Yueju opera

Summary

Cantonese opera, particularly 'You a Jew' opera, is a traditional art form originating from Guangdong province and the Lingnan region. Influenced by various cultural waves, it combines local dialects with opera tunes, evolving into a unique style. With distinct acting schools and martial arts elements, it has become a cultural link for Cantonese speakers worldwide, preserving traditional performances and ceremonies, and promoting cultural understanding and respect.

Takeaways

• 🎭 Cantonese opera, particularly 'You a Jew' opera, is a traditional art form that originated in Guangdong province and the Lingnan region.
• 🏞 The Lingnan region's culture is a blend of indigenous and central plains influences, which contributed to the birth of 'You a Jew' opera.
• 🎵 'You a Jew' opera is performed in Cantonese and has evolved by incorporating various opera styles and folk music elements.
• 🎼 The opera's unique stage language reflects the special beauty of the Lingnan region, combining the Cantonese dialect with opera tunes.
• 🌟 'You a Jew' opera has developed distinct acting styles and schools, producing renowned stars with unique performing styles.
• 🎭 The 'home Chun' style created by Home See A New is a notable singing and performing style that has gained international popularity.
• 📚 The opera's structure includes 'pi Chun' segments, which are like chapters or scenes, allowing for a vast array of stories and combinations.
• 🤸‍♂️ Martial arts, including 'Shaolin kung fu' and 'Shawl cha', are integral to 'You a Jew' opera, offering thrilling and dynamic performances.
• 🎨 The opera respects traditional Chinese opera formats while also incorporating local aesthetic ideals and cultural characteristics.
• 🏮 'You a Jew' opera performances are often tied to local celebrations and religious events, preserving traditional rituals and styles.
• 🌐 As the Cantonese-speaking population grows globally, 'You a Jew' opera has become a cultural link, connecting people with their homeland and each other.

Q & A

What is the origin of Cantonese opera, specifically 'You a Jew' opera?

You a Jew opera originated in the Lingnan region, which includes Guangdong province and the Hong Kong and Macau special administrative regions. It was born from a cultural melting pot influenced by the central plains and the indigenous groups of the area during the time of the Qin and Han dynasties.

In what language is 'You a Jew' opera performed?

You a Jew opera is performed in the Cantonese language, also known as Yue or Yay.

How did 'You a Jew' opera evolve over time?

Over 300 years, 'You a Jew' opera evolved by assimilating elements from other opera styles such as Yun Chang opera and kunchu Opera, and incorporating local dialects, tunes, and folk music formats, eventually developing its distinct stage language in the Guangzhou dialect.

What are some unique features of 'You a Jew' opera?

Unique features of 'You a Jew' opera include its combination of the Cantonese dialect with opera tunes, the use of various creative methods such as specific intonations for particular operas, and the composition of original music for new operatic works.

What are the different styles or schools of acting in 'You a Jew' opera?

In 'You a Jew' opera, there are various styles or schools of acting, with principal roles such as Chun Dan and Cho, each producing well-known stars who have created their own unique performing styles.

What is the significance of 'Pi Chun' in 'You a Jew' opera?

'Pi Chun' refers to specific scenes or segments in 'You a Jew' opera that involve particular atmospheres, movements, and fixed lyrics, comparable to chapters or scenes in a story. Different combinations of 'Pi Chun' can be used to create various stories.

How does 'You a Jew' opera incorporate martial arts?

'You a Jew' opera incorporates martial arts through 'Shaolin kung fu' as the basic element and the development of an unarmed fighting style called 'Shawl cha', along with other weapon-based fighting styles.

What are some of the acrobatic moves performed in 'You a Jew' opera?

Some acrobatic moves in 'You a Jew' opera include 'Cal da da' (finger movements), 'Yog in hanging from the pigtail' (spinning hair with hip and neck strength), 'Xiao Jing' (jumping and turning in the air before landing), 'Try yah' (using pig teeth as a prop for facial muscle movements), and 'Tam kite an e' (jumping high and landing flat on a table or chair).

How does 'You a Jew' opera maintain its traditional aspects while also being creative?

'You a Jew' opera maintains its traditional aspects by respecting the main performing formats and basic regulations of Chinese opera, such as singing, reading, acting, and fighting, while also being creative in its aesthetic ideals, stage settings, face painting, and wardrobes that reflect the cultural characteristics of the Lingnan region.

What role does 'You a Jew' opera play in connecting the Cantonese-speaking diaspora?

'You a Jew' opera serves as a cultural link uniting the approximately 100 million Cantonese-speaking people around the world with their homeland and with each other, becoming widespread in areas where Cantonese people live and work, such as Southeast Asia, the Americas, Oceania, Europe, and Africa.

