How to Stand Out (without getting shot down)
Summary
TLDR这段视频讲述了如何在遵循传统规则的基础上,通过打破常规思维模式,实现创新和突破。导师们分享了自己的经历,比如导演泰卡·怀蒂蒂和音乐制作人里克·鲁宾,他们都是通过先学习掌握规则,然后大胆尝试打破规则,最终创造出独树一帜的作品。视频同时强调,创新不是盲目违背传统,而是在掌握传统的基础上,通过不断探索、实践和迭代,才能真正做出有价值的创新。保持好奇心和勇于尝试的态度,是打破陈旧思维、实现创新的关键所在。
Takeaways
- 👊 生活是可以被塑造和改变的,认识到这一点极为重要。
- 🌟 在社会中突出,而不被边缘化的关键是以正确的方式突出。
- 🎬 塔伊加·维迪提和里克·鲁宾通过打破传统,采用与众不同的方法取得了成功。
- 🔨 创新意味着必须与过去的传统做出明显的断裂。
- 🎵 里克·鲁宾通过打造一种全新的音乐风格,证明了创造力的重要性。
- 📚 创造力需要个体的独立思考,不能简单地复制他人。
- 📈 真正的创新来源于对先驱者的深入学习,而后在此基础上进行突破。
- 🌀 「守破离」是掌握创新的重要过程,从遵循规则到打破规则,再到创造规则。
- 🎤 成功的创新者,如维迪提和鲁宾,能够将他们的独特见解转化为具有深远影响的作品。
- 📖 学习和创新是一个不断的探索过程,通过不断的迭代和专注,可以达到真正的掌握。
Q & A
如何理解生活中的“扎针效应”,即当你对生活采取行动时,生活也会给予你相应的反馈?
-这表明通过个人的努力和行动,我们能够对生活产生影响,改变并塑造它,这是认识到我们能够主动生活而不仅仅是被动接受的关键一步。
在一个规模任何大小的社会中,“突出的钉子总是会被锤下去”的说法如何与创新和改变并存?
-尽管社会常常对不符合常规的行为施加压力,但通过正确的方式突出,例如通过创新和积极的改变,个人仍然可以在不被边缘化的情况下产生影响。
为什么《雷神索尔:诸神黄昏》是一部受到高度评价的电影?
-该电影融合了不寻常的幽默元素,以及导演塔伊卡·维迪提的创新视角,使其成为一部既娱乐又引人思考的作品。
为什么早期的塔伊卡·维迪提没有遵循他的直觉而是听从了传统电影制作的建议?
-维迪提最初被更有经验的传统电影制作者的意见所影响,他们建议他按照特定的方式进行剪辑和制作,而不是遵循自己的创新想法。
瑞克·鲁宾是如何对嘻哈音乐产生重大影响的?
-瑞克·鲁宾通过捕捉纽约俱乐部中嘻哈音乐的原始能量,并将这种感觉带入他的制作中,帮助创造了一种新的嘻哈声音。
哲学家奥修是如何定义创造力的?
-奥修认为创造力是存在中最大的叛逆,强调为了创造,人必须去除一切条件限制,成为一个独立的个体,而不是复制或随大流。
塔伊卡·维迪提和瑞克·鲁宾是如何从他们的前辈那里学习并最终创新的?
-他们开始时严格遵循现有的规则和传统,但随着时间的推移,他们开始进行创新,最终打破常规,创造出原创且具有前瞻性的作品。
什么是“守破离”(Shu-Ha-Ri)?
-守破离是一种日本武道的概念,描述了从遵循规则(守),到突破规则(破),最终达到自由创新(离)的学习和掌握过程。
为什么迭代(iteration)对于软件开发来说非常重要?
-迭代允许开发者不断改进产品,通过重复的改善过程,使产品更接近用户的需求和最终目标。
罗伯特·格林(Robert Greene)如何看待掌握一门技能的过程?
