Inner Worlds, Outer Worlds - Part 1 - Akasha
Summary
TLDRThis script explores the profound connection between ancient spiritual teachings and modern scientific discoveries, suggesting that the universe is fundamentally a vibrational field. It delves into concepts like the Big Bang, dark matter and energy, the Akashic field, and the role of consciousness in shaping reality. The script highlights the idea that everything is interconnected through a universal consciousness, and that by understanding this, we can address the true crisis of our timeโa crisis of consciousness.
Takeaways
- ๐ The Big Bang theory describes the universe's expansion from a singularity but doesn't explain the cause.
- ๐ญ Hubble Space Telescope observations show the universe's expansion is accelerating, suggesting more mass than predicted.
- ๐งฌ Physicists believe only 4% of the universe is atomic matter, with 23% dark matter and 73% dark energy.
- ๐ช Ancient Vedic teachings and modern physics share concepts of a universal vibratory field connecting all things.
- ๐ Indra's net of jewels metaphorically describes the interconnected and holographic nature of the universe.
- โ๏ธ Nikola Tesla's studies with Vedic traditions influenced his understanding of science through a blend of eastern and western perspectives.
- ๐ Fractals, coined by Benoit Mandelbrot, represent self-similar patterns in nature and are seen as a bridge between chaos and order.
- ๐ Cymatics, the study of visible sound, shows how vibration arranges matter into complex patterns.
- ๐ง Water's responsiveness to vibration illustrates how energy and matter interact to form recognizable natural patterns.
- ๐งโโ๏ธ Ancient traditions understand reality as constant change and interconnection, perceivable through meditation and self-awareness.
Q & A
What is the Big Bang theory's explanation for the origin of the universe?
-The Big Bang theory posits that the universe originated from an unimaginably hot and dense singularity, billions of times smaller than the head of a pin, and then spiraled out and expanded.
What does the term 'Logos' signify in the context of the script?
-In the script, 'Logos' is used to represent the primordial principle or the word that was in the beginning, often associated with the divine animating principle pervading the universe.
How does the script describe the current understanding of the composition of the universe?
-The script explains that the universe is composed of 4% atomic matter, 23% dark matter, and 73% dark energy, with the latter two making up what was previously considered empty space.
What is the concept of 'Nada Brahma' as mentioned in the script?
-'Nada Brahma' is a Vedic concept that translates to 'the universe is vibration,' suggesting that the vibratory field is fundamental to all spiritual and scientific experiences.
How is the 'Indra's net of jewels' metaphor related to the universe's structure?
-The 'Indra's net of jewels' metaphor illustrates a universe where every element is interconnected, with each part reflecting all others, suggesting a holographic nature of the universe where the whole is contained within the smallest part.
What contributions did Nikola Tesla make to the understanding of energy and matter?
-Nikola Tesla is credited with discovering alternating current electricity and numerous other inventions. His interest in Vedic traditions allowed him to understand science through both Eastern and Western perspectives, and he used the term 'Akasha' to describe the fundamental substance extending through all things.
What is the significance of fractals in understanding the universe as described in the script?
-Fractals, as introduced by Benoit Mandelbrot, are self-similar patterns that suggest the universe operates on principles of constant change and transformation. They are seen as a way to conceptualize Akasha and indicate that the universe is inherently chaotic, containing both noise and order.
How does the script connect the concept of 'Akasha' with modern scientific ideas?
-The script connects 'Akasha' with the idea of fractals, suggesting that Akasha, as the primary substance of the universe, has properties similar to the self-similar and infinitely complex patterns observed in fractals.
What is the philosophical implication of the statement 'If you name me, you negate me' by Kierkegaard?
-The statement implies that by naming or labeling something, we limit its potential by defining it as a specific thing, thereby negating all other possibilities it could represent.
How does the script relate the discovery of the Higgs Boson to the understanding of the universe's nature?
-The discovery of the Higgs Boson, or the 'God Particle,' is presented as evidence of an invisible energy field filling space, but rather than explaining the universe, it deepens the mystery and suggests a more complex and unknowable nature of the universe.
What is the script's perspective on the relationship between consciousness and the universe?
-The script suggests that consciousness is intrinsic to the universe, with the observer and the observed being one and the same. It implies that our consciousness and capacity for pattern recognition link the microcosm and macrocosm.
