Stop trying to FIND an art style

Summary

In this video, the speaker discusses the concept of finding one's unique art style, arguing that it's not just about standing out but also about personal growth and exploration. They emphasize that everyone already has a style influenced by their tastes, culture, and experiences. The speaker advises against fixating on being original for its own sake, suggesting instead that artists should focus on growing their style through experimentation, studying fundamentals, and embracing change. They also touch on how style can impact one's career and personal brand, ultimately advocating for a mature approach to artistic development.

Takeaways

• 🎨 The idea of actively seeking an original art style can be problematic and may lead to creative stagnation.
• 🌟 Having a unique art style is often associated with standing out and being recognizable, but it can also be limiting.
• 🔍 The speaker's personal experience suggests that an art style was not as emphasized in the past as it is now, possibly due to social media's influence.
• 👩‍🎨 Style is described as a combination of voice, taste, and execution, which are influenced by personal preferences and experiences.
• 📚 The concept of style is not just about solving drawing problems but also about personal expression and bias.
• 👶 Encouragement to embrace the creativity of children, who are naturally original and unique, as a way to develop an art style.
• 🚀 The speaker advises against trying to be 'original' for the sake of it, suggesting that true originality comes from a mix of influences and breaking rules.
• 🔑 Recognizability through an art style can be beneficial for business, but it's not the only factor that attracts an audience or clients.
• 🛠️ To improve one's art style, the script recommends studying fundamentals, experimenting, and drawing outside of one's comfort zone.
• 🌱 The growth of an art style is likened to personal growth, requiring challenges, risks, and experiences to mature.
• 🏆 Success in art is not solely attributed to having a style, but also to the ability to evolve, experiment, and reflect personal identity in one's work.

Q & A

What is the main topic discussed in the video by Cynical Pantao?

The main topic discussed in the video is the concept of finding and developing one's own original art style, and the potential issues associated with the pursuit of uniqueness in art.

Why do younger artists often seek to have their own original art style?

Younger artists often seek to have their own original art style to stand out, be recognizable, avoid being accused of copying, secure work, and establish a business plan such as branding or merchandising.

What was the viewpoint on having an art style in the mid-2000s compared to now?

In the mid-2000s, having an art style was not as emphasized and was sometimes associated with negative aspects like being stuck in bad drawing habits or comfort zones. Nowadays, with the influence of social media, having a unique art style has become more mainstream and desirable.

How does Cynical Pantao define 'style' in the context of art?

Cynical Pantao defines 'style' as a combination of three elements: voice, which is the unique way an artist expresses themselves; tastes, which are the preferences and biases in what the artist values; and execution, which is how the artist decides to approach their work.

What are some common misconceptions about having an art style according to the video?

Some common misconceptions include the belief that having an art style will automatically lead to success, that being original is always positive, and that an art style should remain static and not evolve.

What does Cynical Pantao suggest as an alternative to actively seeking an art style?

Cynical Pantao suggests focusing on growing one's style naturally through experimentation, stepping out of comfort zones, studying fundamentals, and learning from a variety of influences.

Why might having a recognizable art style not always be beneficial?

Having a recognizable art style can be beneficial for branding and standing out, but it can also be detrimental if the style is recognized for negative reasons, such as poor anatomy or being obnoxious.

What is the role of a 'style guide' in animation production?

A 'style guide' in animation production provides specific instructions on how to draw certain characters and elements in a way that matches the overall style of the production, ensuring consistency across different artists' work.

How can an artist avoid being a mere copy of someone else?

An artist can avoid being a mere copy by incorporating elements from various influences, adding their own unique interpretations, and challenging themselves to grow and evolve their style over time.

What is the relationship between an artist's personal identity and their art style?

An artist's personal identity, including their tastes, preferences, and experiences, greatly influences their art style. By exploring and expressing their identity through their work, an artist can develop a style that is uniquely their own.

How does Cynical Pantao view the idea of being 'original' in art?

Cynical Pantao argues that no one is truly original, as all artists draw inspiration from others. Instead of striving for originality, artists should focus on developing a style that reflects their own experiences and decisions.

Outlines

00:00

🎨 The Pursuit of Original Art Style

The speaker, Cynical Pantao, begins by addressing the common quest among artists to find a unique art style. They argue that the pressure to have a distinct style can be problematic and reminisce about the mid-2000s when style was less emphasized. Pantao suggests that style is not about solving drawing problems but rather a combination of an artist's voice, tastes, and execution. They encourage artists to analyze the works they admire to understand what appeals to them and to be aware of the biases that may narrow their perspectives.

