SAFWAN SUKA AWEK MANJA ? MANJA KALI DIA!!!

AI Mimi
28 Jan 202427:35

Summary

TLDRIn this vibrant and engaging video, the creator embarks on a unique 24-hour challenge to embrace a softer, more gentle demeanor, sprinkled with moments of humor and playfulness. The narrative unfolds with lively discussions, spontaneous interactions, and a series of contests that showcase the creator's versatility and willingness to explore different facets of content creation. Amidst the backdrop of music and applause, the video delves into themes of friendship, personal preferences, and the importance of being true to oneself. With a mix of light-hearted banter and sincere moments, the creator navigates through various settings and interactions, aiming to connect with the audience on a personal level and bring a smile to their faces.

Takeaways

  • πŸ˜€ The video features a playful and humorous tone, emphasizing the enjoyment of creating content that's both soft and a bit mischievous.
  • πŸ“Έ The use of a lower camera angle is mentioned as a strategy to include more people in the frame, aiming to create a communal and inclusive atmosphere.
  • πŸ’¬ Topics of conversation range from personal preferences in food and drink to the importance of dressing in a way that reflects individual style and office culture.
  • πŸ™Œ There's a focus on the importance of companionship and support, highlighting the role of friends or 'bodyguards' in providing physical and emotional security.
  • πŸ™ The script touches on themes of vulnerability and the desire for genuine connection, emphasizing the need to care for one another's well-being.
  • πŸŽ‰ Celebratory moments with music and applause suggest that the content aims to entertain and uplift, possibly within a context of a special event or achievement.
  • πŸ˜‚ Humor is used as a tool to navigate awkward or sensitive topics, lightening the mood and fostering a sense of camaraderie among participants.
  • πŸ“š The conversation also delves into deeper subjects such as financial stability, personal values, and the search for meaningful relationships.
  • πŸ™‹β€β™‚β€ The script illustrates the dynamics of friendship and professional relationships, exploring the balance between personal expression and societal expectations.
  • πŸ™Œ The overarching message appears to celebrate individuality, resilience, and the joy of human connection, despite the complexities of social interaction.

Q & A

  • What is the main theme of the content mentioned in the script?

    -The main theme revolves around creating a humorous and engaging 24-hour content that includes moments of softness, playfulness, and interactions among the participants.

  • Why does the speaker mention wearing something funny at the beginning of the script?

    -The speaker mentions wearing something funny to add a humorous element to the content, suggesting that even if the attire seems amusing, it's part of the day's theme to entertain the audience.

  • What does the term 'lemah, lembut' refer to in the context of the script?

    -In the context, 'lemah, lembut' likely refers to adopting a softer, more gentle approach or tone in the content, possibly contrasting with their usual style or to add variety.

  • Why was there a mention of avoiding 'maksiat' by sitting together?

    -The mention of avoiding 'maksiat' (sinful actions) by sitting together humorously addresses the importance of maintaining appropriate behavior and decorum during the filming.

  • What is the significance of the discussion about favorite foods in the script?

    -The discussion about favorite foods serves to add a personal touch to the content, allowing the audience to connect with the speakers on a more personal level by sharing their preferences.

  • What does the interaction about holding the camera imply?

    -The interaction about holding the camera implies a casual and playful dynamic among the participants, showcasing their comfort with each other and adding a behind-the-scenes feel to the content.

  • How does the script address the theme of friendship and support?

    -The script addresses friendship and support through conversations about caring for each other's well-being, offering help, and expressing a desire to remember and support one another.

  • What role does humor play in the script?

    -Humor plays a central role in the script, used to engage the audience, lighten the mood, and create a more enjoyable and relatable viewing experience.

  • What is the purpose of including the reactions and comments from the YouTube community?

    -Including reactions and comments from the YouTube community serves to acknowledge viewer engagement, highlight the impact of audience feedback on content creators, and potentially guide future content direction.

  • How do the content creators address the concept of expectations and reality in their dialogue?

    -The content creators address expectations and reality through discussions about not wanting to disappoint each other or the audience, managing personal and viewer expectations, and the genuine sharing of emotions and thoughts.

Outlines

00:00

πŸ˜‚ Eccentric Attire and Content Creation

The speaker humorously acknowledges their unconventional attire for the day, setting a lighthearted tone. They express their intention to create content that is both gentle and slightly mischievous, incorporating music and applause to enhance the mood. The narrative moves to a playful interaction involving a game with an unspecified choice, leading to a casual conversation about food preferences, specifically mentioning a fondness for chicken dishes. The dialogue transitions into a discussion about personal tastes in clothing, reflecting on the speaker's preference for office attire due to familial influences, suggesting a deeper connection to personal history and values.

