TED Talk – Mihaly Csikszentmihalyi – Flow – 2004

A. R.
4 Oct 201518:56

Summary

TLDRThe speaker reflects on the impact of World War Two on adults' ability to lead happy lives, sparking an interest in understanding what makes life fulfilling. Discovering psychology through Carl Jung's work on post-war trauma, the speaker's research delves into the roots of happiness, finding that material wealth beyond a basic level does not increase happiness. The focus shifts to the 'flow' experience, where intense engagement in activities like composing music or poetry leads to a state of ecstasy, transcending everyday consciousness and providing profound satisfaction. The speaker explores the conditions that facilitate flow and its prevalence in various cultures and professions, emphasizing the importance of aligning challenges with skills to achieve this optimal state of being.

Takeaways

  • 🌏 The speaker grew up during World War II and was deeply affected by the lack of happiness in adults' lives after their security was disrupted by the war.
  • 🤔 The speaker's interest in understanding what makes life worth living led to explorations in philosophy, art, religion, and eventually psychology.
  • 🎓 The encounter with Carl Jung's work on the psyche and collective trauma sparked the speaker's interest in studying psychology more deeply.
  • 📈 Despite significant increases in personal income over decades, surveys show that about 30% of Americans report being 'very happy,' indicating that material well-being beyond a basic level does not increase happiness.
  • 🎻 The speaker's research focused on understanding happiness by studying creative individuals, such as artists and scientists, and their experiences of fulfillment despite lack of fame or fortune.
  • 🎼 A leading composer described his creative process as an ecstatic state, where he felt he stepped into an alternative reality, highlighting the immersive nature of the creative experience.
  • 🧘 The concept of 'ecstasy' is tied to stepping out of everyday routines and into a different reality, which is a common theme in descriptions of peak experiences across various domains.
  • 🏅 The 'flow experience' is characterized by intense focus, a loss of self-consciousness, and a sense of time disappearing, often occurring when one is deeply engaged in a challenging and skillful activity.
  • 📚 It takes a minimum of ten years of technical knowledge and immersion in a field to begin to create something truly original and better than what existed before.
  • 🏆 Successful and ethical CEOs define success as something that helps others and contributes to personal happiness, emphasizing the importance of meaningful work.
  • 🌟 The flow experience can be achieved in various activities, from artistic creation to sports, and is marked by a sense of effortless spontaneity and merging with the activity.
  • 📊 The optimal flow state occurs when challenges are higher than average and skills are also higher than average, leading to a state where the activity becomes worth doing for its own sake.

Q & A

  • What was the speaker's age during World War Two?

    -The speaker was between seven and ten years old during World War Two.

  • Why did the speaker become interested in understanding what contributes to a life worth living?

    -The speaker became interested in this question after observing how few adults could withstand the tragedies of the war and maintain a contented, happy life.

  • How did the speaker first encounter psychology?

    -The speaker first encountered psychology by chance at a ski resort in Switzerland, where they attended a lecture about the psyche of Europeans and their projection of flying saucers into the sky.

  • Who was the lecturer at the ski resort that introduced the speaker to psychology?

    -The lecturer was Carl Jung.

  • What is the general trend in happiness levels in the United States since 1956, according to the speaker's research?

    -The general trend shows that about 30% of people surveyed say their life is very happy, and this percentage has not changed despite personal income more than doubling or tripling.

  • What does the speaker suggest about the relationship between material well-being and happiness?

    -The speaker suggests that after a certain basic point, which is around the minimum poverty level, increases in material well-being do not affect how happy people are.

  • What is the term used to describe the state of being completely engaged in an activity to the point where one loses track of time and self?

    -The term used to describe this state is 'flow experience'.

  • What are the seven conditions that seem to be present when a person is in a flow state, according to the speaker?

    -The seven conditions are intense focus, a sense of clarity, immediate feedback, a balance between challenges and skills, a sense of time disappearing, a loss of self-consciousness, and a feeling of being part of something larger.

