Seeing the world as it isn't | Daniel Simons | TEDxUIUC

TEDx Talks
19 Mar 201107:22

Summary

TLDRThe script delves into the fascinating world of visual illusions, demonstrating how our brains construct a reality that may not align with the actual world. It uses examples like Julian Beever's sidewalk art and chess piece illusions to illustrate the brain's shortcuts in processing visual information. The talk highlights the limited scope of our visual perception and its implications for communication and understanding, urging us to challenge our assumptions about shared experiences and the world around us.

Takeaways

  • 🎨 The script introduces the concept that our perception of the world is an illusion, shaped by our brain and mind, rather than an exact representation of reality.
  • 👀 It uses Julian Beever's chalk art to illustrate how our visual system can be deceived, creating the illusion of depth from a flat image.
  • 🔄 The script points out a 'double illusion' where we perceive the chalk art as a swimming pool from a specific viewpoint, despite it being distorted from other angles.
  • 🤔 The audience is challenged to reconsider their perception after understanding the trick, but often still sees the illusion as initially perceived, highlighting the power of initial impressions.
  • 🏰 The script discusses another illusion involving chess pieces, showing how context affects our perception of color, even when the actual colors are the same.
  • 🌈 It explains that our visual system uses shortcuts and tricks to provide a useful, though not exact, representation of the world, necessary for everyday functioning.
  • 🐝 The script uses a bee in a flower image to demonstrate that we only perceive detail in a small, focused area, with the rest of our vision being progressively blurrier.
  • 👁 The audience learns that our eyes move rapidly, allowing us to perceive the world in high resolution where we focus, but we are generally unaware of this limited focus.
  • 🌟 The script highlights the profound implications of these illusions on our understanding of reality, suggesting that we assume a shared perception that may not exist.
  • 💭 It touches on how these illusions extend beyond vision to affect our thinking, memory, and reasoning, leading us to overestimate what we know and remember.
  • 🗣️ The script concludes by emphasizing the importance of testing our knowledge and perceptions, as it is crucial for effective communication and understanding in various roles, including leadership and teaching.

Q & A

  • What is the main theme of the video script provided?

    -The main theme of the video script is the illusion of perception and how our brain interprets the world around us, often leading to misconceptions about reality.

  • Who is the artist mentioned in the script that creates the illusion of a swimming pool?

    -Julian Beever is the British artist mentioned in the script who creates the illusion of a swimming pool through chalk art on a sidewalk.

  • What is the term used to describe the phenomenon where we see two sets of chess pieces as light and dark, even though they are the same color?

    -The phenomenon is known as a visual illusion, where the brain interprets the chess pieces differently based on their surrounding brightness.

  • What does the script suggest about the way our visual system processes information?

    -The script suggests that our visual system uses shortcuts and takes into account the brightness of the surfaces around objects to interpret what we see, which is not always an accurate representation of the world.

  • Why are visual illusions considered 'cool' according to the script?

    -Visual illusions are considered 'cool' because they surprise us and break our intuition, forcing us to confront the fact that we do not see the world as it actually is.

  • What is the purpose of the bee in the flowers example provided in the script?

    -The purpose of the bee in the flowers example is to demonstrate that we only take in detail from a small part of our visual field at any given time, and the rest of the visual field is progressively blurrier.

  • How often do we move our eyes when looking at the world, according to the script?

    -According to the script, we move our eyes 3-4 times a second when looking at the world, often without realizing it.

  • What does the script imply about the implications of our perception on communication and understanding?

    -The script implies that our perception can have profound implications on communication and understanding, as it suggests that two people looking at the same thing may interpret it differently.

  • What is the 'illusion' that the script mentions we all share, despite not necessarily seeing the world the same way?

    -The 'illusion' mentioned in the script is the belief that we see the world the same as everybody else, even though our individual perceptions may vary.

  • How does the script suggest we can come to understand the world as it actually is?

    -The script suggests that by testing our knowledge and what we are actually seeing, similar to how we test visual illusions, we can come to understand the world as it actually is.

Outlines

00:00

🎨 The Illusion of Reality in Perception

This paragraph discusses the deceptive nature of human perception, highlighting that what we experience is not the world as it truly is, but an alternate reality shaped by our brain. The speaker uses the example of Julian Beever's chalk art to illustrate how our visual system can be tricked into seeing depth and detail that aren't actually present. The paragraph also explores other visual illusions, such as the chess pieces that appear to be different shades due to context, emphasizing that our visual system uses shortcuts to interpret the world, rather than presenting an exact replica. The speaker concludes by pointing out the implications of these illusions, noting that they challenge our intuition and force us to confront the fact that our perception is not always accurate.

