Talbot's Processes - Photographic Processes Series - Chapter 3 of 12
Summary
TLDRIn the 1830s, photography emerged with Louis Daguerre's silver iodide process in France and William Henry Fox Talbot's silver chloride method in England. Both developed their techniques independently, leading to a rivalry when their work became public. Talbot, a gentleman scholar, refined his photogenic drawing process to create salted paper prints, which were softer and more artistic compared to the crisp daguerreotype. He introduced the negative-positive process, a fundamental concept in photography, and showcased its potential in 'The Pencil of Nature,' a series highlighting photography's reproducibility and various applications.
Takeaways
- 📸 The 1830s marked the birth of photography with significant developments by Louis Daguerre in France and William Henry Fox Talbot in England.
- 🔬 Daguerre's process involved using silver iodide on metal plates, while Talbot utilized silver chloride on paper.
- 🏰 Talbot, a gentleman scholar and member of the House of Lords, conducted his early photographic experiments at Lacock Abbey.
- 🌿 His initial attempts at capturing images involved photogenic drawings, where he used sunlight to create images on paper coated with silver nitrate and exposed to light through objects like ferns.
- 🔬 Talbot's key discovery was the fixing process using a salt solution, which made the unexposed areas less sensitive and allowed the images to be viewed by candlelight.
- 📜 Talbot invented the salted paper print, a permanent photographic process that involved fixing the image with hypo (sodium thiosulfate).
- 🖼️ The salted paper prints had a softer, more granulated appearance compared to the crisp, three-dimensional quality of the daguerreotype, reflecting a dichotomy between information and artistry.
- 🔄 Talbot improved his process by switching to silver iodide, the same halide used by Daguerre, and introduced the calotype process, which allowed for the development of a latent image into a visible one using gallic acid.
- 📷 He invented the negative/positive process, which became the standard for photography until the advent of digital photography, allowing for the reproduction of images.
- 📚 Talbot showcased the potential of photography through 'The Pencil of Nature', a series of publications featuring salted paper prints that demonstrated various uses of the medium, emphasizing its reproducibility.
Q & A
Who were the two pioneers of photography in the 1830s mentioned in the script?
-The two pioneers of photography in the 1830s were Louis Jacques Mandé Daguerre in France and William Henry Fox Talbot in England.
What was the process by which Daguerre made images?
-Daguerre made images using silver iodide on metal plates.
What was Talbot's initial challenge with photography?
-Talbot's initial challenge was his lack of skill in drawing, which led him to experiment with camera lucida and camera obscura to create images.
What was the significance of Talbot's photogenic drawings?
-Talbot's photogenic drawings were significant because they were an early method of photography using silver chloride on paper, which he later improved by fixing the images with a solution of salt water.
How did Talbot improve upon his initial photogenic drawing process?
-Talbot improved his process by switching from silver chloride to silver iodide and developing a method to fix the images, which led to the creation of salted paper prints.
What was the difference between daguerreotypes and salted paper prints in terms of image quality?
-Daguerreotypes had a crisp, clean, almost three-dimensional quality, while salted paper prints had a softer, more granulated appearance.
What process did Talbot develop that allowed for the creation of photographic negatives and positives?
-Talbot developed the calotype process, which allowed him to create a latent image that could be developed into a visible image using gallic acid, thus enabling the creation of photographic negatives and positives.
What was the significance of Talbot's negative-positive process in the history of photography?
-Talbot's negative-positive process was significant as it introduced the concept of reusable negatives and positive prints, which became the standard for photography until the advent of digital photography.
What was 'The Pencil of Nature' and why was it important?
-The Pencil of Nature was a series of publications by Talbot that showcased his photographic process and various uses of photography. It was important because it demonstrated the reproducibility and potential of photography as a medium.
How did the rivalry between Daguerre and Talbot influence the development of photography?
-The rivalry between Daguerre and Talbot spurred innovation and competition, leading to the development of different photographic processes and techniques that shaped the early years of photography.
Outlines
📸 Birth of Photography in the 1830s
The 1830s marked the inception of photography with the French using silver iodide on metal plates and the English, led by William Henry Fox Talbot, using silver chloride on paper. Talbot, a gentleman scholar and member of the House of Lords, was on his honeymoon in Italy when he first attempted to create images with a camera lucida. Back at Lacock Abbey, he conducted experiments that led to the creation of photographic images through a process he called photogenic drawings. This involved coating paper with silver nitrate, placing objects on it, and exposing it to sunlight. Talbot's breakthrough was the discovery of a fixing process using a salt solution to stabilize the image. He also invented the salted paper print, a permanent image-making process, and later improved it by using silver iodide instead of silver chloride, leading to the calotype process. This allowed for the creation of photographic negatives and positive prints, introducing the negative-positive concept fundamental to photography until the advent of digital technology.
🖼️ The Pencil of Nature: Talbot's Legacy
After perfecting the negative-positive process, Talbot sought to demonstrate photography's potential. He published 'The Pencil of Nature,' a series showcasing his salted paper prints, mainly depicting his home at Lacock Abbey. Each photograph in the series aimed to highlight a different application of photography. Talbot emphasized the reproducibility of photographs, a feature that became pivotal to the medium's success. The rivalry between Talbot's and de Guerre's photographic processes continues, with advocates for each claiming their method as the true invention of photography. However, both processes significantly contributed to the diverse techniques that define the art and science of photography.
