Why the "Childhood Friend" Always Loses

Dakota Broskie
7 Jan 202110:24

Summary

TLDRThe video explores the recurring anime trope where childhood friends often lose out to new, more dynamic characters in romantic relationships. Using examples like 'Nisekoi' and 'Toradora,' the discussion delves into why these childhood friends usually don't win, citing their familiar and sometimes bland characteristics compared to the fresh, exciting traits of new characters. The host also invites viewers to share their thoughts and examples of anime where the childhood friend either wins or loses, aiming to spark a discussion on this prevalent theme in anime and manga.

Takeaways

  • πŸ•°οΈ The concept of 'best girl' in anime and manga is not a new phenomenon and dates back to shows from the 70s and 80s.
  • πŸ“Ί Audiences have long debated over the 'best girl', often comparing the main character's childhood friend to a new love interest introduced in the story.
  • πŸ‘« In many anime and manga, the childhood friend is often portrayed as losing out in the romantic stakes to a new character introduced later in the series.
  • πŸ’” The 'childhood friend' trope often involves a character who is more basic in design, with common features like black or brown hair, contrasting with the new, more dynamic character.
  • 🌟 The new character typically has a more striking personality or appearance, which can overshadow the childhood friend and attract the main character's attention.
  • πŸ”„ The dynamic often changes when a new character is introduced, prompting the childhood friend to take action and try to win the main character's affection.
  • πŸ€” The script suggests that the audience may find the new character more interesting and relatable, which may influence their perception of the 'best girl'.
  • 🎭 The script uses 'Nisekoi' as an example, highlighting the contrast between the childhood friend Onodera and the new character Chitoge, and how this affects the main character's feelings.
  • πŸ“š The childhood friend is often introduced as a safe, familiar presence in the main character's life, which can lead to a sense of comfort but also complacency.
  • πŸ’‘ The new character's introduction can act as a catalyst for change, shaking up the status quo and prompting the main character to reconsider their feelings.
  • πŸŽ‰ The script concludes by inviting viewers to share their thoughts on the 'childhood friend' trope and to comment on other anime where this dynamic is present.

Q & A

  • What is the main topic discussed in the video script?

    -The main topic discussed in the video script is the 'best girl' debate in anime and manga, particularly focusing on the trope of the childhood friend often losing out to a new character introduced in the story.

  • Why does the speaker believe that the 'best girl' debate goes back further than commonly thought?

    -The speaker believes that the 'best girl' debate goes back further because they can imagine people in the 70s and 80s watching older anime like 'Romeo x Juliet' or 'Urusei Yatsura' and debating about their favorite female characters.

  • What is the general pattern the speaker observes in anime and manga regarding the childhood friend character?

    -The speaker observes that in many anime and manga, the childhood friend character is often introduced first but ends up losing to a new character who appears later in the story, especially in terms of romantic interest.

  • What are some examples of anime where the childhood friend character is contrasted with a new character?

    -The script mentions 'Nisekoi' as an example where the childhood friend, Onodera, is contrasted with the new character, Chitoge, who has a different personality and appearance.

  • Why does the speaker think the new character often wins over the main character's heart?

    -The speaker thinks the new character often wins because they bring something new and different to the table, which can be a fresh breath of air for both the main character and the audience.

  • What does the speaker mean by the childhood friend being 'cucked'?

    -In the context of the script, 'cucked' is used to describe the situation where the childhood friend character is overlooked or loses out in the romantic aspect to a new character.

  • What are some of the character traits that the speaker associates with the childhood friend type?

    -The speaker associates the childhood friend character with traits like having a more basic design, such as regular uniform, black or brown hair, and being more familiar and comfortable to the main character.

  • How does the speaker describe the dynamic between the main character and the new character in the story?

    -The speaker describes the dynamic as one where the new character often has a different personality, a different way of treating the main character, and a fresh perspective that can lead to a new romantic interest.

  • What is the speaker's opinion on the 'childhood friend' trope in anime and manga?

    -The speaker's opinion is that the 'childhood friend' trope often puts the childhood friend at a disadvantage from the start and usually leads to them losing out in the end.

  • Can you provide examples of anime where the childhood friend character does not lose out in the end?

