ANC-NCCA Dayaw Episode 1: "Lupa, Kagubatan, Karagatan" (Inspiring, Challenging Environments)
Summary
TLDRThis script explores the rich heritage of indigenous Filipinos, highlighting their deep connection with nature and the environment. It delves into their ingenious methods of land use, such as the Ifugao rice terraces, which are not only a testament to their survival skills but also a vibrant culture. The script also touches on the boat-building techniques of the Sulu archipelago and the unique music of the Palawan people, all of which reflect a profound respect for the environment and a way of life that is both sustainable and artistic.
Takeaways
- πΏ Indigenous knowledge is vital for understanding our roots and direction, with a deep connection to nature, songs, epics, and technology.
- ποΈ The Philippine indigenous peoples have developed sustainable ways of life that guarantee survival and a distinct identity, using the environment wisely.
- πΎ The Ifugao Rice Terraces are a testament to indigenous engineering, with a system that supports life and culture, possibly built by ancestors fleeing Spanish colonizers.
- π§ The terraces rely on intricate water distribution systems, showcasing the Ifugao's social sharing and communal resource management.
- π οΈ Maintaining the terraces is labor-intensive, requiring constant rebuilding and restoration, highlighting the hard work behind their survival.
- π£ββοΈ The Sulu archipelago's boat-building techniques demonstrate the mastery of maritime navigation and the adaptation of traditional designs to modern engines.
- πΆ Art Valdez's adventure of building and sailing an authentic balangay (ancient Filipino boat) shows the effectiveness and seaworthiness of indigenous boat designs.
- π΅ The Palawan people's music is a unique form of intangible heritage, inspired by and responding to the natural environment, reflecting animist beliefs.
- π¨ The Palawan's artistic tradition in mat and basket weaving is a source of pride, showcasing their intricate craftsmanship and creativity.
- π³ Animist groups believe in the life principle animating all things, fostering a deep respect for nature and its preservation.
- π The loss of indigenous knowledge and practices is a threat to both the environment and the cultural identity of indigenous peoples, emphasizing the need for preservation.
Q & A
What is the significance of learning from indigenous peoples according to the script?
-Learning from indigenous peoples is significant as it helps us understand their deep knowledge of nature, relationships, survival techniques, and cultural heritage, which can provide direction and a sense of identity in an age of globalization.
What is the role of indigenous knowledge in the context of environmental balance?
-Indigenous knowledge plays a crucial role in maintaining environmental balance by ensuring sustainable use of resources and preserving a precious equilibrium with nature.
What are the Ifugao Rice Terraces and why are they important?
-The Ifugao Rice Terraces are ancient farming systems carved into the mountains of the Cordillera region in the Philippines. They are important for their agricultural, cultural, and historical value, and for demonstrating a sustainable way of life.
How do the indigenous people of Kinakin, Ifugao, utilize the rice terraces?
-The people of Kinakin, Ifugao, utilize the rice terraces through a complex system of knowledge that involves irrigation, social sharing of water resources, and maintaining the terraces, ensuring their survival and the sustainability of their environment.
What is the significance of the traditional boat-building techniques of the Sulu archipelago?
-The traditional boat-building techniques of the Sulu archipelago are significant as they represent a mastery of maritime skills, allowing ancestors to travel, trade, and live on the water, showcasing a deep understanding of wave dynamics and boat construction.
How did Art Valdez experience the traditional boat-building techniques of the Sulu archipelago?
-Art Valdez commissioned a boat from the Sulu boat builders, encouraging them to use their traditional knowledge in constructing the boat as authentically as possible. He also involved the Society of Naval Architects and Maritime Engineers to ensure the boat's seaworthiness.
What is the concept of 'Shell First Construction' in boat building?
-The 'Shell First Construction' is a traditional boat-building method where the hull or shell of the boat is constructed first, followed by the addition of the ribs, which is the opposite of modern boat-building techniques.
Why is it ironic that the Philippines imports rice despite having indigenous knowledge of rice cultivation?
-It is ironic because the indigenous people, like the Ifugao, have mastered rice cultivation in challenging terrains, yet modern circumstances have led to the Philippines needing to import rice, indicating a loss of traditional agricultural practices.
What are the animist beliefs of the indigenous people and how do they influence their relationship with nature?
-Animist beliefs hold that everything in nature is alive, including rocks, water, earth, and fire. This belief system fosters a deep respect for nature, discouraging destructive practices and promoting a harmonious coexistence with the environment.
How do the indigenous people of Palawan express their cultural heritage through art and music?
-The indigenous people of Palawan express their cultural heritage through intricate mat and basket weaving, as well as a unique form of music that directly responds to and is inspired by the natural sounds of their environment.
What is the importance of preserving the intangible heritage of indigenous peoples?