  • How does the speaker describe the state of ecstasy in relation to creating something new?

    -The speaker describes ecstasy as stepping into an alternative reality where one feels that they are not doing their ordinary everyday routines, and it is a state where one can create something new effortlessly.

  • What does the speaker suggest is the key to experiencing flow in everyday life?

    -The speaker suggests that to experience flow in everyday life, one must be engaged in activities that challenge them and utilize their skills, pushing them beyond their comfort zone.

  • What is the main challenge the speaker and their colleagues are trying to address in their research?

    -The main challenge they are trying to address is how to put more of everyday life into the flow channel, helping people to experience flow more frequently in their daily activities.

Outlines

00:00

🌏 War, Happiness, and the Journey into Psychology

The speaker reflects on their childhood during World War II and the impact it had on their curiosity about what makes life worth living. They recount their early attempts to find answers through philosophy, art, and religion before stumbling upon psychology through a chance encounter with Carl Jung's work. The narrative also touches on the disconnect between material wealth and happiness, citing research showing that beyond a basic income level, increased wealth does not equate to increased happiness. This sets the stage for the speaker's lifelong research into understanding the roots of happiness and contentment.

05:04

🎼 The Ecstasy of Creative Flow in Artists

This paragraph delves into the speaker's exploration of what drives creative individuals, such as composers, to dedicate their lives to their craft without the promise of fame or fortune. It highlights an interview with a leading composer from the 70s who describes the state of ecstasy experienced during the creative process. The text explains that ecstasy is a mental state where one feels detached from everyday routines and enters an alternative reality. The speaker also discusses the limitations of human attention and how complete immersion in creation can lead to a loss of self-awareness, illustrating the intense experience of being 'in the flow' during moments of high creativity.

10:06

🏅 The Universality of Flow Experience Across Disciplines

The speaker extends the concept of the 'flow experience' beyond the realm of music to other fields such as poetry, sports, and business. They share anecdotes from interviews with poets, athletes, and CEOs, all of whom describe a similar state of effortless concentration and immersion in their work. The narrative emphasizes that flow is not limited to any particular activity or culture and that it is characterized by a deep sense of enjoyment and fulfillment derived from the act of creation or performance itself. The speaker also introduces the idea that flow can be a significant factor in defining success, particularly when it contributes to both personal happiness and the well-being of others.

15:07

📊 The Science of Flow: Identifying Optimal Experiences

In the final paragraph, the speaker discusses the scientific study of flow, outlining the conditions under which it typically occurs. They describe a model that measures the balance between challenge and skill, identifying flow as a state where both are higher than average. The speaker explains that flow is most easily achieved when an individual is engaged in an activity they enjoy and are skilled at, and that this state can be scientifically measured and predicted. The paragraph concludes with a call to action to understand and promote the flow experience in everyday life, suggesting that this is a central goal of the speaker's research and advocacy.

Mindmap

Keywords

💡World War Two

World War Two, often abbreviated as WWII, was a global war that lasted from 1939 to 1945. It involved many of the world's nations, including all of the great powers, organized into two opposing military alliances. In the video, the speaker's childhood experiences during WWII serve as a backdrop and catalyst for their interest in understanding what makes a life worth living, as they observed the struggles of adults around them.

💡Psyche

The psyche refers to the human mind, especially in relation to their conscious and unconscious thoughts, feelings, and behavior. In the context of the video, the speaker mentions how the psyche of Europeans was traumatized by the war, leading to a projection of flying saucers and a search for a sense of order, which was a significant point in their journey towards studying psychology.

💡Carl Jung

Carl Jung was a Swiss psychiatrist and psychoanalyst who founded analytical psychology. He is known for his concept of synchronicity, archetypes, and the collective unconscious. The speaker discovered Jung's work by chance and was deeply influenced by his ideas, particularly regarding the psyche's response to trauma and the search for meaning.