Outlines
๐ Cosmic Origins and the Mystery of the Universe
This paragraph delves into the origins of the universe, referencing the Big Bang theory and the concept of a singularity. It discusses the unexpected acceleration of the universe's expansion, contrary to previous theories of eventual contraction. The text introduces the concepts of dark matter and dark energy, which together make up the majority of the universe's composition, and likens them to an invisible nervous system. It also touches on ancient Vedic teachings, suggesting a vibratory field as the root of spiritual and scientific exploration, and draws parallels with modern scientific concepts like the Akashic field and Indra's net of jewels. Nikola Tesla's contributions and his connection to Vedic traditions are highlighted, emphasizing his unique perspective on science.
๐ฎ Fractals, Akasha, and the Vedic Connection
The second paragraph explores the concept of Akasha, the primary substance in Vedic teachings, and its modern interpretation through fractals. It explains how Akasha is intertwined with vibration and space, and how Tesla studied this concept with Swami Vivekananda. Fractals are introduced as self-similar patterns that are infinite yet limited, and their significance in nature and art is discussed. The 'Buddhabrot' figure, a fractal resembling a Hindu deity or Buddha, is mentioned. The paragraph also discusses how our minds perceive patterns and the limitations this imposes on understanding the full movement of fractals, concluding with the idea that all energy in the universe is neutral and timeless.
๐ฟ The Vibrational Nature of Reality and Consciousness
This paragraph examines the link between our creativity, pattern recognition, and the universe's microcosm and macrocosm. It discusses the act of creation through observation and the illusion of solidity created by labeling and naming. Philosopher Kierkegaard's view on naming and negation is cited. The paragraph also touches on Einstein's realization of the energy inherent in 'empty space' and the concept of kalapas from Buddha's teachings, which are tiny particles of reality. It concludes with the idea that all is vibration, as per the ancient traditions, and the Akashic field as the source of all things, including sub-atomic particles and galaxies.
๐ณ The Unified Field of Consciousness and the Universe
The fourth paragraph discusses the interconnectedness of all things, from the tree's energy exchange to the concept of 'Nada Brahma', meaning the universe is sound. It explores the idea that everything is connected to a single vibratory source and consciousness, and that this field is not just around us but also through and as us. The paragraph also mentions the discovery of the Higgs Boson at CERN, which suggests an invisible energy field fills space, and reflects on the mystery of the universe's expansion and the nature of matter and energy.
๐ถ Cymatics: The Study of Sound and Vibration
This paragraph introduces cymatics, the study of visible sound vibrations, and its origins with Ernst Chladni's experiments with sand on metal plates. It discusses how different vibration frequencies create geometric patterns, known as Chladni Figures, found in nature. The work of Hans Jenny in the 1960s with cymatic patterns in water and other fluids is highlighted, showing how vibration arranges matter into complex forms. The paragraph also touches on the animating principle of the universe as described in various religions and the significance of the tetrahedron in ancient civilizations.
๐ฏ The Logos, Shiva, and the Dance of the Universe
The sixth paragraph delves into the concept of the Logos, the divine animating principle in various philosophical and spiritual traditions, including Stoicism and Sufism. It discusses the balance between equilibrium (Shiva) and change (Shakti) in the universe, and how this is represented in Hindu tradition with Shiva Nataraja, the lord of the dance. The paragraph also explores the idea of the Logos as the truth and the layers of concealment in the human world, suggesting that our crisis is one of consciousness and the inability to experience our true nature.
๐ The Bodhisattva's Vow and the Path to Awakening
The final paragraph focuses on the Bodhisattva's vow in Buddhism, which is to awaken all sentient beings in the universe to the one consciousness. It emphasizes the interconnectedness of all life and the commitment to overcoming personal imperfections, understanding the unknowable Dharma, and attaining the unattainable way of awakening. The paragraph concludes with a reflection on the vastness of the task and the spiritual journey towards enlightenment.
Mindmap
Keywords
๐กLogos
๐กBig Bang
๐กDark Matter
๐กDark Energy
๐กNada Brahma
๐กIndra's Net of Jewels
๐กAkasha
๐กFractals
๐กCymatics
๐กHiggs Boson
๐กConsciousness
Highlights
The Big Bang theory explains the universe's origin from a singularity but not the reason or process behind it.
