MAGNOLIA Explained | Frogs, Songs, And What It All Means

Fallopium Films
24 Nov 202249:08

Summary

TLDRThe video script delves into the philosophical depths of Paul Thomas Anderson's 'Magnolia,' exploring themes of fate, free will, and the power of the past. It challenges the film's critics, arguing that its unconventional ending of raining frogs is a masterful representation of life's unpredictability and the characters' acceptance of their lack of control. The script also examines the film's self-awareness, the role of minor characters, and the potential autobiographical elements from Anderson's own life, offering an in-depth interpretation that invites viewers to reconsider the movie's message.

Takeaways

  • 🎬 The film 'Magnolia' is a profound exploration of interconnected stories, themes of fate, free will, and the impact of the past on the present.
  • 🎥 Paul Thomas Anderson's 'Magnolia' is praised for its creative storytelling, acting, and music, despite some critics labeling it as pretentious and boring.
  • 🌧️ A central theme of 'Magnolia' is the power of the past, particularly the lasting effects of child abuse and familial damage on individuals' lives.
  • 🐸 The unconventional ending involving frogs raining from the sky symbolizes the uncontrollable and absurd aspects of life, challenging the characters' and the audience's perception of reality.
  • 🔄 The film suggests a deeper philosophy involving fate, free will, and the unpredictability of life, questioning whether events are mere chance or part of a larger cosmic plan.
  • 👤 Each character in 'Magnolia' is dealing with their own traumas and past mistakes, which shape their present circumstances and actions.
  • 💬 The script discusses the use of cosmic irony as a storytelling tool, where a higher power or force intervenes in characters' lives to create ironic and unlikely situations.
  • 🎭 'Magnolia' is self-aware, with characters that seem to serve the narrative's purpose, blurring the line between fiction and reality within the film.
  • 📖 The script mentions the influence of biblical references and numerology, such as the number 82 and the plague of frogs, adding layers of meaning to the film.
  • 🤔 The film invites the audience to ponder the nature of life's events, whether they are random or predetermined, and the role of acceptance in dealing with life's uncertainties.
  • 👼 The characters of Dixon and Phil may represent agents of the story or even angelic figures, guiding the narrative and influencing the outcomes of other characters.

Q & A

  • What is the main theme of the film 'Magnolia' according to the script?

    -The main theme of 'Magnolia' is the power of the past, particularly focusing on the damage caused by one's family or environment, and the scars that affect individuals in their present lives.

  • How does the film 'Magnolia' explore the concept of fate and free will?

    -The film explores fate and free will through the characters' experiences and their struggle to reconcile with their pasts. It presents the idea that people's lives are influenced by factors beyond their control, such as the biblical disaster of frogs raining down from the sky, which forces the characters into the end of their stories.

  • What is the significance of the opening stories in 'Magnolia' about unlikely events?

    -The opening stories serve to introduce the concept of cosmic irony and the idea that seemingly random, highly unlikely events can have a profound impact on people's lives, suggesting that there may be forces beyond human control at play.

  • How does the character Frank represent a different philosophy from the film's main message?

    -Frank represents the philosophy of control, where he preaches about forgetting the past, ignoring one's origins, and taking charge of one's destiny. This is in contrast to the film's main message of accepting and embracing the past and its effects on the present.

  • What is the role of the character Phil in the film 'Magnolia'?

    -Phil, the nurse, is a character who helps Earl fulfill his dying wish to see his son one last time. He is portrayed as a caretaker and a helper, making significant decisions that drive the plot forward and possibly symbolizing an angelic or divine intervention in the characters' lives.

  • What is the significance of the frogs raining down from the sky in 'Magnolia'?

    -The frogs raining down from the sky symbolize the unpredictable and uncontrollable aspects of life. This surreal event affects all the main characters, forcing them to confront their pasts and accept their lack of control over life's events.

  • How does the script describe the character of Stanley in 'Magnolia'?

    -Stanley is portrayed as a child genius who competes on the game show 'What Do Kids Know'. However, he is also miserable due to the abuse and exploitation by his parents, which leads to a pivotal moment where he resists his fate on live television.

  • What is the role of the song 'Wise Up' in the film 'Magnolia'?

    -The song 'Wise Up' is sung by multiple characters simultaneously, serving as a broadcast of the film's philosophy directly to the audience. The lyrics reflect the themes of the film, such as acceptance, regret, and the inevitability of life's events.

  • How does the script interpret the ending of 'Magnolia'?

    -The script interprets the ending as a reflection of the characters' acceptance of their lack of control over life. The fantastical event of frogs falling from the sky is seen as a genius way to show this acceptance, rather than a pretentious cop-out as some critics suggested.

  • What is the significance of the number 82 in 'Magnolia'?

    -The number 82 is significant because it references Exodus 8:2 from the Bible, which talks about a plague of frogs in Egypt. This biblical reference ties into the film's theme of fate and the uncontrollable events that shape people's lives.

Outlines

00:00

🎬 Magnolia's Artistic Depth and Critique

The paragraph discusses the film 'Magnolia' as a profound and creative masterpiece, despite some critics labeling it as pretentious. It delves into the film's exploration of the power of the past, child abuse, and the damage caused by family or environment. The narrator argues that the film's ending, featuring a biblical disaster of raining frogs, is not random but makes perfect sense in the context of the movie's themes of fate, free will, and the impact of the past on the present and future.

05:00

🌌 Cosmic Irony and the Unpredictability of Life

This section of the script explores the concept of cosmic irony, drawing parallels between 'Magnolia' and the works of the Coen brothers, particularly 'Fargo' and 'No Country for Old Men'. It discusses how cosmic irony is used as a storytelling tool to depict situations influenced by a higher power, such as fate or God, and how 'Magnolia' uses unlikely events to examine the lack of control humans have over their lives and the role of destiny.

10:11

🧩 The Interconnectedness of Characters' Stories

The paragraph examines the main characters of 'Magnolia', highlighting their loneliness, victimhood, and the influence of their pasts on their present circumstances. It discusses specific characters like Donnie, Frank, and Stanley, exploring how their pasts have shaped them and how they attempt to reconcile with their histories. The paragraph also touches on themes of cause and effect, and the characters' struggle with accepting their lack of control over life's events.

15:11

🎲 The Impact of Past Actions and the Quest for Reconciliation

This part of the script focuses on the character Jimmy Gator and his attempts to reconcile with his daughter Claudia before his death. It also discusses other characters like Officer Jim and Linda, exploring their personal struggles and the consequences of their actions. The paragraph emphasizes the theme of regret and the characters' attempts to find redemption or acceptance in the face of their past mistakes.

20:12

🌧 The Unraveling of Lives and the Frogs Phenomenon

The paragraph delves into the dramatic climax of 'Magnolia' where frogs rain down from the sky, affecting each main character's life. It discusses how this supernatural event serves as a catalyst for the characters to confront their pasts and their lack of control over life. The narrator argues that the frogs are symbolic of the unpredictability and absurdity of life, and how the film uses this event to bring all the characters' stories to a close.

25:12

🎼 The Power of Music and the Characters' Self-Awareness

This section discusses the use of music in 'Magnolia', particularly the song 'Wise Up', and how it serves as a narrative device to express the film's philosophy. It explores the characters' self-awareness and their acknowledgment of being part of a story, suggesting that they are aware of their roles as pawns in a larger narrative. The paragraph also touches on the film's self-referential nature and its use of fourth wall breaks.