How is 'You a Jew' opera's cultural significance recognized globally?

You a Jew opera is recognized as a Chinese national cultural treasure that also belongs to the entire world. Its unique style, healthy state, and continuous transmission to the next generation serve as a reminder and encouragement for understanding and respect for other cultures and artistic creations.

Outlines

00:00

🎭 The Birth and Evolution of Cantonese Opera

This paragraph delves into the origins and development of Cantonese opera, specifically 'You a Jew' opera, which is a unique form of traditional Chinese opera with a strong presence in Guangdong province and the Lingnan region. The narrative traces the opera's roots back to the Tang and Han dynasties, highlighting its evolution from a blend of cultural influences from the central plains and indigenous groups. The opera is characterized by its use of the Cantonese language and a distinctive stage language that reflects the Lingnan region's cultural beauty. Over 300 years, 'You a Jew' opera has absorbed various opera styles and folk music, leading to the creation of a novel and unique form of Chinese opera. The paragraph also touches on the different acting styles and schools that have emerged, including the famous 'home Chun' style created by Home See A New. The innovative approach to opera, including the use of fixed elements or 'pi Chun' to create new stories, is also discussed, showcasing the opera's ability to combine passive and active acting styles.

05:01

🤸‍♂️ The Artistry and Cultural Significance of Cantonese Opera

The second paragraph focuses on the artistic elements and cultural significance of Cantonese opera, emphasizing its acrobatic and energetic movements that make it a thrilling and absorbing experience. It highlights the integration of Shaolin kung fu and local martial arts styles into the opera's fighting scenes, creating a unique unarmed fighting style known as 'Shawl Cha'. The paragraph also describes the various acrobatic moves performed in the opera, such as 'Cal da da', 'abortion', 'yog in hanging', and 'Xiao Jing', which contribute to its outstanding performance style. Furthermore, it discusses the opera's adherence to traditional Chinese opera formats in singing, reading, acting, and fighting, while also incorporating local aesthetic ideals and cultural characteristics. The paragraph mentions the preservation of religious performing styles and the importance of Cantonese opera in local celebrations and ceremonies. It concludes by emphasizing the opera's role as a cultural link for Cantonese-speaking people worldwide, serving as a reminder and encouragement for understanding and respecting other cultures and artistic creations.

10:02

🌐 The Global Impact and Cultural Exchange of Cantonese Opera

While the third paragraph is brief, it underscores the global impact of Cantonese opera and its role in fostering cultural exchange and understanding. It serves as a reminder to show respect for the cultures and artistic creations of other groups, suggesting that the opera's influence extends beyond entertainment to promote cultural appreciation and education on a global scale.

Keywords

💡Cantonese opera

Cantonese opera, also known as 'Yueju', is a form of Chinese opera that originated in Guangdong province and is characterized by its use of the Cantonese language and distinct musical and performance styles. In the video, it is highlighted as a cultural melting pot that combines various influences to form a unique local culture, especially in the Lingnan region.

💡Lingnan region

The Lingnan region refers to the area encompassing Guangdong province, Guangxi Zhuang Autonomous Region, and the Hong Kong and Macau Special Administrative Regions. The script describes this region as having a rich cultural heritage influenced by both indigenous minority groups and waves of cultural influence from the central plains of China, which contributed to the development of Cantonese opera.

💡Guangdong Opera

Guangdong Opera is a specific style of Cantonese opera that emerged from the Lingnan region, incorporating influences from other popular opera styles such as Yun Chang and kunchu Opera. The script mentions that this style was born from the combination of these influences with the local Cantonese dialect and accent.

💡Cultural influence

Cultural influence in the script refers to the process by which ideas, art forms, and practices from the central plains of China were absorbed and integrated into the local culture of the Lingnan region. This blending of cultures is what gave rise to the distinctive characteristics of Cantonese opera.

💡Yay dialect

The Yay dialect, also known as Cantonese, is the language in which Cantonese opera is performed. The script emphasizes that the opera's unique stage language in the Guangzhou dialect reflects the special beauty of the Lingnan region, showcasing the dialect's integral role in the art form.

💡Principal roles

Principal roles in Cantonese opera refer to the main characters or types of roles that performers take on, such as Chun Dan (female lead) and Cho (male lead). The script mentions that different schools of acting have emerged for these roles, with famous performers like Sri ASEAN, Masha Tong, and others creating their own unique styles.