💡Happiness

Happiness, in the video, is explored as a central theme and a life's pursuit. The speaker discusses research findings that show a consistent level of self-reported happiness over time, despite significant increases in material wealth. This suggests that happiness is not solely dependent on material well-being, which is a key point in understanding the roots of a fulfilling life.

💡Flow Experience

The flow experience is a term coined by psychologist Mihaly Csikszentmihalyi, who the speaker refers to as 'I' in the script. It describes a state of deep absorption and enjoyment in an activity, where one loses track of time and is fully engaged in the task at hand. The video discusses this concept as a key to understanding moments of happiness and fulfillment in people's everyday lives.

💡Creativity

Creativity in the video is examined through the lens of individuals who dedicate their lives to artistic or scientific pursuits, often without the expectation of fame or fortune. The speaker's research into the lives of creative people, such as artists and scientists, reveals their experiences of flow and the intrinsic motivation that drives them.

💡Ecstasy

Ecstasy, derived from the Greek meaning 'to stand aside,' is used in the video to describe a state of being where one steps into an alternative reality, often associated with deep engagement in creative processes. The term is illustrated through the experiences of a composer who describes composing as an ecstatic state, indicative of the profound joy and immersion in creative work.

💡Technique

Technique, in the context of the video, refers to the skills and knowledge one acquires through years of practice and immersion in a particular field. The speaker emphasizes that a minimum of ten years of technical knowledge is necessary to create something truly original and valuable, highlighting the importance of mastery in the creative process.

💡Success

Success in the video is redefined beyond traditional measures of wealth or fame. It is associated with the ability to help others and to derive personal happiness from one's work. The speaker interviews CEOs who embody this definition of success, suggesting that ethical and socially responsible business practices can lead to a meaningful and fulfilling career.

💡Good Business

The term 'Good Business' is mentioned in the context of the speaker's book, which likely explores the intersection of success, ethics, and social responsibility in the corporate world. It implies a business philosophy where the pursuit of profit is balanced with a commitment to positive societal impact, aligning with the overall theme of the video.

💡Arousal

Arousal, in the video, refers to a state of being pushed beyond one's comfort zone, which is a necessary step towards achieving flow. It is a transitional phase where individuals face challenges that are greater than their current skills, but from which they can learn and grow, ultimately leading to a heightened sense of engagement and fulfillment.

Highlights

The speaker grew up in Europe during World War Two and was struck by the difficulty adults faced in finding happiness amidst the chaos and destruction.

As a child and teenager, the speaker sought answers to what makes a life worth living through philosophy, art, religion, and eventually psychology.

The encounter with psychology happened by chance at a ski resort in Switzerland where the speaker attended a lecture on the psyche's response to war.

The lecture introduced the speaker to Carl Jung's work, which became a significant influence in their pursuit of understanding happiness.

The speaker moved to the United States to study psychology and began researching the roots of happiness.

Happiness surveys since 1956 show that about 30% of Americans report being very happy, a figure that has remained constant despite a significant increase in personal income.

Material well-being beyond a basic level does not seem to affect happiness, suggesting that other factors are more important for a satisfying life.

The speaker's research focused on understanding happiness in everyday life and the factors that contribute to a meaningful existence.

Creative individuals, such as artists and scientists, were studied to understand what drives them despite the lack of fame or fortune.

A leading composer described the ecstatic state of composing music, which is a stepping into an alternative reality.

The concept of ecstasy is related to the ability to create new realities, as seen in the composer's experience of music flowing effortlessly.

The speaker discusses the importance of technical knowledge and immersion in a field for at least ten years to achieve a state of creative flow.

Flow experiences, characterized by intense focus and a loss of self-awareness, were found across various domains, including sports and business.

Successful and ethical CEOs define success as something that helps others and contributes to personal happiness during work.

The speaker's research identified seven conditions that lead to a flow state, including intense focus, clarity, immediate feedback, and a sense of timelessness.

