How To Write The "Perfect" Story Structure

Jonathan
10 May 202407:54

Summary

TLDRThe video script emphasizes the importance of story structure in engaging audiences, suggesting that the first 20% should introduce characters and a new world, the middle 50-70% should deepen the plot and character arcs, and the final 70-95% should culminate in a satisfying climax. It uses examples from popular media to illustrate these points.

Takeaways

  • πŸ˜€ Establish the audience's interest in the first 5% of the story by quickly introducing what they care about.
  • 🎬 Story structures should not be rigidly applied; the introduction should be shorter than the climax, and the characters and audience's curiosity should be established early.
  • 🌟 The 'insiding incident' occurs around 20% into the story, where the character explores a new world or experiences something different and exciting.
  • πŸ’ͺ The main portion of the story, from 20% to 50%, is where the bulk of the plot unfolds, and the audience gets what they came for, such as the main character learning magic or a superhero meeting the villain.
  • πŸ“š Story structures are not just for books and films; they can be found in YouTube videos, where creators like Mr. Beast master storytelling through clear narratives.
  • πŸ” The beginning of a story should make the audience care about the characters and the world, setting the stage for the plot and character development.
  • πŸ”₯ From 50% to 70%, the story intensifies as the characters start to change, but their arcs are not complete yet, leading to a turning point that determines the protagonist's fate.
  • πŸ•·οΈ In Spider-Man: Homecoming, the turning point occurs when the Vulture discovers Peter Parker's identity, changing the trajectory of the story.
  • πŸŒͺ️ The final battle, from 70% to 95%, is the climax where all built-up tension and character development culminate in a decisive confrontation or performance.
  • πŸŽ‰ The last 5% of the story should leave the audience satisfied, ideally with a memorable and fun conclusion that reflects the creator's enjoyment in crafting the story.

Q & A

  • What is the key to establishing a story that the audience will find addicting?

    -The key is to quickly establish who and what the audience cares about, and to craft a story that keeps them engaged from the beginning, with a clear structure that builds up to a satisfying climax.

  • Why is it difficult to apply traditional story structures to visual storytelling?

    -Traditional story structures may not make sense visually because each part of the story should not be equal; for instance, the introduction should not be as long as the climax.

  • What happens in the first 20% of a story according to the transcript?

    -In the first 20%, the inciting incident occurs, where the audience gets to explore a new world with the character, experiencing something new and exciting that is slightly uncomfortable.

  • What is the main purpose of the middle portion of the story?

    -The main purpose of the middle portion is to deliver on the promises made in the introduction, where the main character starts to face challenges and the audience gets to enjoy the unfolding plot.

  • How does the YouTube creator Mr Beast use storytelling in his videos?

    -Mr Beast uses storytelling by establishing what the audience should be curious about, setting up challenges, and creating a narrative that follows a clear story structure, even in his videos.

  • What is the significance of the character's introduction in the beginning of a story?

    -The introduction is significant because it allows the audience to get invested in the world and characters, giving them a reason to root for the main character and connect with their journey.

  • How does the transcript suggest enhancing the story between 50 to 70% of the narrative?

    -The transcript suggests making the plot more intense, with the characters starting to change but not yet completing their arcs, and introducing a turning point that keeps the audience engaged and excited.

  • What is the role of the 'final battle' in the last 70 to 95% of the story?

    -The 'final battle' is the climax of the story where all the built-up tension and character development come to a head, providing a culmination of the hero's journey and the resolution of the main conflict.

  • Why is it important for the final part of the story to leave the audience satisfied?

    -Leaving the audience satisfied is important because it ensures a positive reception of the story, making them feel that the journey was worthwhile and encouraging them to engage with future content.

  • What advice does the transcript give for the 'final battle' section of the story?

    -The advice given is to have fun, be creative, and take risks by showing something new and visually interesting, without playing it safe, to make the climax memorable and enjoyable for the audience.

Outlines

00:00

🎬 Crafting an Addictive Story Structure

The first paragraph emphasizes the importance of quickly establishing what the audience cares about in the initial 5% of a story. It discusses the challenge of applying story structures visually and suggests that the introduction should not be equal in length to the climax. The speaker shares their insights on story structure after studying numerous narratives, highlighting the 'insiding incident' around the 20% mark, where the character explores a new world. This part of the story should be exciting yet slightly uncomfortable, setting up what the audience is curious about. The main portion of the story, where the plot unfolds, is described as the bulk of what the audience came for, involving key events like the start of a romance or a superhero's first encounter with a villain. The speaker also uses examples from popular culture, such as Mr. Beast's YouTube videos, to illustrate how storytelling is prevalent in various media.