05:02

👀 The Limited Scope of Human Vision and Its Impact

The second paragraph delves into the limitations of human vision, explaining that we only perceive high-resolution detail in a small part of our visual field, roughly the size of a thumb at arm's length. The speaker uses the example of a bee moving through a field of flowers to demonstrate how our focus shifts and how our perception of detail changes with attention. The paragraph also touches on the broader implications of these perceptual limitations, suggesting that our assumptions about shared perceptions can lead to misunderstandings in communication. The speaker emphasizes the importance of recognizing these illusions in order to better understand and communicate with others, pointing out that advertising relies heavily on manipulating these perceptions. The paragraph concludes with a call to action to test our knowledge and perceptions to gain a more accurate understanding of the world.

Mindmap

Keywords

💡Illusion

Illusion refers to a deceptive appearance or impression that differs from reality. In the context of the video, it is used to describe how our perception of the world can be misleading. The script mentions an optical illusion by Julian Beever, a British artist, where a chalk drawing on a sidewalk gives the impression of depth, tricking viewers into seeing a swimming pool instead of a flat artwork.

💡Perception

Perception is the process by which the brain organizes and interprets sensory information to give meaning to the environment. The video script discusses how our perception is not always an accurate representation of reality, using the example of the chalk art to illustrate how our brains can be deceived by visual cues.

💡Alternate Reality

Alternate reality, in this context, means a different version of reality as perceived by an individual, distinct from the actual state of things. The script suggests that what we experience is an alternate reality constructed by our minds and brains, rather than the true nature of the world around us.

💡Chalk Art

Chalk art is a form of temporary pavement drawing using pastel chalk. The script describes a specific piece of chalk art that creates a visual illusion of a swimming pool, demonstrating how art can manipulate our perception and make us see depth where there is none.

💡Visual System

The visual system encompasses the organs and processes that allow an individual to see. The video explains how our visual system uses shortcuts and tricks to interpret the world, which can lead to illusions, such as seeing light and dark chess pieces that are actually the same shade of gray.

💡Brightness

Brightness refers to the luminosity of an object or scene. The script uses the chess pieces example to show how the perceived brightness of objects can be influenced by their surroundings, leading to the illusion of different colors when the actual shades are the same.

💡High-Resolution Vision

High-resolution vision is the ability to see fine details clearly. The video script points out that we only perceive high-resolution details in a small area of our visual field, about the size of a thumb at arm's length, and that the rest of our vision is progressively blurrier, which we typically do not notice.

💡Peripheral Vision

Peripheral vision is the ability to see things outside the direct line of sight. The script explains that while we may think we see everything in detail, in reality, our peripheral vision is less sharp, and we only focus on high-resolution details when we direct our gaze towards something.

💡Cognitive Illusions

Cognitive illusions are errors in thinking or perception that can affect memory, reasoning, and belief. The video script extends the concept of visual illusions to cognitive processes, suggesting that our thoughts and memories can also be subject to similar deceptive phenomena, influencing our understanding of the world.

💡Communication

Communication is the act of conveying meanings from one entity to another. The script highlights the importance of understanding that different people may perceive the same information differently, which has implications for effective communication, teaching, and leadership.

💡Testing Knowledge

Testing knowledge involves verifying what one knows or perceives. The video script suggests that to understand the true nature of the world, we must test our perceptions and knowledge, much like we would with a visual illusion, to challenge our assumptions and illusions.

Highlights

The human experience of seeing the world is an illusion, as it is shaped by the mind and brain rather than the actual reality.

Julian Beever's chalk-art creates a double illusion of depth, challenging our perception of reality.

The illusion of depth in Beever's artwork is only visible from a specific perspective, highlighting the limitations of human perception.

Burt Anderson's chess pieces illusion demonstrates how our visual system can mislead us into seeing different shades of gray.

Even after knowing the truth, our visual system continues to deceive us, showing the power of our brain's shortcuts in perception.

The visual system takes into account the brightness of the surroundings, affecting our perception of colors and shades.

Visual illusions are intriguing because they challenge our intuition and force us to confront the reality of our limited perception.

Bill Geisler and Jeffrey Perry's flower illusion reveals how our focus is limited to a small area, affecting our perception of detail.

Our eyes move constantly, providing the illusion of seeing everything in detail, when in fact we only perceive a small, high-resolution area.

The assumption that everyone sees the world the same way has profound implications for communication and understanding.