💡Pi Chang

Pi Chang, as described in the script, are specific scenes or segments in Cantonese opera that involve particular settings, atmospheres, movements, and fixed lyrics. These segments can be combined in various ways to create different stories, demonstrating the flexibility and creativity inherent in the art form.

💡Shaolin kung fu

Shaolin kung fu is the basic element of martial arts in Cantonese opera, as mentioned in the script. It has evolved to include not only Shaolin techniques but also other local styles, resulting in a distinctive unarmed fighting style known as Shaw Cha.

💡Acrobatic movements

Acrobatic movements in the script refer to the highly skilled physical feats performed in Cantonese opera, such as 'Cal da da' (finger movements), 'Xiao Jing' (jumping and turning in the air), and 'Tam kite an e' (jumping high and landing flat). These movements contribute to the thrilling and engaging nature of the performances.

💡Religious performing styles

Religious performing styles, such as 'Sheng Gong Xi' and 'Poong See', are specific types of Cantonese opera performances that have a ceremonial or religious significance. The script notes that these styles have emerged within the art form and are often associated with local celebrations and religious sacrifices.

💡Cultural link

In the context of the script, a cultural link refers to the role that Cantonese opera plays in connecting the Cantonese-speaking diaspora with their homeland and with each other. The art form serves as a bridge for approximately 100 million Cantonese speakers worldwide, fostering a sense of unity and shared identity.

Highlights

Cantonese opera, known as 'Yueju', is a form of traditional Chinese opera especially popular in Guangdong province and the Lingnan region.

The Lingnan region was originally populated by various minority groups and influenced by cultural waves from the central plains, leading to a unique local culture.

Yueju opera was born in a cultural melting pot, combining the ya dialect and traditional opera styles.

Yueju is sung in the Cantonese language and has been influenced by Yun Chang opera and kunchu Opera.

Guangdong Opera emerged as a combination style with influences from the ya dialect and accent.

Over 300 years, Yueju opera has assimilated elements from various opera styles, creating a distinct stage language in the Guangzhou dialect.

Yueju opera combines the ya dialect and opera tunes, introducing creative methods beyond traditional melodies.

Different styles or schools of acting in Yueju opera have produced well-known stars and unique performing styles.

The 'home Chun' style, created by home see a new, has become popular worldwide.

Yueju opera has developed various stage styles known as 'pi Chun', each with specific scenes and lyrics.

Performers can combine different 'pi Chun' to create thousands of distinct staged opera scripts.

Yueju opera includes both passive and active acting styles, introducing a new trend in Chinese opera.

Shaolin kung fu is the basic element used in Yueju martial arts, evolving into a unique fighting style called 'shawl cha'.

Acrobatic and energetic movements make Yueju opera a thrilling and absorbing experience.

Yueju opera maintains traditional performing formats and aesthetic ideals of the local Lingnan audience.

Traditional and religious aspects of Yueju opera, such as praying to the Opera God, are well preserved.

Yueju opera serves as a cultural link for Cantonese-speaking people worldwide, connecting them to their homeland.

Yueju opera is recognized as a Chinese national cultural treasure with a unique style and global influence.

Transcripts

you a Jew or Cantonese opera is a form

of traditional Chinese opera especially

popular in Guangdong province once you

draw an autonomous region and the Hong

Kong and Macau special administrative

regions collectively often referred to

as the Ling nan region as early as the

time of the team and Han dynasties this

area which was originally populated by

various minority groups was subject to

repeated waves of cultural influence

from the central plains these ideas

gradually mingled with those of the

indigenous groups to form a

characteristic local culture and it was

in this cultural melting pot that you a

Jew opera was born you a Jew opera is

sung in the yay or Cantonese language

even before the 18th century popular

opera styles from other areas such as

Yun Chang opera and kunchu Opera were

already being performed in the Lingnan

region but with influences from the you

a dialect and accent this combination

style became known as Guangdong Opera

during the following 300 years of

historical development this operatic

form now known as you a Jew opera

extended its performance from the basic

was popular bands ax or herb a wooden

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by assimilating elements of GAO chang

and kun to Peyser to opera styles to

this mix were added hernán opera tunes

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and other folk music formats this

