Sony ZV-E10 II vs Sony ZV-E10 - Do You NEED to Upgrade?

Mark Bennett's Camera Crisis
30 Jul 202420:00

Summary

TLDRIn this detailed comparison, the Sony ZV-E10 Mark II is pitted against its predecessor, the ZV-E10. The Mark II boasts a lighter body, improved microphone, enhanced battery life, and a premium feel. It offers a fully articulating, high-resolution touch screen, 4K 60 streaming capability, and a 26-megapixel sensor with 10bit 422 color information. Despite some drawbacks like electronic stabilization and the lack of a mechanical shutter, the Mark II delivers superior image quality and functionality, justifying its higher price for many users, while the original ZV-E10 remains a budget-friendly option with excellent low-light performance.

Takeaways

  • πŸ“· The ZV-E10 Mark II is not much bigger or heavier than the original ZV-E10, with a slightly lighter weight without batteries due to a larger battery.
  • πŸ”‹ The ZV-E10 Mark II features an improved grip and longer battery life, with a more premium feel and a relocated on/off switch.
  • 🎀 The built-in microphone on the ZV-E10 Mark II is upgraded and considered the best among Sony cameras for vlogging without external mics.
  • πŸ“Ό The SD card slot on the ZV-E10 Mark II has been moved to the side for convenience, unlike the original's slot in the battery compartment.
  • πŸ”Œ The ZV-E10 Mark II has improved USB-C port capabilities, allowing for 4K 30 streaming, compared to the 720 streaming of the original ZV-E10.
  • πŸ–₯ The ZV-E10 Mark II has a fully articulating screen with better resolution and touch functionality, making it more useful for exposure judgment and menu navigation.
  • πŸ“š The new model includes a new 26-megapixel sensor with 4K 60 recording capabilities, albeit with a small 1.1x crop, and 10bit 4:2:2 color information.
  • 🌞 The original ZV-E10 holds up well in 4K modes with 8bit footage, and the image quality can be indistinguishable from the Mark II in certain situations.
  • πŸ”„ The ZV-E10 Mark II has improved electronic stabilization with less crop than the original, and better performance for vlogging with a wider field of view.
  • πŸ’° The original ZV-E10 offers a more affordable price point, sometimes discounted, making it a great entry point for those new to the Sony system.
  • πŸ›  The Mark II lacks a mechanical shutter, which the original ZV-E10 has, providing an advantage for photographers needing to capture fast-moving subjects without distortion.

Q & A

  • What is the main purpose of the video?

    -The main purpose of the video is to compare the original Sony zv E10 with the new zv E10 Mark II, highlighting the differences, upgrades, and some downgrades between the two models.

  • Is the zv E10 Mark II physically larger or heavier than the original zv E10?

    -The zv E10 Mark II is not much bigger or heavier than the original zv E10. In fact, without the batteries, it's actually lighter due to the inclusion of a bigger battery.

  • What are some of the design improvements in the zv E10 Mark II body?

    -The zv E10 Mark II has a more premium feel, an improved microphone, a better grip, a relocated SD card slot to the side, and more conveniently located ports. It also has an on/off switch and mode switch by the zoom rocker instead of a button.

  • How does the zv E10 Mark II handle battery life?

    -The zv E10 Mark II has a longer battery life due to the inclusion of a bigger battery.

  • What is the difference in the microphone quality between the two models?

    -The zv E10 Mark II has an upgraded microphone, which is considered the best in Sony cameras, making it ideal for vlogging or using without external mics.

  • What is the improvement in the screen functionality of the zv E10 Mark II compared to the original?

    -The zv E10 Mark II has a fully articulating screen with better resolution, contrast, and touch functionality, including touch to focus, track, or shutter, and swipe menus, unlike the original which has limited touch functionality.

  • What are the video recording capabilities of the zv E10 Mark II compared to the original?

    -The zv E10 Mark II can record up to 4K 60 with a small 1.1 times crop, while the original zv E10 is limited to 4K 30. The Mark II also supports 10bit 422 color information, compared to the 8bit of the original.

  • How does the stabilization compare between the zv E10 and the zv E10 Mark II?