A model representing the everyday life of people was introduced, showing the relationship between challenge and skill in achieving flow.

The speaker's mandate is to understand how to increase the amount of everyday life spent in the flow channel, aiming to enhance overall well-being and happiness.

Transcripts

play00:06

I grew up in Europe and World War two

play00:16

caught me when I was between seven and

play00:19

ten years old and I realized how few of

play00:25

the grown-ups that I knew were able to

play00:30

withstand the tragedies that the world

play00:36

visited on them how few of them could

play00:41

even resemble a normal contented

play00:46

satisfied happy life once their job

play00:51

their home their security was destroyed

play00:56

by the war so I became interested in

play00:58

understanding what contributed to a life

play01:03

that was worth living and I tried as a

play01:07

child as teenager to read philosophy and

play01:11

to get involved in art and religion and

play01:16

and many other ways that I could see as

play01:21

a possible answer to that question and

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finally I ended up encountering

play01:29

psychology by chance actually I was at a

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ski resort in Switzerland without any

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money to actually enjoy myself because

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the this the snowed had melted and there

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was I didn't have money to go to a movie

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but I found that under reading the

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newspapers that there was to be a

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presentation by someone in in a place

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that has seemed in the center of Surak

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and it was about flying saucers he was

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going to talk and I thought well since I

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can't go to the movies at least I will

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go for free to listen to flying saucers

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and the man who talked

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at that evening lecture was very

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interesting and it actually instead of

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talking about little green man he talked

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about how the psyche of the Europeans

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had been traumatized by the war and now

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they are projecting flying saucers into

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the sky kind of huzzah

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he talked about how the mandalas of

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ancient Hindu religion were kind of

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projected into the sky as a attempt to

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regain some sense of order after the

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chaos of war and this seemed very

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interesting to me and I started reading

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his books after that lecture and that

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was Carl Jung who's whose name or work I

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had no idea about then I came to this

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country to study psychology and I

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started trying to understand the these

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roots of happiness this is a typical

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result that many people have presented

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and there are many variations on it but

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this for instance shows that about 30

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percent of the people surveyed in the

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United States since 1956 say that their

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life is very happy and that hasn't

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changed at all whereas the personal

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income on a scale that has been helped

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constant to accommodate for inflation

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has more than doubled almost tripled in

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that period but you find essentially the

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same results namely that after a certain

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basic point which corresponds more or

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less to just a few thousand dollars

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about the minimum poverty level

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increases in material well-being don't

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seem to affect how happy people are and

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in fact you can find that

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the lack of basic resources material

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resources contributes to unhappiness but

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the increase in material resources do

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not increase happiness so my research

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has been focused more on

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after finding out these things that

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actually correspond to my own experience

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I tried to understand now we're in

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everyday life in our normal experience

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do we do we feel really happy and to

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start that those studies about 40 years

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and I began to look at creative people

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first artist than scientist and so forth

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trying to understand what made them feel

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that it was work essentially spending

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their life doing things for which many

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of them didn't expect either fame or

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fortune but which made the life

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meaningful and worth doing this was one

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of the leading composers of American

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music back in the 70s and the interview

play05:37

was 40 pages long but this little

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excerpt is a very good summary of what

play05:44

he was saying during the interview and

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it describes how he feels when composing

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is going well and he starts by

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describing it as an ecstatic state now

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ecstasy in Greek meant simply to stand

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to the side of something and then it

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became essentially an analogy for a

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mental state where you feel that you are

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not doing your ordinary everyday

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routines so ecstasy is essentially a

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stepping into an alternative reality and

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it's interesting if you think about it

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how when we think about the

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civilizations

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that we look up to us having been

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pinnacles of human achievement whether

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it's China Greece in Hindu civilization

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or the Mayas or Egyptians what we know

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about them is really about their

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ecstasy's not about their everyday life

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we know the temples they built so where