Contrary to past beliefs, the Hubble telescope revealed the universe's expansion is accelerating, implying more mass exists than previously predicted.
Physicists have identified that only 4% of the universe is atomic matter, with 23% dark matter and 73% dark energy, challenging our understanding of the cosmos.
The concept of Nada Brahma from ancient Vedic teachings suggests the universe is fundamentally vibration, a concept echoed by modern scientific exploration.
The metaphor of Indra's net of jewels illustrates the interconnectedness of the universe, likening it to a holographic universe where every part contains the whole.
Nikola Tesla's work and studies with Swami Vivekananda bridged Eastern and Western scientific perspectives, emphasizing the etheric feel of Akasha extending through all things.
Fractals, introduced by Benoit Mandelbrot in the 1980s, provide a modern conceptualization of Akasha, demonstrating self-similarity and the infinite within the finite.
The 'Buddhabrot' figure, a fractal pattern resembling a deity, exemplifies the connection between natural patterns and spiritual symbolism.
Fractals have revolutionized mathematicians' views on the universe, showing constant change and transformation at different levels of detail.
The recognition of patterns in fractals is limited by our sensory comprehension, highlighting the inherent chaos and order within the universe.
Einstein and Feynman's insights reveal the energetic properties of 'empty' space, suggesting immense energy potential within the fabric of the universe.
Advanced meditators and Eastern philosophies propose that stillness in consciousness unveils the illusion of reality driven by consciousness itself.
The Akashic field or records is considered a fundamental level of consciousness where all information and experiences across time coexist.
CERN's discovery of the Higgs Boson, or 'God Particle', presents a deeper mystery of the universe rather than explaining it, indicating an energy field filling space.
Science is approaching the intersection of consciousness and matter, suggesting a unified perspective where the observer and observed are one.
Cymatics, the study of visible sound, demonstrates how vibration arranges matter into complex forms, reflecting natural patterns.
The tetrahedron, as the simplest 3D shape, symbolizes the fundamental structure of the universe and the divine name of God in religious contexts.
The concepts of Shiva and Shakti in Hinduism represent the equilibrium and change within the universe, resonating with the principles of yin and yang.
The Logos, as understood in various spiritual and philosophical traditions, represents the divine animating principle and the truth underlying the universe.
Buddhism teaches the direct perception of impermanence within oneself, leading to freedom from attachment to transient forms.
The crisis in our world is identified as a crisis of consciousness, highlighting the need for a shift in our ability to experience and recognize our true nature.
The Bodhisattva ideal in Buddhism emphasizes the interconnectedness of all beings and the commitment to awaken all sentient beings to their true self.
Transcripts
In the beginning was the Logos,
the Big Bang, the primordial Om.
Big Bang theory says that the physical universe
spiraled out of an unimaginably hot and dense
single point called a singularity - billions
of times smaller than the head of a pin.
It does not say why or how. The more mysterious
something is, the more we take for granted that
we understand it.
It was thought that eventually gravity would either
slow the expansion or contract the universe in a big
crunch. However, images from the Hubble space telescope
show that the universe's expansion seems to be actually
accelerating. Expanding faster and faster as it grows
out of the Big Bang. Somehow, there is more mass in the
universe than physics predicted. To account for the missing mass,
physicists now say that the universe consists of only 4% atomic matter
or what we consider normal matter. 23% of the universe is dark matter
and 73% is dark energy -what we previously though of as empty space.
It is like an invisible nervous system that runs throughout the universe
connecting all things.
The ancient Vedic teachers taught Nada Brahma -
the universe is vibration.
The vibratory field is at the root of all true spiritual experience
and scientific investigation.
It is the same field of energy that saints,
Buddhas, yogis, mystics, priests, shamans and seers have observed
by looking within themselves. It has been called Akasha, the Primordial Om,
Indra's net of jewels, the music of the spheres,
and a thousand other names throughout history.
It is the common root of all religions,
and the link between our inner worlds and our outer worlds.
In Mahayana Buddhism in the third century
they described a cosmology not unlike the most advanced
physics of modern day.
Indra's net of jewels is a metaphor used to describe
a much older Vedic teaching which illustrates the way the fabric of the
universe is woven together.
Indra, the king of the gods, gave birth to
the sun and moves the winds and the waters.