-Preserving the intangible heritage of indigenous peoples is important as it helps maintain their cultural identity, traditional knowledge, and practices, which are often deeply connected to the environment and contribute to sustainable living.
Outlines
π Indigenous Knowledge and Sustainable Living
The first paragraph introduces the importance of learning from indigenous peoples who have a deep connection with the land and nature. It emphasizes the richness of their knowledge, which is reflected in their songs, epics, technology, and creations. The script highlights the need to preserve this heritage, as it provides direction and identity in an age of globalization. The Ifugao Rice Terraces are presented as an example of indigenous technology that supports life and culture, with a debate on their age and the role of the UGA people in their creation.
ποΈ The Ifugao Rice Terraces: A Testament to Indigenous Ingenuity
This paragraph delves into the intricacies of the Ifugao Rice Terraces, detailing the traditional systems of water distribution and social sharing among families. It discusses the challenges of maintaining the terraces, such as rebuilding walls after natural disasters, and the importance of inheritance in ensuring their preservation. The terraces are not only a source of pride but also a symbol of the Ifugao's sustainable relationship with the environment.
πΆ Mastering the Seas: The Boat-Building Techniques of Sulu
The third paragraph shifts focus to the maritime skills of the Sulu people, particularly the master boatbuilders of Tawi-Tawi. It describes the unique boat designs, such as the kumit campan sapit and birir, which were used for trading and travel across the archipelago. The narrative follows a modern man's journey to replicate a traditional balangay boat, consulting with experts and the local boatbuilders to ensure authenticity and seaworthiness, showcasing the enduring relevance of ancient maritime technology.
π΅ The Intangible Heritage of Music and Art Inspired by Nature
This paragraph explores the cultural expressions of indigenous peoples, such as the music and art of the Palaw'an people, which are deeply connected to their environment. It discusses the anthropological studies that reveal the animistic beliefs that attribute life to all elements of nature, fostering a profound respect for the environment. The narrative also touches on the impact of environmental destruction on indigenous cultures and their identity.
π² Animist Beliefs and the Respect for Nature
The final paragraph emphasizes the animist belief system that views all aspects of nature as alive, leading to a deep respect for the environment. It discusses the consequences of losing this connection, such as environmental degradation and the erosion of indigenous cultural practices. The paragraph concludes by reflecting on the importance of indigenous knowledge systems and the treasures of intangible heritage that they yield, such as music and art inspired by nature.
Mindmap
Keywords
π‘Indigenous Knowledge
π‘Cultural Heritage
π‘Sustainability
π‘Ifugao Rice Terraces
π‘Indigenous Peoples
π‘Globalization
π‘Ecology
π‘Traditional Boat Building
π‘Animism
π‘Intangible Heritage
π‘Cultural Identity
Highlights
Indigenous peoples possess valuable knowledge and skills in harmony with nature, technology, and survival.
Filipinos should cherish and learn from indigenous knowledge to preserve cultural heritage.
Indigenous peoples have sustainable ways of life that maintain a balance with the environment.
The Ifugao Rice Terraces are an ancient and astounding example of indigenous engineering and environmental harmony.
The age of the Ifugao Terraces is debated, with evidence suggesting they may be more recent than previously thought.
The terraces demonstrate the Ifugao's ability to utilize natural resources for survival and cultural vibrancy.
Indigenous methods of water distribution and terrace maintenance are essential for the Ifugao's survival.
Inheritance of terraces is carefully managed to prevent family disputes and ensure sustainable use.
The Philippines' reliance on rice imports contrasts with the Ifugao's mastery of rice cultivation in challenging terrain.
Indigenous groups across the Cordillera region have developed diverse and innovative land use methods.
Animist societies like the Ifugao have belief systems and customs deeply connected to nature and the environment.
Master boat builders of Sulu have preserved traditional boat-making techniques for generations.
Traditional boats like the balanghai are designed for speed, lightness, and adaptability to different power sources.
Art Valdez's adventure of building an authentic balangay boat demonstrates the effectiveness of traditional boat-building methods.
Science has confirmed the technical capability of traditional boat designs for open sea navigation.
Indigenous peoples have a deep respect for the environment, viewing it as a source of inspiration for art and music.
The Palawan people have a unique musical tradition that directly responds to the sounds of nature.
Animist beliefs foster a deep respect for nature, recognizing the life principle in all elements.
The loss of indigenous knowledge and disrespect for nature has led to environmental degradation and cultural erosion.
Indigenous peoples have developed vital arts and knowledge systems that are a source of pride and identity.