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people could come to experience a

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different reality we know about the

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circuses the arena sport arenas the

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theaters these are the remains of

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civilizations and they are the places

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that people went to experience life in a

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more concentrated more ordered form now

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this man doesn't need to go to a place

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like this which is also this place this

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arena which is built like a Greek

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amphitheatre is a place for ecstasy also

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we are participating in a reality which

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is different from that of everyday life

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that we are used to but this man doesn't

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need to go to there he needs just a

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piece of paper where he can put down

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little marks and as he does that he can

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imagine

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sounds that had not existed before in

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that particular combination so when once

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he gets to that point of beginning to

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create like Jennifer did in her

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improvisation a new reality that is a

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moment of ecstasy he enters that

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different reality now he says also that

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this is so intense and experienced that

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it feels almost as if she didn't exist

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and that sounds like a kind of a

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romantic exaggeration but actually our

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nervous system is incapable of

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processing more than about 110 bits of

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information per second and in order to

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hear me and understand what I'm saying

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you need to process about 60 bits per

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and that's why you can't hear more than

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two people you can't understand more

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than two people talking to you well in

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when you are really involved in this

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completely engaging process of creating

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something new as this man does he

play08:59

doesn't have enough attention left over

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to monitor how his body feels or his

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problems at home he can't feel even that

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he's hungry or tired

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his body disappears his identity

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disappears from his consciousness

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because he doesn't have enough attention

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like none of us do to really do well

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something that requires a lot of

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concentration and at the same time to

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feel that he exists so existence

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temporarily suspended and he says that

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his hand seems to be moving by itself

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now I could I could look at my hand for

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two weeks and I wouldn't feel any or

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wonder because I can't compose but so

play09:55

what he's not telling you here but in

play09:57

other parts of the interview is that

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obviously this automatic spontaneous

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process that is describing can only

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happen to someone who is very well

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trained and who has developed technique

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and in it has become a kind of a truism

play10:18

in the study of creativity that you

play10:20

can't be creating anything with less

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than ten years of technical knowledge

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immersion in a particular field whether

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it's mathematics or music it takes that

play10:35

long to be able to to begin to change

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something in a way that it's better than

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what was there before now when that

play10:48

happens he says the music just flows out

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and

play10:52

because all of these people I started

play10:54

interviewing this was an interview or

play10:56

which is over 30 years old so many of

play11:02

the people describe this as a

play11:03

spontaneous flow that I called this type

play11:08

of experience the flow experience and it

play11:11

happens in different rearmed for

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instance a poet describes it in this

play11:16

form this is by a student of mine who

play11:19

interviewed some of the leading writers

play11:21

and poets in the United States and it

play11:24

describes the same effortless

play11:27

spontaneous feeling that you get when

play11:30

you enter into this ecstatic state this

play11:32

poet describes it as opening a door that

play11:35

floats up in the sky very similar

play11:38

description to what Albert Einstein gave

play11:40

as to how he imagined the forces of

play11:44

relativity when he was struggling with

play11:48

trying to understand how it worked

play11:51

but it happens in other activities for

play11:55

instance this is another student of mine

play11:57

Susan Jackson from Australia who did

play12:00

work with some of the leading athletes

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in the world and you see here in this

play12:07

description of her Olympic skater the

play12:09

same essential description of the

play12:11

phenomenology of the inner state of the

play12:14

person you don't think it goes

play12:15

automatically you merge yourself with

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the music and so forth it happens also

play12:22

actually in the most recent book I wrote

play12:25

called good business where I interviewed

play12:27

some of the CEOs who have been nominated

play12:29

by their peers as being both very

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successful and very ethical very

play12:34

socially responsible you see that these

play12:37

people define success as something that

play12:41

helps others and at the same time makes

play12:45

you feel happy as you are working at it

play12:48

and like all of these successful and

play12:52

responsible CEOs say you can't have just

play12:56

one of these things you to be successful

play13:01

if you want a meaningful job and

play13:04

successful job and it erotic is another

play13:07

one of these CEOs we interviewed Qi is

play13:11

the founder of body shop the prismatic

play13:13

kind of natural cosmetic thing it's kind

play13:17

of a passion that comes from doing the

play13:19

best and having flow while you're

play13:21

working this is an interesting little

play13:24

quote from a sorry Booker who was at

play13:27

that time starting out Sony without any

play13:30

money without a product and they didn't

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have product they didn't have anything