    -Both cameras lack an in-body image stabilization system and rely on electronic stabilization. The zv E10 Mark II has an improved electronic stabilization with less crop compared to the original, which has a 1.44 times crop in active stabilization.

  • What are the advantages of using a gimbal with the zv E10 cameras for vlogging?

    -Using a gimbal provides smooth footage without the need for active stabilization, eliminating the crop factor and providing a wider field of view, which is especially useful for vlogging.

  • What is the price difference between the original zv E10 and the zv E10 Mark II?

    -The original zv E10 is priced at $698, sometimes discounted to $598, while the zv E10 Mark II is priced at $998, indicating a significant price increase for the upgraded model.

  • What are some of the photo capabilities of the original zv E10 that may be preferred over the Mark II?

    -The original zv E10 has a mechanical shutter, which is preferred by photographers for capturing fast-moving subjects without distortion or banding, and it may have more aggressive noise reduction for better low-light performance.

Outlines

00:00

πŸ“· Camera Comparison: ZV-E10 Original vs. Mark II

The script starts with a comparison between the original Sony ZV-E10 and its upgraded version, the ZV-E10 Mark II. The narrator highlights that while the new model has some substantial upgrades, there are also a few downgrades. The ZV-E10 Mark II is not significantly larger or heavier than its predecessor, with the extra weight attributed to a larger battery, which results in a better grip and longer battery life. The Mark II also features a more premium body, an improved microphone with the best in Sony's lineup, and a relocated SD card slot for convenience. Additionally, the new model offers a fully articulating screen with better resolution and touch functionality, as well as a new 26-megapixel sensor capable of 4K 60 recording, albeit with a small crop, and 10bit 422 color information.

05:01

πŸŽ₯ Image Quality and Stabilization Test

The second paragraph delves into the image quality of both cameras, emphasizing that despite the ZV-E10 Mark II having a higher bit depth, the original ZV-E10 still delivers fantastic 8bit footage. Side-by-side comparisons are presented to illustrate the differences. The script also addresses the stabilization capabilities of both cameras, noting that neither has in-body image stabilization (Ibis) and instead relies on electronic stabilization, which crops the image. The Mark II, however, offers less of a crop and improved stabilization, making it better for vlogging. The narrator also discusses the use of external stabilization tools like gimbals and software solutions for post-production stabilization.

10:03

πŸ”§ Technical Upgrades and Kit Lens Comparison

This section discusses the technical improvements of the ZV-E10 Mark II, including better rolling shutter performance, a new quieter and smoother kit lens with optical stabilization, and the ability to maintain autofocus during clear image zoom. The narrator also mentions that the Mark II has no crops in most recording modes except for the 4K 60 mode, and it includes additional features like S-Cinetone and Cine Vlog modes for improved cinematic look, as well as focus breathing compensation and focus mapping for enhanced control over focus during video recording.

15:03

πŸ’° Value and Low Light Performance Analysis

The final paragraph wraps up the comparison by discussing the value proposition of both cameras. The original ZV-E10 is praised for its affordability and, in some aspects, superior photo capabilities due to its mechanical shutter, which is absent in the Mark II. The narrator also touches on the low light performance of both cameras, noting that while the Mark II has a dual base ISO for better noise reduction in S-Log3 at higher ISOs, the original ZV-E10 is still competitive in low light scenarios. The script concludes by inviting viewers to share their thoughts on whether the Mark II's additional features justify its higher price point.

Mindmap

Keywords

πŸ’‘zv E10

The 'zv E10' refers to a camera model from Sony, which is the central subject of the video. It is a camera designed for vlogging and content creation, with a focus on features like microphone quality and image stabilization. The script compares the original 'zv E10' with its upgraded version, the 'zv E10 Mark II', highlighting improvements and differences.

πŸ’‘Mark II

'Mark II' signifies the second version or iteration of a product, in this case, the upgraded version of the zv E10 camera. The term is used to distinguish the new model from its predecessor, emphasizing the enhancements made in areas such as body design, battery life, and video capabilities.