05:01

πŸ”₯ The Turning Point and Climax in Storytelling

The second paragraph delves into the turning point of a story, typically occurring between 50% to 70% of the narrative. This section is crucial as it determines whether the protagonist will fulfill their desires. The speaker uses examples from the 'Spider-Man' movies to illustrate how a reveal or a twist can change the trajectory of the story, adding a new layer of tension while still maintaining the core conflict. The 'final battle' from 70% to 95% is described as the climax where all built-up tension is resolved. This part of the story should be the most enjoyable for both the creator and the audience, encouraging creators to take risks and innovate. The last 5% of the story should leave the audience satisfied, wrapping up the narrative in a way that feels complete and rewarding.

Mindmap

Keywords

πŸ’‘Story Structure

Story structure refers to the organization of events within a narrative. In the script, it is emphasized as a crucial element for crafting an engaging narrative across various media, including books, YouTube videos, and films. The video discusses a specific structure where different parts of the story are not equal in length or importance, with the introduction setting up the audience's curiosity and the climax providing the most intense experience.

πŸ’‘Inciting Incident

The inciting incident is a key event that sets the main story in motion. Defined as occurring around the 20% mark in the video's proposed structure, it introduces a new world or situation that differs from the norm, creating intrigue and excitement for the audience. An example given is the start of a romance in a romcom or entering a fantasy world.

πŸ’‘Character Arc

A character arc describes the personal journey and transformation of a character over the course of a story. The script mentions that from 50 to 70% of the narrative, characters begin to change more intensely, indicating the development of their arcs, which are not yet complete and contribute to the story's turning point.

πŸ’‘Turning Point

The turning point is a pivotal moment in a story that leads to a change in direction or a significant development. The script illustrates this concept by explaining that it usually occurs between the 50 to 70% mark, intensifying the plot and character development, and distinguishing it from the previous section to avoid audience fatigue.

πŸ’‘Climax

The climax is the peak or most intense part of a story, typically involving the resolution of the main conflict. The video describes the final battle as the climax, occurring from 70 to 95% through the narrative, where all the built-up tension and character development culminate in a decisive event, such as a battle or competition.

πŸ’‘Redemption Arc

A redemption arc is a type of character arc where a character overcomes failure or past mistakes to achieve a positive outcome. The script cites an example from a YouTube video where a character, after losing previously, faces challenges in an attempt to redeem himself, which is a central part of the story's narrative.

πŸ’‘Relatability

Relatability refers to the ability of the audience to identify with or feel a connection to the characters and their experiences. The script stresses the importance of creating characters that the audience can see parts of themselves in, which helps in building an emotional connection and investment in the story.

πŸ’‘Investment

Investment in a narrative context means the emotional engagement or interest that the audience has in the story and its characters. The video script talks about the importance of the introduction in getting the audience invested in the world and characters, providing a reason to root for the main character.

πŸ’‘Pacing

Pacing refers to the speed at which the story unfolds. The script discusses the importance of varying the pacing to keep the audience engaged, using the metaphor of eating a meal to explain the need for changes in intensity and interest levels throughout the story.

πŸ’‘Finale

The finale is the concluding part of a narrative, often signifying the resolution of the main plot. The script describes the last 5% of the story as the finale, where the audience should be left satisfied, wrapping up all the narrative threads and providing a sense of completion.

πŸ’‘Engagement

Engagement in the context of storytelling is the measure of how involved or interested the audience is in the narrative. The video emphasizes creating an engaging story by establishing what the audience should care about early on and maintaining their interest through a well-structured narrative.

Highlights

Establishing who and what the audience cares about is crucial in the first 5% of a story.

Story structures should not be equal in each part; the intro should not be as long as the climax.

Characters and audience's curiosity should be established as quickly as possible in the beginning.

The best way to structure a story involves studying hundreds of different stories.

The inciting incident happens around 20% into the story, where the character explores a new world.

The main portion of the story, where the bulk of the plot unfolds, is crucial to deliver on what was promised.

Story structures are evident in YouTube videos, such as those by Mr. Beast, who has mastered storytelling.

The beginning of a story lets the audience get invested in the world and characters.

The turning point from 50 to 70% of the story should feel different to avoid audience fatigue.

The final battle from 70 to 95% of the story is the climax where everything built up should be paid off.

Having fun during the final battle is important as it reflects the writer's or creator's enjoyment.

The last 5% of the story should leave the audience satisfied.

Story structures exist everywhere, not just in traditional narratives but also in modern media like YouTube videos.

Relatable character arcs, such as regret and failure, help the audience connect with the main character.

The turning point in a story can be a reveal that changes the trajectory, such as in Spider-Man: Homecoming.

The climax should be a culmination of all the hard work and lessons learned by the hero.

Encouraging creators to take risks and show something new in the final battle can make the story more engaging.