05:02

🀣 Behind-the-Scenes and Personal Preferences

This segment delves into a behind-the-scenes glimpse of content creation, revealing a humorous setup involving bodyguards and discussions about various roles, including a mention of a desire to become a president. The conversation shifts to personal topics, such as favorite drinks and childhood memories, emphasizing the speaker's preference for milk since childhood. The interaction is filled with jokes and laughter, showing a lighter side of the speaker's personality while also touching on the importance of sincerity and the impact of giving hope to others.

10:03

😌 Reflective Conversations and Emotional Expressions

The dialogue becomes more introspective and emotionally charged, discussing the dynamics of observing and being observed, with a focus on the comfort and discomfort in mutual gaze. The speaker navigates through topics of criticism, personal tastes, and the sweetness of words, employing English phrases to express affection and the desire to be understood. The conversation touches upon self-acceptance and the anticipation of mutual understanding, highlighting the emotional depth and vulnerability shared between the speakers.

15:03

πŸ€” Contemplation on Wealth and Personal Values

This paragraph explores the nuanced perspectives on wealth, distinguishing between the superficial allure of money and the intrinsic value of personal integrity and confidence. The speaker reflects on the societal perceptions of wealth and its impact on personal relationships, emphasizing the importance of authenticity and self-confidence over material wealth. The conversation subtly shifts to discuss expectations and the pressure of societal norms, ending with a contemplation of personal and professional growth.

20:04

😊 Embracing Change and Maintaining Humility

In a heartfelt conclusion, the speaker reflects on personal growth and the importance of staying true to oneself while embracing change. The emphasis on humility and coolness as desirable traits reveals a journey of self-improvement and the quest for a balanced life. The dialogue acknowledges the challenges of content creation and the complexity of personal relationships, stressing the importance of understanding, forgiveness, and mutual respect. The closing thoughts focus on the value of personal connections and the continuous pursuit of self-awareness and improvement.

25:06

🧐 Professionalism and Personal Insights

The final paragraph offers insights into the speaker's professional ethos and personal journey. The discussion covers themes of experience, wisdom, and the challenges faced in their career, contrasting personal growth with professional expectations. The speaker shares their curiosity about the listener's journey, expressing a desire for deeper understanding and connection. The segment concludes on a note of anticipation for future interactions, highlighting the importance of privacy and the value of keeping some things unsaid, hinting at the complexity of their relationship.

Mindmap

Keywords

πŸ’‘Content Creation

Content creation refers to the process of generating topic ideas that appeal to one's target audience, creating written or visual content around those ideas, and making that information accessible to an audience as a blog, video, infographic, or other format. In the script, the individual expresses a desire to create content that is gentle, humorous, and slightly provocative, aiming to engage with the audience on a personal level. This shows the creator's intent to produce content that resonates with viewers, potentially to entertain, inform, or evoke a specific emotional response.

πŸ’‘Humor

Humor in the script is used as a tool to engage the audience, create a relaxed atmosphere, and make the content more relatable and enjoyable. The creator mentions wearing something funny and acknowledges the humor in their attire, suggesting that incorporating humor is a deliberate strategy to connect with the audience and make the content more appealing. Humor is a powerful way to capture viewers' attention and keep them interested in the message being conveyed.

πŸ’‘Interaction

Interaction refers to the reciprocal communication between the content creator and the audience or within the content itself among participants. In the script, the creator engages in conversations, asks questions, and reacts to responses, illustrating a dynamic interaction that makes the content lively and engaging. This keyword is significant because it highlights the importance of building a connection with the audience and creating a sense of community and involvement.

πŸ’‘Vulnerability

Vulnerability in the script is indicated through moments where the creator shares personal preferences, insecurities, or desires, such as discussing favorite foods or expressing feelings of affection. It shows a willingness to open up and share more personal aspects of life with the audience, which can deepen the viewer's connection to the creator by humanizing them and making them more relatable.

πŸ’‘Empathy

Empathy is demonstrated in the script through the content creator's efforts to understand and share the feelings of others, such as when discussing personal hardships or offering support. It is a crucial aspect of creating content that resonates on an emotional level, as it allows the audience to feel seen, understood, and connected to the creator on a deeper level.

πŸ’‘Aspirations

Aspirations are mentioned in the context of future goals or dreams, such as becoming a president or achieving a certain status. These references help to reveal the creator's ambitions and motivations, providing insight into their character and personal journey. It's a way to inspire viewers and encourage them to think about their own aspirations.

πŸ’‘Cultural References

Cultural references are used throughout the script to connect with the audience on a cultural level, through mentions of local cuisine, traditional greetings, or societal norms. These references can enrich the content by adding layers of meaning that are specific to a particular audience, enhancing relatability and engagement.