πŸ’‘microphone

The term 'microphone' is crucial in the context of this video as it discusses the audio recording capabilities of the zv E10 cameras. The script mentions that the zv E10 Mark II has an upgraded microphone, offering better audio quality for vloggers and content creators who may not use external mics.

πŸ’‘SD card slot

The 'SD card slot' is a feature highlighted in the script that has been improved in the zv E10 Mark II. It has been relocated to the side for easier access, unlike the original model where it was inconveniently placed in the battery compartment.

πŸ’‘USBC Port

The 'USBC Port' is mentioned in the context of the zv E10 Mark II's upgraded capabilities, allowing for 4K 30 streaming, which is an improvement over the original zv E10's limitation to 720 streaming. This port is essential for content creators who want higher quality live streaming.

πŸ’‘articulating screen

An 'articulating screen' is a feature that allows the camera's display to be adjusted for better viewing angles. The script notes that the zv E10 Mark II has a better, fully articulating screen with higher resolution and improved contrast, aiding in more accurate exposure judgment.

πŸ’‘sensor

The 'sensor' in a camera is responsible for capturing light and converting it into an image. The script discusses the new sensor in the zv E10 Mark II, which is the same as in the a6700 and fx30, offering higher megapixel count and advanced video capabilities like 4K 60 recording.

πŸ’‘10bit 422

The term '10bit 422' refers to a color depth and chroma subsampling used in video recording, providing more color information and better quality. The script mentions this as an upgrade in the zv E10 Mark II, allowing for over a billion colors compared to the original's 8bit color depth.

πŸ’‘image stabilization

'image stabilization' is a feature that reduces blur in photos and videos due to camera shake. The script compares the electronic stabilization of the original zv E10 with the improved stabilization in the Mark II, noting a less significant crop and better performance.

πŸ’‘gyro data

'Gyro data' refers to the information recorded by a camera's gyroscope, which can be used in post-production to stabilize footage. The script mentions that both zv E10 models can record gyro data, allowing for smoothing of handheld footage in post-production using software like Catalyst Browse.

πŸ’‘kit lens

A 'kit lens' is a lens that comes bundled with a camera. The script discusses the new kit lens for the zv E10 Mark II, noting improvements over the original kit lens, such as reduced noise, better focus tracking, and compatibility with high frame rates.

Highlights

The zv E10 Mark II is lighter than the original zv E10 without the batteries.

The zv E10 Mark II features a larger battery, improved grip, and longer battery life.

The new body of zv E10 Mark II feels more premium and includes an on/off switch and mode switch.

The zv E10 Mark II has an upgraded microphone, offering the best in Sony cameras.

Both cameras come with a furry wind muff to reduce wind noise.

The SD card slot on the zv E10 Mark II is conveniently moved to the side.

The zv E10 Mark II has a better USB-C port for 4K 30 streaming.

The fully articulating screen on zv E10 Mark II has better resolution and contrast.

The zv E10 Mark II screen is fully touch-enabled, unlike the original's limited touch functionality.

The zv E10 Mark II includes a new 26-megapixel sensor capable of 4K 60 recording with a small crop.

The new sensor in zv E10 Mark II is capable of 10bit 422, offering more color information.

The zv E10 Mark II has improved electronic stabilization with less crop compared to the original.

The zv E10 Mark II's new kit lens is less noisy and smoother with optical stabilization.

The zv E10 Mark II retains autofocus capabilities during clear image zoom and other features.

The zv E10 Mark II offers S-Cinetone and Cine Vlog modes for more cinematic looks.

The original zv E10 has a mechanical shutter, which is advantageous for fast-moving subjects.

The original zv E10 is priced significantly lower than the zv E10 Mark II.

The zv E10 Mark II offers improved rolling shutter performance compared to the original.

Both cameras perform well in low light, with the Mark II having a dual base ISO for cleaner images at higher sensitivities.