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distinct stage language in the Guangzhou

dialect which reflects the special

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opera perfectly combines the you a

dialect and opera Tunes it goes beyond

the limitations of the banzer and our

own melodies introducing many other

kinds of creative methods

these include using one particular

intonation for a particular opera or

composing original music for a new

operatic work all of these together

result in the creation of a novel and

unique form of Chinese opera with in

Jeju Opera many different styles or

schools of acting the various principal

roles such as Chun Dan and Cho have

emerged these different schools of

acting have in turn produced such

well-known stars as Sri ASEAN masha tong

li o shahi Wei Ming yang and Baidu roll

all of whom have created their own

unique

performing styles especially notable in

this respect is the popular singing and

performing style known as home Chun

created by home see a new and which has

now spread across the world

there have been many different uiju

opera stage styles created during the

long period in which the format has been

performed these styles or segments are

known by the term pi Chun the majority

of these PyCharm involve specific scenes

a specific atmosphere specific movements

and specific fixed lyrics therefore

becoming comparable to a fixed element

of a story something akin to a chapter

or a scene different PI Chan can then be

combined to make different stories using

different combinations of Pi Chang

performers can create thousands upon

thousands of distinct staged opera

scripts by using the synopsis of the

pycharm which will be familiar to

audience and free creative performance

this method also means that both passive

and active acting styles can appear

together in jeju opera and this

simultaneous appearance of these

performers on the stage has begun a new

trend in chinese opera part industry

shaolin kung fu' is the basic element

used in uiju martial arts in addition it

has absorbed other local kung fu styles

eventually evolving into an unarmed

fighting style called shawl cha

meanwhile there genjou and cinta BR are

the two fighting styles which involve

the use of weapons these kung-fu skills

along with a number of especially

acrobatic and energetic movements mean

jeju opera can be both an nail-biting

and absorbing experience resulting in

one of the most outstanding and

memorable performance styles in chinese

opera

amongst these highly skilled acrobatic

moves are the following Cal da da which

is a series of finger movements by

abortion meaning escaping and running

across a mountain yog in hanging from

the pigtail to shui spitting blood

transfer using the strength of the hip

and neck to spin the hair clockwise or

anti-clockwise Xiao Jing

also known as lien quite draw jumping up

and turning in the air before landing

kneeling on a chair try yah

using adapted pigs teeth as a prop for

making movements for the jaw tongue and

the cheek muscles and tam kite an e

jumping high in the air and landed flat

on a table or chair at the same time

made you authorize continue to respect

Chinese operas main performing formats

and basic regulations the areas of

singing reading acting and fighting it

has also gained its special character

because of its peel to the aesthetic

ideals of the local noon an audience's

traditional movements lifelike stage

settings unadorned face painting and

beautifully ornate wardrobes or reflect

the cultural characteristics of the Lin

nan region traditional a hit also modern

respectful of the past but at the same

time creative

in the countries Island certain specific

areas of the Lingnan region you a Jew

opera performances normally take place

on traditional stages made of straw or

grass and have always been combined with

local celebrations and religious

sacrifices in addition traditional

settlement is involved in Chinese opera

such as praying to the Opera God or

before the beginning of a performance

have all been well preserved as a

consequence of this a number of what are

termed religious performing styles such

as Sheng Gong XI and Poong see have

appeared in uhu Opera at the same time

with their particularly folk performance

format the following popular Lisi operas

have also become extremely well accepted

or favorites with local opera fans as

well as been sung during all kinds of

ceremonies including these spring autumn

sacrifices sacred temple activities and

marriage or funeral rites these you see

operas are Yoko Francia joint

investigative prime minister by six

warlords bashyam fresh whole Earth Day

celebrations of the eight immortals and

tin Zi salsa-ing fairy rings a son the

amateur you a Jew opera performance

called surfboard Jew is hugely popular

in Cantonese society and participation

in these dramatic activity among locals

is widespread

as the operatic part most directly

influenced and affected by the way

Cantonese dialect images and reminders

of a Chu opera as well as amateur shows

appear in all corners and at all levels

ethnic male society ranging from tea

houses and restaurants temples and

monasteries to parks and streets farms

and fields in fact several do

performances can be seen virtually

everywhere due to this wide-ranging

popularity of so-called G it has an

influential effect on society not only

at the level of entertainment but also

at that of culture and education

UAG opera is a representative of Chinese

opera traditions from both the north and

the south of the country at the same

time along with the growing population

of Cantonese speaking people overseas it

has also become widespread in those

areas of the world where Cantonese

people live and work such as Southeast

Asia the Americas Oceania Europe and

Africa

Jeju opera has always served as a

cultural link uniting the approximately

100 million panting speaking people

around the world with their homeland as

well as enabling them to connect and

communicate with one another

this phenomenon is something extremely

rare in other sections the Chinese opera

world

you a Jew opera is a Chinese national

cultural treasure which also belongs to

the entire world

it's unique style healthy state and fact

that it is continuously been passed on

to the next generation all served as a

reminder and encouragement everywhere to

show understanding and respect for other

groups cultures and artistic creations