Transcripts

play00:03

in the first 5% you need to quickly

play00:05

establish who and what the audience

play00:06

really cares about and if you want to be

play00:08

able to craft a story whether that's a

play00:10

book a YouTube video or a film that's

play00:12

addicting then you got to keep on

play00:14

watching story structures are actually

play00:16

really hard to apply to your story

play00:18

visually it just doesn't make sense for

play00:20

each part to be equal because they

play00:21

shouldn't be like the intro shouldn't be

play00:23

as long as the climax ideally the

play00:25

characters and what the audience should

play00:26

be curious about should be established

play00:28

right in the beginning as quickly as

play00:29

possible possible I figured out the best

play00:31

way to structure a story by studying

play00:33

hundreds of different stories and this

play00:34

is what I came up

play00:38

with so up to 20% is where the insiding

play00:41

incident happens and this is where we

play00:42

get to go along with the character to

play00:44

explore a new world something is

play00:46

different and we get to enjoy seeing

play00:48

whatever that is so whether it's the

play00:49

start of a budding romance in a romcom

play00:51

or the characters dropped in a new

play00:52

fantasy world it's something new and

play00:55

exciting it'll be slightly uncomfortable

play00:57

because you know anything new comes with

play00:59

a little bit of Comfort like fighting

play01:00

out you have superpowers it can be very

play01:02

unnerving but undoubtedly exciting and

play01:05

this is what this part of the story is

play01:06

All About you're starting to set up what

play01:08

you know the audience came for so the

play01:10

next part is the main portion of the

play01:12

story this is the actual plot the bulk

play01:15

of the story and what the audience came

play01:17

for so now you have to deliver on what

play01:19

you promised this is where the main

play01:21

character starts to learn magic and cast

play01:23

spells or when the superhero meets the

play01:25

villain for the first time and gets to

play01:27

fight them I've been using a lot of

play01:28

generic examples that every everyone

play01:30

knows you know fantasy and superhero

play01:31

movies they all have fighting and follow

play01:33

a hero so it's really easy to sense the

play01:35

structure there but what if I told you

play01:37

story structures exist

play01:40

[Music]