30:14

🔮 The Role of Dixon and the Film's Spiritual Undertones

The paragraph examines the character Dixon, suggesting that he may be a supernatural or divine entity within the film's universe. It discusses Dixon's knowledge of the future and his role as an agent of the story, as well as the film's use of religious and spiritual symbolism, such as the number 82 and the references to angels and the devil.

35:16

🏥 Phil's Role as a Catalyst and the Film's Autobiographical Elements

This section explores the character Phil, the nurse, and his role as a caretaker and plot device within 'Magnolia'. It discusses Phil's lack of personal backstory and his function as a character who progresses the story through his actions. The paragraph also touches on the film's autobiographical elements, suggesting that it may reflect the personal experiences of the director, Paul Thomas Anderson.

40:17

🌈 The Philosophical Core and Life's Inevitability

The final paragraph summarizes the film's core philosophical questions about the nature of life, fate, and consciousness. It discusses the idea that life's events are both random and predetermined, and that accepting this can lead to a more carefree and appreciative existence. The narrator encourages the audience to embrace life's unpredictability and to find peace in the acceptance of what has happened.

Mindmap

Keywords

💡Magnolia

Magnolia is a film directed by Paul Thomas Anderson that serves as the central subject of the video. The film weaves together multiple narratives and explores themes of fate, free will, and the impact of the past on the present. The video discusses how Magnolia is a masterpiece that has been misunderstood by some critics as pretentious, but is actually a profound exploration of human nature and the unpredictability of life.

💡Cosmic Irony

Cosmic irony is a concept used in storytelling where a higher power, such as fate or a personification of the universe's rules, intervenes to create an ironic situation. In the context of the video, cosmic irony is linked to the film's ending, where frogs rain down from the sky, symbolizing the characters' lack of control over their lives. The video uses this concept to analyze the film's philosophical underpinnings and the characters' acceptance of their circumstances.

💡Fate and Chance

Fate and chance are philosophical concepts debated throughout the video and the film. They represent the struggle between believing in a predetermined future versus random, uncontrolled events. The video discusses how the film Magnolia explores this debate, showing characters who are victims of their pasts and the consequences of their actions, suggesting that their lives are governed by forces beyond their control.

💡Child Abuse

Child abuse is a significant theme in the film Magnolia, as it is shown to have long-lasting effects on the characters' lives. The video explains how the power of the past, particularly through child abuse, shapes the characters' present circumstances and their ability to reconcile with their past. It is depicted as a form of trauma that influences the characters' identities and life choices.

💡Regret

Regret is a powerful tool for moving forward, as discussed in the video. It is portrayed in the film as something that characters must embrace and accept as part of their past. The video uses the film's narrative to illustrate how characters grapple with their regrets, which are often the result of past actions that have led to their current predicaments.

💡Control

The concept of control is explored in the video through the character of Frank, who preaches a philosophy of self-determination and rejecting the influence of one's past. The video contrasts this with the film's overarching message that life is beyond our control, suggesting that attempts to exert control are ultimately futile and that acceptance is more beneficial.

💡Self-Awareness

Self-awareness in the context of the video refers to the film's meta-cinematic approach, where characters seem to be aware of their roles in the narrative. The video points out moments in the film where characters break the fourth wall or act as if they are in a TV show, suggesting that the film is aware of its own artificiality and uses this to convey its themes.

💡Unpredictability of Life

The unpredictability of life is a core theme in the video's discussion of Magnolia. It is highlighted by the film's fantastical elements, such as the rain of frogs, which serve to illustrate that life often throws unexpected events at us. The video suggests that the film encourages the audience to accept this unpredictability and lack of control as a part of existence.

💡Anthropological

The term anthropological is used in the video to suggest that the film's themes are not just personal or familial but also relate to human nature and societal structures. The video implies that the damage caused by the past, as depicted in the film, has broader implications for understanding human behavior and the impact of environment and upbringing on individuals.

💡Narrative

The narrative of the film Magnolia is dissected in the video, which discusses how the film tells its story through interconnected character arcs and unexpected events. The video emphasizes the film's non-linear storytelling and how it uses narrative techniques to explore its themes, such as the use of coincidence and the intervention of cosmic irony.

💡Closure

Closure is a concept that the video relates to the characters' journeys in the film. It refers to the resolution or understanding that characters seek regarding their pasts and the events that have shaped them. The video discusses how the film's unconventional ending provides a form of closure for the characters, allowing them to confront their pasts and move forward.

Highlights

Profound storytelling in 'Magnolia' with deep, moving narratives and excellent music and acting.

Debate on whether 'Magnolia' is pretentious; the film's ending is defended as a masterpiece.

Interpretation of 'Magnolia' as a commentary on the power of the past and its impact on the present.

Themes of child abuse and family damage are central to the characters' development.

The film explores fate, free will, and the philosophical aspects of life's unpredictability.

Use of true stories to introduce the concept of cosmic irony and the idea of higher power intervention.

Discussion on the philosophical debate between fate and chance in the film.

The film's self-awareness and its characters acting as vessels for the author's message.

Analysis of the character Frank as a symbol of control and his philosophical opposition to the film's message.

The character Stanley's struggle with his destiny as a child prodigy and the pressures of fame.

Jimmy Gator's character arc and the consequences of his past actions, including his relationship with his daughter Claudia.

Claudia's journey of self-discovery and acceptance of her past abuse.

Linda's guilt and transformation as she grapples with her feelings for her dying husband.

Earl's regrets and his quest for reconciliation with his estranged son Frank.

The supernatural event of frogs raining from the sky symbolizing the characters' acceptance of life's unpredictability.

The film's use of self-aware narrative techniques to convey its philosophical themes.

The character Phil's role as a facilitator of the plot and his significance as a potential angelic figure.

The autobiographical elements of 'Magnolia' and its personal significance to the director.

The overarching message of accepting life's uncontrollable nature and the role of cause and effect.

Transcripts

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foreign

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it's just profound it's profound it's

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deep and it's it's moving and it's just

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so creatively told the music and the

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acting so good and and I'm not saying

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this to sell the movie I really think

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this is one of those movies I really do

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magnolia one of my all-time favorite

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films and certainly my favorite from

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Paul Thomas Anderson now maybe it's not

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your favorite but we can all admit that

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it's at least really good

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well almost all of us some people insist

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on calling Magnolia pretentious and

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boring they're wrong if they gave these

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labels to Anderson's last couple films

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maybe they'd have a point but they

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didn't say this about his recent films

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they said it about Magnolia in

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particular they didn't like the ending

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the film is a mess I really thought that

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all of these stories would have come

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together in some sort of unexpected

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synergistic way there would have been

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some sort of a picture these stories

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don't come together it makes no sense

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this I just can't abide because Magnolia

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is a masterpiece for nearly three hours

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we watch all these related stories all

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of these characters thinking that it's

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all leading to some resolution where

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they all come together you know and and

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ending with a nice poetic punch that

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explains what it all means in some

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easily digestible way what we get

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instead is a Biblical disaster frogs ran

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randomly raining down from the sky

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forcing the characters into the end of

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their stories in a way that seems

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completely out of left field

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but it's not random it makes perfect

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sense at least to me

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so here we go this one's gonna be long

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I'm gonna get in depth so uh relax kick

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your feet up and enjoy my interpretation

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of Magnolia

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so what's Magnolia's message of course