πŸ’‘Social Commentary

Social commentary is evident in the discussions about societal expectations, such as the stigma around showing vulnerability or the importance of maintaining a public image. By addressing these issues, the creator engages the audience in meaningful conversations about societal norms and challenges, encouraging reflection and potentially sparking debate.

πŸ’‘Personal Growth

Personal growth is a theme explored through the creator's reflections on past experiences, mistakes, and lessons learned. It highlights the journey of self-improvement and the desire to become a better person. This theme resonates with viewers who are on their own paths to personal development, making the content both relatable and motivational.

πŸ’‘Connection

Connection is a key theme, as the creator seeks to establish a bond with the audience and the people they interact with within the content. This is achieved through sharing personal stories, engaging in dialogue, and expressing care and concern for others. It underscores the importance of human connection in creating meaningful content that not only entertains but also enriches the audience's experience.

Highlights

Researchers developed a new method for antigen detection that is rapid, sensitive and accurate.

The novel technique uses a microfluidic chip with microwells to capture single cells and detect antigens.

Results showed the system could detect antigen concentrations down to femtomolar levels within minutes.

This antigen detection method has potential applications in point-of-care diagnostics and treatment monitoring.

Researchers demonstrated a machine learning technique for predicting protein-protein interactions.

The model integrates known interactome data with protein sequence information for accurate predictions.

This computational approach could uncover novel protein interactions and biological pathways.

Scientists developed nanoparticle carriers that deliver RNA therapeutics to tumor sites.

The nanoparticles are coated with antibodies to target cancer cells and avoid toxicity.

In vivo testing showed effective tumor suppression with minimal side effects.

The RNA delivery system provides a promising platform for precision cancer therapy.

Researchers presented a new framework for understanding evolution of cooperation.

The model accounts for spatial structure and conditional response strategies.

This provides theoretical insight into emergence of cooperative behaviors.

Findings could inform efforts to engineer cooperation in artificial systems.

Transcripts

play00:00

Hai assalamualaikum Ok guys Nampak tak

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pakai saya hari in macam macam kelakar

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kelakar pakai macam ni kan tapi whatever

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lah macam mana pun apa-apa pun Hari ini

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saya nak buat content 24 jam lemah

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lembut and

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gatgat gat-gatal sikit

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[Musik]

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[Tepuk tangan]

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[Musik]

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dengan kan k suka benda-benda ni kan

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yalah kalau saya tak buat lembut-lembut

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saya layan kasar-kasar Saya tunjuk macam

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tak suka Nanti orang kata saya tak suka

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dia saya ni tak tak nak buat content

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dengan dia betul tak So hari sebenarnya

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content ni dah lama saya nak buat tapi

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mungkin disebabkan safan dia sibuk So

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hari je dia ada masa kut Tak silap so

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Saya nak cucuri dekat situ OK let

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go

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Kenapa kamera bawah sebab bawah ni ramai

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boleh tengok kalau seat ni kita berdua

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kita berdua ni ramai supaya tak

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maksiat kita Mac kita main aku Bil

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sampai tig kau orang kena pilih satuatu

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untuk tengok S du t

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[Musik]

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pandangorang

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[Musik]

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[Musik]

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oh my god oh my god kita sambung contest

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lepas ni pula sekarang nak lewat

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Astagfirullahalazim

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safan tak hari

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in sa tanya hang hang Dah makan belum ni

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Tengah

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makaninggaminggam Nak Tak

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nak tak

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nak tanya

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tanya makan dah tak aku tak tak makan

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aku tak

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[Musik]

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kap

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oh dia kamera

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sampai Sin ja ak tanya kau ni kau suka

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makan apa suka makan apa la nak la ke

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yang satu hidangan Terus apa makanan kau

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aku kalau masakan ayam b k

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[Musik]

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a kalau Mak

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aku

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[Musik]

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[Tepuk tangan]

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[Musik]

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kau suka tengok jelah kau tak makan suka

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Makanlah kalau Selain jagung Selain

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jagung k k tomyam lah k tomyam k tomam

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yaite akuam kalau makanan macam itulah

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makudam yang basah ke yang

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kering yang basah yang kering tak pernah

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dengar tanya apa lagi Sebenarnya ni 18

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video tapi okey a Kan kalau aku buat

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content macam ni kan okey a eh kau okey

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tak hmm okey kau okey tak okey

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okey Hah aku tengok Kau punya apa ni

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ramai komen kau dekat YouTube komen apa

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Kom kata kat kau macam-macam ah y ke aku

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tak kisah pun yang penting aku dengan

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[Musik]

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kau insallah betul betul betul Kenapa

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kau jadi lainnya apa yang lainnya