05:00

🔍 The Myth of Originality in Art

The paragraph delves into the reasons why artists desire originality, such as standing out and being recognizable, and challenges the notion that being original is always positive. Pantao points out that children are naturally creative and unique, but this creativity can be stifled by adherence to rules and fear of being wrong. They suggest that aspiring to be original is often a desire for universal appeal and appreciation, but this can lead to a narrow focus on what is considered 'right' in art. The speaker also discusses the fear of being a copy of someone else and emphasizes the importance of taking inspiration from various sources to develop a personal style.

10:01

🎬 Art Style and Professional Opportunities

This section discusses the relationship between an artist's style and their professional opportunities, particularly in animation. Pantao explains that studios often look for artists whose style can match their production needs, using style guides to ensure consistency. They note that having a unique style can be beneficial for branding and business purposes, but it's not a guarantee for immediate success. The speaker also touches on the idea that an artist's style should reflect their identity and personal interests to truly stand out and resonate with audiences.

15:02

🛠️ Growing and Evolving Your Art Style

The final paragraph emphasizes the importance of growth and evolution in an artist's style. Pantao advises artists to focus on developing their style through experimentation, stepping out of their comfort zones, and embracing a variety of influences. They argue against the idea of finding a style for the sake of career success and instead advocate for a lifelong commitment to artistic development. The speaker concludes by encouraging artists to embrace change and challenges as part of their artistic journey, suggesting that a changing style is a sign of maturity and experience.

Keywords

💡Style

In the context of the video, 'style' refers to the distinctive visual and artistic approach an individual artist employs in their work. It is integral to the theme as the video discusses the pursuit of developing a unique style, the misconceptions around it, and how it naturally evolves. The script mentions that style is influenced by one's voice, tastes, and execution, and it is not just about solving drawing problems but more about personal expression and preference.

💡Originality

The term 'originality' is discussed in relation to the desire of artists to create work that stands out as unique and not derivative of others. The video emphasizes that true originality is rare and often overemphasized, with the suggestion that being original does not necessarily equate to being universally appealing or good. It is a central concept in the pursuit of an art style.

💡Art Style

An 'art style' is the particular technique or aesthetic an artist uses to create their work. The script explores the idea that artists often seek a distinctive art style to be recognizable and to avoid being a mere copy of someone else. It also challenges the notion that having a defined art style is always beneficial, suggesting that it can sometimes lead to being stuck in a comfort zone.

💡Comfort Zone

'Comfort zone' in the video refers to the realm of subjects, techniques, or themes that an artist is most familiar with and tends to repeatedly draw or work within. The script warns against staying within this zone as it can limit an artist's growth and the evolution of their style, suggesting that venturing outside of it can lead to a more mature and diverse artistic expression.

💡Bias

In the context of the video, 'bias' pertains to the personal preferences and tastes that an artist has, which can influence their style and the subjects they choose to depict. The script points out that while bias can be beneficial in helping an artist stay true to their goals and values, it can also be limiting if it prevents them from exploring new ideas or styles.

💡Fundamentals

'Fundamentals' in the video script refers to the basic principles and techniques that underlie the creation of art. The speaker suggests that studying these fundamentals is crucial for artists to improve their skills and to evolve their style, indicating that a strong foundation can support an artist's growth and experimentation.

💡Influence

The term 'influence' is used to describe the impact that other artists, cultural backgrounds, or experiences have on an artist's work and style. The video emphasizes that everyone's style is influenced by various factors, and that embracing these influences can contribute to the richness and uniqueness of an artist's style.

💡Maturity

In the video, 'maturity' is associated with the development and evolution of an artist's style over time. It suggests that a style that has gone through various challenges and changes is a sign of an artist's growth and willingness to take risks, rather than remaining static and comfortable.

💡Experimentation

'Experimentation' is highlighted in the script as a key method for artists to grow their style and break away from their comfort zone. The video encourages artists to try different techniques, subjects, and influences as a way to evolve their style and to discover new directions in their work.

💡Recognition

The script discusses 'recognition' in the context of an artist's desire to be known for their unique style. It points out that while being recognizable can be beneficial, it is not the only goal and should not come at the expense of an artist's growth and willingness to explore different styles and techniques.