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the most obvious theme of the film is

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the power of the past it's about child

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abuse and more broadly the damage that

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can be caused by one's family or

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environment [ __ ] on as a child and

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that's scars that hurts the book says we

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may be through with the past we have to

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passing through with us many of the

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characters suffer from some sort of

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trauma or predicament that steered them

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into being who they are in the present

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many of the characters arcs involve them

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facing their past and reaching some sort

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of reconciliation much has been written

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on this theme and I agree with much of

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what I've read but I think I have a bit

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more to add in my opinion Magnolia isn't

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just about families and the way the past

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is always affecting us because it's

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Universal Man

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it is evolutional it is anthropological

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it is

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biological I think there's a deeper

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philosophy here one that involves not

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just the past but the but the present

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and the future it's about fate free will

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cause and effect in general you are here

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for me too

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own future not so unknown future into

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the crazy experimental ending that all

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the stupid critics called pretentious is

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crucial to this as is the very beginning

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of the film there is an account of the

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hanging of three men they died for the

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murder of Sir Edmund William Godfrey

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husband father pharmacist and all-around

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gentleman resident of greenberry Hill

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London he was murdered by three vagrants

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whose motive was simple robbery they

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were identified as

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Joseph Greene Stanley Berry and Daniel

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Hill Green Berry Hill and I would like

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to thank this was only a matter of

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chance Magnolia begins with three quick

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true stories of incredibly unlikely

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events events so unlikely they seem

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impossible when telling the first two

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stories the narrator says because I am

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trying to think this was all only a

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matter of chance he acknowledges how

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unlikely these scenarios are but refuses

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to admit that they could be something

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more something Beyond a simple fluke

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he's in denial that this is all out of

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our control and that someone or

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something is pulling the strings but by

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the time he finishes the third and final

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story he comes to a troubling

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realization and it is in a humble

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opinion of this narrator that this is

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not just something that happened this

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cannot be one of those things this was

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not just a matter of chance these

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strange things happen all the time he

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admits that something else it's going on

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here it's also interesting that even

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though our narrator tells us these star

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stories are true

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well they're not either way many people

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who've seen Magnolia think these stories

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are true it's it's sort of like how

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Fargo claimed to be a true story to

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trick the audience to to Prime them into

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being easily immersed in the Absurd A A

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Stranger Than Fiction sort of approach

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this entire section of Magnolia is very

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cohen-esque honestly the whole movie is

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at least thematically philosophically

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because like many Cohen films Magnolia

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is about Cosmic irony to explain this

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concept I'm going to use a clip from a

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video I made on the use of cosmic irony

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in Cohen films I think I did a good job

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back then and probably wouldn't be able

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to explain it this well again and also

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it'll be interesting to see the

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similarities between Cohen films and

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Magnolia which I'll be discussing

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shortly but first Cosmic irony like many

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other versions of irony is a tool used

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in fiction in storytelling it occurs

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when something like a higher power which

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could be something like God or the

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concept of fate or or a sort of

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personification of the rules of the

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universe itself intervenes to create an

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ironic situation an unlikely situation a

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situation that gives itself a nice

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little poetic punch as it unfolds

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Cosmic irony is known as irony of Fate

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it's a force outside of a character's

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control interfering in their story now

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this interference can either be actual

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or inferred meaning The Oddities of the

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story could actually be supernaturally

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influenced or there could be no

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influence as long as the cause of The

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Oddities remains ambiguous enough for an

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argument to be made a good example of

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this ambiguity could be the

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philosophical debate between fate and

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chance in No Country for Old Men the

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film is about whether or not the

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universe decides the fates of its

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characters it explores whether these

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characters or really anybody real or

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imagined has any agency at all the story

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is perfectly Cohen it shows the

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absurdity of life and it questions the

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unchangeable paths that suffering people

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are stuck on with no Escape or

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alteration and the ending is

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anticlimactic the bad guy ends up

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winning and the good guys end up losing

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and in terms of the film's theme of Fate

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versus chance it's near impossible to

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nail down exactly how it should be

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interpreted I mean it couldn't be more

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Cohen than that

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it's just goddamn Beyond everything

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what's it mean

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what's it leading to and if you want to

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explore this topic in more detail I made

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an entire video essay about it but this

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debate between fate and chance is

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explored in many of the other Cohen

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stories maybe not as blatantly or from

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the same angle but it's definitely there

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in all of their movies you see at first

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their stories these these absurdist

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stories seem to only occur through

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random chaotic chants without true

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purpose and nor sometimes even

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conclusion but this Randomness that

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interferes with the characters it

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becomes So Random it Sparks situations

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so unlikely these rare occurrences begin

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to look less like chance and more like

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fate orchestrated by something if

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incredibly ironic or even seemingly

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impossible things happen to a character

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in a story which often do thus leading

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to a story becoming interesting it's as

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if a higher power in control of the

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story whether it be God or Fate has

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acted upon the story to influence the

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character other times this concept is

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just blaring out of the screen

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characters break the fourth wall stories

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admit to be stories and sometimes even

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Supernatural characters in control or or

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at least in observance of the film story

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completely aware that it is merely a

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story expose themselves to the normal

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characters

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the cowboy in The Big Lebowski and the

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man who controls the clock in the HUD

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sucker proxy are basically like God and

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then Charlie from Barton Fink is I don't

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know he's like the devil or or something

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but let's get back to Magnolia to start

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the title sequence look at all the

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imagery here time growth Maps this film

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is about a lot love regret forgiveness

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human nature cause and effect it's about

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everything the weather report for the

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day is shown as text on screen of course

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this relates to the concept of

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predeterminism of things being already

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decided not so unknown future and yet if

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we know anything about the weather it

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also tells us that we humans we we try

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our best to guess at what will happen

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yet we often get it wrong the weather

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like everything is out of our control

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sometimes it does some crazy and

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unlikely things such as pouring rain or

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all day in Los Angeles a city built in a

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desert and according to this film

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sometimes it even rains frogs Magnolia

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is about extremely unlikely events

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actually occurring but more importantly

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it's about how we have no control over

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any of it

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the main story of Magnolia begins with a

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montage that introduces all the main

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characters to the song One is the

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Loneliest Number fitting seeing as how

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all of them are at some level very

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lonely but what they are most are

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victims victims of their pasts victims

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of their present victims of cause and

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effect of the unfair game all of us play

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a part in probably the best example of

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this concept here is the character of

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Dani Dani used to be a child genius

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becoming Famous by dominating on the

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game show what do kids know 30 years ago

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but he was struck by lightning causing

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brain damage stripping him of his gifted

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intelligence the lord giveth and the

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lord taketh away have you ever been hit

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by lightning it doesn't happen to

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everyone

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it's an electrical charge it finds its

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way across the universe and it lands in

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your body

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and your head and now I'm just stupid

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you are so cute when you're on that game

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show that you can't answer any questions

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now though huh on top of this his

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parents stole all of his game show

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winnings for themselves essentially

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abandoning him and the book says we may

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be true with the past but the past is

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not true with us this is so [ __ ]

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Solomon I don't deserve this don't get

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strong Donnie now Donnie is a loser

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barely scraping by he has a crush on

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Brad a bartender with braces Donny's

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plan to get Brad to notice him is to go

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into even more debt and get braces

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himself even though he doesn't need them

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at all his teeth are fine to pay for his

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braces and most likely to pay off some