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can

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pakai boleh tak pegang

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[Musik]

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kameraegang bolehengok kita berua sebab

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kalau kita pegang Nampak tak

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[Musik]

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lengkap tak kam ni

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wow kau B kalah aku

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ak hish dengan pakaian blazer pakaian

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hish

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macamut blazer

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lahilah aku suruh kau pegang tau kan aku

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suruh kau masuk dalam

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[Tertawa]

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ni untuk Hafiz sebab Hafiz nak jadi apa

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presiden lah kononnya kan acah-acah

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Presiden macam tu so Hafiz saya minta

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tolong dia pegang

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kamera so macam nilah safan safan kat

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sini aku ada ambil bodygard bodyard tapi

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bodyard Ni aku tak adalah pandang Apa

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kelebihan yang dia ada Oke Yang penting

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dia punya rajinlah mana ni b tiga orang

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ni Yes tiga orang ni B besarbesar

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besar-besar semua Yes kalau kau buat

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Perangai dia Tumbuk kau dah masya-allah

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takutnya satu lagi aku ambil yang Ustaz

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sikit allahakbar siapa satu lagi aku

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ambil yang besar-besar sikitlah yang ni

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untuk dekat masakan dapur aku Boh gamb

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dapur tadi kita sembang pasal apa

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tadibang pasal berigard tak oke kap kau

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nak ambil bodyard Sebab aku perlu ada

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orang jaga

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Aku tak perlu kau dah ada aku kan agak

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mesti kau bagiap

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[Musik]

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[Musik]

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nak J sak

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Kati sakit kat sini kalau kau sakit aku

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pun sakit tapi aku lagi sakit Janganlah

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macam tu jangan macam tu apa Jang macam

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tu aku tak nak tengok Kau sakit aku lagi

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tak nak tengok Kau sakit bolehlah biar

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aku sakit biar aku yang sakit Tak apa

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biar aku yang

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sakit macam Man kalau semua kalau

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dua-dua nak sakit macam mana Tak apalah

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sebab sebelum Ni aku dah aku dah pernah

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sakit seorang-seorang

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kan sama

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janganas

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sebab tu aku bagi kau pegang

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okey safan kau suka air apa tadi kau

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cakap a aku suka kir susu sebenarnya

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dari duluah daripada kecil k susu tapi

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sekarang Sama juga k susu juga dululah

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dulu dulu sekarang dah ubah ubah ni dah

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sebab waktu-waktu kecil dulu selalu Mama

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saya buat k susu Mama saya Mama Aak buat

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susu saya saya suruh mak saya pula buat

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[Musik]

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Allah amin jangan Amin tak boleh tak

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boleh nanti takut terjadi benda tu betul

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kalau benda Betul tak apalah biarlah

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bendenda tu terjadi awak awak dah bagi

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harapan dah dekat orang luar Saya tak

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bagi harapan saya juj daripada hati awak

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kalau saya bagi Aat sini saya kena tah

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saya kena bagi harapan kat awak saya

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kena kecam ni nanti

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bers ma

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man orang kata apa-apa orang tak kenal

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kisah

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kita Saya nak tanyalah macam mana

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pakaian saya hari in pakaian awak

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sangatsangat jujurnya jangan sangat tu

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macam

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berat Ok pakaian Ok Sebab aku sebenarnya

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memang suka perempuan yang

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pakai

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macamr seetiat

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tu buka apa sekretari angkat tu ke bukan

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sekretari macam macam macam yang kerja

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ofis macam tu Sebab aku aku ofis okey

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bukan sebab okey aku kan lahir

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daripadaili yang kerja ofice kan so dah

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terbiasa dengan pakaian macam tu so Aku

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suka tengok pakaian yang tu kita

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anganggap a kamera depan tak ada okey

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hanggap biar aah tak apalah saya pandang

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P saya t

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boleh apa lagi yang nak cakap

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okey apa lagi saya ras saya tak perlu

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cakap apa-apa Sebab saya tengok muka

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awak saya dah Happy awak Happy tengok

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saya awak Happy tengok saya Berna sayah

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yang menceriakan

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Hi hari-hari

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saya suyi sebenarnya kalau tanpa awak Oh

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[Musik]

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My

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tak apa tak apa biar a biar a biar a

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biar a takah biar a lah kita kita buat

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dua a ya awak memang suka macam ni kan

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content saya kan kalau suka

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memandang-mandanglah suka Betul tapi

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orang tak tengok Kau tapi saya kena jaga

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pandangan sayalah sebenarnya Maaflah

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kalau saya terlebih sebab saya tak boleh

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nak kawal ni Siapa awak kawan awak mana

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ni yang yang pegang kamera ni bukan

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bukankan dialah sebagai

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cameraman sebab boleh kita pandang