💡Personal Identity

'Personal identity' in the video refers to the unique combination of interests, experiences, and perspectives that an artist brings to their work. The speaker argues that this identity is an important aspect of an artist's style and that expressing it can help the artist stand out and connect with their audience on a deeper level.

Highlights

The idea of finding one's own art style can be problematic and may lead to creative limitations.

Original art style is often sought for reasons such as standing out, being recognizable, avoiding accusations of copying, securing work, and establishing a business plan.

In the mid-2000s, having an art style was associated with negative aspects like bad drawing habits and comfort zones.

Style is described as a combination of an artist's voice, tastes, and execution, rather than just problem-solving in drawing.

An artist's voice in their work is compared to the distinctness of a person's handwriting or singing voice.

Tastes refer to an artist's preferences and biases, which can be as diverse as their likes and dislikes in animation or other media.

Execution is influenced by an artist's approach and priorities in their work, which can be shaped by various factors and circumstances.

Bias in art preferences is not necessarily negative and can help keep an artist grounded and focused on their goals.

Analyzing the work of admired artists to understand what makes it appealing can be a valuable exercise for personal growth.

Everyone already has a unique style influenced by culture, background, tastes, and personal experiences.

Improving one's art style involves stepping out of comfort zones, studying fundamentals, and experimenting with different subjects.

Being recognizable or original does not guarantee that an art style will be well-received or universally liked.

Children's art is often uniquely creative and unbound by conventional rules, suggesting that originality can be learned.

Originality in art does not equate to quality, and an artist can be both unique and poorly received.

Fear of being a copy or ripoff can be overcome by integrating various influences into one's work rather than mimicking a single source.

Having an art style can be beneficial for securing work in animation or other industries that value a specific look.

An art style should evolve and mature through experiences and challenges, reflecting the artist's growth and decisions.

Artists should focus on growing their style through experimentation and learning rather than fixating on finding a static style.

The artist's identity and the themes they explore can be as important as their style in making their work stand out.

For business purposes, having a unique art style can be beneficial, but it should not come at the expense of artistic growth and exploration.

Artists should be honest with themselves about their goals and intentions when creating art, focusing on the present moment.

Transcripts

some people have said my style is pretty

distinct those people ask me how do i

get my own style how do i find it how do

i just

find a style but to be honest i never

actively looked for a style

and honestly i feel that this whole idea

of trying to find your own style can be

problematic

[Music]

[Music]