Transcripts

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oh guys today is the day we're going to

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compare the zv E10 original My Little

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douge to the brand new zv E10 Mark I

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that I so expertly reviewed and rest

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assured you can still look gorgeous in

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either camera however there are some

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substantial upgrades with the zb1 Mark

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II and oddly a couple of downgrades so

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I'm going to have some test footage I'm

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going to have some side by sides some

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statistics what else would you expect

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from a reviewer of my caliber so let's

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get right into it

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[Music]

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so first let's talk about the

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differences in the body and the great

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news here is that the zv E10 Mark II is

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not much bigger or heavier than the

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original zv E10 in fact without the

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batteries it's actually lighter than

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this camera which is kind of crazy so

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the extra weight the extra few grams

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that you get on the zv E10 Mark I it's

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because it has a bigger battery and that

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is much better because you get a bigger

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nicer beefier grip to hold on to and you

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have much longer battery life the new

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body does feel a little more premium and

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you also have the onoff switch up by the

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zoom rocker and you have a switch mode

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for the photos video and snq as opposed

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to a button that is on the zv E10

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original the microphone is also upgraded

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on the zv E10 Mark II and it has the

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best microphone in any of the Sony

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cameras so if you want to Vlog or just

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use the microphone without any actual

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external mics then the zv E10 Mark II is

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the best you can do in the Sony lineup

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now I would always use an external

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microphone whether a lavalier or a

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shotgun mic something like that but if

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you want to use an on camera microphone

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that is actually built into the camera

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zv E10 Mark II is really good they both

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come with that little furry wind muff

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that da King wig that goes on top there

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and that can really cut down on the wind

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noise it's essential in my opinion if

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you're going to go out into the world

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the SD card slot thankfully is moved to

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the side on the new zv E10 whereas the

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original one had it in the battery

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compartment which is always a chore

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especially you're on a tripod something

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like that or a gimbal trying to change

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out your SD card is a real pain in the

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butt you have the same ports on both

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cameras but they are more conveniently

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located on the zv E10 Mark II so your

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wires don't get in the way of your

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screen quite as much and also the USBC

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Port is much upgraded on the zve 10 Mark

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II so you can now do 4K 30 streaming

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from that USBC whereas you can only do

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720 streaming from the zv E10 I'm glad

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there's some kind of streaming on this

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camera but really if you want to start

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streaming in 4k you are going to have to

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use the HDMI port and use a capture card

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for the original zv E10 the fully

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articulating screen is much better on

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the ZB E10 Mark I not only does it have

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a better resolution it has $1.04 million

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dots versus about 900,000 dots on this

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but it's just the actual contrast the

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image itself looks so much better on the

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new one with the original one you just

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kind of had to trust if you were in

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sunny weather mode you kind of had to

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trust that uh the image was going to be

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fine cuz it looked blown out on the

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screen no matter what exposure setting

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you had it at the new one is much easier

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to judge your actual exposure on the

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screen itself and I think that was a

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very needed upgrade and that screen not

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only has better resolution is a much

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more useful screen because it is fully

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touch enabled you can't actually touch

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the menu screen on this one well you can

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touch it but it's not going to do

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anything you have to use the buttons to

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navigate through your menu system if you

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can believe that now you can touch to

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focus touch to track or touch shutter

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with the zv E10 original but you

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actually can't scroll through any of the

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menus and the new zv E10 Mark 2 that

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also has swipe menus it is a very

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functional very well-laid out menu

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system that is fully touch compatible

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that is worth the upgrade for many

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people right there and obviously in that

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new body is a new sensor the same sensor

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that's in the a6700 and the fx30 that

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you're looking at right now which is

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wonderful for people who want to get

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fx30 quality on a budget then you can

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get it in the new mark 2 26 megapixel

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sensor this one right here in the

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original one is a 24 megapixel sensor

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and you can only go to 4K 30 with this

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guy right here where is with the new

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Mark I you can go all the way to 4K 60

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there is a small 1.1 times crop but it

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is 4K 60 and both cameras will down

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sample from 6K except in the 4K 60 mode

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that is down sampled from

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5.6k but it is 6k in 4k 30 and down same

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with this one right here and that new

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sensor is capable of 10bit 422 so much

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much more color information you can get

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millions of colors on the zv E10 in 8bit

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but on the new one you get over a

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billion colors so when you want to use

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slog 3 and get full dynamic range and be

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able to color grade to your hearts

