al ruido ambiental.
La casa está diseñada para un residente solitario, con las habitaciones secundarias en la parte superior.
La planta principal es simétrica, con un baño completo y mármol que se repite en otros proyectos.
Se enfatiza la flexibilidad del espacio, con áreas que pueden adaptarse a diferentes usos.
La habitación principal tiene una distribución que permite una vista despejada, con una decoración que imita el mármol.
El spa es una de las partes favoritas, con una combinación de luz vertical y textura que aporta vida al espacio.
La casa utiliza una combinación de madera y concreto para crear un sandwich-like scheme, con espacios públicos en el centro.
Se destaca la relación entre la clientela y los arquitectos, con una comunicación constante y satisfacción final.
La luz y la orientación son cruciales, con ventanas grandes que aprovechan la luz natural sin impactar en la comodidad.
Se explora la filosofía de diseño, con un enfoque en resolver problemas con líneas mínimas y integrar condiciones del terreno.
Transcripts
I am Santiago Mart’nez from Editorial Les
we are going to present a house that we are very excited about.
it's a house that we just finished
[Music]
but one of the most important things that we love
is to understand that the context and terrain mark us out
and they dictate to us how we have to design the house
in this case, the terrain was very uneven.
and a spectacular view, so we worked on the curves.
to approach them in the best way
The house intends to close
completely to the outside in such a way
in which the house opens up to the view that
now we are going to find in the part of
back and if we notice from the
faŤade we can see a very detailed
important of the constructive theme of this
house that is
an unviolated slab inverted and
practically this is what we
provided us with was the dynamics of
to be able to have the most vibrant clear
it is not a 10 metre clearing
it's practically the 10 meters of the
terrain in such a way that we have two
concrete walls and on top of those concrete walls we have two
concrete are supported by these slabs that
practically defining the
plastic and the one in the house is not a
house writes in
the faŤade was thought enough
important is the result
we pass to see how
10 meters in front of 10 meters the
land has 220 square meters of
In construction we bring 320
320
then
The wood gives it a lot of warmth and the
wood was one of the most important
most important decisions in order to be able to
contrast the coldness of the concrete the idea
was to be able to leave the concrete walls
apparent then the wood was like
this strategy as to generate a
balance
The house was raised a few
steps to be able to ventilate the entire
lower part
taking advantage of the difference in altitude we
we are incorporating programmes that are
two rooms at the bottom of such a
way in which some service areas
breathe right into this faŤade
front
we also have these numbers
steps
than
drift into the entrance of the house
[Music]
at the moment of entering practically
compresses the space a little bit we have in
the half timber that accompanies us to the
long the route because then
practically this corridor that we
compresses us we're walking next to the
hunger and the moment we enter we have the
big surprise there because the magic of the
house is not a house that is practically
opens up all the public space of such a
way in which it lives in such a way that
we decided to frame and somehow
it's also interesting how the part of
services the staircase part the staircase part the staircase part the staircase part the staircase part the staircase part
the storage part is in the back part of the staircase
ok so what we do is
agglomerated a living room dining room space
with a kitchen this is something we do
a lot of us really like the
island kitchens because of this interaction that
happens around not someone is
cooking and someone is eating it
which works pretty well for us and another
thing we wanted to do was to have this
indoor outdoor connection
practically with an extension of one
large room that can be divided in two
spaces and in the same way the dining room does not
the question of topography allows us to
that in spite of the fact that they build us a
house in the lower part because of the
regulations and by the maximum heights
allowed we do not go for the view
so really this is the view that
we're going to have then pretty much the entire
time not to delimit a little bit the
view on the lower part what we did
was to put some planters with a
vegetation that was also selected
in order to be able to complement the project
and if you notice in the part over here the
what we did was we raised the window to
to have a different ratio to a
view that we are going to find in the
above which is much more landscape than the
visual at the bottom and having this
opening of the window is not framed
much more sky than would not be framed
we were the window on a plane
completely horizontal
we have this offset of the salvio slabs
if you notice and you can see the thickness of the slabs
of the slab is practically that's the
size d
the thickness of the light at the velar and then
what we also have is that we start
to play with the modulation so that we can
to put lighting in as we see it in the
part of there we don't have to separate
the slabs enough to make a
castle and they can put in a lighting
that can give us an atmosphere
different in the house in terms of
lighting we really like to play
also with lighting that is
much more atmospheric also a little bit
more direct for when you need something
more running at the end is interesting
as the landscape also reflects a
little bit in the gardening that we try to
perform I don't know how you stand on the part
from here it extends
and so what we did was we put a
pvc windows and doors because the truth is that here
is that the sound is quite a lot
recurring
excellent how the space of
this compression of light and then
begins its life until it merges with the
heaven if we really liked the result of
this gesture of being able to extend
the window a little bit in one aspect
superior we think it gives it gives it
gives it quite a bit of character
without it's also very cool as if the
kitchen practically a finish of
granite sant gabriel has finished reading it
the fridge is something we like to hide
in the projects is something we have a
little bit of a habit of doing it
on the side here we have a
a half guest bathroom
continues with this idea of the box of the
hunger and also exactly and then
what we have here is this column
circulation spine that links us to
the ground floor with the upper floor
our staircase upon staircase in this
case these stairs lead us to the
secondary rooms
the outline of how the house was developed
is that it was intended as a house
for someone who lives alone the children
it's really a condition where
because they don't visit the house in a way
recurrently in such a way that
we were trying to keep the house
in daily use in the first two
floors not the upper floors
inhabit let's go to the room
main
we have a very symmetrical plant in the
part of here we have a full bathroom