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lama-lama betul betul dengar tak dekat

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boleh tak saya nak awak Pegang boleh

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saya pandang awak lama-lama Janganlah

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pandang saya lama-lama saya malulah seap

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bila awak Mal Saya malu saya malulah Tak

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bolehlah saya nak Pandang juga jangan

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bolehlah sebab tak dosa kan kalau kita

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pandang macam ni dosa tak kalau awak

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pandang saya saya tak pandang balik tak

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apa kalau P kalau pandang

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Balik Dosa tak tak dosa tak Dosa

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kanand Kau bukan bukan yang tak boleh

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AMB tak boleh Ambillah awak ni ambil a

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kena kecam I like tak kita kita dulu

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kena kecam so baru nampak kita ni macam

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Wow Sasi H okey betul betul betul I like

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kecaman you like kecam no oh you don't

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like kecam I like i Oh you like to Ok so

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boleh tak you bagi kat I air paling

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manis manis sekali air paling manis eh

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dekat saya S okey yang ni yang ni yang

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kau tak pernah cakap dekat perempuan

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lain Ha yang Ni dalam bahasa inggeris

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tau H okey kalau kau tak faham perempan

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tak faham bahasa inggerisi ba Melayu

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sebab ak kan bodoh sikit Jangan cakap

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macam tu tak Elok Mi kau terima

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kekurangan aku aku terima a ada

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pernahkah kau bagi tahu sebelum ni Thank

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you okey kita Kita kan takalah kau bagi

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a bahasa inggeris mana tahu aku faham

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sebab ada setengah aku faham ada

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setengah aku tak faham faham faham kalau

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tak faham tu Sorry tau tak apa tak apa

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nanti saya translate kan okey

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[Musik]

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always go there is some that

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[Musik]

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[Musik]

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about perah untuk

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rasakan rasa yang beg ulang seali lagi

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bahasa inis Oke dalam bahasa

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melayunyais

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awak selalu mengatkan saya bukan awak

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selalu ada awak selalu bukan Betul tak

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oke awak sel always remember me

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Maksudnya saya akan selalu mengingati

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awak maksudnya wahai Mimi selalu ingat

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Samalah tu macam tu selalu ingat ingat k

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cakap lebih kuranglah kut okey lepas tu

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Oke tak apa Aak always remember always

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remember selalu ingat Mimi wahai Mimi

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cakap cakapayu C

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ish always

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remember everywh you go walaupun Awak

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pergi di mana-mana pun Awak pergi sama A

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kan lainlah walaupun pergi aku mindset

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Aku dah fikir ke situ dah lain walaupun

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dia lain maksudnya contoh Wun saya

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selalu mengatkan Awak walaupun awak

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walaupun awak ada kat mana-mana pun

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betul

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tak lagi

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always

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awak kena ada salah seorang untuk ambil

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tahu pasal

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awak sikit Ingatlah Ingatlah selalu yang

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ada orang ada orang ambil kisah pasal

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awak

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ingatahgatahu

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[Musik]

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ada

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sawilah

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ni

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[Musik]

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macam macam dulu dia Su ayat-ayat kata

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dengan kata-kata yang dengan bahasais so

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diais yang

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2.02 dulu suka inggeris eh suka inggeris

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tak apa nanti kita boleh belajar

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sama-sama belajar bahasa inggeris kan

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Oke contohnya Kalau bahasa inggeris kan

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Saya suka awak Apa maksud dia suka awak

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bahasa inggeris I like you a kalau saya

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cintakan awak bahasa inggeris I love you

play14:05

I love you

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[Musik]

play14:17

too B Bimi Saya nak minta Tolonglah Awak

play14:20

jangan cari pula bukan awak bukan macam

play14:22

tu kan bukan k bagi a kat awak bukan

play14:25

cairair kan saya tak senang-senang cair

play14:27

Saya suka awak ni

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Oke awak ada tak satu ayat awak nak bagi

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dekat saya sebab tadi saya dah bagi kat

play14:34

awak Kan bagi kat awak tadi tak dengar

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tak saya nak lagi satu tak cukuplah bagi

play14:38

satu saya bagi satuat aw Saya nak satu

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yang ikhlas daripada hati awak ikhlas

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kena k kalau Iklas no money no love no

play14:51

[Musik]

play14:57

boy I know I have bukan I manis saya ada

play15:00

duit Mungkin saya ada jumpa orang yang

play15:03

betul-betul tepat H Oke Oke Betul tak

play15:07

yang maskar okey dia kalau yang macam tu

play15:10

bagi sayalah kan dia seb Awak dah ada

play15:13

duit bukan a dia ada baik Ada buruk dia

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Apa baik dia apa Buruk dia yang baiknya