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content the zv E10 Mark II will let you

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do that just like the fx30 now that

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being said the image quality on this

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camera is still absolutely fantastic so

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let me show you some side by-side images

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of the zv E10 with the zv E10 Mark I and

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you can see for yourself

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[Music]

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[Music]

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now I think in the 4K modes this holds

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up extremely well even though though it

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is 8bit footage there are many

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situations where you won't notice the

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difference between 8bit footage and

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10bit footage and most of the things I

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shoot are those types of situations

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you're doing Studio shots you're walking

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around vlogging you don't necessarily

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need the 10bit and you can still get

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wonderful image quality out of this

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camera right here at a much cheaper

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price but when it comes to the 1080

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footage the ZB E10 Mark II definitely

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has sharper 1080 footage which also

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means the 10812

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if you're trying to do 120 frames per

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second you have to do 1080 on both

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cameras so it's going to look better on

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the ZB E10 Mark I and of course that

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camera has 4K 60 and this one doesn't

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now what about stabilization neither

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camera actually has an Ibis system

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inbody image stabilization they save

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costs by leaving out the Ibis and they

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just try to do it electronically and the

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ZB E10 the original crops in 1.44 times

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in active stabilization a very Hefty

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crop and uh the new one still has a

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pretty hefty crop it's 1.33 times so

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definitely less of a crop however it is

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still a substantial crop so if you want

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to do something like vlogging I would

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recommend the Sony 11mm

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f1.8 but even though there's not a giant

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gap between the two crop factors it is

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the actual stabilization the electronic

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stabilization that I think is much

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better on the new version of the camera

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so let me show you some Vlog footage

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right now and you can see for yourself

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and now we are on my favorite lens for

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vlogging the Sony 11

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f1.8 check this out look at this nice

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comfortable field of view even if I hold

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it by the camera you still have a pretty

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good field of view even with that active

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stabilization which definitely works

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quite well on this new camera check this

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out look at this walking around talking

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my nonsense film him a gorgeous face

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while a bunch of people scream over here

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so here we are on the original Sony zv

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E10 with the 11 mm from Sony it is still

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certainly usable with this camera even

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with that active 40% crop for

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stabilization because this lens is so

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wide once again if I was holding it by

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the camera it would be borderline too

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close but it's a wide lens so you can

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get away with it but with this little

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selfie stick out here definitely very

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usable still it's nice to have that

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wider feel of view on the new mark 2

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this is the zv E10 Mark I just on the

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kit cleans and I'm using the active

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stabilization so if you have a little

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selfie stick like this and you extend it

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out a little bit then uh I think this is

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actually pretty doable for vlogging I

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would still prefer the Sony 11 mm 1.8

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for this to have a more comfortable

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field of view but still this is pretty

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nice this here is the zv E10 the

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original on the kit lens bit too tight

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for vlogging I think and even though I

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had the selfie stick extended out

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further if I didn't have this selfie

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stick it would be right about out here

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which is definitely too tight if you

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extend it out this far and then push

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your arm out further then but now I am

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like extending my arm fully here so I

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think that that is a little too

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difficult and I never use the kit lens

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when it comes to vlogging for the Sony

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zve E10 because this active

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stabilization it crops in too much on

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this particular model right here I am

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using the internal microphone right here

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but uh that's it here you go that is the

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comparison to the old versus the

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[Music]

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new now I certainly thought if you're

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going to use active stabilization you're

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much better off with the mark 2 version

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however you don't have to use active

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stabilization at all on either camera

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because they both have gyro data you can

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record the gyro data right to the SD

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card and then smooth it out in post with

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Catalyst browse which is free Catalyst

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prepare which is a paid program and also

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gyro flow which is another free program

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I just use Catalyst brows for free even

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though you can't do the 10bit footage

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with Catalyst brows with the new ZB E10

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Mark I I find it's fine for me and my

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vlogging situation so often I will use

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that gyro data and smooth it out in post

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now that does take a long time be warned

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that is not an easy process it takes a

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lot of computing power and it takes a

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fair amount of time but I believe the

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results are worth it but you can also

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isue all of those things and just simply