because at some point this was thought of
as a space that could be adapted
as a utility room then
all hunger is the marble of the same
who saw in the house of juan carlos that
him in the travertine marble thirty by
variable lengths to the national acid if
there is yes very good the very good already very
good price thanks to catch them that the
cinema of this hall with the finial of the
concrete wall is a very
symmetrical we have the
distribution of two rooms which
are thus to private courtyards of such
so that when we enter
we have a first room
secondary is a room that as a
we tell you it is not used it does not have a use
very recurrent
these rooms live to a courtyard
private
also in terms of gardening the
gardening the religion the revolution a
very good office here of queretaro that
is called matorral they did a job of
place very few very few very few very few
elements such as those necessary for
to have a very very very very balanced landscape
a little bit of the band
and other times that blog takes a lot
character if the stone-faced blog takes us
also helps a lot in terms of the
creeper that grabs a little bit of body
if you notice the more
time with the colour with the woodwork
it was something that we tried rather
that we tried to do all of our
projects to reduce the palette to a minimum
in carpentry for example is a
veneered in normal in such a way that
we have an agglomerated but the final layer
of the wood if it's natural wood we have
worked quite well in terms of
commercial and it looks pretty
stylish
a little bit the idea of the doors since
it's time to be closed
will look good on the project
original we had a hungry way
that it was practically closed and now the
lap was a matter of a decision
of the customer stayed like this
and what you have is an equal space all
lined in marble this cave where
you've got the double you and in the shower and
you've got a single door that practically
you move
it's a slider so it's
all right
we like to put were were always off in
the watering can I think
if it's a palette that we've been exploring
in some houses in the last few that
we have done
the truth is that one thing goes
determining the other
the price of the marble we will
quite favoured us with a question
commercial we also do
architecture must for sale then
like it was the material that was the most
it was convenient to have it as a repertoire
from there we derived the colour, a colour which
tries to imitate the margot and it is not
house if it has a little bit of an aesthetic
different with the concrete and these things
but but but the marble complains
saying everybody space
of supports
clear very large we like very much how
we were saying the contrast of concrete with the
wood we want to generate a
balance there quite interesting
so that's one of the things that he
integrated quite a lot
so
in all
[Music]
what height we have here we have 250
we always put in 250 as a matter of
the distribution of the wood 240 we put in
a 6 centimetre chicken and
practically gives us the 250 mezzanine
also because of the measurements of the cons
footprints and the footprints of the stairs
we always put in 17-5 as
that we already have our own measure
studied then this is quite
interesting we don't have the hunger for
wood which is practically in plant
downstairs you open the door and this is the
door to your master bedroom and a
even though the room is upstairs
you have the door at the bottom of the
customer asked us first practically
to generate a space that could serve
as a tv room, office etcetera that
could have to be a little bit flexible
the truth is that it's a space that's left
quite related to the room
for this very reason that it is located in
our city
passing this way we have the stairs
that lead to the bedroom
Galileo as he had already explored a
similar house layout in fact some
houses next door and we're very happy to
that we kind of think that the idea is
taken even a little bit further to the extreme
the last one had a few supports for
to be able to achieve the clear we believe that
because at the end of the day we will be able to achieve the
if you notice this is a ratio
much more landscape than the one we have
below what we wanted is that
it's pretty much cost up to when
you're lying in bed diera
really just like a ridge of mountains
with a little bit of sky and so it's a
space that once again there is this thing of
trying to get the same tone in between the
outside but with
it is necessary is a country
[Music]
we have a space for a small room in the
bed
this is the re-floor on the ground floor
of course of course
a 90
this becomes
stuff
and so on
this is great to improvise
now it's very well and not very well me
remember like the sight of the sun that
institute though with these two pieces of
concrete and the concrete stew that one
that keeps marking the sky
and through the 50s
and again all the slabs
say the violar
the orientation is quite favourable to us
we have the north practically for her
in such a way that it worked for us
a lot to open these big windows
so that you can have the whole view without
without the need for
we have solar incidence that will have an impact on
on the comfort of the house
and lastly
we have the spa
my favourite part
[Music]
we have one more time
this gesture of
therefore door to the perimeter point of
enter what we have is a space of
bathroom dressing room where we pretty much
we have a bathtub with a dome
practically linear from side to side
where we have a steam a watering can
latina and the double use of this side to the
moment when you go in and they close
the door you're like in a space
content with practically
I don't know the derivation of
it's a space is for this side it's all
festive on this side it's all dressing room
[Music]
very good
yes when it gives you the
lighting in a vertical way we like
that is
highlight a little bit like this that you don't then
we can't control very well with the
figures
we like them to do a little more three-dimensionality and texture
and a way to learn
[Music]
in it
up there is
so it gives it a lot of a lot of life it's loose no
how long this piece is, if it has been committed
and the 60 like about 350 have like about
about
and 60 that there will be about 130 metres 20
more and on this side which is the w
if the idea is that once you've made
the door you have like this condition
slightly symmetrical gates with
doors on the side of it at some
time it had been thought to be the
watering can in order to even be able to achieve a
view with the door open but at the
end
was picking up a bit of form itself
it's just that
to come on the ground floor on the ground floor
high and we like it very much when at least
in the last few houses that we've done is
this sandwich-like scheme where the
public space the space that shares
the family is in the middle is that of the
entrance in such a way that we are in
the rooms below live only between
two floors and also the part of the room
main lives between two floors then
somehow we quite like it
understand that you don't have to circulate all
the house to be able to live the new way
and to the miles of justice where the
agents and practically instructed themselves
i.e.