    -The speaker mentions 'Golden Time' and 'Waiting in the Summer' as examples where the childhood friend character might not lose out in the end.

  • What does the speaker suggest about the audience's perception of the new character versus the childhood friend?

    -The speaker suggests that the audience, like the main character, might be more drawn to the new character due to their novelty and different characteristics, which can overshadow the childhood friend.

Outlines

00:00

πŸ“Ί Anime's Best Girl Debates and Childhood Friend Tropes

The speaker delves into the history of 'best girl' debates in anime, suggesting they date back to the 70s and 80s with shows like 'Romeo x Juliet' and 'Urusei Yatsura'. They discuss the common trope where the childhood friend is often overshadowed by a new, more dynamic character introduced later in the series. The speaker uses 'Nisekoi' as an example, contrasting the 'safe' and familiar character of Onodera with the more exciting and bold Chitoge. They explore why the new character often wins the affections of the main character, suggesting it's due to their novelty and the fresh dynamic they bring to the story. The summary also touches on the audience's perspective and the emotional investment in these character dynamics.

05:00

🌟 The Impact of New Characters on Anime Romances

This paragraph examines the role of new characters in shaking up established relationships in anime, particularly focusing on how they can disrupt the comfort and familiarity of a childhood friend's relationship with the main character. The speaker uses examples such as 'Toradora' and 'Ore no Imouto' to illustrate how new characters can outshine the childhood friend, often leading to a shift in the main character's affections. They also mention 'Nisekoi' again, praising its ability to create compelling characters that challenge the typical 'childhood friend loses' trope. The speaker invites the audience to consider their own preferences and expectations when it comes to these character dynamics and to share their thoughts in the comments.

10:06

🎢 Closing Remarks and Engagement Invitation

In the closing paragraph, the speaker, Dakota Broski, thanks the audience for watching and encourages them to like, comment, and subscribe for more content on manga and anime. They invite viewers to share their thoughts on the 'childhood friend' trope in the comments section and to suggest other anime where this dynamic is present. The speaker also promotes their Patreon and other social media platforms, inviting viewers to join the community for further discussions and content.

Mindmap

Keywords

πŸ’‘Best Girl Debate

The 'Best Girl Debate' refers to a common discussion among fans of anime and manga regarding which female character is the most likable or preferred. In the script, this concept is explored through the lens of character dynamics, particularly the contrast between 'childhood friends' and 'new girls' in various series. The debate is a central theme of the video, illustrating how different character introductions and developments can influence viewers' preferences.

πŸ’‘Childhood Friend

A 'Childhood Friend' is a character trope often found in anime and manga, representing a close companion from the protagonist's early life. The script discusses how these characters are frequently portrayed and how they typically fare in romantic storylines. The term is integral to the video's theme, as it examines the common narrative pattern where the childhood friend is overshadowed by a new character, as seen in the example of 'Onodera' from 'Nisekoi'.

πŸ’‘New Girl

'New Girl' is a term used in the script to describe a character who is introduced later in the story, often bringing a fresh dynamic to the protagonist's life. This concept is key to understanding the video's exploration of character relationships, as it highlights how the introduction of a new character can disrupt the status quo and potentially lead to a shift in romantic interests, as exemplified by 'Toge' in 'Nisekoi'.

πŸ’‘Tsundere

Tsundere is a character archetype in anime and manga, characterized by a person who is initially cold or hostile ('tsun') but later becomes warm and caring ('dere'). The script uses this term to describe a type of 'New Girl' who may start off as obnoxious or loud but eventually shows a softer side, contributing to her appeal and often leading to a shift in the protagonist's affections.

πŸ’‘Character Development

Character development refers to the process by which a character evolves over the course of a story. In the script, this concept is discussed in the context of how new characters can drive the narrative and influence the protagonist's feelings, leading to changes in the character dynamics and relationships, as seen in the shift from 'Onodera' to 'Toge' in 'Nisekoi'.

πŸ’‘Romantic Stalemate

A 'Romantic Stalemate' is a situation where a romantic relationship between characters seems stuck or unchanging. The script uses this term to describe the relationship between the protagonist and their childhood friend, which often remains platonic until a new character is introduced, prompting a shift in the dynamic and potentially leading to romantic progress.