Imagine a spider web that extends into all dimensions.
The web is made up of dew drops
and every drop contains the reflection of all the other
water drops, and in each reflected dew drop you will find
the reflections of all the other droplets.
The entire web, in that reflection and so on,
to infinity.
Indra's web could be described as a holographic universe,
where even the smallest stream of light
contains the complete pattern of the whole.
The Serbian-American scientist, Nikola Tesla,
is sometimes referred to as the man who invented the
20th century.
Tesla was responsible for discovering alternating current
electricity and many other creations
that are now part of every-day life.
Because of his interest in the ancient Vedic traditions,
Tesla was in a unique position to understand science
through both an eastern and western model.
Like all great scientists, Tesla looked deeply
into the mysteries of the outer world,
but he also looked deeply within himself.
Like the ancient yogis, Tesla used the term Akasha
to describe the etheric feel that extends throughout all things.
Tesla studied with Swami Vivekananda, a yogi who brought the ancient
teachings of India to the West.
In the Vedic teachings, Akasha is space itself;
the space that the other elements fill,
which exists simultaneously with vibration.
The two are inseparable. Akasha is yin to prana's yang.
A modern concept that can help us to conceptualize Akasha,
or the primary substance, is the idea of fractals.
It wasn't until the 1980s that advances in computers
allowed us to actually visualize and reproduce mathematically
the patterns in nature.
The term fractal was coined in 1980
by mathematician Benoit Mandelbrot
who studied certain simple mathematic equations that,
when they are repeated, produce an unending
array of changing mathematical or geometrical forms
within a limited framework.
They are limited, but at the same time, infinite.
A fractal is a rough geometric shape
that can be split into parts, each of which is approximately
a reduced sized copy of the whole pattern -
a property called self similarity.
Mandelbrot's fractals have been called
the thumbprint of God.
You are seeing artwork generated by nature itself.
If you turn the Mandelbrot figure a certain way,
it looks sort of like a Hindu deity or a Buddha.
This figure has been termed the "Buddhabrot" figure.
If you look at some forms of ancient art and architecture,
you will see that humans have long associated beauty
and the sacred with fractal patterns.
Infinitely complex, yet every part contains the seed
to recreate the whole.
Fractals have changed mathematicians' views of the universe
and how it operates.
With each new level of magnification,
there are differences from the original.
Constant change and transformation occurs as we traverse
from one level of fractal detail to another.
This transformation is the cosmic spiral.
The embedded intelligence of the matrix of time space.
Fractals are inherently chaotic-full of noise and order.
When our minds recognize or define a pattern,
we focus on it as if it is a thing.
We try to find the patterns we see as beautiful,
but in order to hold the patterns in our minds,
we must push away the rest of the fractal.
To comprehend a fractal with the senses
is to limit its movement.
All energy in the universe is neutral,
timeless, dimensionless.
Our own creativity and capacity for pattern recognition
is the link between the microcosm and macrocosm.
The timeless world of waves and the solid world of things.
Observation is an act of creation through limitations
inherent in thinking.
We are creating the illusion of solidity,
of things by labeling, by naming.
The philosopher Kierkegaard said,
"If you name me, you negate me."
By giving me a name, a label, you negate all
the other things I could possibly be.
You lock the particle into being a thing
by pinning it down, naming it,
but at the same time you are creating it,
defining it to exist.
Creativity is our highest nature.
With the creation of things comes time,
which is what creates the illusion of solidity.
Einstein was the first scientist to realize
that what we think of as empty space is not nothing,
it has properties,
and intrinsic to the nature of space
is nearly unfathomable amounts of energy.
The renowned physicist Richard Feynman once said,
"there is enough energy in a single cubic meter
of space to boil all the oceans in the world."
Advanced meditators know that in the stillness lies
the greatest power.
The Buddha had yet another term for the primary substance;
what he termed kalapas, which are like tiny particles
or wavelets that are arising and passing away trillions
of times per second. Reality is, in this sense,
like a series of frames in a holographic film camera
moving quickly as to create the illusion of continuity.
When consciousness becomes perfectly still,
the illusion is understood
because it is consciousness itself that drives the illusion.
In the ancient traditions of the East,
it has been understood for thousands of years
that all is vibration.
"Nada Brahma" - the universe is sound.