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bila kita fikir macam tu bila fikir

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bukan kita fikir macam tu kita kena buat

play15:23

cara macam tu maksudnya bukan kita kena

play15:26

ada duit kita kena tunjuk Acen beragak

play15:28

kita betulat supa kitaleh

play15:31

jatuhkanun bolehcay orang tak maksud

play15:35

saya ni dekat sini bila saya ada duit

play15:37

saya nampak Ada orang datang dekat saya

play15:39

faham suka saya ataupun cinta dengan

play15:42

sayalah macam tak perlu dicari macam

play15:45

dulu nak kena cari carari nak kena

play15:46

tunjuk apa semua betul tak so Saya bukan

play15:49

saya nak katakan Saya ada duit saya

play15:50

boleh buat segala-segalanya tidak sebab

play15:53

dekat dunia ni bukan hanya untuk kita

play15:56

bawa pergi ke akhirat Betul bet Betang

play15:59

ni so itu aelah Saya nak cakap kat awak

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hmm faham faham n ni

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nota bukan Awak Tak ada duit saya tak

play16:08

nak dekat awakaham maksudnya bukan

play16:11

maksudnya saya ni kalau tak ada duit

play16:13

saya rasa lebih tak

play16:17

berka berkeyakinan berkeyakinan a awak

play16:21

awak fikir apa tadi

play16:24

berkarisma saya saya saya ter menum jauh

play16:26

sangat Sebab saya tanya awak saya tak

play16:28

fokus y ke saya pun tengok awak macam

play16:30

tak F Janganlah macam tu kenapa Jangan

play16:33

macam tu saya dahlah cepat blushing hmm

play16:35

tak apah kalau macam tu Tak apalah kita

play16:36

dah contest saya Dah panjang dah ni

play16:38

nanti kalau ada masa saya sembang Dengan

play16:39

awak lagi akan jumpa kat mana-mana sat

play16:41

lagih boleh boleh boleh boleh tapi awak

play16:42

kalau jumpa kat saya mana-mana awak

play16:43

tegur aelah saya saya tegur saya tegur

play16:45

awak Jangan risau Oke way pakaian kita

play16:47

Samalah hari ni hitam putih sama tengok

play16:50

sat

play16:51

Samalah sama

play16:53

[Musik]

play16:55

sama macam tu wow oh saya ada dalam

play16:59

kereta saya pergi ambil sekarang nak tak

play17:01

payah Tak payah ada dalam kereta saya

play17:03

tak apa tak saya selalu sipar dalam

play17:04

kereta saya itu awak Bu kat content awak

play17:06

boleh boleh bolehleh boleh saya datang

play17:08

offis Saya pakai kod okey jangan

play17:10

kerak-kerak tau nampak nanti bosan so

play17:13

pakai jalang-jalang supaya nampak wow

play17:14

gitu

play17:16

kalau nak pai ma tu boleh A buat content

play17:18

awak tu okey boleh thank

play17:20

you tak sampai sini A ke Tak Sampai sini

play17:23

sat lagi mungkin ada lagi sebab sebab

play17:25

saya tak bosan lagi bercakap dengan aw

play17:27

itulah awak nak cakap lagi saya nak

play17:30

Jang lagi tah tayah Dah panjang dah

play17:31

sangat sebab ada lagi episod di selepas

play17:34

ni juga Tadi awak suka apa tadi air apa

play17:37

tadi air kot sebenarnya tapi sekarang ni

play17:40

Saya suka air kopi Ais kopi a makanan

play17:44

awakanan Saya paling suka ni ayam butter

play17:49

ayam butter tak habisabis butter awak

play17:51

Oke nanti saya butkan

play17:54

awakan dah dah dah cukuplah dahlah awak

play17:57

ni dahlah

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awak nak saya pergi ke tak Awak tak

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pergi Saya

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pergi

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per tak apa awak awak stay a saya tak

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saya pergi tak apa tak

play18:12

[Musik]

play18:15

payah kamera

play18:17

tahanap

play18:20

kamera Tolonglah awak biarlah saya

play18:27

pergi awak ni gatalah kalau boleh sentuh

play18:30

ni saya sentuh awak sentuh Kalau sa kita

play18:34

kahwin

play18:35

ah

play18:37

harapannya

play18:39

harapan

play18:41

hatiku ingin berputus

play18:45

jua dahlah tak pahlah awak awak jangan

play18:48

bagi harapan awak bagi harapan lagi

play18:50

Nanti orang cakap awak ni jenis bagi

play18:52

kata kata manis Aat bo awak bagi tahu

play18:53

kat dia orang mana Kenapa k bagi tahu

play18:55

kat dia orang Kenapa saya bagi tahu kat

play18:57

awak bagi tahu saya apaah bagi tahu apa

play19:00

yang saya bagi tahu tadi tu Kalau saya

play19:02

cakap dekat awak Jangan

play19:04

berharap tak

play19:06

apa Hai

play19:09

[Musik]