hey guys it's cynical pantoa and today

i'd like to talk about the topic of

trying to find your own original art

style

uh style let's talk about this so

there's many reasons why a lot of

younger artists

want to have their own original art

style and the most common ones i've

heard are to stand out and to be

recognizable to be original not to get

called out for copying or just being a

mere copy of someone else

to get work and be hired based on your

style and

to have a business plan with it whether

that's branding merchandising whatever

it is

it's going to make something back for

you whether that's monetary or clout

however when i was learning how to draw

back in the mid 2000s

that viewpoint was kind of different

sure people did appreciate an original

or

cool art style but i remember that

having an art style was always

associated with pretty bad things

and those bad things could be drawing

habits that you can't get out of

comfort zones you're only going to draw

this because it's comfortable for you

drawing excuses this is something that

pops up every time someone critiques

someone's art they say

this is just my art style bro and then

this whole idea of failure to adapt to

other projects

so back then i didn't think that having

a unique and strong art style was

important

but maybe things have changed over time

especially with social media

how it's become a lot more mainstream

i'm pretty sure that adds a lot to that

mentality of trying to find your own art

style so you can stand out in a sea of

faces

paces daces gotta untie my shoelace

so first of all how would a schmuck like

me describe what style is

some artists will argue that style is a

way that an artist solves a drawing

problem or solution how they solve

problems but

i would strongly disagree with that

because that's more of a design point of

view rather than style

because some styles don't solve any

drawing problems at all

style to me is basically three things

for me it's voice

it's tastes and it's how you execute it

let's talk about voice some people like

to sing monotone

soprano falsetto some people have high

pitched voices some people have low

pitched voices

if you heard my voice it could be

distinct maybe not maybe if i talk like

this

sure it's annoying but hey it's distinct

i would also say that this is kind of

close to someone else's handwriting

then there's tastes a selection of

things that you like and don't like what

you value

or you don't value at all i would also

see this

as bias some people like anime whereas

some people prefer

western cartoons so yeah there's

definitely preference on this matter

in the animation production there's a

thing called the style guide and it

tells you how to draw

a certain character and how not to draw

a certain character even though

the wrong answer is technically right

but it's because of the style direction

that this production is going for

they're being selective and what to keep

and what to eliminate finally there's

execution

how you decide to go about it and that

could be based on factors some

circumstances

and highlighting on what to prioritize

in your work there's a lot of online

videos by artists and professionals who

talk about style and how to obtain it

and they'll show

examples of other art styles that they

like and talk about why it works for

them

and so there's already bias in these

videos now i personally don't think bias

is a bad thing

and in fact can be good if you're trying

to keep yourself grounded kind of

reminding things of your goal

where you want to be where you don't

want to be what you value and don't

value and honestly i would recommend

anyone to gather all the artists that

they like right now

get their art pieces and kind of break

down why it works for you what you get

out of each of them and what you can

learn from them

now the only thing i'd be careful about

especially when it comes to bias is that

someone new will watch these videos and

think

these are the only ways to get good you

should only look at these artists you

should only look up to these types of

individuals do this type of work

and if you're not careful that might

narrow a way of thinking so here's the

ultimate truth

you already have a style you have a

handwriting that's distinct a voice that

is distinct style is influenced by

things like culture

culture and background play a huge role

in your style overall tastes overall

bias

how you grew up what you like and don't

like what inspires you and what doesn't

you'd prefer waffles over pancakes and

so and so

so when you do draw or do art you're

kind of selecting inspirations and

influences you strive to absorb

i'm pretty sure there are art and

artists out there that i personally find

appealing that you won't find appealing

one day i showed ayami kojima to my

co-workers and talked about why i love

her work

but some of those co-workers did not see

value in that art and they just didn't

like it

look you can do things to improve your

own art style by doing things like

drawing

out of your comfort zone studying your

fundamentals studying from life that's a

big one

experimenting and studying from other

artists that you admire and

why they work for you like really think

about their work and analyze it like

what is it that makes it click for you

as i said you already have a style but

style needs maturity it needs to go

through experiences

it needs to take risks it needs to go

through hard times and fail

and those could be learning lessons and

self-discovery for that style and what

to do next and you need to explore that

and in that way you can help make that

style a bit more unique with

every journey it's been through so in

this video i'm just going to talk about

some of the most popular and the most

heard comments of why a lot of people

want a style like i pointed out earlier

and i would sort of kind of argue

against these pointers

first let's talk about being

recognizable to stand out and

maybe eventually to be famous

the fear of being generic is a common

thing i often hear

and there's many things that can

contribute to this whether it's just

drawing in the same comfort zone over

and over again so let's say you like

drawing

cute girls for example and you only draw

cute girls then that's probably the only

thing that you're going to be good at

drawing

another contribution to this is if

you're only drawing inspiration from one

or a few artists

so you're really only going to be doing

that type of work over and over again

without adding anything new to the table

so again there's a few things that can

make an art style feel generic

only taking inspiration from only one or

two artists not studying

from life and drastic not breaking

out of your comfort zone and not even

tackling different subject matters

if you're good at only drawing cute

girls try drawing grotesque older men

and that will probably challenge the way

you approach drawing do you only draw