The word "nada" means sound or vibration
and "Brahma" is the name for God.
Brahma, simultaneously IS the universe and IS the creator.
The artist and the art are inseparable.
In the Upanishads,
one of the oldest humans records in ancient India,
it is said "Brahma the creator, sitting on a lotus,
opens his eyes and a world comes into being.
Brahma closes his eyes,
and a world goes out of being."
Ancient mystics, yogis and seers
have maintained that there is a field
at the root level of consciousness.
The Akashic field or the Akashic records
where all information, all experience past,
present and future, exists now and always.
It is this field or matrix
from which all things arise.
From sub-atomic particles, to galaxies,
stars, planets and all life.
You never see anything in its totality
because it is made up of layer upon layer
of vibration and it is constantly
changing, exchanging information with Akasha.
A tree is drinking in the sun, the air,
the rain, the Earth.
A world of energy moves in and out
of this thing we call a tree.
When the thinking mind is still,
then you see reality as it is.
All aspects together.
The tree and the sky and the Earth,
the rain and the stars are not separate.
Life and death, self and other are not separate.
Just as the mountain and the valley are inseparable.
In the native American
and other indigenous traditions
it is said that every thing has spirit
which is simply another way of saying
everything is connected to the one vibratory source.
There is one consciousness, one field,
one force that moves through all.
This field is not happening around you,
it is happening THROUGH you
and happening AS you.
You are the "U" (you) in universe.
You are the eyes through which creation sees itself.
When you wake from a dream you realize that
everything in the dream was you.
You were creating it.
So called real life is no different.
Every one and every thing is you.
The one consciousness looking out of every eye,
under every rock, within every particle.
International researchers at CERN,
the European laboratory for particle physics,
are searching for this field
that extends throughout all things.
But instead of looking within,
they look to the outer physical world.
Researchers at the CERN laboratory in Geneva,
Switzerland announced that they had found
the Higgs Boson, or the God Particle.
The Higgs Boson experiments prove scientifically
that an invisible energy field fills the vacuum of space.
CERN's large hadron collider consists of a ring
17 miles in circumference, in which two beams
of particles race in opposite directions,
converging and smashing together at nearly the
speed of light.
Scientists observe what comes out of the
violent collisions.
The standard model can not account for
how particles get their mass.
Everything appears to be made of vibration
but there is no 'thing' being vibrated.
It is as if there has been an invisible dancer,
a shadow dancing hidden in the ballet of the universe.
All the other dancers have always danced
around this hidden dancer.
We have observed the choreography of
the dance, but until now we could not see that dancer.
The so-called "God Particle",
the properties of the base material of the universe,
the heart of all matter which would account for the
unexplained mass and energy that drives the universe's expansion.
But far from explaining the nature of the universe,
the discovery of the Higgs Boson simply presents an
even greater mystery, revealing a universe that is
even more mysterious than we ever imagined.
Science is approaching the threshold between consciousness
and matter.
The eye with which we look at the primordial field
and the eye with which the field looks at us
are one and the same.
The German writer and luminary Wolfgang Von Goethe said,
"the wave is the primordial phenomenon
which gave rise to the world."
Cymatics is the study of visible sound.
The word cymatic comes from the Greek root "cyma"
which means wave or vibration.
One of the first Western scientists to seriously study
wave phenomenon was Ernst Chladni,
a German musician and physicist,
who lived in the eighteenth century.
Chladni discovered that when he spread sand
on metal plates and then vibrated the plates
with a violin bow, the sand arranged itself into patterns.
Different geometrical forms appeared
depending on the vibration produced.
Chladni recorded an entire catalogue
of these shapes and they are referred to as
Chladni Figures.
Many of these patterns can be found throughout
the natural world. Such as the markings of the tortoise
or the spot patterns of the leopard.
Studying Chladni Patterns or cymatic patterns
is one secret way in which high-end guitar, violin
and other instrument makers determine the sound qualities of the instruments they make.
Hans Jenny expanded on Chladni's work in the 1960's
using various fluids and electronic amplification
to generate sound frequencies and coined the term "cymatics".
If you run simple sine waves through a dish of water,
you can see patterns in the water.
Depending on the frequency of the wave,
different ripple patterns will appear.
The higher the frequency, the more complex the pattern.
These forms are repeatable, not random.