-格林认为掌握技能不是天赋或才华的结果,而是长时间和密集专注于某一知识领域的结果。
Outlines
🌟 打破传统,创造非凡
这一段强调了打破常规思维模式的重要性。它引用了斯蒂夫·乔布斯的话,认为我们不应被动地顺应生活,而是应该主动改变和塑造生活。接着,它以《雷神3:诸神黄昏》导演泰卡·怀蒂蒂为例,阐述了他最初遇到的来自传统的阻碍,但他依然坚持了自己的想法和做法。类似地,说到嘻哈音乐制作人瑞克·鲁宾,他也是以一种与众不同的方式捕捉到了嘻哈文化的精髓,并将其融入到音乐中。哲学家奥什欧指出,创造力源于个人性,脱离了群众心理,才能带来真正的创新。该段总结指出,要想创新,我们不能完全随波逐流,而是要打破常规。
🧭 从临门一脚到开创新纪元
这一段阐释了创新的过程往往需要遵循"守、破、立"的循环。它以合气道的"守破离"概念为例,解释了从模仿学习、尝试创新,到最终确立个人风格的三个阶段。泰卡·怀蒂蒂和瑞克·鲁宾都是从临门一脚、遵循既定规则开始,后来逐步打破常规,最终开创出属于自己的风格和作品。布鲁斯·李也指出,学习不应止于模仿,而是一个不断探索和发现的过程。罗伯特·格林则强调,精通某一领域需要时间和专注的投入,而不仅仅靠天赋。总的来说,这一段强调要在学习经典的基础上,不断挑战和超越自我,才能达到真正的创新和卓越。
Mindmap
Keywords
💡改变
💡传统
💡创意
💡个体性
💡反叛
💡创新
💡突破
💡追求
💡学习
💡掌握
Highlights
当你明白你可以改变生活,推动生活向前发展,这或许是最重要的事情,摆脱生活就是如此的错误观念,要拥抱生活,改变它,让它变得更美好,在生活上留下你的印记。一旦你学会了这一点,你就再也不会是原来的你了。
在任何规模的社会中,凸出的钉子都会被锤平,那么如何与众不同并产生影响,而不被驱逐出社会,你必须用正确的方式与众不同。
当你想做一些新的事物时,从根本上来说,你必须打破传统,改变过去的做事方式。
导演泰伽·维蒂蒂在谈到他的导演生涯初期时说,有些资深导演曾劝阻他拍一些与众不同的东西,但过了一两年后他意识到自己当初是对的。
嘻哈音乐现在已成为美国文化的重要组成部分,但很难想象曾经有一个时期它并非如此。制作人Rick Rubin是推动这种新声音诞生的关键人物之一。
Rubin说他只是想作为一个粉丝,听到在俱乐部里听到的原始嘻哈音乐的现场感觉,所以他的制作方式更像是一种纪录片风格。
正是因为Rubin没有受过正规训练,所以他的作品才能带来新的东西,打破常规。
哲学家奥修说,创造力是存在中最大的叛逆。如果你想创造,你必须摆脱一切条件约束,否则你的创造力只会是复制。
只有当你是一个个体时,你才能创造,你不能作为群众心理的一部分创造,因为群众心理是无法创造的。
Rubin制作出来的嘻哈音乐不像其他人那样,他必须打破常规,通过这种叛逆,他帮助创造了一种新的声音给新一代人。
在日本武术合气道中有一个概念叫"守破离",包括三个阶段:守即遵守规则,破即打破规则,离即创造新规则。
泰伽·维蒂蒂和Rick Rubin无意或有意都运用了这个方法,达到了真正的创新和创造力的层次。
维蒂蒂将幽默、情感和想象力融合在一起,既有娱乐性又引人深思。Rubin制作的音乐则原始、富有感染力并具有开创性。
他们都是从模仿规则、遵循既定规则,到打破常规、尝试创新,最终达到真正的创造力和创新。
成为大师的关键不是天赋或天分,而是花费大量时间和高度专注于某一特定领域的知识。不要为了与众不同而与众不同,要建立在已有基础之上,但也不要止步于已有的知识。
Transcripts
the minute that you understand that you
can poke life and actually something
will you know if you push in something
will pop out the other side that you can
you can change you can mold it that's
maybe the most important thing
is to shake off this uh erroneous notion
that life is is there and you're just
going to live in it versus embrace it
change it improve it make your mark upon
it once you learn that you'll never be
the same again I think about what Steve
said all the time he's right but how do
you reconcile what he just said with the
fact that in a society of any size the
nail that sticks out gets hammered down
how do you stand out and make a
difference without being cast out of the
island you have to stand out the right
way and that's what we're talking about
today let's get started
[Music]
[Applause]
thank you
[Music]
though Ragnarok is one of my favorite
Marvel movies and it's easy to see why
I choose to run toward my problems and
not away from them
[Music]
Thor is full of these kinds of unusual
bits of humor and that's why it's one of
the highest rated Marvel movies of all
time when you want to do something new
it fundamentally means you have to make
a break with tradition how things were
done in the past here's director and
otura taika waititi the director of
Ragnarok on starting out early I was
told by
so older generation of filmmakers and
now I realize I shouldn't have listened
to them in the first I remember my first
short films and stuff instinctively knew
I wanted to do a certain thing in in the
film but I was convinced by by people
who had more experience not to do them
and to do to edit things in a certain
way and then only like a year or two
later like realized like damn I was
right I want you to really notice what
he said there that he started off making
short films with an idea of what he
wanted but immediately the
traditionalists said no and that's the
rub you can't just do what other people
do and expect to get ahead you have to
be different and sometimes that thing is
precisely the thing other people say do
not do
[Music]
foreign
hip-hop is a key piece of American
culture now and today it's actually hard
to imagine a time when that wasn't true
Rick Rubin the producer he was one of
the key people to produce this new sound
and this is what it was like to be right
there when things were brand new
I just loved the music I would
buy every 12 inch single that would come
out when it would come out and none of
them sounded like what it sounded like