characters and by the way i'm guilty of

this

well i should try drawing more

backgrounds and maybe i can learn a

thing or two from that

also the idea of being recognizable does

not always mean good

and in fact can also mean you're

recognizable for obnoxious reasons and

there's a lot of artists who

are famous and recognizable but tend to

break the anatomy or make it purposely

hard to look at

so yeah you can stand out for having an

obnoxious art style

to be original and unique and this is

kind of related to the last one i talked

about

so for anyone who's learning how to draw

or is undergoing training on how to draw

or how to animate or how to paint

you're not original most of the

universally well-known

and highly followed artists online right

now are a knockoff of several different

other artists

i think the most creative people on the

planet are children ask them to draw an

invention and they'd like

make something that is something really

absurd and

would probably not work in real life

children are also incredibly unique and

creative because they aren't grounded by

all these rules for what

is right and what's not and there's a

ted talk talking about how children tend

to lose their creativity and uniqueness

over time when they undergo training

when they're doing something and they're

often told you're doing it wrong you're

supposed to do it this way

and therefore it makes them a bit more

timid about

taking more risks and the same thing can

be applied to this industry too

where we're only following certain

artists because it's what should be

considered

right if you still want to be super

original and unique maybe just think

like a kid

and break a lot of rules however

uniqueness or originality does not

always mean

it's well appreciated or good you can

still be a terrible artist

and be originally unique i think what

most younger artists want

really and generally is a style that is

appealing universally

i think deep down they're really

thinking i want a style that can be

universally well liked

and highly appreciated it can attract a

lot of people or clients

but to them that is blanketed with

having an original and unique style

now there's another fear that i do want

to cover which is the fear of being a

copy of someone else or just being a

ripoff of someone else

that usually only happens if you copy

every decision making that they make in

their drawing habits

into your own work and not adding or

implementing

any of your own takes on it so let's say

you look at milt's call drawings and you

only draw that melt call face or that

melts call facial expression

and nothing else people will only see

you as an imitation of milt's call

whereas you could draw inspiration from

you know japanese animation russian

animation painters and then

mix all of that with your love for melts

calls so

let's say you like egon shield paintings

too and then you love 70s japanese

animation and then mix that up with your

love for melt call

that way you're kind of challenging your

own execution which is a part of your

own style

to maybe make that work honestly i would

ditch the whole idea of trying to be

original because

no one's original you're not original

and if you see a lot of popular artists

out there they've taken bits and pieces

from other artists and then utilized

that in their own work

if you want to be a bit more unique you

have to take many different inspirations

and again

break traditions and rules of what is

considered correct drawing

you know taking risks and just getting

out of your comfort zone and in that way

you can help grow your style

now let's look at another reason to get

work and to be hired now

there's some small truth to this

honestly since working for a production

is mostly about

you know matching a certain style i

think this is something where we'll have

to talk about different scenarios so

let's talk about an animation so an

animation

sometimes they'll look at your overall

work look at your portfolio

and look at your style and make a

conclusion if you can match their

overall production

so let's say you're trying to get into

disney animation they're most likely

going to try and find elements

in your portfolio that sort of matches

what they're looking for

or elements in your style that matches

that studio style

and this applies to many different

studios so it would be weird to submit

a portfolio full of spongebob-esque

style drawings for

a studio like mirror which does avatar

cora

last airbender voltron and that's why

people make portfolios to cater to

certain studios

now let's say they see potential in your

work and they'll see that you meet some

of their criteria

either they decide to bring you in or

they give you a test to see if you are

actually fit

for that production but then let's talk

a bit about the animation production

itself because most of that work is

matching to

a certain style you have to be able to

draw in their style to get the work done

and that's why in animation productions

there's this thing called the style

guide like i mentioned earlier it's a

guide that tells you how to draw certain

characters how to draw short hands

or drawing rules set for that production

so again you have to have decent

draftsmanship to be able to match to

other different styles

however it's a probably different story

if let's say you're a guest

artist or guest animator for a show or

they want a production to follow

under your style directly that's an

entirely different story

also don't think having an art style is

a reason for becoming an immediate

leader of a production

that's not how it works last but not

least to have a business plan with it

whether it's for clout

monetary income or branding actually

there is also some truth to this

since a unique art style can be

recognizable there's a lot of artists

online that i'm a fan of that i would

love to buy a sketchbook from because

i know exactly what i'm getting from

them so there is

truth to this but that is also a pretty

simple way of thinking about it

if i'm following an artist it's also for

the sole reason

of you know certain themes they're

tackling or the stories they tell and

the subjects they explore

when i look at art with characters in it

in a scenario i love to see

clear personalities that have wit and

charm and it makes it more engaging to

see it makes it feel a bit more alive

some artists do really simple comics and

tell some great stories whether grand or

miniscule in scale

sometimes i follow people who just make

you know gag comics just

you know for shooting giggles and it's

all done with a very crude and simple

art style but because i resonate with

the storytelling and the humor from

those comics

i associate the visual imagery and the

style with that

humor that i sort of relate to some

artists show more of their voice that

reveals that they're not just an artist

but someone who