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but they had an idea and the idea he had

play13:37

was to establish a place of work where

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engineers can feel the joy of

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technological innovation be aware of

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their mission to society and work to

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their heart's content

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I couldn't improve on this as a good

play13:53

example of how flow enters the workplace

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now when we do studies we have with

play14:01

other colleagues around the world done

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over 8,000 interviews of people from

play14:07

Dominican monks through blind nuns to

play14:11

Himalayan climbers to Navajo shepherds

play14:16

who enjoy their work and regardless of

play14:20

the culture regardless of education or

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whatever there are these seven

play14:25

conditions that seem to be there when a

play14:29

person is in flow is this focus that

play14:32

once it becomes intense leads a sense of

play14:36

accessory a sense of clarity you know

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exactly what you want to do from one

play14:41

moment to the other you get immediate

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feedback you know that what you need to

play14:45

do is possible to do even though

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difficult and sense of time disappears

play14:50

you forget yourself you feel part of

play14:53

something larger and once those

play14:56

conditions are present what you are

play14:58

doing becomes

play15:00

worth doing for its own sake in our

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studies we represent the everyday life

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of people in this simple scheme and we

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can measure this very precisely

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actually because we live people

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electronic pagers let go off 10 times a

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day and whenever they go off you say

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what you're doing how you feel where you

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are what you're thinking about and two

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things that we measure is the amount of

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challenge people experience at that

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moment and the amount of skills that

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they feel they have at that moment so

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for each person we can establish a

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average which is the center of the

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diagram that would be your mean level of

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challenging skill which will be

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different from that of anybody else but

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you have a kind of a set point there

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which would be in the middle if we know

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what that set point is we can predict

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very accurately when you will be in flow

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and it will be when your challenges are

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higher than average and skill Saha

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higher than average and you may be doing

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things very differently from other

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people but for everyone that flow

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channel that area there will be when you

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are doing what you really like to do

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play the piano probably be with your

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best friend

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perhaps work if work is what provides

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flow for you and then the other areas

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become less and less positive arousal is

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still good because you are over

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challenged there your skills are not

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quite as high as they should be but you

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can move into flow fairly easily by just

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developing a little more skill so

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arousal is the area where most people

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learn from because that's where they are

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pushed beyond their comfort zone and

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that to enter going back to flow then

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they develop higher skills control is

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also a good place to be because there

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you feel comfortable but not very

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excited it's not very challenging

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anymore and if you want to enter flow

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from control you have to increase the

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challenges so those two are ideal and

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complementary areas from which flow is

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easy to go into the other combinations

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of challenging skill becomes

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massively less optimal relaxation is

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fine you still feel okay

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boredom begins to be a aversive and

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apathy becomes very negative you don't

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feel that you doing anything you don't

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use your skills there's no challenge

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unfortunately a lot of people's

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experience is in apathy the largest

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single contributor contributor to that

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experience is watching television the

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next one is being in the bathroom

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sitting and then even though sometimes

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watching television about seven to eight

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percent of the time is in flow but

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that's when you choose a program you

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really want to watch and you get

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feedback from it so the question we are

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trying to address and I'm way over time

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is how to put more and more of everyday

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life in that flow channel and that is

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the kind of challenge that we are trying

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to understand and some of you obviously

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know that how to do that spontaneously

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without any advice but unfortunately a

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lot of people don't and that's what our

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mandate is in a way to do okay

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