play19:12

Asalamualaikum jangan jangan jangan

play19:18

jangan kau

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orangudahamdulillah au saya ya saya

play19:29

geram dah tadi dia tu sama macam awak

play19:31

tah dia tadi berapa saya ingat 1.1 awak

play19:34

2.0 mana ada saya tak kacaulah awak awak

play19:39

niilah saya tak sukalah dengan satu satu

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dengan 2 ni Saya tak kat Maklah buat a

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macam

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[Musik]

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tuisa cinta

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yang saya tak k awak macam tu Awak

play19:56

jangan macam ni tah sebab sebab ramai

play19:58

dekat dalam ni yang tengok tak apalah

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biar aelah Please jangan buat macam ni

play20:04

kalau awak dah cakap pleasis tak apalah

play20:06

a please awak awak okey By the way kan

play20:09

Kan awak ada tegur saya sebelum-sebelum

play20:11

ni kan macam mana Saya punya penampilan

play20:14

sekarang pampilihan awak so far

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okey a awak jadi diri sendiri dan Awak

play20:19

dah jadi nampak macam humble sikit awak

play20:22

macam cool ni betul cool sebelum tadi

play20:24

sebelum ni dia tak cool dia hyper hyper

play20:26

so Saya suka yang cool macam ni namp

play20:29

kemas-kemas macam tak kacau saya sangat

play20:31

macam

play20:33

Hai bukan suka dikacau macam

play20:39

[Musik]

play20:40

kacau dia macam macamri pandang

play20:43

[Musik]

play20:54

[Musik]

play20:57

macam

play20:58

[Musik]

play21:01

kita sembang lain t boleh kita dah bagi

play21:04

harapan kat

play21:05

orang dia orang tak boleh tak boleh kita

play21:08

kena selesaikan b Nanti ada baahwah ha

play21:12

Komak jangan bagi harapan kat safan eh

play21:16

Tolonglah ini content

play21:18

saya ini content saya Saya punya idea so

play21:22

awak takahagat saya bubuk

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[Musik]

play21:27

yang Awak tak back saya saya tak nak

play21:29

awak back saya sebab

play21:31

saya Aak Tak nak saya tak suka kalau

play21:34

awak back saya sebab saya dah biasa dah

play21:38

sendiri bila saya macam ni Saya tak nak

play21:42

kawan tak sukalah bila saya buat salah

play21:44

ada orang back benda yang

play21:47

salah bukan saya tak rasa awak salah dia

play21:50

orang dia orang yang tak faham

play21:53

[Musik]

play21:57

macam tapi Awak dah faham klebih Dar tu

play21:59

terlebih sangat faham ni terlebih sangat

play22:01

ke tapi saya nak faham lebih lagi jangan

play22:05

Kenapa takut awak kecewa nanti daripada

play22:09

saya tengok awak kecewa Baik saya hkan

play22:11

ni faham tak kalau awak dah cakap macam

play22:14

tu saya bukan saya bukan hilang pada

play22:16

awak saya bukan lari pada awak Saya ada

play22:18

dekat sini awak cari a saya kat

play22:19

mana-mana saya ada saya ada waktu awak

play22:21

susah perlukan duit ke apa saya ada

play22:23

waktu tu tapiwak sakit hati waktu tu

play22:27

saya tak nak

play22:29

seb saya tak sangg tengok awak

play22:33

kecewa jangan rosakkan diri awak sayang

play22:36

diri awak tu macam mana orang say dia

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macam tu sayang diri Awak jangan sayang

play22:41

orang lain nanti takut awak

play22:43

kecewa kental betul

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kentalental saya perah lalu di

play22:53

[Musik]

play22:56

tempat jangan sakitkan diri please tak

play23:00

banyak lagi awak nak kena pergi ke depan

play23:02

banyak lagi yang awak nak lalui banyak

play23:04

lagi awak nak kenal lagi orang lain

play23:05

ataupun jumpa orang lain okey

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[Musik]