Visual illusions are not limited to sight alone; they extend to how we think, remember, and reason.

We tend to overestimate our memory and knowledge, leading to the illusion that we understand more than we actually do.

The illusion of shared perception can lead to misunderstandings and miscommunications in various professional settings.

Advertising relies on the understanding of how an audience perceives the world, highlighting the importance of perspective in communication.

The shared illusion of perceiving the world the same as others can be debunked through testing and self-awareness.

Testing our knowledge and perception is crucial for gaining a more accurate understanding of the world around us.

Transcripts

play00:00

Transcriber: Miguel Cisneros-Franco Reviewer: Diba Szamosi

play00:11

I'd like you to take a look around you

play00:13

take in all the sights, the sounds,

play00:15

if you're unlucky, the smells.

play00:18

You feel like you're seeing the world

play00:20

in all its completeness and detail,

play00:22

you feel you're experiencing the world as it is

play00:25

but that experience, as it turns out

play00:27

is an illusion.

play00:28

What you actually experience,

play00:30

is what your mind and your brain give you,

play00:33

it's an alternate reality.

play00:35

Take a look at this image.

play00:37

This is by Julian Beever

play00:39

who is a Brittish artist.

play00:40

Now, this is an illusion, this is a nice painting

play00:44

of a swimming pool, it looks like it has depth,

play00:46

looks like there's a woman sitting in the pool,

play00:49

looks like Julian Beever up on the upper right

play00:51

is dipping his foot into the pool,

play00:53

and as he's doing this, you feel like

play00:54

you are seeing the world as it is.

play00:57

But of course it's not, it's chalk-art on a sidewalk,

play00:59

it just gives the impression of depth.

play01:02

And this is a double illusion.

play01:03

Because as you're looking at this,

play01:05

you feel like, "Okay, I'm seeing a painting

play01:07

of chalk-art on a sidewalk."

play01:09

But what you're actually seeing

play01:10

is a really weird view of a chalk painting on a sidewalk.

play01:13

You're seeing a chalk painting on a sidewalk

play01:16

from the one view that gives you the impression of depth,

play01:19

that gives you the impression that you're looking at a swimming pool.

play01:22

And from any other perspective

play01:23

it looks much more like this.

play01:25

It's really substantially distorted.

play01:27

The key is that we feel that we're seeing it

play01:30

as it is, but we're actually not.

play01:32

Let me give you another example:

play01:34

this is from my colleague Burt Anderson,

play01:36

what you see here are 2 sets of chess pieces;

play01:39

the ones on the top look dark,

play01:41

the ones of the bottom look light -- I'm sorry,

play01:43

the ones on the top look light,

play01:45

the ones on the bottom look dark.

play01:47

And you can't help but see them that way

play01:50

even though that's not at all what you're actually seeing.

play01:53

Here is what you're actually seeing:

play01:55

I'm just removing the background,

play01:56

and when I remove the background,

play01:58

you can see that both sets of pieces

play01:59

are the same kind of moderate gray,

play02:01

and every piece on the top is exactly the same

play02:03

as the one directly below it.

play02:05

Now that you know that, of course,

play02:07

you'll be able to see them as they are,

play02:09

when I show you the same image again, right?

play02:11

Nope. Once you go back to the background

play02:14

you can't help but see it as it isn't.

play02:18

Your visual system is giving you the impression

play02:20

that you're seeing light pieces and dark pieces

play02:22

when you're actually seeing the same thing

play02:24

in both cases.

play02:25

What's happening here is that your visual system

play02:27

is taking into account

play02:29

not just the brightness of those individual pieces,

play02:32

but the brightness of the surfaces

play02:34

immediately around those pieces.

play02:35

And it takes that into account in a way

play02:37

that's actually really useful for us most of the time.

play02:39

It gives us the ability to see a piece of paper

play02:42

with black ink on it, the same inside

play02:44

in a dark room and outside in a really bright light.

play02:47

But it's not giving us the world exactly as it is

play02:51

it's using a bag of tricks, it's using a set of shortcuts,

play02:54

to give us the world as we need it.

play02:57

Now, what makes visual illusions like this so cool?

play03:01

Well, there are two reasons.

play03:02

One is that it's surprising,

play03:04

but that's not terribly satisfying,

play03:05

the more interesting reason is that

play03:07

it's giving us the impression that we're seeing

play03:10

the world as it is.

play03:12

And it's violating that impression,

play03:14

it's breaking our intuition,

play03:16

it's forcing us to confront the fact

play03:17

that we aren't seeing the world as it actually is.