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of his debts Donnie decides to Rob his

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boss Solomon during the robbery at the

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end of the film he smashes his teeth out

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I'm sure you all see the cosmic irony

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[Music]

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Frank is a controversial pickup artist

play12:07

kind of like an Andrew Tate character

play12:10

but with actual good looks that is not

play12:12

to say that we don't all need females

play12:14

just as friends because we're going to

play12:15

learn later in chapter 23 that having a

play12:17

couple of chick friends lying around

play12:18

coming real Handy and setting jealousy

play12:20

traps we'll get to that later Frank

play12:22

represents the opposing philosophy to

play12:24

the film

play12:25

control it's about finding out what you

play12:28

can be in this world

play12:30

finding it controlling it and saying I

play12:33

will take what is mine that in trying to

play12:36

figure out who you are

play12:38

um do you have more important things

play12:39

well no it's all important into Frank

play12:42

see the main message of Magnolia is to

play12:45

accept the past and acknowledge that

play12:47

there's nothing you can do to change

play12:48

what's happened it's about embracing

play12:51

regret because regret can be a powerful

play12:54

tool moving forward

play12:56

Frank's main message is the opposite or

play12:59

at least that's how he starts out his

play13:01

self-help speeches are all about

play13:03

forgetting the past ignoring where you

play13:05

come from and who you are it's about

play13:07

creating another past and taking control

play13:09

of the future and making your own

play13:11

destiny yeah Mommy wouldn't let me play

play13:13

soccer and daddy

play13:15

he hit me so that's

play13:17

that's who I am that's that's why I do

play13:19

what I do

play13:21

[ __ ] I am the one who's in charge

play13:25

[Applause]

play13:27

I am the one who says yes

play13:30

no now most of his clients are pathetic

play13:35

men who truly have no chance of getting

play13:37

the women they want so Frank sells them

play13:39

a philosophy that they want to hear that

play13:42

he wants to hear that people aren't

play13:45

defined by the things out of their

play13:46

control that if men want something or

play13:49

want to be something all they have to do

play13:52

is act Frank wants to influence

play13:54

everything around him and yet refuses to

play13:57

be influenced in return him walking out

play14:00

on stage to thuspoke zarathustra speaks

play14:02

volumes here

play14:05

and I'm like he kind of sees himself as

play14:07

a God in a way it seems like he thinks

play14:11

he can even control time that's right

play14:13

you're going to Mark the calendar you're

play14:14

going to mark that calendar it is going

play14:16

to make all the difference in your world

play14:18

and on the 1st of May and come June Oh

play14:22

Come Again stick with this calendar

play14:24

you're going to work with it you're

play14:25

going to set goals facing the past is an

play14:28

important way of not making progress

play14:29

this is something I tell my men over and

play14:31

over and over Frank has been

play14:32

successfully running away from his past

play14:34

and preaching the gospel of reinvention

play14:36

for years but tonight Frank is

play14:39

interviewed by a tough journalist

play14:41

Frank's past his real past reaches out

play14:45

and forces him to acknowledge it

play14:48

well I was one

play14:53

of meteorological services or if they

play14:55

have in-house instruments like Donnie

play14:57

all those years ago Stanley is now a boy

play14:59

Genius competing on the same game show

play15:01

what do kids know Stan Lee seems to know

play15:04

everything but he's also miserable his

play15:07

parents use and abuse him much like

play15:09

Donny's you have to be subtly abusive so

play15:11

they don't know what's happening I need

play15:13

to go to the bathroom

play15:14

Stanley you can't go to the bathroom now

play15:16

you have exactly one minute right when

play15:18

Stanley's about to set a record win

play15:20

streak he pees his pants on live TV I

play15:23

don't know he pissed his pants

play15:24

pants Jesus Stanley what the [ __ ] you do

play15:26

that for like his IQ and his parents it

play15:29

was out of his control the showrunners

play15:31

wouldn't let him take a bathroom break

play15:33

ensuring that eventually it was going to

play15:36

happen well I made to feel like like a

play15:38

freak

play15:39

if I answer questions

play15:42

from smart

play15:45

or I have to go to the bathroom whether

play15:48

it's bladders or clouds in the sky water

play15:51

goes in water goes out cause and effect

play15:54

what is that

play15:56

I'm asking I'm asking you that

play16:00

I'm not sure in the moment of the film

play16:03

during the game show where Stan Lee

play16:05

talks back to Jimmy and refuses to

play16:08

answer the questions

play16:09

it seems that Stanley is resisting his

play16:12

fate he is a child prodigy it seems that

play16:16

it is his Destiny to play this game but

play16:18

in this moment Stanley refuses it seems

play16:21

Stanley is taking control of his own

play16:24

life but near the end of the film it

play16:26

seems Stanley goes back on this Stanley

play16:29

breaks back into the library and goes

play16:31

right back to studying right back to the

play16:34

books write back to what he's been doing

play16:36

this entire time Stanley tries to take

play16:39

control but in the end he succumbs to

play16:41

his Destiny although at the very end of

play16:44

the film Stanley does stand up to his

play16:46

abusive father but only for a moment and

play16:49

you need to be nicer to me

play16:53

a little bit his father gives no

play16:55

response to his pleas and instead tells

play16:58

Stanley to go back to bed which he does

play17:05

kids Jimmy Gator is the host of this

play17:08

game show at the same moment that Stan

play17:10

Lee pees his pants Jimmy collapses on

play17:13

stage he has terminal cancer he's had a

play17:17

long and successful career as a TV

play17:18

personality the world loves him but his

play17:21

own daughter Claudia hates him all Jimmy

play17:24

wants to do is reconcile with his

play17:26

daughter before he dies but she refuses

play17:28

to speak to him his past actions have

play17:31

consequences it's metastasized in my

play17:33

bones [ __ ] you

play17:35

but it's uh I'm not lying to you this is

play17:38

the truth I'm telling you I I call you

play17:40

I'm going to lose

play17:42

get out it seems like the story is cruel

play17:44

to Jimmy until we realize that he

play17:47

molested his daughter he molested

play17:49

Claudia I think she thinks

play17:53

that I may have molested her

play17:55

would you ever touch her

play18:00

when we consider he's been hosting a

play18:02

show for 30 years in Hollywood that

play18:04

features children a sickening Theory can

play18:07

easily be reached the show being named

play18:09

what the kids know might not be a

play18:12

coincidence please

play18:15

you deserve to die alone for what you've

play18:18

done I don't know what I've done

play18:22

say it whatever it is and I'll listen to

play18:24

you you don't know stupid I am it's okay

play18:26

I got troubles okay

play18:29

Jimmy's daughter Claudia is clearly

play18:32

damaged she's a drug addict and is used

play18:35

by men constantly this is typical

play18:37

behavior for someone who's been through

play18:39

what Claudia has she sees herself as

play18:42

unlovable that is until Officer Jim

play18:45

comes into her life strangely enough

play18:47

Officer Jim has the same first name as

play18:50

her father

play18:51

I might get 20 bad calls a day

play18:54

one time I can help someone

play18:57

and I'm a happy cop Jim is a typical man

play19:00

looking for love he's good and decent

play19:03

and he's a good Christian who prays hey

play19:05

God I'm telling you right now

play19:07

I will not screwed up gave me an

play19:09

opportunity he's a police officer who

play19:11

despite having Authority is constantly

play19:14

told what to do and made to be a fool

play19:21

no I'm here he discovers a murder and

play19:25

then a child Dixon wraps a song that

play19:28

says exactly what happened but Jim

play19:29

doesn't listen he just scolds Dixon for

play19:32

swearing you better just shut the [ __ ]