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use a gimbal a tiny small lightweight

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gimbal let me get one I actually got two

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this is the xun crane M3s tiny little

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lightweight gimbal for mirrorless

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cameras and this is the crane m2s which

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is even smaller and lighter and this

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will take the zv E10 Mark I or Mark 1

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with the 11 mm or the kit lens let me

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show you that now now of course you

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could always go get yourself a little

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Gimbal and not have to worry about much

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at all this is my smallest lightest

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weight and cheapest skimal the xun crane

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m2s it can handle the zv E10 and the kit

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lens just fine along with little ND

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filter that I have on there and a

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microphone pack don't have to worry

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about your steps being too heavy or too

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light and you just get nice smooth

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footage as you walk around Society

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talking your

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[Music]

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nonsense so if you don't mind carrying

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around and balancing a gimbal then you

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can get a very wide feel of view with

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the 11 mm and you can also even use the

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kit lens to Vlog on the original zv E10

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or the Mark I another reason the

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handheld footage looks so much smoother

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with the Mark I versus is the original

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is the improvements to Rolling shutter

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has the same rolling shutter on the new

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one as the a6700 and fx30 and that is

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somewhere in between an A7 S3 and an a74

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it is definitely a good enough rolling

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shutter something around 16 milliseconds

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of rolling shutter of the ZB E10 Mark I

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whereas the original one it's atrocious

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it's as bad as it gets the rolling

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shutter the Jello effect if you're

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moving the camera around that's why I

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did like to use gimbals or Catalyst

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brows with this guy because if you are

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using active stabilization you have to

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be nice and smooth if you don't want to

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see that Jello-O effect now if you're

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just putting it up on a tripod doing

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Studio shots things like that no worries

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or like I said gimbal or Catalyst brows

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now let's talk about that new kit lens

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for a second that comes with the Mark I

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versus the original kit lens and it is

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much less noisy it is very smooth to use

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whereas the old one rattled around a lot

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and the old one as you zoom

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you couldn't keep Focus tracking whereas

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the new one can the new one can also

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keep up with very high frame rates of

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Sony cameras whereas the old lens can't

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and it has a new Optical stabilization

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as well so it's going to be a smoother

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lens when it comes to actually

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stabilizing your footage now I didn't

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see a ton of difference between the two

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lenses when it comes to actual Optical

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quality and sharpness however the new

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kit lens is definitely an upgrade over

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the old one another Improvement on the

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Mark I is there are no crops at all

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except as mentioned the 4K 60 as a 1.1

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times crop on the ZB E10 the original

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there is a small crop in 4k 30 and also

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there's a couple of quirks like you will

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lose your ey detect autofocus if you are

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connected to an HDMI monitor and you're

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using 4K 30 4K 24 is fine on this camera

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but 4K 30 you will lose your ey detect

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autofocus also if you're connected to

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the PC remote function on this camera

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once again then you will lose your face

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and eye detect autofocus and it will go

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to a center based focus and in that same

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vein when you use clear image zoom on

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the old version you will once again lose

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your eye and face detect autofocus and

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it will go to a center based autofocus

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and that is a big Advantage I think

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because clear image Zoom is very useful

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on the new camera you can keep your good

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autofocus and then extend your lenses

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you basically get more reach out of

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every single lens that you are using

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with almost no downside at all and the

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Mark I has many other upgrades to the

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original such as s cine tone it also has

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the cine Vlog mode so you press one

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button and it will make it look a little

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more cinematic for your Vlogs switch it

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to uh 4K 24 with the S CD tone and you

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can have a bunch of other automatic

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modes that you can slide around and

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adjust these automatic modes with your

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finger and you can get just better

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footage coming straight out of the

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camera you also have that great new

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Focus breathing compensation which can

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jive with compatible Sony lenses and you

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have Focus mapping which I find very

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useful when you are trying to obtain

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critical Focus but that being said the

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original zv E10 is still an excellent

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camera and actually has some advantages

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over the mark 2 version if you can

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believe it well the first one you could

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believe and that is the price this one

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here is $6.98 when it's not on sale and

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sometimes they put it on sale for 598 so