play01:43

everywhere like for example YouTube

play01:45

videos are all structured in similar

play01:47

ways I mean why do you think Mr Beast

play01:49

gets so many views yes he is a YouTube

play01:51

genius but he's mastered storytelling

play01:54

perfectly my favorite video of his has

play01:56

got to be the one where Mac faces his

play01:58

biggest fears I even though Mr Beast

play02:00

doesn't fake any of his videos there is

play02:02

a clear narrative going through this

play02:04

video and it follows that same story

play02:06

structure in the very beginning he

play02:08

quickly establishes what we should be

play02:09

curious about my friend Mac is about to

play02:11

experience the scariest moment of his

play02:14

life then we immediately get to see what

play02:16

kind of challenges Mac is going to have

play02:18

to

play02:19

face it isn't too challenging for Mac in

play02:22

the first few ones and then it starts to

play02:24

lamp up and we get to see what we came

play02:26

here for Mr BEAST's amazing set does

play02:29

designs and challenges that he comes up

play02:31

with and this story line goes even

play02:33

further because this is a Redemption Arc

play02:35

for M after he lost the last one losing

play02:37

him a couple hundred thousand of dollars

play02:39

now you might think this is all

play02:40

intuitive or like I'm overthinking or

play02:42

something like that let me show you why

play02:44

this is actually so important the main

play02:46

portion of the video doesn't actually

play02:48

work as well without the whole structure

play02:50

set up in the very beginning because in

play02:52

the beginning we get to see a reason why

play02:54

we should care about this character

play02:56

which is Mech same as any other Story

play02:58

the intro lets us get invested in the

play03:00

world and the characters and give us a

play03:02

reason to root for that main character

play03:04

in this case we get to see Max

play03:05

reluctance but also determination to win

play03:08

that money and redeem himself from the

play03:10

last time now it doesn't sound too

play03:11

relatable at first clance like who is

play03:14

going around missing out on the

play03:16

opportunity to win hundreds of thousand

play03:17

dollars like that doesn't really happen

play03:19

to your day-to-day life but what we can

play03:21

all relate to is regret and failure

play03:24

failure failure failure failure

play03:29

anyone can see a little bit of

play03:31

themselves in that and that's what you

play03:33

want for a character that is the lens to

play03:36

your story and you want the audience to

play03:39

be able to connect and relate to the

play03:40

main character because that is how we're

play03:42

going to perceive this world that you've

play03:44

created but you can see what I mean now

play03:46

right the beginning of the story lets

play03:48

the audience feel the characters and the

play03:50

world while the plot lets the audience

play03:53

enjoy said characters and world now from

play03:56

50 to 70% it's not too different from

play03:58

the previous section we did continue

play04:00

watching the plot unfold and get more

play04:02

interesting but everything is more

play04:04

intense the characters are starting to

play04:06

change but their character arcs aren't

play04:08

completely finished yet this is the

play04:10

turning point this determines whether or

play04:12

not the protagonist is going to finally

play04:14

fulfill his desires again it will feel

play04:17

very similar to like the whole plot

play04:19

section but there has to be some kind of

play04:22

difference it has to at least feel

play04:24

different or El the audience will start

play04:26

to get fatigued and get bored it's like

play04:28

eating a meal you know when you're

play04:29

eating eating pasta and like you're

play04:31

eating a bunch of noodles but then you

play04:33

like eat a meatball when you get bored

play04:35

you know like you have to spice it up a

play04:37

little bit or like when you're eating a

play04:38

burger and like it's it's a good ass

play04:41

burger but you need to like put fries in

play04:43

there or something just to like you know

play04:44

swish it up a little bit it's the same

play04:46

concept you know every bite of the story

play04:49

feels different but the whole meal

play04:52

itself is still cohesive that is what

play04:54

we're aiming for I think a great example

play04:56

of this is the MCU Spider-Man movies and

play04:59

Spider-Man homecoming the vulture

play05:00

finally pieces together that Peter

play05:02

Parker is Spider-Man and like this is a

play05:04

huge turning point of the story

play05:05

obviously because Spider-Man's hidden

play05:07

identity is a huge part of his identity

play05:10

if you know what I mean so like the fact

play05:12

that the vulture knows now completely

play05:15

changes the plot moving forward doesn't

play05:17

really change much in terms of the plot

play05:20

because Spider-Man's still going to have

play05:21

to like fight vulture and everything

play05:23

it's like the same concept but the scene

play05:25

perfectly Blends the two parts together

play05:27

gives us a new thing to worry about

play05:29

which is vulture revealing Spider-Man's

play05:31

real identity which is Peter Parker

play05:33

while also still being invested in

play05:35

Spider-Man stopping vulture similar

play05:37

thing in F home MJ figures out Peter

play05:40

Parker is Spider-Man except this scene

play05:42

serves as a turning point because this

play05:44

is where Peter figures out that Mysterio

play05:46

tricks him and he's actually a villain

play05:48

and again this reveal changes the

play05:50

trajectory of the story Peter still has

play05:52

to struggle with the same thing he did

play05:54

with the whole movie balancing his

play05:56

desire to be Peter Parker and his

play05:58

responsibility as Spider-Man but now the

play06:00

movie has an entire shift in tone we're

play06:03

now curious to see what happens when he

play06:05

finds Mysterio and what's going to

play06:07

happen after that that's the goal to

play06:09

start ramping things up and getting the

play06:10

audience excited for the next part who

play06:13

are you the

play06:15

past the next part is what I call the

play06:18

final battle which is the last 70 to 95%

play06:21

everything that has been built up should

play06:23

be paid off now this is the climax this

play06:25

is what everybody's been waiting for and

play06:28

this is called the final battle cuz

play06:29

that's literally what it is in an action

play06:32

movie it's literally the final battle

play06:35

between the main hero and the main

play06:37

villain and we see this in every genre

play06:40

with any element of action and if there

play06:42

isn't physical fighting it will be a

play06:44

different kind of battle like it could

play06:45

be if it was like a music movie it would

play06:47

be the final dance competition whatever

play06:50

it is it is the culmination of all the

play06:52

hard work and all the lessons learned

play06:53

that the hero had to go through and this

play06:55

is everything bundled together for the

play06:58

last final performance

play07:00

there's many ways to go about this but I

play07:02

think the most important thing is to

play07:04

have fun as cheesy as it sounds I mean

play07:06

this is the most fun part for any writer

play07:09

or Creator isn't it this is probably

play07:11

what you thought of when you first came

play07:13

up with the idea and if you're having

play07:15

fun the audience is probably having fun

play07:17

too show something that hasn't been done

play07:19

before don't play safe please make them

play07:22

fight in a really visually interesting

play07:25

location lean into the gimmicks that

play07:27

that might bring just have fun just get

play07:31

out of your

play07:33

element you want

play07:36

[Music]

play07:40

me done listening to

play07:47

you the last 5% should leave the

play07:49

audience satisfied so if you satisfied

play07:51

at all leave a like and watch the next

play07:52

one

Rate This
β˜…
β˜…
β˜…
β˜…
β˜…

5.0 / 5 (0 votes)

Related Tags
StorytellingNarrative StructureEngagementCharacter ArcClimactic BattlesAudience CareYouTube VideosMCU Spider-ManTurning PointsCreative Writing