play19:34

up I've had enough of the mouth and the

play19:36

language

play19:47

okay whatever that meant did you listen

play19:50

to me

play19:52

who did it

play19:54

listening to me

play19:55

cool stay in school

play20:01

later it pours rain on him and someone

play20:04

shoots at him causing him to drop his

play20:06

gun Dixon appears takes the gun and then

play20:09

vanishes with it meaning Jim is in

play20:11

trouble but he finds comfort in meeting

play20:13

and falling for Claudia

play20:16

you everything and maybe we can get

play20:18

through all the piss and [ __ ] and lies

play20:19

that kill other people huh

play20:22

just some [ __ ] you really use strong

play20:25

language on their date he begins to

play20:27

scold Claudia for swearing just like he

play20:29

did Dixon but then apologizes and

play20:31

realizes he needs to start listening to

play20:33

people more I'm sorry no it's nothing

play20:34

I'm sorry he admits to Claudia that he

play20:37

hasn't been on a date in three years

play20:38

ever since his divorce which clearly

play20:41

left him a bit damaged I lost my gun

play20:43

today what I lost my gun today when I

play20:46

left you and I'm the laughing stock of a

play20:48

lot of people and I feel like a fool

play20:50

you want to kiss me Jim yes I do

play20:58

now that I

play21:01

don't have money again

play21:02

what don't just say no wait Claudia what

play21:05

is it please

play21:10

he's dying he's [ __ ] dying as we're

play21:12

sitting here because there's not a

play21:13

[ __ ] Jesus how can you tell me to

play21:15

calm down

play21:17

I don't know what I'm doing

play21:19

I do things and I [ __ ] up Linda is the

play21:23

trophy wife to Earl a successful

play21:25

producer who is now dying of cancer she

play21:27

is racked by guilt for she only married

play21:29

him for his money and cheated on him

play21:31

constantly but now in his final days of

play21:34

life she has grown to actually love her

play21:38

husband out of guilt she wants to change

play21:40

the will so she doesn't get any of the

play21:42

money I don't

play21:45

know when we met and I I did so many bad

play21:47

things to him that he doesn't know are

play21:49

things that I want to confess to him but

play21:51

but now I do I love him she has pure

play21:53

liquid morphine to give Earl to put him

play21:55

out of his misery but she can't bring

play21:57

herself to kill him she leaves and takes

play22:00

a handful of pills in her car attempting

play22:02

suicide but before she dies she's

play22:05

discovered by Dixon who calls an

play22:07

ambulance Linda tries to take control of

play22:09

her own life even if that means ending

play22:12

it she makes the decision to end it but

play22:15

her decision her sense of control is

play22:18

shown to be Just an Illusion as mistakes

play22:21

like this

play22:22

you make some

play22:24

and okay

play22:27

not okay sometimes you make other ones

play22:31

one of Earl's past projects that added

play22:33

to his wealth was the show what do kids

play22:36

know he's a few stages ahead of the

play22:38

show's host Jimmy and by that I mean his

play22:40

cancer has taken him right up to death's

play22:42

door goddamn regret

play22:45

the goddam regrad on his deathbed of

play22:49

course his major regrets in life now

play22:51

plague him he constantly cheated on his

play22:53

first wife and the love of his life and

play22:55

mother of his children and worse than

play22:57

this when she became terminally ill he

play22:59

abandoned her and left his only son to

play23:01

take care of her while she withered away

play23:03

his son hasn't spoken to him in 10 years

play23:05

Earl's dying wish is to see his son One

play23:09

Last Time his nurse Phil helps him on

play23:12

this Quest Phil tracks down Earl's son

play23:15

who turns out to be none other than

play23:18

Frank

play23:20

you will not control me no you will not

play23:24

take my soul no you will not win this

play23:27

game the most useless thing in the world

play23:29

is that which is behind me chapter three

play23:31

even though Frank has been claiming the

play23:33

past is irrelevant he is defined by the

play23:36

pain his father put him through it's

play23:38

what he uses to manipulate not only the

play23:40

countless women but his gullible fans

play23:42

but due to both the interviewer and

play23:45

Phil's pressuring Frank finally faces

play23:48

his past

play23:49

[Music]

play23:53

Frank's Ark kind of carries with it the

play23:56

message of the movie it resolves the

play23:59

debate between accepting your past and

play24:01

running from it let anyone

play24:05

say to you you shouldn't regret anything

play24:08

you regret what you [ __ ] want use

play24:12

that regret for anything any way you

play24:15

want you can use it okay Magnolia tells

play24:18

us to acknowledge and accept the

play24:20

uncaring sequences of cause and effect

play24:23

there's no running from it and it's not

play24:25

going to stop so give up

play24:28

[Music]