The more you observe,
the more you start to see how vibration arranges matter into complex forms
from simple repeating waves.
This water vibration has a pattern similar to a sunflower.
Simply by changing the sound frequency,
we get a different pattern.
Water is a very mysterious substance.
It is highly impressionable.
That is, it can receive and hold onto vibration.
Because of its high resonance capacity
and sensitivity and an inner readiness to resonate,
the water responds instantaneously to all
types of sonic waves.
Vibrating water and earth
make up the majority of mass in plants and animals.
It is easy to observe how simple vibrations in water
can create recognizable natural patterns
but as we add solids and increase the amplitude,
things get even more interesting.
Adding cornstarch to water,
we get more complex phenomena.
Perhaps the principles of life itself
can be observed as vibrations move the cornstarch
blob into what appears to be a moving organism.
The animating principle of the universe
is described in every major religion
using words that reflect the understanding
of that time in history.
In the language of the Incas, the largest empire in pre-Columbian America,
the word for "human body" is "alpa camasca"
which means literally, "animated earth".
In Kaballah, or Jewish Mysticism,
they talk about the divine name of God.
The name that can not be spoken.
It can not be spoken because it is a vibration
that is everywhere. It is all words, all matter.
Everything is the sacred word.
The tetrahedron is the simplest shape
that can exist in three dimensions.
Something must have at least four points
to have physical reality.
The triangle structure is nature's only
self-stabilizing pattern.
In the Old Testament the word "tetragrammaton"
was often used to represent a certain manifestation of God.
It was used when talking about the word of God
or the special name of God, Logos or primordial word.
The ancient civilizations knew that at the root structure
of the universe was the tetrahedral shape.
Out of this shape, nature exhibits a fundamental drive
toward equilibrium; Shiva.
While it also has a fundamental drive towards
change; Shakti.
In the Bible, the gospel of John usually reads,
"in the beginning was the word"
but in the original text the term used was
"Logos".
The Greek philosopher Heraclitus,
who lived around 500 years before Christ,
referred to the Logos as something
fundamentally unknowable.
The origin of all repetition, pattern and form.
The Stoic philosophers who followed the teachings
of Heraclitus identified the term with
the divine animating principle pervading the universe.
In Sufism the Logos is everywhere and in all things.
It is THAT out of which the unmanifest becomes manifest.
In the Hindu tradition Shiva Nataraja literally means
"lord of the dance".
The whole cosmos dances to Shiva's drum.
All is imbued or ensouled with the pulsation.
Only as long as Shiva is dancing
can the world continue to evolve and change,
otherwise it collapses back into nothingness.
While Shiva is representative of our
witnessing consciousness, Shakti is the substance or stuff of the world.
While Shiva lies in meditation,
Shakti tries to move him,
to bring him into the dance.
Like yin and yang,
the dancer and the dance exist as one.
Logos also means unconcealed truth.
He who knows the Logos, knows the truth.
Many layers of concealment exist
in the human world as Akasha as been swirled
into complex structures
concealing the source from itself.
Like a divine game of hide and seek,
we have been hiding for thousands of years,
eventually forgetting about the game completely.
We somehow forgot that there is anything to find.
In Buddhism, one is taught to directly perceive the Logos,
the field of change or impermanence within oneself
through meditation.
When you observe your inner world,
you observe subtler and subtler sensations and energies
as the mind becomes more concentrated and focused.
Through the direct realization of "annica"
or impermanence at the root level of sensation,
one becomes free of attachment to transient external forms.
Once we realize there is one vibratory field
that is the common root of all religions,
how can we say "my religion" or "this is my primordial Om",
"my quantum field"?
The true crisis in our world is not social,
political or economic.
Our crisis is a crisis of consciousness, an inability to directly experience our true
nature.
An inability to recognize this nature in everyone
and in all things.
In the Buddhist tradition, the "Bodhisattva"
is the person with an awakened Buddha nature.
A Bodhisattva vows to help to awaken every being
in the universe, realizing that there is only one consciousness.
To awaken one's true self one must awaken all beings.
"There are innumerable sentient beings in the universe
I vow to help them all to awaken.
My imperfections are inexhaustible.
I vow to overcome them all.
The Dharma is unknowable.
I vow to know it.
The way of awakening is unattainable.
I vow to attain it."
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