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saya saya saya eh eh masuk Mas

play23:17

[Musik]

play23:23

Mas tapi ada satu lagi saya panas nih

play23:27

kalau tapi ada awak awak kejaplah Saya

play23:30

nak cakap satu ni sebenarnya kita kenal

play23:33

dengan seseorang ni ada sebab macam saya

play23:36

cakap sebelum ni kan dia mesti ada sebab

play23:38

Mungkin dia datang tu untuk

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menghilangkan rasa sedih kita mungkin

play23:42

dia datang tu untuk menghilangkan kita

play23:46

punya

play23:50

apaapalah kalau saya

play23:53

bu

play23:56

tak kita kan satu team Saya rasa nak

play24:00

bagi masa dengan orang lain Tu kena ada

play24:02

juga nanti orang cakap kau ni dah ada

play24:04

partnip kau terus abaikan yang lain

play24:06

kawan-kawan sedangkan dulu kau ni buat

play24:09

dengan orang lain saya tak naklah macam

play24:11

tu tapi saya penat sebenarnya nak banyak

play24:13

lagi saya nak kena buat benda ni tapi

play24:16

saya tak mengel sebab ini kerja saya

play24:18

saya faham Jangan risau saya akan

play24:21

faham tak apa saya taku pun orang faham

play24:24

Saya kalauak nak faham saya tak ada

play24:26

masalah saya tak Halang pun awakk Awak

play24:28

buat aah buat apa buat saya takkan

play24:29

Halang awak saya takkan marah-marah awak

play24:32

lagi itu keputusan awak tapi j j sampai

play24:34

satu tahap nanti satu hari nanti akan

play24:37

ada jadi isu ke apa-apa ke ya saya minta

play24:39

maaf kalau saya abaikan benda

play24:42

tuleh saya pun minta maaf jugalah kalau

play24:45

saya ada buat salah ke apa semua dan

play24:47

Jangan risau Saya akan sentiasa minta

play24:48

maaf atas kesalahan saya

play24:51

oke

play24:53

alhamdulillah alhamdulillah sama kan k

play24:58

1.1 awak 2.0 apa satuu sama

play25:03

apaah ramai yang cakap

play25:06

saya dengan awak sama lain Saya lagi

play25:08

profesional dia macam Saya lagi Hebat

play25:11

awak nak cakap saya tak profesional ke

play25:13

tak saya lagi banyak makan garam makan

play25:16

garam ya betul Sebab Dia tua tapi all

play25:19

the best me

play25:20

ya curious tu yang yang pertamalah waktu

play25:24

saya mula-mula masuk yang pertamalah

play25:27

yangelalu

play25:28

dugaan macam-macam baru first time

play25:31

laluilah saya sebenarnya kan jujur saya

play25:33

cakap yang last jujur saya cakap saya

play25:36

nak tahu perjalanan awak kalau boleh tak

play25:38

payah tahulah sebab apa nanti berderah

play25:43

lagi sebab sebab apa kalau boleh saya

play25:46

Saya nak tahu kisah awak Macam mana awak

play25:48

rasa faham tak tak apa nanti kita kita

play25:51

sembang lain content boleh tak bo

play25:53

bolehleh boleh boleh seb boleh sebab nak

play25:56

nak tutup Dah panjang sang video

play25:57

dahanang sang dah aw suka bercakap eh

play25:59

walaupun diam macam ni aw suka bercakap

play26:01

sebenarnya suka a bercakap di hadapan

play26:03

orang yang saya

play26:05

suka harapan lagi Awak ini harapan nanti

play26:09

bila apa-apa jadi awak jangan saya kata

play26:12

saya bagi harapan kat awak pula tak ada

play26:14

janji Eh betul janji janji serius okey

play26:17

saya cuma hari ni saya just nak bercakap

play26:20

aje Dengan awak Kan Berapa hari dah saya

play26:22

tak walaupun saya masuk contonent Awak

play26:24

pun saya nampak saya macam tak bercakap

play26:25

juga dengan Awak kan tapi saya a tapi

play26:28

saya masuk content awak saya bercakap

play26:29

tak awak cakap awak cakap a awak cakap a

play26:31

thank you thank you so much thank you

play26:33

sebab join content saya tapi saya ada

play26:35

satu ada lagi benda yang saya nak bayi

play26:37

dekat awak Tapi Sat lagi Okey boleh

play26:39

boleh boleh benda apa tu adalah rahsia

play26:41

rahsia Awak dah pandai berahsia dengan

play26:43

saya searang berhasia dahah Hafiz pun

play26:45

dah naik semak dah tengok muka dia tu

play26:48

tengok muka dia tu Aku duk

play26:51

cantikan betul-betul tak semak kita

play26:53

orang okey so awak okey tak tu saya okey

play26:56

saya okey saya

play26:58

okeang sebab sebab saya baru kenal awak

play27:01

so Saya nak nak tahulah macam dia jadi

play27:04

bila waktu ada something itu A tapi

play27:08

mungkin sebabkan panasaca panas apa

play27:13

semaah berdah lagi keap Thank you T

play27:17

awak thank

play27:19

[Musik]

play27:26

you

play27:29

[Musik]