TITANIC (1997) | Behind the Scenes of Leonardo DiCaprio Cult Movie

FilmIsNow Movie Bloopers & Extras
14 Jul 202112:37

Summary

TLDRThe transcript appears to be from a film set, possibly a Titanic-themed production, with detailed direction for actors and camera work. It includes instructions for actors to move dynamically, discussions on set adjustments, and technical details about lighting and camera angles. The dialogue hints at a dramatic scene with a ship tilting and water rising, suggesting a high-stakes moment. The director's hands-on approach is highlighted, including a mention of a charcoal drawing by James Cameron, adding a personal touch to the Titanic narrative.

Takeaways

  • 🎬 The script appears to be from a film production set, with directions for actors and camera movements.
  • 👥 It involves a scene with characters named Derek, Jack, and Cora, suggesting a dramatic interaction.
  • 🚢 There's a mention of a ship tilting and water coming up across the deck, hinting at a maritime disaster scenario.
  • 🎥 The director is giving specific instructions for camera angles and actor movements to enhance the scene's realism.
  • 💎 The script includes a discussion about lighting and visual effects, emphasizing the importance of creating depth and reflection for a diamond.
  • 🎨 There's a reference to a 'beach' set being adjusted, suggesting a scene transition or a change in the filming location.
  • 👩‍🎨 The director mentions a charcoal drawing of Kate Winslet from the movie 'Titanic', indicating a behind-the-scenes anecdote.
  • 🎥 The script includes technical film terms like 'crossout', 'POV', and 'key', which are crucial for understanding the production process.
  • 📽️ There's a mention of a ship being described as 'unsinkable', which is a direct reference to the Titanic and its historical context.
  • 🎬 The script ends with a call to action for viewers to subscribe, indicating that this is part of a video content series.

Q & A

  • What is the main instruction given to the actor in the script?

    -The main instruction given to the actor is to separate from the actress and to demonstrate a sense of fun and joy in the moment, not caring about the crew and their equipment.

  • What is the specific action the actor is asked to perform on the boat?

    -The actor is asked to move from the bottom of the boat to the center, crawl across the doors, and then get up as the ship tilts and water starts coming up across the deck.

  • What is the director's intention for the scene involving the ship tilting?

    -The director intends for the scene to show the ship tilting and slowly sliding into the water, with the actor making a last-second escape, emphasizing the thrilling and dramatic nature of the moment.

  • What is the role of Leo in the script?

    -Leo is a character who is described as looking around and imitating calculations in his head, suggesting he may be involved in a scene that requires quick thinking or decision-making.

  • What is the director's concern regarding the timing of a scene?

    -The director is concerned about the timing of a scene where the actor has to think for a while, indicating that the pause should be brief, possibly a minute or two.

  • What is the director's request for the set design in relation to the beach?

    -The director requests that the far end of the set be dropped by four or five inches to maintain a sense of a beach in the scene.

  • What is the director's instruction for the camera work during the scene?

    -The director instructs the camera to come in on the actor and then cut to the actor's point of view (POV) of another character.

  • What is the dialogue hinting at the relationship between the characters Jack and Cora?

    -The dialogue suggests a close and possibly romantic relationship between Jack and Cora, with Jack expressing that it's not his responsibility to save her, yet he still cares for her.

  • What is the director's comment on the luxury of the ship in the script?

    -The director comments on the ship being over 100 feet longer and far more luxurious than another ship, indicating the grandeur and scale of the setting.

  • What is the director's technical direction regarding lighting in the scene?

    -The director gives technical directions to adjust the lighting by pulling out the reflector light on top to add volume and depth to the scene, and to use roto to pull specific light highlights.

  • What is the 'daily fact' mentioned in the script related to the movie Titanic?

    -The 'daily fact' is that a charcoal drawing of a topless Kate Winslet in Titanic was drawn by the director James Cameron himself.

Outlines

00:00

🎬 Filming on a Tilting Ship Set

The first paragraph describes the direction and actions during a film scene set on a ship. The director instructs an actor to separate from a female companion and engage in playful behavior as the ship tilts and begins to flood. The scene aims to capture the joy and excitement of the moment, with the actress seemingly unfazed by the crew and equipment around her. The director also provides specific instructions for camera angles and movements, emphasizing the need to maintain a sense of a beach in the background. The paragraph concludes with a focus on the technical aspects of the scene, including adjusting the set to create a more dynamic shot.

05:02

🚢 The Unsinkable Ship and Its Luxury

Paragraph two shifts to a dialogue between characters aboard a luxurious ship, which is described as being over 100 feet longer and far more opulent than others. The conversation hints at skepticism about the ship's supposed unsinkable nature, suggesting a potential plot point related to the ship's safety. The dialogue is interspersed with reactions from the characters, including applause, indicating a mix of awe and disbelief. The paragraph ends with a musical cue, suggesting a dramatic or emotional moment in the narrative.