πŸ’‘Protagonist

The 'Protagonist' is the main character of a story, around whom the narrative revolves. In the context of the script, the protagonist's romantic preferences and relationships with other characters, particularly the childhood friend and the new girl, are central to the discussion of character dynamics and the 'Best Girl Debate'.

πŸ’‘Anime and Manga Tropes

Anime and Manga Tropes refer to recurring themes or devices in these forms of Japanese storytelling. The script delves into specific tropes such as the childhood friend and the new girl, analyzing how these tropes play out in various series and contribute to the narrative and the viewers' perceptions of the characters.

πŸ’‘Narrative Pattern

A 'Narrative Pattern' is a structure or sequence of events common in storytelling. The script discusses a particular pattern found in anime and manga where a new character often outshines a childhood friend in terms of romantic interest, providing examples from different series to illustrate this pattern.

πŸ’‘Viewer Engagement

Viewer engagement refers to the level of interest and involvement viewers have with the content they are consuming. The script touches on how the introduction of a new character can increase viewer engagement by providing a fresh perspective and new storyline possibilities, as opposed to the familiarity of the childhood friend character.

πŸ’‘Character Contrast

Character contrast is the juxtaposition of two or more characters to highlight their differences. The script uses this concept to discuss how the traits of the childhood friend are often more subdued compared to the more flamboyant new girl, and how this contrast can affect the protagonist's and viewers' preferences.

Highlights

Discussion on the historical context of 'best girl' debates in anime, dating back to the 70s and 80s.

Contrasting the common trope of the childhood friend versus the new girl in anime and manga.

The tendency for the childhood friend to lose out to the new character in romantic narratives.

The introduction of a new character often triggers a shift in the dynamics of the main character's relationships.

The childhood friend's character design often lacks the contrast seen in the new character's design.

Use of 'Nisekoi' as an example to illustrate the childhood friend trope and its comparison to the new girl.

The psychological aspect of why the main character and the audience might prefer the new character over the childhood friend.

The role of the new character as a catalyst for change in the main character's life and the story's narrative.

The childhood friend's position as a safe and familiar option versus the new character's novelty.

The trope's impact on the audience's perception and expectations of character relationships in anime and manga.

The potential for the childhood friend to be overlooked due to their perceived blandness or predictability.

Examples of anime where the childhood friend wins, challenging the common trope.

The importance of character development and the introduction of new elements to keep the audience engaged.

The contrast between the audience's initial impressions of characters and their evolving relationships.

The role of the new character in shaking up the status quo and prompting the childhood friend to act.

The creator's personal preference for new, flashy characters over the traditional childhood friend archetype.

A call to action for the audience to share their thoughts on the childhood friend trope and provide examples of anime that subvert or follow it.

Transcripts

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you know i think the best girl war goes

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back way back than what we think it does

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i mean i can imagine people

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in like the 70s and 80s watching rom and

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the half

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or uh udaci yatsura or

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other older anime and debating about

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what's

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what's who's best girl you know is the

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childhood friend is it the new girl who

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mysteriously appears

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and more than likely enough what i've

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seen in the habits of

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anime and manga and uh their the

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childhood friend kind of always gets

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cucked and more instances and often

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animan manga you'll see

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a uh a group of characters that are all

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the main characters you have your main

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boy and or girl

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and then you have the childhood friend

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that is normally introduced and then in

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that first episode you have

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another love interest or main character

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come in

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and uh in some way shape or form whether

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this be an alien or some kind of

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character they haven't met yet in school

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or a transfer student also

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and throughout the show no matter what

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it only goes back around to

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romance after you know it could be a

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drama action yada yada but somehow

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if it's introduced this way more than

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likely it's going to end off with one

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character being with one character

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um or a group of characters being with a

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bunch of other characters and

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like i said it normally is the childhood

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friend who loses in the new girl

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that is introduced winning and by

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winning i mean being with the main

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character

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the childhood character is a little bit

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more basic design you know

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regular uniform black hair barack of

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brown hair

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it doesn't necessarily make them a dull

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character or a boring character but it

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definitely shows contrast to the other

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character for example

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uh for example is nisikoi now nisa koi

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had onodera which is a

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pretty beautiful uh brown haired girl

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with a

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hair thing going to the side and back