Transcripts
[Music]
there is much to be learned from people
who have lived on this land much longer
than we
have a knowledge that manifests itself
not only in the relationships with
nature their songs and epics their
technology and Creations but in their
very
survival only by being aware of this
Heritage of the indigenous can we find
not only Our Roots but our
Direction their pride and ours captured
in one word
[Music]
da in an age of increasing globalization
we Filipinos are constantly reminded to
look back to the vast stores of
indigenous knowledge that like our own
natural resources are in danger of being
forever
lost we have much to learn from our
indigenous peoples vast stores of
knowledge Technologies and ways of life
that guaranteed not only survival but a
distinct
identity Lupa karagatan Katan an
environment that inspired their
indigenous peoples to make the best use
of resources while guaranteeing a
precious balance a balance where we are
so in danger of losing
[Music]
today Grand to look
at astounding to
[Music]
behold challenging to
[Music]
understand the eagal rise tesses
represent a dynamic indigenous responds
to the
environment one that combines hard work
and tenacious industry with a deep
understanding of how our forests
watersheds mountainous terrain and
Engineering can come together to
guarantee a people's
survival the age of these Terraces is
much
debated some Scholars have said that
these Marvels are 2 or 3,000 years
old recent archaological evidence points
to a much later dating and poits that
these Terraces were built
by the lowland ancestors of the UGA who
were fleeing the Spanish
colonizers but whether they are 3,000 or
300 years old what is most astounding is
that the UGA have carved from the grand
cordelier mountain range an entire
system capable of supporting
life sustaining natural
resources
and enhancing a vibrant
[Music]
culture while we see tourist attractions
the UGA see their very survival and the
environment that must be harnessed
[Music]
sustainably in kinakin a village not
normally on the tourist route we learn
the ways in which these poo the Terrace
fields are a result of a complex system
of knowledge that has served the euga
well
R we called it chape rice teres it's a
part of the study of h
[Music]
k
if you could
see among the best of the teres in
kinakin s barang
kinakin the IFA system of tering begins
first with
irrigation
[Applause]
for forested area
RI through
gravity
rice the watersheds at feed the Pao do
so with nothing simpler or more durable
than bamboo tubes or roughly Hune
Carns the euga have worked out
traditional systems of social sharing in
which the precious water is distributed
equally among
families the hardest work goes into
building and maintaining these Terraces
no matter how sturdy they may look a
storm a sudden surge of too much water
can cause the walls to
collapse and we have nothing more than
simple tools and muscle the walls must
be rebuilt again the water Distribution
Systems
restored then the hard work of creating
and maintaining the stone walls
[Music]
begins
for
for
[Applause]
[Applause]
for
wall so important are The Terraces that
the matter of inheritance must always be
settled beforehand to avoid division in
the family just after
marriage boundaries or
PES area Rice
Field
I'm I find it a great irony that the
Philippines now has to import rice when
the epag mastered such rugged terrain to
be able to produce it of course times
have changed and populations have grown
dramatically but what do we stand to
lose by carefully looking at how the
eaga worked the mountains not to change
them but to make the best of what nature
had challenged them
[Music]
with all over the Cordillera region our
indigenous peoples have developed their
own ingenious and Innovative methods of
land use that are both respectful and
[Music]
creative tering is not exclusive to the
eugal other indigenous groups have also
developed their own forms of tering
whether on gentle slopes or high
plateaus The Terraces of of the
Cordillera are studies in natural form
dictating function and
[Music]
purpose along with such adaptation come
belief systems
architecture ritual and
custom in such animist societies as the
[Music]
euga
nature its Spirits its features its
rhythms and Cycles are what shape the
way they
live believe and commune with the
dieties and with one
another from the mountains to the Seas
and to the adventure of one very modern
man who looked at and experienced for
himself the ways in which the s d of suu
mastered the
seas in an archipelago such as ours why
do many of us know so little about the
boat building techniques that allowed
our ancestors to travel trade and even
live on the water surrounding our
Islands for Generations the master
Boatman or tuang of Sulu specifically
cutu Island have been turning out boats
known for their speed lightness ability
to ride the
waves the kumit campan sapit and birir
are only four of the variants of the
boat form that the sibutu Masters are
expert in
building with such vessels as these the
traders of Sulu traversed the Waters of
Holo reaching as far as Boro Malaysia
and
brunai the secret of these boats is a
hall designed to ride the waves the main
body is constructed from planks that the
tukang constructs not from paper plants
but from his own combination of
practical knowhow and memory
the body of the boat with its
streamlined Hull is constructed from
logs first before the rib framework or
is put
in this simple elegant form was designed
to be powered by the wind but it is so
versatile it can be adapted to motor and
diesel engine a testament to a
technology that is as old as a balanghai
and yet
as current as any
yacht one man chose to experience this
technology for himself and it was the
adventure of his life well actually it
started after coming down from Mount
Everest we thought what's next why not
build the boat that our forefathers used
in their waves of
migration and as authentic as possible