10:59

🎥 Lighting and Visual Effects in Filmmaking

The third paragraph details the technical process of enhancing a film scene with lighting and visual effects. The focus is on creating depth and volume through the use of reflector lights and roto techniques to highlight specific elements, such as a diamond. The conversation between the director and the crew members discusses the adjustments needed to achieve the desired visual impact, including pulling light highlights and shaping the overall look. The paragraph also includes a trivia fact about a charcoal drawing of Kate Winslet from the movie 'Titanic,' which was personally drawn by the director James Cameron, emphasizing the hands-on approach of filmmakers. The paragraph ends with a call to action for viewers to subscribe for more content.

Mindmap

Keywords

💡Separate

In the context of the video script, 'separate' refers to the physical or emotional detachment of characters from one another. This is a common theme in narratives where characters face challenges or make difficult decisions. For example, the script mentions, 'you're gonna have to separate from her,' which suggests a scene where a character must part ways with someone, possibly due to the ship's impending danger.

💡Tilt

'Tilt' in the script likely refers to the physical inclination or leaning of the ship, which is a significant event in the story of a shipwreck. The script describes the ship tilting to a certain point, indicating a critical moment in the narrative where the ship's stability is compromised, as seen in the line 'the ship is going to tilt up to a certain point.'

💡Crossout

In the video script, 'crossout' could refer to a scene transition or a specific action within a scene where characters move across the frame. It might also imply a change in the narrative focus or a shift in the camera's viewpoint. The script mentions, 'let's start with Jorge and group here and we'll do their crossout,' suggesting a director's instruction for a scene change.

💡POV

POV stands for 'Point of View' and is a filmmaking technique where the camera assumes the perspective of a character. In the script, 'I cut to your POV of him' indicates a shift in the narrative to show what a specific character sees, which can create a more immersive experience for the audience by aligning their perspective with that of the character.

💡Key Light

In filmmaking, 'key light' refers to the primary light source that illuminates the scene. It helps set the mood and highlights the main subjects. The script mentions adjusting the 'reflector light on the top' to create 'a lot of volume,' which suggests that the key light is being manipulated to enhance the visual depth and drama of a scene.

💡Roto

Roto is a term used in post-production to describe the process of manually animating and adjusting individual frames of film. It is a meticulous task often used for creating visual effects or correcting elements in a shot. The script refers to 'pull some roto' to imply that the team will be working on fine-tuning the lighting and reflections in a scene to achieve a desired visual effect.

💡Unsinkable

The term 'unsinkable' is used in the script to describe a ship that is believed to be incapable of sinking, which is a significant claim in the context of the Titanic. This term is ironic, as the Titanic is famously known for sinking, and its use in the script adds a layer of dramatic irony, as seen in the line 'it is unsafe,' which contrasts with the ship's supposed invincibility.

💡Terminal

In the script, 'terminal' likely refers to a part of a port or station where passengers embark or disembark from ships. The line 'we could have gone through the terminal' suggests a missed opportunity or an alternative route that could have been taken, adding to the narrative tension and the characters' sense of urgency.

💡Luxurious

The term 'luxurious' is used to describe something that is lavish or opulent, often associated with wealth and high quality. In the script, 'far more luxurious' is used to contrast the grandeur of the Titanic with other ships, emphasizing the ship's reputation for luxury and grandeur, which is a central theme in many Titanic narratives.

💡Charcoal Drawing

A 'charcoal drawing' is an artwork created using charcoal as the primary medium. The script mentions a 'slightly scandalous charcoal drawing of a topless Kate Winslet in Titanic,' which is a reference to the film's director, James Cameron, drawing the actress. This anecdote adds a personal and creative touch to the behind-the-scenes narrative of the film's production.

💡Immigrant

The term 'immigrant' refers to a person who moves to another country to live there permanently. In the script, 'some squalid immigrant family' is used to describe a group in a derogatory manner, highlighting the social and economic disparities that existed during the time period of the Titanic's voyage. This term is used to contrast the experiences of different classes aboard the ship.

Highlights

Direction for actors to separate and interact on the boat set.

Instructions for actors to move down the center of the boat and crawl across the doors.

Description of the ship tilting and water coming up across the deck.

Emphasis on the character's enjoyment and disregard for the crew's work.

Start of a scene with a group of actors, including crossout instructions.

Actor's improvisation and direction to not think, just go with the flow.

Discussion on camera angles and actor's point of view shots.

Actor's performance critique and direction for improvement.