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body alone 6.98 for the zve E10 original

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and the new camera is coming in at

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$998 and that is a big price jump I can

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understand it with all of the ability

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that the new camera has but you can

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definitely get little douge for much

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cheaper and as I have shown the image

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quality can be absolutely Stellar

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indistinguishable at times with this

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camera and the new version and the

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original zv E10 is probably a better

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photo camera when you consider the fact

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that this one has a mechanical shutter

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they took out the mechanical shutter to

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save costs on the zv E10 Mark I this one

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can shoot 11 frames per second

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mechanical shutter you can only do

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electronic shutter with the Mark I which

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is also at 11 frames per second so when

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it comes to taking photos of things that

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are moving fast a lot of times you will

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get Curves in your lines like say a golf

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club when it's being swung you may see a

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big bend in it when you were shooting

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shooting with electronic shutter or if

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you're taking a photo outside of a

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moving car and you see the signpost that

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is curved that is the electronic shut

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the rolling shutter is trying to read

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from top to bottom so you get a curve

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you are not going to have that with

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mechanical shutter and worse than that I

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find is banding so if you are in an

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environment where you have different LED

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lights flickering at different speeds

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then sometimes you can see these

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different Shadow lines going through

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your photo and that is the landing and

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you can eliminate that using mechanical

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shutter so if you're trying to take

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photos of let's say a wedding and

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there's all these lights everywhere

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different LEDs there is a variable

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shutter and you can try to dial it in on

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the zv E10 Mark II and that will help

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but you'll have to actually find the

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frequency that will get rid of those

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lines now when you're shooting outside a

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lot of times that won't be a problem but

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definitely a mechanical shutter is much

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preferred from photographers when it

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comes to low light performance both

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cameras are

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pretty good in fact a lot of people will

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prefer the zve E10 original because this

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uses more aggressive noise reduction

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from what I can tell whereas the a6700

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fx30 and now zv1 Mark I it doesn't use

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as much noise reduction so you are free

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to reduce it yourself in post they give

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you that but you'll get a less muddy

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image because it's not using such

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aggressive noise reduction but the zv

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E10 is no slouch it's always been great

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in low light the new camera will also

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have a dual base ISO at least that's

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what I found in my test if you're using

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slog 3 and you switch over to 2500 you

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will see that noise dropping right there

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like the fx30 so that's another good

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thing if you want to use S 3 number one

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you can use 10 bit number two use that

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next ISO of 2500 you can't do anything

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like that on the zv E10 but just taking

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it out using it in standard picture

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profile walking around you are going to

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see that this thing competes very

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mightily with the new camera when it

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comes to low light so I think for a lot

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of people the extra cost will be worth

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it when you consider all of the things

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that you're getting with the Mark I the

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10bit 422 the 4K 60 the better rolling

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shutter the better stabilization you get

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4k 30 USBC streaming it's just a better

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screen touch fully touch functional it

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is just an excellent camera but you do

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have to pay substantially more than the

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zve E10 original and as you can see in

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this video you can still get excellent

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image quality out of this guy and if

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you're willing to use cataly browse when

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you're doing handheld footage or use a

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gimbal or maybe you're just using it as

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a studio camera and then you want a

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better photo camera with a mechanical

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shutter the zv E10 is 698 and like I

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said sometimes discounted

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2598 so douge is the bargain of the

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century here on the Sony lineup and they

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are still selling this camera they know

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how popular it is and it's a great entry

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point for people into the Sony system so

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they will continue selling their best

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selling camera which makes a lot of

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sense but they will add in the zv E10

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Mark I for those people who want an

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upgrade so tell me down below do you

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think the extra cost is worth it of the

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zve E10 Mark II or would you stick with

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little douge right here and I wouldn't

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blame you one bit he is a hell of a

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camera and you are a hell of a person

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for sitting around and watching me right

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to the end I appreciate it with talk to

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you again soon okay bye-bye

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Related Tags
Sony zv E10Camera ReviewVlogging GearUpgrade ComparisonImage Quality4K VideoTouch ScreenElectronic StabilizationMicrophone QualityLow Light Performance