play03:20

I'll give you another example of this:

play03:22

this is from Bill Geisler and Jeffrey Perry.

play03:25

This is a nice picture of flowers,

play03:27

-- pleasant for today.

play03:29

And I'll show you a bee, and I want you

play03:31

to follow that bee around this image with your eyes,

play03:34

so track the bee as it moves through the image.

play03:37

It's supposed to kind of wonder around the image here,

play03:41

and you're able to follow it just fine,

play03:43

and eventually it's going to end up

play03:45

back where it started.

play03:50

And, we're back.

play03:51

OK, now I want to show you exactly the same sequence,

play03:54

except, this time, instead of tracking

play03:56

that bee with your eyes,

play03:58

I want you to maintain your focus,

play04:00

maintain your gaze right on the bright yellow flower.

play04:04

And notice what happens to that flower

play04:06

as the bee gets farther and farther away;

play04:09

it gets blurrier and blurrier.

play04:11

It's exactly the same sequence,

play04:13

you're seeing exactly the same thing you did the first time,

play04:15

except that this time

play04:17

you probably noticed that it's getting blurry,

play04:19

whereas the first time you didn't notice

play04:21

that anything was changing about the image at all.

play04:24

Why is that?

play04:25

The reason is that you're actually only taking in detail

play04:28

from a tiny, tiny subset of your visual world

play04:31

at any instant.

play04:33

In fact, you're taking in detail from a subset

play04:34

about the size of that bee.

play04:36

You're taking in,

play04:37

if you stick your arm out and put your thumb up,

play04:39

you´re taking in high resolution information

play04:42

only from the information about the width of your thumb.

play04:46

Beyond that, it becomes progressively blurrier,

play04:48

but we don't notice this at all.

play04:51

Why not?

play04:52

Well, we move our eyes 3-4 times a second

play04:55

when we're looking at the world.

play04:56

We don't realize we are doing that.

play04:57

And everywhere we look, at that instant,

play04:59

we're seeing everything in detail.

play05:01

If something is our periphery and is potentially interesting,

play05:03

we look over there and we see it in detail.

play05:05

So we get the impression -- the false impression --

play05:08

that we are seeing everything in detail.

play05:12

Let's take a look at this issue: we asume

play05:14

that everyone is seeing the world exactly as it is.

play05:18

And this has profound implications

play05:20

for how we think about the world around us.

play05:24

Despite differences in our knowledge,

play05:27

our beliefs, and expectations, we feel like

play05:28

we are seeing the same thing as everybody else.

play05:31

I've used visual illusions as a way of illustrating

play05:34

how we don't see the world exactly as it is,

play05:37

but these sorts of illusions are not just limited

play05:39

to our visual system.

play05:41

They are not just limited to our visual system,

play05:44

they also affect the way we think,

play05:46

the way we remember, the way we reason.

play05:48

We think we see more than we do,

play05:50

we think we see all of the detail around us; we don't.

play05:52

But we also think we remember more than we do,

play05:55

and that we know more than we do.

play05:56

And these illusions lead to a really substantial problem.

play06:01

They lead us to think that everybody

play06:03

is seeing the same thing that we are.

play06:06

Well, in reality,

play06:07

two people looking at exactly the same world

play06:09

could be taking in different information at the same time.

play06:13

Now, what does that mean?

play06:14

It means that anytime you have to communicate,

play06:16

anytime you're trying to be a trainer or a CEO,

play06:20

or a leader, or you're trying to lecture or teach,

play06:23

you have to take into account

play06:25

the fact that your knowledge, and your experience

play06:28

as in what you see, are going to be different

play06:29

from those of the people on your audience.

play06:32

All of advertising depends on exactly that principle.

play06:35

You have to know what your audience is going to see

play06:37

in the advertisement.

play06:39

Now, the problem is that we all share one thing,

play06:43

even though we don't necessarily see the world the same,

play06:46

we share this illusion

play06:48

that we see the world the same as everybody else.

play06:50

And only by testing your knowledge,

play06:53

and testing what you're actually seeing,

play06:55

just like you do with the visual illusion,

play06:56

do you realize that you're not actually seeing the world

play06:59

as everybody else is.

play07:01

And, in fact, we don't all see the same thing.

play07:03

Only by testing your knowledge,

play07:05

can you see the world as it actually is.

play07:09

(Applause)

play07:10

Thank you.

play07:12

(Applause)

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Related Tags
Perception IllusionVisual DeceptionCognitive BiasChalk ArtDepth PerceptionColor ContrastEye MovementHigh ResolutionMental ShortcutsCommunication Gap