Dialogue excerpt from a scene, indicating a character's realization.

Humorous commentary on the ship's unsinkable nature and a character's skepticism.

Applause from the crew after a scene is completed.

Direction for a scene involving a shift in set design to create a beach effect.

Technical discussion on lighting and visual effects for a scene.

Actor's dialogue about the ship's size and luxury, indicating the setting.

Direction for a scene involving a character's difficult nature.

Reveal of a behind-the-scenes fact about a charcoal drawing by director James Cameron.

Encouragement for viewers to subscribe and watch more content.

Transcripts

play00:07

[Music]

play00:09

you're gonna have to separate from her

play00:10

and you're gonna have to say

play00:11

are you with somebody yes exactly

play00:29

two up there derek i want to see you

play00:32

moving don't get down at the bottom of

play00:34

the boat

play00:35

come right down the center come crawl

play00:36

across the doors fall on somebody get up

play00:40

the ship is going to tilt up to a

play00:41

certain point and it's going to slowly

play00:43

slide down into the water and you're

play00:44

going to see the water coming up across

play00:46

the deck and at the last second

play00:47

you're going to make you know you're

play00:49

going to are going to get off

play00:51

it should be about her having fun and

play00:54

joy

play00:55

in this moment and she doesn't care that

play00:58

all these guys with all their machines

play01:00

have been doing all this stuff

play01:02

yeah josh let's start with jorge and

play01:05

group

play01:05

here and we'll do their crossout

play01:09

leo sort of like i mean jack's sort of

play01:11

looking around imitating

play01:14

some calcs in your head okay all right

play01:16

so how much time the whole

play01:18

room stops while you think

play01:21

okay okay you don't know

play01:24

sorry

play01:30

so a minute or two or several has gone

play01:32

by

play01:35

let me get another one as soon as he

play01:38

shifts more and more to that shot

play01:40

as this the far end of the set but see i

play01:43

want to i want to keep some sense of a

play01:45

beach up there

play01:46

let's drop the far end of the set like

play01:48

four or five inches

play01:50

i come in on you then i cut to your pov

play01:52

of him

play01:54

yeah that's good like that is good what

play01:55

you just did just started

play01:57

and then yeah yeah yeah good good

play02:16

that was good that was a lot better but

play02:18

this time

play02:19

use more of your throw and hop it back

play02:20

and

play02:22

[Music]

play02:29

it's not up to you to save me jack

play02:33

i know it's up to you

play02:50

[Music]

play02:58

still my best girl cora

play03:05

i i don't know the steps just go with it

play03:10

don't think wait

play03:39

i did didn't i look shooting star

play03:43

[Music]

play03:44

that was a long one

play04:25

[Music]

play04:32

background and action

play04:54

oh

play04:59

we could have gone through the terminal

play05:02

instead of

play05:02

rushing about the dark like some squalid

play05:04

immigrant family that's all part of my

play05:06

child

play05:08

it's over 100 feet longer than more

play05:10

tanya far more luxurious

play05:13

your daughter is very difficult to

play05:14

impress really so this is the ship they

play05:16

say is unsinkable

play05:17

it is unsafe

play05:24

[Applause]

play05:31

go back

play05:39

[Music]

play05:50

yes

play06:04

down

play06:32

oh

play06:46

ah

play07:10

[Music]

play10:58

okay

play11:07

[Music]

play11:33

we're going to do is we're going to do a

play11:34

little key here so we can push this part

play11:37

in we want to pull out

play11:38

the reflector light on the top so it

play11:40

really has a lot of volume

play11:41

you want to feel the diamond uh the

play11:44

depth of the diamond

play11:47

overall looks good just see what you can

play11:48

do maybe pull some roto so you can pull

play11:50

specific light highlights and stuff like

play11:52

that really make it look good

play11:55

yeah that won't be difficult cool let's

play11:57

chat right

play12:02

yeah cool so the angle looks good let's

play12:04

just work on

play12:05

pulling some more shapes and light

play12:08

reflections and stuff like that

play12:09

yeah no problem that'll be easy to key

play12:10

out awesome

play12:15

hey there here's today's daily fact that

play12:18

slightly scandalous charcoal drawing of

play12:20

a topless kate winslet in titanic

play12:22

was drawn by none other than the

play12:24

director himself james cameron

play12:26

now if you want something done right

play12:28

sometimes you just need to do it

play12:29

yourself

play12:30

now remember to click here below to

play12:32

subscribe for more content or on the

play12:34

side

play12:34

to watch another video

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Titanic ThemePhotoshootBehind the ScenesCreative DirectionCinematographySet DesignAction SequenceEmotional ToneFilm IndustryVisual Effects
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