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when this show was airing there was a

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big best girl

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war going on with this onodair was

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introduced

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raku the main character really fell in

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love with uh

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you know onodera really had a big crush

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on her and then some circumstances

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happen

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to toge transfers into school and then

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they have to fake a relationship and

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this

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gives them the connection they need to

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further develop and then later on

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through the series

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until they realized that she liked raku

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and raku kind of like maybe i do like

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another

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more than one girl you know what's going

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on and maybe owner there isn't the one

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that i

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truly want to be in love with or for the

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rest of my life but you see here the

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kind of stark contrast that the show is

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trying to give you with the

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the safe protective onodera with brown

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hair and then the

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sassy loud uh obnoxious blonde haired

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tsundere that is

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toe game now i'm not going to sit here

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and go into big detail about every

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single show where the childhood friend

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loses but more

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of likely just kind of going into why

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the childhood friend is kind of put at

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this advantage to begin with and why

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normally uh they lose so i'm not gonna

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be trying to spoil

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any new shows or anything like that or

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something crazy plot development so you

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know

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now first let's focus on the childhood

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friend sometimes you get really

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interesting characters at a childhood

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friend

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also sometimes you get like the really

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[Β __Β ] ones that are like you know

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boring and bland and kind of annoying

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she gives the main character or the main

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character gives her security

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comfortability familiarity

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and this normally comes through growing

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up together sometimes the main character

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likes a childhood friend sometimes

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childhood friend likes the main

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character but they never address this

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while growing up and he reaches

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comfortability where they just never

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tell each other

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and they reach this kind of relationship

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stalemate this is where the relationship

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stays at least until we're uh introduced

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to them and that's where they are in the

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first episode or the first chapter of

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the series

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and this normally doesn't really is

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going to change you could see that it

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would never change

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unless something happened this is

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normally triggered by a

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new character and introduced whether

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that be you know alien monster yada yada

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most likely transfer student and one of

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the reasons why i believe the main

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character normally ends up with this new

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girl is because she brings something new

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to the table

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maybe she has a completely different

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personality that he's not used to

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or maybe she treats the main character

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in a different way or a new way that the

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main character's not used to

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really taking and by the time that this

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childhood friend sees what's going on it

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normally triggers them to you know get

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their butt into gear start like you know

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i gotta go

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i gotta get in there you know i i'm like

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to the party you know i don't wanna lose

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them i'm gonna just

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i'm gonna start doing things that make

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him like me and by this point it's

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almost already too late

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and it makes the main character more

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confused than anything like i said the

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new character is basically

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introduced as almost parallel to the

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childhood friend

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whether it be a new personality a

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totally different hair color

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a different upbringing a different look

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on how they treat the main character

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not only are they a new breath of fresh

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air for the main character give them a

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new interesting

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uh person to talk to and person interact

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with and new feelings to feel

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this is also a nice breath of fresh air

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for the story that we are watching as

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viewers

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because more than likely we're not gonna

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watch a show or a series or read a manga

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that has these two characters are first

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introduced to

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without this third party coming in like

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i love nisikoi but without

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shitoge i'm probably not gonna read it

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hell with all this time already wasted

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before the series starts with the main

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character and the childhood friend the

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childhood friend may have already gotten

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subconsciously friend zoned by the main

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character by saying

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oh she's just a friend from childhood

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there's no possible way that you know

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we could ever have a relationship we're

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just that good of friends we've been

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together since we were in kindergarten

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and then when the big reveal happens of

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like oh i like you it's like

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but i don't see it working this new

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character will be a taste of something

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new for the man for the main character

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something mc never really sees with the

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childhood friend

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maybe more flashy more bold than the

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childhood friend

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for years even their whole entire life

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the childhood friend has found comfort

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in the main character more than likely

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and doesn't want to change that and

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maybe if a new character was never

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introduced at some point in the future

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there would be some kind of development

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that happened to get them together but

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because

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they waited too long or they're just

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really comfortable with the way things

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are now

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something new coming in just totally

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shakes that up like this process is

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almost

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formulated to always work against the

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childhood friend and work for the new

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character coming in

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not really a talking point just

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something i want to throw out there but

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like most of the time the childhood

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friends like a really boring bland bland