play24:32

Frank finally does and decides to visit

play24:35

his father but unfortunately when he

play24:37

arrives Phil has already given Earl the

play24:40

liquid morphine so Frank can't get the

play24:42

closure he was hoping for but the

play24:44

thudding of something falling from the

play24:46

sky miraculously causes Earl to wake up

play24:49

and see his son one last time before

play24:51

passing thus granting both of the men

play24:53

the moment they needed the thutting

play24:56

noise is the frogs falling from the sky

play24:58

and of course they fall across the

play25:01

entire city affecting every main

play25:03

character of the film for instance right

play25:05

as Jimmy is about to kill himself to

play25:07

spare himself the pain of the cancer as

play25:09

well as the guilt of what he's done the

play25:12

frogs crash through his ceiling causing

play25:14

him to not take the easy way out to live

play25:17

at least for now with what he's done and

play25:20

who he is you can't run from regret you

play25:23

must face it Claudia is able to accept

play25:25

or at least admit what her father has

play25:27

done to her when the Frog storm hits she

play25:30

finally confides in her mother allowing

play25:32

her to comfort her while robbing his

play25:34

boss Solomon the frogs fall on Donnie

play25:37

knocking him to the ground and knocking

play25:39

his teeth out but he's rescued by

play25:42

Officer Jim who then convinces Dani to

play25:44

return the money Jim's lost gun also

play25:47

falls from the sky meaning this storm of

play25:51

frogs not only allowed Jim to do his one

play25:53

good thing it also saved him from being

play25:56

fired and probably gave him the courage

play25:58

to go back to Claudia in the end these

play26:01

frogs falling from the sky are what wrap

play26:03

up all the stories many critics didn't

play26:06

like this they see this ending as a

play26:09

pretentious cop-out rather than tying up

play26:11

all the stories in a realistic way the

play26:14

movie pulls the rug out and does

play26:15

something Fantastical great episodes and

play26:18

these great movies in these great

play26:20

performances

play26:21

it's all great but I don't know what to

play26:24

do with it where do I go for the last

play26:27

30 minutes yeah no matter how do I have

play26:29

a climax here that brings it all

play26:32

together what do you what are you

play26:34

no you know the funny thing is what

play26:37

you're hinting towards is actually one

play26:39

of the first things that came into my

play26:41

brain

play26:42

um how it comes together at the end yeah

play26:45

yeah so it's not it's not an

play26:47

afterthought in other words it's not an

play26:48

afterthought the implication is that

play26:50

writer PT Anderson just didn't have a

play26:52

good way to end the story so he cheated

play26:54

but this was always how he wanted to end

play26:57

the story because this event these frogs

play26:59

falling from the sky it really is the

play27:02

main way all of these stories are

play27:04

related not necessarily the frogs

play27:06

themselves but what the frogs represent

play27:09

the lack of control of agency the

play27:12

unpredictability and absurdity of life

play27:15

these characters are haunted by their

play27:17

pasts imprisoned in their present having

play27:20

no control over who they are or what's

play27:22

happening to them having something

play27:24

Supernatural like this occur to all of

play27:26

them at once is in my opinion the best

play27:29

way to show their acceptance of their

play27:31

lack of control whether the ending makes

play27:34

sense or not it is the ending it isn't

play27:37

up to the characters it's up to the

play27:39

author I think the point here or at

play27:41

least something the film wants us to

play27:43

ponder is that there really isn't a

play27:45

difference between an ending that's

play27:46

sensible and predictable and one that

play27:48

seems bizarre or unearned the end is the

play27:51

end fate is fate people get cancer kids

play27:55

get molested Geniuses get struck by

play27:57

lightning all of these things are out of

play28:00

our control they change us they become

play28:03

yet another puppet string that forces us

play28:05

to dance across the stage this ending

play28:07

isn't pretentious it's genius

play28:11

now before completely Switching gears in

play28:14

the video here I want to point out a

play28:16

couple little touches that this movie

play28:17

makes that I uh that I really appreciate

play28:20

I love the minor character of Frank's

play28:23

assistant here we see him talking to a

play28:26

bunch of Frank's fans

play28:28

stop practice honing your skills on a

play28:30

feminist I know he's talking about

play28:32

trying to seduce or at least manipulate

play28:35

a feminist he acts as if he's done this

play28:38

as if he's so cool in Macho that he can

play28:41

even seduce all the boss [ __ ] out

play28:43

there what I love is that he then gets a

play28:46

phone call from his boss who happens to

play28:49

be a woman

play28:52

and she completely shits on him and he

play28:56

just takes it

play28:58

off of the elevator Janet good

play29:03

and how she says good boy to him is if

play29:06

he's a dog this relates to one of my

play29:10

favorite little secret hidden Easter egg

play29:12

things in this movie it relates to dogs

play29:15

biological

play29:18

it is animal there are many little Clues

play29:21

throughout the movie that show Frank to

play29:24

be a dog he is drawn as a dog on his

play29:28

poster he makes panting noises here like

play29:31

a dog before his interview

play29:33

okay

play29:34

calm down take it easy and be a good boy

play29:38

and even when he begins to break down at

play29:40

his father's side he uh he he kind of

play29:44

sounds like a dog

play29:48

what I find interesting here is that at

play29:51

the end of the movie Once Frank has had

play29:53

his Arc and decides to finally face his

play29:57

past he wants nothing to do with the

play30:00

dogs Phil

play30:01

I will drop kick the [ __ ] dogs if

play30:04

they come near me he hates the dogs even

play30:07

though the movie has been telling us

play30:08

that he is one and at the very end of

play30:11

the movie Once Frank has reached the

play30:13

complete end of his Arc one of the dogs

play30:16

is dead it's almost as if it died to

play30:20

symbolize that side of Frank or maybe

play30:24

all this dog stuff is just a coincidence

play30:26

but I felt like pointing it out so

play30:28

alright let's change gears and get into

play30:30

the really complex stuff in Magnolia

play30:34

do you have love in your heart

play30:36

I have love all over

play30:39

I even have love for you friend I think

play30:42

another reason this film gets called

play30:43

pretentious is due to some of its

play30:45

dialogue due to so many different

play30:47

characters

play30:49

uncharacteristically saying profound

play30:51

things it's a dangerous thing to confuse

play30:53

children with angels but something the

play30:55

critics fail to understand here is that

play30:58

this too serves a purpose to understand

play31:00

why we first have to realize that

play31:03

there's a sort of self-awareness to this

play31:05

film as if it's admitting that its

play31:07

characters are characters thus breaking

play31:10

the illusion of a naturally progressing

play31:12

story and instead using Cosmic irony as

play31:14

a sort of Puppeteer because I'm not a

play31:17

toy I'm a doll

play31:20

we're gonna start rolling now what I

play31:24

thought we were rolling and I know that

play31:25

I might sound ridiculous like this is

play31:27

the the scene of the movie where the guy

play31:29

is trying to get a hold of the long lost

play31:30

son you know but this is that scene this

play31:34

is that scene this is so boring so

play31:36

goddamn you know that guy and wish

play31:40

all that old man on a bed

play31:44

oh good this is a long way to go with no

play31:48

punch

play31:49

a little moral regret that you make

play31:54

and then something you take and the blah

play31:56

blah

play32:00

something something

play32:02

give me a cigarette

play32:06

you know but this is that scene this is

play32:09

that scene and I think they have those

play32:11

scenes in movies because they're true

play32:13

you know because they really happen many

play32:16

of the characters being introduced on a

play32:18

television set is a clue to this fourth

play32:20

wall breaking self-awareness when Jim is

play32:23

introduced he's talking to himself as if

play32:25

being interviewed on an episode of cops

play32:27

he has rehearsed his lines even though

play32:29

he has no one to say them to and of

play32:31

course the movie ends with Claudia

play32:33

looking directly at the camera and

play32:35

smiling a quick recap for those who

play32:37

don't know

play32:43

foreign

play32:45

and then there's the part near the end

play32:47

of the film right as every main

play32:48

character is about to take action where

play32:50

all of them on their own decide to sing

play32:53

the song wise up

play32:55

[Music]

play32:59

let's look at some of the lyrics to this

play33:02

song it's not what you thought when you

play33:04

first began it you got what you want now

play33:06

you can hardly stand it though by now

play33:08

you know you're sure there's a cure and

play33:10

you have finally found it you think one

play33:12

drink will shrink you till you're

play33:14

underground and living down but it's not

play33:16

going to stop it's not going to stop so

play33:19

just give up as perfectly symbolic as

play33:22

these lyrics are of course this scene

play33:25

doesn't really make sense logically why

play33:27

would all of these people all decide to

play33:29

sing the same song at the same time

play33:32

well because the movie told them to and

play33:35

the movie is trying to admit to us that

play33:37

it has this command see this is the

play33:40

scene of the movie where you help me out

play33:42

so when the characters speak they aren't

play33:44

just speaking to others in the scene

play33:46

they seem to be broadcasting the

play33:48

philosophy of the film directly to the

play33:50

audience

play33:51

[Music]

play34:03

people think if I make a judgment call

play34:05

that that's a judgment on them but that

play34:07

is not what I do

play34:08

and that's not what should be done

play34:10

I have to take everything

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and play as it lays how do we do this

play34:16

then

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figure it out

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we do as we do I guess there are things

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that that that uh that God the the

play34:29

Puppet Master of the Universe the the

play34:31

screenwriter wants the audience to

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consider and these characters are his

play34:36

antennas that's another thing that those

play34:39

memory timelines yet you know what next

play34:45

what happens then what next you need to

play34:46

realize that um

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once you give it to him there really is

play34:50

no going back

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oh what the [ __ ] can I say that I don't