what happened then was that I went here
at the national museum Museum talked to
the archaeological section and asked for
advice and they said that this how the
boat was built they gave me a handbook
of Father Alena the Jesuit Maritime
priest during Spanish time and I look at
it I said who can build this boat he
said no one now among the people except
if you go to batanes the iatan built the
same kind of boat or you go to tawi the
s deay yeah they built they still built
that kind of boat so I went to tawi tawi
and look at how they built the boats and
that's how it
[Music]
started displayed in one of the
courtyards of the national museum is a
very boat that art Valdez commissioned
from the S dilaut he encouraged them to
use all their knowledge in constructing
this one boat in as traditional a manner
as
possible
then I saw that it's still the
traditional way of boat building Shell
First Construction if youve noticed the
modern boat building is that once the
kill is set they put up the ribs and
then the walls or the sidings but the
Shell First Construction is that you
have the kill and then you built planks
you built a shell of this kind and then
the ribs is the last part that you put
it together so I went out and did
research and I asked the national museum
that I can build an authentic balangay
based from the diggings in bhan and
that's how the boat was
built VES experience for himself just
how effective this method of building
was and he was amazed to find out that
the Master Builders could calculate and
design based purely on experience and
memory but I was not content enough
because uh I'd like to ensure that the
boat is really fit to travel in Open
Seas so while they're building the boat
I also asked the Society of Naval
Architects and uh Maritime Engineers
that the boat we're building is also
technology wise based on science is
really fit to sail on Open Seas and even
ocean sadad and uh they made a h
hydrostatic study on the performance of
the boat because I asked the master
builder Asama delaya what is the draft
how deep is the water for this boat to
float at 2 ft of water it will
float and then I asked the naval
Architects what is the result of your
hydrostatic uh uh study of the boat and
they said that sir at 18 in your boat
will float science has confirmed their
technical capability to build that kind
of
boat in a courtyard of the national
museum art valdez's boat sits Far Away
From the Rough Seas it has journeyed on
18 men accompanied him his friends from
the Mount Everest team Coast Guard and
the Navy but the most indispensable were
the S boat Builders themselves
especially at the time when thease
becomes so rough and they have to tell
me they're quite familiar of the
performance of the
bo the boat is powered by the wind and
stirred by the Stars Celestial
navigation that's how it was and we try
to be as faithful as possible the way
our forefathers said this has been
handed from generation to generation
that would explain why that indeed we're
we're really a maritime people the
mountains the Seas both are equally
demanding environments yet the UGA of
the cordilleras and the S dilaut of Sulu
have mastered these environments or is
mastered really the right word did they
simply and over time study their
environments and make the best of what
they had Without Really Trying To
Conquer anything what other knowledge
systems were born out of a respect for
the environment and what Treasures of
our intangible Heritage did they
[Music]
yield the environment as a source of
music and art but of course among the
palaos the forests and Skies over their
Mountain Homes are inspiration for their
unique music a music that Echoes the
very songs of the birds and the
wind the people of Palawan have no
Monumental structures of architectural
agriculture or
technology the people of Palawan have a
very fine artistic tradition of mat and
basket weaving considered the most
colorful and intricate in the country
their p cup baskets are masterpieces of
delicate painstaking skillful
art and they can be proud of a unique
form of intangible Heritage a language
of music that is a direct response to
Nature it was the renowned
Anthropologist Nicole Revel who studied
the ways of life of the semi nomadic
Palawan her studies revealed the unique
musicology that was inspired by and
responded to the sounds of the
Sheltering
forests in this rare footage the late
gawad manang Bayan or gamaba award
masino inarai demonstrates the complex
Rhythm patterns etched out on the
simplest of
instruments there are so many things
that we can learn from the animist
groups one of the most important is that
the animist that's why they called
animist believe that everything is
animated by the life principle that
means everything is alive rocks water
Earth fire all of these are alive
especially trees the moment you believe
that trees mountains of spirits you'll
be afraid to destroy you'll be afraid to
Lug forest for just for timber because
there are beings inside them once you
lose uh the idea that uh Nature has
Spirit then you will no longer respect
nature when we see what we have done to
our forests our coastlines our
mountains we don't just see crimes
against the
environment by destroying these we have
also taken away from our indigenous
peoples their sources of Life their
identity ities the very sounds of nature
that inspires art as complex as any way
we can
create a collage of images and
connections that is how we've envisioned
da a mountain range in its Terraces the
Sea and the vessels that ride its waves
a forest and the music that both nature
and man create all we show how
indigenous peoples in different
environments all over the archipelago
have developed not only survival skills
and Technologies but a vital art as well
a true source of Dao our knowledge our
[Music]
[Music]
pride
[Music]
[Applause]
[Music]
B
[Music]
[Applause]
[Music]
[Applause]
[Music]
he
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