at the club it wasn't it wasn't related
at all live it was much more of a raw it
was like DJs and break beats and it was
harder whereas the record sounded more
like an r b record but with somebody
rapping on it what we know as rap today
that's not what those records sounded
like so I started making hip-hop records
really with the idea of I just wanted as
a fan to hear what it sounded like in a
club so it was more almost like a
documentarian Style part of it was
because I didn't know what I was doing I
didn't have any
um training or skill but that was what
allowed it to be new was it wasn't doing
it the regular way Rick Rubin could feel
the energy in the clubs in New York City
listening to early hip hop and hip-hop
artists and that was the magic he tried
to bring into the music when he was
producing it so other people would feel
that way too just like waititi Reuben
had to go with something
a little bit different the philosopher
Osho says creativity is the greatest
rebellion in existence if you want to
create you have to get rid of all
conditionings otherwise your creativity
will be nothing but copying it will just
be a carbon copy you can be creative
only if you are an individual you cannot
create as a part of the mob psychology
the mob psychology is uncreative it
lives a dragging life it knows no dance
no song no joy it is mechanical Rick
Rubin didn't make a hip-hop sound that
sounded like all the other things people
were doing he had to break with the mob
psychology and it is in that Rebellion
he helped create a new sound for a
generation
[Music]
so if we break with tradition and we
don't copy others does that mean we
should do any random thing with no
regard to what came before you
absolutely not if you look deeper
waititi and Reuben were both deep
studies of their predecessors if you
think they were born with the goods
think again
every Master begins as a student in
Aikido there's a concept called Shu ha
re there are three stages Shu follow the
rules ha break the rules and re-make the
rules
Aikido Master Endo shesiro Shihan stated
in Shu we repeat the forms and
disciplines ourselves so that our bodies
absorb the forms that our forebears
created we remain faithful to these
Norms with no deviation next in the
stage of ha once we have disciplined
ourselves to acquire the forms and
movements we make Innovations in this
process the forms may be broken and
discarded finally in re we completely
depart from the forms open the door to
creative technique and arrive in a place
where we act in accordance with what our
heart and mind desires unhindered while
not overstepping laws
this is a cycle that we repeat over and
over again
software we love talking about iteration
but the reality is that we can always
make it better
[Music]
by applying this method waititi and
Reuben conscious or not of it reached a
stage of true creativity and Innovation
where they were able to create works
that were truly original and forward
thinking waititi was able to blend humor
emotion and Imagination in a way that's
both entertaining and thought provoking
for Reuben he produced music that is raw
emotional and groundbreaking they both
progressed from imitation and adherence
to established rules to experimentation
and adaptation to True creativity and
Innovation Bruce Lee says learning is
definitely not a mere imitation or the
ability to accumulate and conform to
fixed Knowledge Learning is a constant
process of discovery and never a
concluding one not only is this the key
to iteration it's actually the key to
Mastery being able to go from novice to
World expert Robert Greene says Mastery
is not a function of Genius or Talent it
is a function of time and intense Focus
applied to a particular field of
knowledge don't be different for
different sake build on what is there
but don't settle for just being the same
as what you've already found that's it
for this week I'll see you next week
[Music]
[Music]
foreign
[Music]
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