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know what to say

play34:56

I think short it's long

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it's long God damn it you are here for

play35:04

me too Enlighten You Into the Now not so

play35:08

unknown future so come along with me the

play35:10

narrator of the opening film is Ricky J

play35:13

the same man who plays the showrunner

play35:15

with the Freemasons ring also his quote

play35:18

here we met upon the level and we're

play35:20

parting on the Square is a common saying

play35:22

among Freemasons the group who some

play35:24

still think run the world we met upon

play35:27

the level and we're farting on the split

play35:30

the showrunner saying this must have

play35:33

some sort of implication what's

play35:34

interesting is how Jimmy responds to

play35:36

this saying he says I'm not [ __ ] sick

play35:39

Bert even though he is sick at this

play35:42

point in the movie Jimmy hasn't told

play35:43

anyone that he's sick the audience

play35:45

doesn't even know somehow the showrunner

play35:49

knew that Jimmy was sick the showrunner

play35:51

seems to know a lot of things he makes

play35:54

the entertainment for both the audiences

play35:56

in the film watching the game show and

play35:58

also the audience is watching the real

play36:00

film itself it's a dangerous thing to

play36:03

confuse children with angels

play36:06

thank you

play36:12

and the book says we may be true with

play36:14

the past but the past is not true with

play36:16

us and

play36:18

no it is not dangerous to confuse

play36:22

children with angels some of the

play36:24

children in the film certainly know more

play36:25

than the adults Stanley seems to know

play36:28

everything even acting unsurprised by

play36:30

the frogs even saying the same line as

play36:33

the narrator at the beginning of the

play36:34

film something that happened

play36:37

this cannot be one of those things maybe

play36:40

this is why the show is called what do

play36:43

kids know because another kid in the

play36:46

film Dixon clearly is Supernatural or or

play36:49

something special he seems to know

play36:51

everything he knew exactly where Lydia

play36:54

would be and saves her life and then

play36:56

there's his rap song Let's Take a look

play36:58

at the lyrics to that as well presents

play37:01

with a double ass meaning gifts I bestow

play37:03

with my riff and my flow but you don't

play37:05

hear me though

play37:06

saying his words will mean something

play37:08

deeper if only Jim would listen to him

play37:11

think fast think fast catch me yo

play37:14

because I throw what I know with a

play37:15

resonance for your trouble ass fiend and

play37:18

weaning yourself off the back of the

play37:19

Shelf the fiend is Claudia she's weaning

play37:23

Jim off the back of the shelf by either

play37:25

being the thing that takes him out of

play37:26

being single sad and lonely or by giving

play37:29

him the confidence to be a better cop

play37:31

jackass crackers body stackers dick

play37:34

tooting I'm not gonna say that

play37:36

masturbating to your triggers living to

play37:38

get older with a chip on your shoulder

play37:40

except you think you got a grip because

play37:41

your hip got a holster these insults

play37:44

could apply to many different characters

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or or maybe they're just nonsense or a