have
come with this finish it is curious how
the lighting is put on because
practically dictates to us that it has to
be to a specific point in this
case it's like to thirds you can't
set the illumination for example at
the central parts precisely because of how
comes the assembly of the slab on receipt
you can put the charges on it I have pro
so if it's like that it's practically
understand to plan how to use the system
election of the form era
in order to be able to
take advantage of this more places are used
commercial squares in shopping malls or
things like that and in costs how did it go
higher
if so it had a cost overrun
normal when we had thought
first to make a lightened slab
we were getting a particular one through
some points where we were conditioned by a
a little bit how the house was developing at the
in the end we opted for the alveolar sciences
I don't know 30% more expensive because anyway
if you have to strain the layer of
compression locks that are what
really anchor to the wall then if it is
more expensive but in the end we believe that
it's really the luxury of the manor house that's the most
what we liked the most is that the most
luxurious in plaf—n because the system
constructive
what the scheme dictates what the scheme of
The house the space yes because you're
making free spaces of 10 x 6 x 6
of 10 x 8 if it goes it goes it goes it goes
splitting
and also if you see it in plants we go from
the more private the more what you have to
the tighter it goes the more it goes the more it goes
blurring is opening as it forms
is reaching the end part of the
of the terrain and at the end well there is the
customer in another
that I told them that he told them how he lives in
the house he loves the house the truth is
we have a very good relationship with him
customer we come all of a sudden we come to
happened
he's very happy I think at first
yes at the time of the presentation of the project
there was a little bit of
doubt not to understand how this house
closed was going to work but the truth
is that it was nuncio much in us and
encouragement and to believe that he is quite
happy and the blue it puts in the house
in the sky is if you paint a little bit of it
that the walls are invited a little bit
depending on the time of day
and trailers
no wonder then in this glass that's
double this is a double glass to double
glass
the works resemble each other
what are the things that truly guarantee the
isolation if it works for us enough
well the pvc for sound condition
the works at the end also have very
good proportion if they are big which are
are if they are six sheets of equal as of
about 260 of jade 25
25 in this case the mezzanine also
practically 250
to the bedroom door is downstairs
if we like to spread out
practically in the part of the other the
another option was to turn the ladder over and
close this space and have the door in
the part over here will be
focus on the one that has been tightened a
little more space in the end we opted
to free it up as much as possible to the
grow what it does
and the whole floor is engineered laminate
so it's just
also gives me all that warmth that the
that concrete doesn't give you exactly like that
of the perfections of what is to come
if this light is too vertical to give away
also for example the placement of the
bows was an issue
we didn't want it to serve this reticulate
precise input when recording that is
very beautiful in certain projects
we wanted him to feel more loose
so he has a pattern that's medium
difficult and it keeps repeating and it keeps repeating and it keeps repeating and it keeps repeating.
shifting but it was also kind of a
game there from scratching all day long
also as you might say let
as much as possible
soon he's going to join us with threads
jorge zwart to see then please
share with us maybe something of your of your
design philosophy as how you
work or how they approach the project
what are like your three points
fundamentals I don't know maybe this game
chances are about 30 houses is the total width of the land and pretty much
you're always like what
having these leaks with the canal we fix with
But
is scalable
I feel that it was resolved with very few lines is seen as in many syntheses.
there are no houses that carry
practically gallium making out like this was a
yes
integrating all the terrains to coordinate some conditions seeing
pharmacy
are similar projects brothers
that are already being developed because they are a typology that we didn't talk about a little while ago with
juan about about as all the
projects
learn from each other and you develop
whether or not you undo the way in which
you solved a dressing room or how you solved
a bathroom like you solved a hallway
but when you when you when you when you when you
you do it right you repeat it and you repeat it until
you perfect the process in fact the
house next door is very similar to
well and it has
so if we're even going to go
walking
made at the same time this was
much like two years earlier
clarified
is very similar but at the time of
enter you have first like a kind of
atrium
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