Mindmap
Keywords
💡Photography
💡Daguerreotype
💡William Henry Fox Talbot
💡Photogenic Drawing
💡Salt Print
💡Calotype
💡Negative and Positive
💡Hypo
💡Pencil of Nature
💡Sir John Herschel
💡Latent Image
Highlights
The 1830s marked the birth of photography with the simultaneous development of the daguerreotype and the calotype.
Daguerreotype utilized silver iodide on metal plates, while the calotype used silver chloride on paper.
The rivalry between Louis Daguerre and William Henry Fox Talbot began as their work became public.
Talbot, an English gentleman scholar, experimented with photogenic drawings using silver chloride.
His honeymoon in Lake Como inspired Talbot to find a material to record images from a camera obscura.
Talbot's early experiments involved placing objects like ferns on light-sensitive paper and exposing them to sunlight.
The discovery of fixing images with a salt solution allowed Talbot to share his photographs indoors.
Salted paper prints, Talbot's invention, offered a permanent and reproducible form of photography.
The calotype process introduced by Talbot in 1840 allowed for the development of latent images into visible ones.
Talbot's negative and positive process laid the foundation for modern photography.
The calotype process improved with the switch from silver chloride to silver iodide.
The pencil of nature, a series by Talbot, showcased the various uses of photography.
Photography's reproducibility was one of its most significant aspects, as demonstrated by Talbot.
The dichotomy between the crisp daguerreotype and the softer calotype represented information versus artistry.
The rivalry between Daguerre and Talbot continues, with each camp claiming their man invented photography.
Talbot's work demonstrated photography's potential for both documentation and artistic expression.
Transcripts
[Music]
this time around the 1830s is really
when photography comes together de garis
in France making images with silver
iodide on metal plates and Talbot is
working in England making images with
silver chloride on paper working
simultaneously in two different
countries not quite knowing about the
other but that changes when you start to
have articles in the the press now it's
public and so a rivalry begins
[Music]
William Henry Fox Talbot is a gentleman
scholar in England living in an old
Abbey in the village of Leacock he was a
member of the House of Lords he was a
wealthy individual who had many many
interests Talbot is on his honeymoon in
Lake Como in Italy and he's trying to
make drawings with a camera lucida he's
trying to do pencil sketches and realize
that he has no skill whatsoever in
drawing he wants to make pictures with
in a camera obscura all he has to do is
find the material that he can put into
the back of the camera to to record the
image finally when he returns home to
Lacock Abbey he starts doing experiments
and he is able to produce a photographic
image Talbot is making images by using
silver chloride in the production of
making what he called photogenic
drawings which are essentially just
coding paper with salt coating paper
with silver nitrate and place a fern
there are objects on top of the paper
put a piece of glass on top of that and
lay it in the sunlight
it will darken up to that point it's not
so much different than what Wedgwood do
but the Epson Wedgwood could not figure
out a way to keep the drawings what
Talbot discovers is that if he takes
that image and puts it into a stronger
solution of salt water all the areas
that were not exposed to light all the
areas that didn't turn to metallic
silver become less sensitive they are
not removed completely but he can show
them to people in the house you can see
them by candlelight this is the type of
camera that Talbot used in his earliest
experiments with photogenic drawing many
of them are still around and you can see
them as long as you don't bring them out
into too much light
usually when you see them they're sort
of under a piece of velvet so it feels
like this
intimate experience of looking at a
photograph in its first days now
photography so ubiquitous that we
probably don't think about how special
and magical that experience was tall but
is the first person to make a salted
paper print
he actually invents something that's
permanent it's basically his photogenic
drawing process that has been fixed with
hypo sodium thiosulfate is the modern
term is potential of removing silver
halide is discovered by Sir John
Herschel salted paper prints because of
the way they are made where the image
material sinks into the paper tend to
have a less crisp look to them there was
sort of this dichotomy between the crisp
clean almost three-dimensional quality
of the daguerreotype and then the softer
almost more granulated sensibility of
the salted paper print so that sort of
got reduced to information versus
artistry in the early years of
photography's history
Taal that improves the photogenic
drawing process by switching from silver
chloride to silver iodide the same
silver halide that de Guerre uses in his
process the latent image calotype
process that he invents in 1840 allows
him to make a little bit of an exposure
and then he develops out the invisible
image to a visible image using Gallic
acid and so now he could put this into a
camera and actually do pictures of
living human beings he can then make
photographic negatives and after those
negatives are fixed with hypo he can
then place those on top of a second
sheet of sensitive paper exposed that to
light and now he makes a positive proof
[Music]
so he has negative and positive he
essentially introduces the negative
positive potential for photography that
becomes the standard of photography
until the the invention of digital
photography the rivalry between de
guerre and Talbot continues today there
are champions of Talbot and the
champions of de Guerre both camps feel
that their man invented photography in
fact it's all photography just a
different type after Talbot figured out
this negative positive process he wanted
to show what photography could do so his
way to do that was to produce a series
of publications called the pencil of
nature pencil nature contains text
explaining Talbots process
salted paper prints mostly showing
Talbots home at Lacock Abbey and each of
the photographs is meant to display one
of the various uses of photography
Talbots showing the reproducibility of
the photograph which really became one
of the most important aspects of the
medium
[Music]
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