you know shows their love for

skateboarding for fashion

for martial arts for teaching in general

i think if you want your art style to

take you far

and for you to become more unique how

can you use your current style to say

who you are

what kind of individual are you what who

do you cater to

what do you like and what are some

aspects of you that you'd like to tell

all the great artists that i adore isn't

just about

their art style whether it's appealing

but it's also the type of subject

matters and the things that they say

with it so if you were to look at an

artist you admire

try and find things in their work that

say a bit more about them their tastes

and what kind of subject matter they'd

like to do and if you look at them long

enough

you'll probably get something out of it

i think this also depends on what your

personal goals are when it comes to

drawing

art and this overall discussion of art

style so let's say you want to work for

a certain studio right

so let's say you want to work for disney

animation then you're probably going to

have to look at artists

who draw in that disney art style or

have a certain style that disney caters

to so again if you wanted to work for a

studio like studio mirror you're

probably going to have to look at

artists

and the studio's work look at the type

of work they do their style

and see if your own work kind of matches

theirs and some styles share similar

traits to each other so for example

people who cater to let's say studio

mirror action storyboards might also fit

well in

superhero storyboards for animation so i

guess it also depends on what kind of

work you'd want to do full time

okay so let's talk about standing out or

standing out away from the crowd

sure you can take a lot of different

inspirations different influences

and take bits and pieces that somewhat

add to your own style but i would also

say that it's more about

your identity too so maybe it's

recurring themes recurring subjects

things that you personally like to draw

and things that you like to explore

maybe you like to tell your own stories

tell your own narratives that kind of

shows what kind of stories and

narratives that you want to tell

maybe you're a fan of something and you

just want to give your own take that's

another way of showing

who you are that's another way of kind

of showcasing your identity of what you

like what you don't like

and things that you do cater to what if

it's for personal business

you know to get clout and monetary

income i think the things that i

mentioned about standing out

applies here too because as a business

you want to have that unique element

that makes you different from any other

business

but i would say that emphasis is also

more about trying to do what's

universally accepted

so you're probably going to do fan art

you're probably going to do a lot of

tribute art you're probably going to

draw in a style that's

pretty popular i think that having an

identity to show in your work is still

really important but if you see yourself

more as a business that really relies on

the audience then you're probably going

to do things that's going to cater to

that audience

now if you still really really want to

be original and unique

i think this is where you kind of want

to surrender that whole notion of doing

things that are considered universally

accepted

you're flipping the birds here art

teachers and you're probably breaking a

lot of rules

remember being originally unique does

not mean it's good or professional

or universally accepted so when it comes

to the whole discussion of

having your own art style you kind of

have to be honest with yourself like

what are you trying to achieve with your

own art style and you know what

in most cases most of you probably don't

know what you want to do with it

and that's totally fine and you know

honing that art style of yours is a

lifetime thing too

the only thing i would suggest is that

when you do draw or when you do

anything related to art have clear

intentions of what you're doing in that

present moment

like why are you drawing the way you do

and honestly i would just forget about

the whole art style thing

so if i were to replace a whole

mentality of trying to find your own art

style i would replace that entirely with

just

focusing on growing your style your art

and yourself

like i said those things can be

challenged through things like

experimentation

getting out of your comfort zone

tackling different subject matters

taking a lot of different inspiration

and just studying from life that's

actually a really big one

and just growing as a human being over

time you'll make drastic changes to your

own style

and you're still going to make some

questionable turns in that lifespan

but hey that's all a part of life and we

have our phases

like i said a style that changes is also

a sign of maturity and if you see an

artist that you like and see their work

from several years ago

you'll see that a lot of it is

drastically different but you can still

see that overall dna

of how they started that still retained

in their current work that you can still

tell that it was that artist that drew

it and it has gone through several

different trials and challenges that

kind of formed the way it is now some

artists however

do not change over time and sort of

remain stuck in a time

capsule and so when i hear someone say

that they want to find

a style so it can grant them success in

their career to me that reads off as

i want to have a style where i'm

comfortable where i don't have to keep

challenging myself

and it can still bring me benefits

therefore i don't really have to change

and grow

the artists that i actually respect

don't credit their style

as a reason for their success and don't

even brag about having a style

and those are the type of artists that

you know change over time and they grow

a lot and they experiment

but you know what sometimes their style

changes to the point where it becomes so

drastically different it becomes

unrecognizable maybe for the better

or for the worst but it just proves that

style is a reflection of decisions and

experiences made by the artist

and how they tackle things so i'm just

gonna wrap up this video by saying

you already have a style it just needs

to face a lot of different challenges

and trials

and how you decide to execute those

solutions are going to add to your style

also i made a video about how to improve

your current art style with these

practices

so go check out what i have to say

anyways i'm done

bye interested in learning hand-drawn

animation or learning how to finish an

animated shot from beginning to end

have a look at the store where you'll

find the complete introduction to 2d

animation video course

tutorials and other resources learn

classical animation approaches

drawing lectures techniques and other

process videos

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