play37:48

combination of both my guess at least is

play37:51

that Phil is the body stacker because he

play37:53

takes care of the dead and dying the uh

play37:56

the uh the dick tutors could could be

play37:59

could be Linda she literally says that

play38:01

she sucks [ __ ] masturbating to triggers

play38:04

could be all about Jim and the police

play38:05

reliant on their guns or this is all

play38:08

just filler to sound more you know rap

play38:11

like ain't no Confessor so Buster you

play38:14

better just shut the [ __ ] up try to

play38:16

listen and learn check that ego this

play38:18

could be about Frank or Jimmy or Earl

play38:21

all have power and Egos and like to talk

play38:24

Frank never really confesses anything so

play38:27

that could be what Dixon means by no

play38:28

Confessor whereas Jimmy and Earl do

play38:31

confess but maybe Dixon is saying the

play38:33

severity of their crimes makes the

play38:35

confession a waste of breath come off it

play38:37

I'm the prophet the professor I'ma teach

play38:40

about the worm who eventually turned to

play38:42

catch wreck with the neck of a long time

play38:44

oppressor when he says I'm the prophet

play38:47

he means he himself Dixon is the prophet

play38:50

but the professor line makes me think he

play38:53

is also Stanley both Dixon and Stanley

play38:57

seem to be enlightened in full

play38:59

understanding of what's happening in the

play39:01

story when he says that he'll teach you

play39:03

about the worm he's talking about the

play39:06

crime in the film

play39:07

the crime that Jim should be trying to

play39:09

solve but ignores the worm is the man

play39:12

who committed the murders at Dixon's

play39:15

mother's house it was cut from the movie

play39:18

but supposedly the worm is revealed to

play39:20

be Dixon's father there's a common theme

play39:23

between Stanley and Frank and Claudia

play39:25

all standing up to their abusive fathers

play39:27

my guess is that in Dixon's cut

play39:30

storyline if it were in the movie he

play39:33

would have used the gun he stole from

play39:34

Officer Jim to kill the worm being yet

play39:37

another character to stand up to his

play39:39

father his long-term oppressor and he's

play39:43

running from the devil but the dead is

play39:44

always gaining and if he's worth being

play39:46

hurt he's worth bringing pain in when

play39:49

the sunshine don't work the good Lord

play39:50

bring the rain in running from the Devil

play39:53

with debt gaining is about Dani Dani is

play39:56

in debt and also seems to have a little

play39:58

devil on his shoulder telling him to

play40:00

lash out of the world for screwing him

play40:02

over putting him up to uh ridiculous

play40:05

evil ideas like robbing his boss worth

play40:08

being hurt worth bringing pain in can be

play40:10

about either of the old men who are

play40:12

deservedly suffering by Sunshine not

play40:15

working he could mean that the people

play40:17

aren't being enlightened like they

play40:18

should be they're not understanding the

play40:21

fact that they have no control so to

play40:24

make them understand he will have to

play40:26

bring the rain in he will have to bring

play40:28

about a storm the frogs Yeah so Dixon

play40:32

knows a lot on top of knowing the future

play40:34

and the lives of every major character

play40:36

in the movie remember he's also the one

play40:38

who took the gun from Jim and yet

play40:40

somehow it gets returned by falling from

play40:43

the sky a simple explanation for this is

play40:45

that in Magnolia's Universe Dixon is

play40:48

like an angel he's attached to or or is

play40:51

God somehow but what I at least think

play40:53

this means on a deeper level is that

play40:55

Dixon is an agent of the story itself

play40:58

and so is his mother like Dixon she

play41:01

refuses to listen to officer Jim's

play41:03

commands but she tells him exactly where

play41:05

to look for the bodies

play41:07

don't

play41:14

stop there's nobody in my mother

play41:20

action by action she Spurs him along in

play41:23

the plot getting back to uh religious

play41:26

themes the number 82 is hidden all over

play41:29

the film this is because in the Bible

play41:31

Exodus 8 2 reads if you refuse to let

play41:35

them go I will plague your whole country

play41:38

with frogs is it making sense

play41:40

is making a lot of sense I gave you a

play41:43

[ __ ] chance and a chance over and

play41:45

over you let me down Donny's wealthy

play41:47

boss with a safe full of money is named

play41:49

Solomon the name of the king of Israel

play41:51

who is said to have had a mine of gold

play41:53

and the devious old man Donnie talks to

play41:55

in the bar seems to know something more

play41:57

yeah you got struck by lightning that

play41:59

one but you're all right now

play42:01

so what's the one what

play42:04

to be a bit too classy for the place and

play42:07

speaks in only riddles and poetry who

play42:09

was it that said a man of genius has

play42:11

seldom been ruined by himself

play42:14

mind your own

play42:16

when the Supertramp song Goodbye

play42:19

Stranger is playing in the bar this man

play42:21

is shown right as the lyric the devil is

play42:24

my savior is hurt he seems devilish

play42:27

shall we drink to that which matches up

play42:30

with Dixon's line in his rap song

play42:33

things go round and round don't they

play42:37

do they do like I said before it's as if

play42:40

some of the characters exist to do the

play42:43

screenwriter's bidding which I guess is

play42:45

what all characters do when you think

play42:48

about it but with this film it's more

play42:49

apparent and and it's for a purpose the

play42:52

film is giving us signals in every shot

play42:55

every line every character see this is

play42:59

the scene of the movie where you help me

play43:01

out I could go through it and find

play43:03

countless examples I could find so much

play43:05

evidence for this theme but this video

play43:07

is already long enough but there there

play43:08

is one more thing that I want to talk

play43:10

about one more character and that's Phil

play43:13

the nurse even though Phil is considered

play43:16

a main character he's different than all

play43:18

the other main characters he doesn't

play43:20

really have a backstory or really any

play43:23

drama at all in his own life like the

play43:25

others do it's like he doesn't have his

play43:28

own life or own identity Phil is only

play43:31

there to be a caretaker a helper in this

play43:34

interview Philip Seymour Hoffman has

play43:35

asked what he found attract active about

play43:37

the character of Phil what what he liked

play43:39

about the character partially joking but

play43:41

also not this was his answer because his

play43:44

outfit is so cool uh

play43:48

because his hair is not cut just right

play43:51

it's a little too long did you know what

play43:53

it's sad

play43:54

um

play43:56

uh he flosses

play43:58

um put attracting Phil farmer was that

play44:00

he's really really really nice guy and

play44:03

that he has

play44:05

a moral structure that is beyond the

play44:08

Call of Duty that is beyond what most

play44:11

people while it's not explicit I see the

play44:14

character of Phil possibly being similar

play44:16

to Dixon as in he does whatever is

play44:19

necessary to progress the story Linda

play44:22

couldn't bear to be the one to give Earl

play44:24

the morphine she didn't want to

play44:26

euthanize him she couldn't play God but

play44:29

it's Phil's job to play God so he ends

play44:32

up giving her all the morphine killing

play44:34

him and remember he also kills the dog

play44:36

that Phil also makes all the connections

play44:38

to unite Frank and Earl Phil makes

play44:41

massive decisions that further the plot

play44:43

far more often than any of the other

play44:45

main characters maybe Phil is kind of

play44:49

like an angel character as well with his

play44:52

blonde hair and cherub face he

play44:54

definitely looks Angelic or maybe I just

play44:56

think this because of how much I love

play44:58

Philip Seymour Hoffman and and also wow

play45:00

like Phil is played by a guy named Phil

play45:04

I mean the part was written specifically

play45:06

for Philip Seymour Hoffman so there's no

play45:08

way this is a coincidence maybe this

play45:10

plays into the whole theme of

play45:12

self-awareness as well who knows also

play45:15

maybe this fits into the theme of

play45:17

blurring the line or maybe it doesn't

play45:18

but Paul Thomas Anderson's father died

play45:21

of lung cancer in 1997. his name was

play45:24

Ernie and he was a TV personality

play45:26

involved in show business in general

play45:28

there was so much happening in my life

play45:30

at the time and I was just going through

play45:32

so much

play45:33

personal things you know that that Ernie

play45:36

Earl lung cancer and then in an

play45:38

interview Hoffman accidentally makes

play45:40

this slip up I think you know what Phil

play45:43

is showing up at work at Earl Anderson's

play45:45

house you know um Earl partridge's house

play45:48

you got to cut the Anderson out we're

play45:51

all parts of his house and uh family's

play45:53

just endless juicy ammunition for great

play45:56

stories you know they're never going to

play45:58

let you down for for good drama or or

play46:00

good comedy so yeah maybe this film is

play46:03

more autobiographical than we think

play46:06

[Music]

play46:08

okay so to summarize every main

play46:11

character except Phil has past traumas

play46:14

and past mistakes that puppet the pain

play46:17

of the present

play46:18

that uh that sentence had too many P's

play46:22

maybe maybe you'll think it was poetic

play46:24

and think highly of me or or maybe

play46:26

you'll judge me and say it's bad writing

play46:27

I'd like you to like it but uh how you

play46:30

feel about my writing isn't up to me and

play46:32

and honestly it isn't up to you either

play46:33

you don't choose what foods you like you

play46:36

don't choose what people you love you

play46:38

don't choose anything things happen to

play46:40

you and they change you it's all just

play46:43

cause and effect the one and only tool

play46:45

of an uncaring Universe the rules of the

play46:48

universe you know you know nature

play46:50

personified our author of cause and

play46:52

effect he doesn't like to make himself

play46:54

known he isn't flashy he doesn't turn

play46:57

water into wine and he doesn't make it

play46:59

rain frogs he doesn't draw attention to

play47:01

himself at least not most of the time

play47:04

but this is good because it gives us the

play47:06

feeling of being behind the wheel and

play47:09

the illusion works for most of us

play47:10

because most of us haven't been struck

play47:13

by lightning most of us haven't won the

play47:15

lottery most of us are never given a

play47:18

reason to think that the Universe has a

play47:20

strong opinion of us one way or the

play47:21

other it's rare to feel like the cosmic

play47:24

Spotlight is on us but in reality it's

play47:28

always on us it's just easy to forget

play47:30

this in the moments when it isn't

play47:32

raining frogs but it's always raining

play47:34

frogs everything is raining frogs

play47:37

raining frogs decided your genes your

play47:40

environment your worst fears and your

play47:42

happiest memories it's all out of

play47:45

control all of it every single thing is

play47:49

just one of those things but this still

play47:52

leads back to the same question the

play47:55

question at the heart of so many

play47:56

beautiful pieces of art like this movie

play47:58

probably because it's the question at

play48:00

the heart of Consciousness itself is it

play48:02

all the stream of random freak

play48:04

occurrences or is it planned out I think

play48:07

they're one and the same but it really

play48:08

doesn't matter if it's gonna rain it's

play48:11

gonna rain maybe it'll be water maybe

play48:13

it'll be frogs either way you have no

play48:17

say in the matter if you can accept this

play48:19

then you will be happier and more

play48:21

Carefree than you ever thought possible

play48:23

you'll be more thankful for gifts and

play48:25

less bothered by Misfortune it is what

play48:28

it is what happened happened and it

play48:31

happened in the one and only way it ever

play48:32

could have it's done there's no changing

play48:35

it

play48:36

and it's not going to stop

play48:39

hey thanks for watching hopefully uh

play48:42

hopefully some of this made uh some

play48:46

sense anyway like And subscribe and uh

play48:49

share the video you know I post a video

play48:51

I get like 50 views it's it's getting

play48:53

difficult to uh you know to to want to

play48:56

keep trying you know but I will because

play48:59

uh the the few views and the few you

play49:02

know nice comments that I do get they uh

play49:04

it makes it worth it so thank you bye

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Related Tags
Film AnalysisMagnolia MovieFate and ChanceChild AbusePast TraumaCharacter StudyCinematic ThemesPaul Thomas AndersonCosmic IronyEmotional Impact