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brand head character that i just never

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really care about and then a new

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flashier character comes in that's

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always my go-to for best girl uh it says

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a lot about me i'm looking at you linda

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also from a viewing perspective of you

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know the audience us we're reading or

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watching this series

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events happen we're first introduced to

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the main character and the childhood

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friend first

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and they were like okay this is the

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story goes yadda yadda and then bam

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the new character will come in i'll

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flashy uh give our

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attention that normally draws our

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attention the same way the main

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character does

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where we're more focused on them now we

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like their impression

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more than these simple my name is

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a guy who goes to school and this is my

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childhood friend

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and we've been um just together forever

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and that's how we're introduced

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and then you get the new kid creator

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just kind of walks in like yo my name is

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he told me and i am a

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totally random model from france that

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does a lot of japanese modeling and i

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just came here to go to a regular school

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because that's what i want to do

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also i'm an alien did i know that also

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we're gonna

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be living together and all those other

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wacky crazy stuff and the main and the

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childhood friends sitting there like

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i can make a chocolate heart on

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valentine's day

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so more than likely i understand the

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people that do love the childhood

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friends because it's a lot more uh

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simple you feel bad for them

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yada yada but more than likely the new

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kid is going to be a lot more

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interesting and have a better dynamic

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that's why i adore nisa koi because

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nisku is able to create

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two girls that even though she was a

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childhood friend that really didn't do

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much her

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cute and moe and daddy attitude was just

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uh really fun to look at so although i

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was a big toge stan like i really loved

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chitoge

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i saw why people loved onodera say

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instead of the pet giro sakaraso where

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uh the new girl our pet girl sakuraso is

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amazing and then the other childhood

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friend is you know

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not as that good they're boring they're

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basic

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unless you're like oresuki where you're

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just kind of [Β __Β ] from the beginning

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from everybody

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examples of you know having really

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interesting uh probably going to win

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main characters uh and childhood friends

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that are

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you know not going to win probably are

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like shuffle golden time uh petrosso

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you're lying april well technically by

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default the

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childhood friend won waiting in the

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summer on a not today mataru nisukoi or

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emo

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kind of oremo why don't i put orimo in

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there that's not

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uh darling of the franks is one and

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obviously toradora to his extent

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these are cases where a new girl was

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introduced to a childhood friend or the

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main character had a pre-existing crush

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on this one girl and then another girl

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just kind of

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wrapped right in and kind of won their

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hearts i put toradora in there because

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our main character we usually had a big

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crush on meanerie and then

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wanted to pursue her for most of the

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show was pursuing her but through

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tyga being introduced as a friend and

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all this stuff they kind of developed

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feelings for each other at the end of it

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and although minority is not a basic

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boring childhood friend character that

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i've been talking about describing she

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is also one of the characters that has

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been

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introduced and outdone by another louder

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more

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interesting character but there are some

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animes that have the childhood friend

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winning you know and i

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although i can't really name them right

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now but uh more likely there is other

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ones out there that you know

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and please let me know in the comments

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section of other animes where the

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childhood friend either loses or wins

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uh what you think about the whole

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childhood friend situation does it

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get boring does it play a trope do you

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go into a show expecting the childhood

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friend to lose

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or not with that being said my name is

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dakota broski thank you guys so much for

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tuning in if you like this video please

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remember to like comment

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and subscribe to all this amazing manga

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stuff we talk about

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a lot we talk about a lot and again like

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i said let me know in the comment

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section of other childhood friend anime

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that you might wrote like romance or

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slice of life where the main character

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may end up with one or the other and

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more likely or not what's

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gonna happen do you go into a show and

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automatically just expect them to lose

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or do you think it's gonna be a fighting

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chance it makes it a little bit more

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interesting

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let me know in the comments section but

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other than that shout out to my patreon

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on patreon.combroski where we

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uh get a link to my discord and all this

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stuff and go on twitch.tv slash to link

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my discord

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and uh all that stuff we talked about a

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lot a bunch of mob there's so much

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[Β __Β ]

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we talk about a lot most of which we

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talk about on the show so if you drop

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one there maybe i'll read it and do a

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video on it with that being said take

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care

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and i love you guys

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[Music]

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so

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[Music]

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you

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