Ep. 26 "Baritone Curse" - Voice Lessons To The World

Summary

In episode 26 of 'Voice Lessons To The World', Justin Stoney addresses the 'baritone curse', a concern raised by Randall O. about singing high notes as a baritone. Stoney debunks the misconception that a low speaking voice equates to being a baritone and explains that voice classification can vary between classical and contemporary music. He offers advice on developing a mix voice, not neglecting falsetto, and using proper vocal techniques to extend one's range. Stoney also encourages embracing the baritone voice, emphasizing its unique value in music, and suggests that with practice and the right guidance, singers can overcome perceived limitations.

Takeaways

• 🎤 The 'baritone curse' refers to the feeling of being limited in vocal range due to identifying as a baritone, especially when aspiring to sing high notes like tenors.
• 🔍 A low speaking voice does not always equate to being a baritone; some with low voices are actually tenors with a high range.
• 🤔 Being classified as a baritone in the past, such as in a choir, does not definitively determine one's voice type.
• 🚫 Struggling with high notes is not exclusive to baritones and can be addressed with proper vocal techniques and training.
• 🎼 Voice types are more nuanced in classical music, but in contemporary and pop music, these distinctions are less critical for microphone singing.
• 🔄 Developing a 'mix' voice, which is a blend between chest and head voice, can help extend the range and sing higher notes in a healthy manner.
• 👥 Working with a voice teacher can be beneficial to develop the mix and extend vocal range.
• 🔝 Don't neglect the development of the falsetto or head voice; it's crucial for accessing higher notes and developing vocal flexibility.
• 🗣️ Avoid singing the middle voice too loudly or fully, as it can hinder the ability to reach higher notes.
• 👃 Utilize nasal resonance in the middle and upper-middle voice to facilitate the transition to higher notes.
• 💪 Allowing the voice to be lighter and breathier can help with coordination and reaching tenor notes in a pop context.
• 👍 Embracing the baritone voice type can be a positive thing, offering a rich and unique sound in a market saturated with high notes.

Q & A

What is the 'baritone curse' that Randall mentions?

The 'baritone curse' refers to Randall's belief that, as a baritone, he is unable to sing high notes like tenors in pop, rock, and R&B music. He feels limited by his vocal range and is concerned that he may never be able to sing the high notes associated with tenors.

Does having a low speaking voice automatically mean you're a baritone?

No, a low speaking voice does not automatically mean you're a baritone. Many people with low speaking voices may still have a higher singing range, and voice classification isn't solely based on speaking voice.

Why might someone have been classified as a baritone in choir, even if they aren't truly a baritone?

Someone might have been classified as a baritone in choir due to blending purposes or choir arrangement, rather than their actual vocal range. This classification may have led them to identify with the baritone range, even if their natural range is different.

What does Justin Stoney suggest could be the reason for struggling with high notes, besides being a baritone?

Struggling with high notes might be due to issues with vocal registration or vocal mechanics, rather than simply being a baritone. This suggests that vocal challenges with high notes can be addressed through training and technique.

How does voice classification differ between opera and contemporary music?

In opera, voice classification is crucial due to the need to project over an orchestra, and specific voice types like lyric baritone, dramatic tenor, etc., matter. However, in contemporary and microphone singing, these distinctions are less important, and singers of all types can perform in various ranges.

How can a baritone extend their range to sing higher notes in pop and rock music?

A baritone can extend their range by developing a good vocal mix, which blends chest voice and head voice or falsetto. This allows for a strong, high sound that is suitable for pop and rock music. Working with a vocal coach can help achieve this mix.

Why is it important for baritones to not neglect their falsetto and head voice?

Neglecting falsetto and head voice can limit a baritone's ability to develop a proper mix, which is essential for achieving higher notes. Practicing exercises that enhance flexibility and high-range control is key to breaking the 'baritone curse.'

What advice does Justin give about singing in the middle voice?

Justin advises against singing the middle voice too loudly or with too much weight, as this can block the ability to reach high notes. Singing too strongly in the middle voice may prevent the vocal cords from coordinating effectively for higher ranges.

How can nasal resonance help baritones reach higher notes?

Using nasal resonance in the middle and upper-middle voice helps activate the upper resonators, which are necessary for reaching high notes. Bringing nasal resonance into the middle range can aid in achieving a smoother transition to higher notes.

Why does Justin suggest that being a baritone isn't necessarily a bad thing?

Justin emphasizes that being a baritone can be a positive thing, as the world needs more baritones, especially in genres where high notes dominate. Embracing a rich, lower range can offer a unique sound and provide contrast to the common trend of high belting in pop music.