Rango is a Peak Western

Mason idk
11 May 202312:04

Summary

TLDRThe video script delves into the evolution of popular film genres, highlighting the dominance of Westerns from the 1940s to 1970s and their eventual decline. It spotlights 'Rango,' an animated Western from director Gore Verbinski, which revitalized the genre with its unique 'emotion capture' technique, blending live-action performances with animation. The film's success, including an Academy Award, is attributed to its distinct visual style, talented cast, and a compelling narrative that explores themes of identity and legend, culminating in a story that respects and redefines the essence of Western cinema.

Takeaways

  • 🎬 The script discusses the cyclical nature of popular film genres, noting how they rise and fall in popularity over time.
  • 🏆 Currently, superhero films dominate the box office and popular culture, much like Westerns did from the 1940s to the 1970s.
  • 🔫 Westerns were once a pop culture phenomenon, with a romanticized depiction of lawmen, ranchers, and outlaws in various media forms.
  • 📉 As societal values and media realism evolved, the public's belief in the 'righteous man in a badge' diminished, leading to the decline of traditional Westerns.
  • 🍝 The Italian 'spaghetti Westerns' with morally ambiguous protagonists gained popularity, reflecting a shift in public sentiment during the 1960s.
  • 📽 The 1970s saw a rise in 'gritty realism' in films, which attracted larger audiences and overshadowed the Western genre.
  • 🎥 In 2011, Gore Verbinski directed 'Rango,' an animated Western that was both critically acclaimed and commercially successful, winning the Academy Award for Best Animated Feature.
  • 🎭 'Rango' employed a unique production method, using live-action performances by actors to inform the animators, resulting in a more emotionally expressive final product.
  • 🌟 The film featured an ensemble cast of talented actors, including Johnny Depp, who brought their own flair to the characters in the film.
  • 🏜️ 'Rango' presents a realistic yet anthropomorphic world, with detailed environments and character designs that blend photorealism with stylized features.
  • 🎼 The film's score by Hans Zimmer captures the essence of the Western genre, with influences from classic spaghetti Western scores.
  • 🐍 'Rattlesnake Jake' is a visually intimidating and memorable antagonist, whose appearance and actions significantly impact the story's tone.
  • 🦎 The story of 'Rango' revolves around the search for identity, as the main character evolves from a pet chameleon to a respected sheriff and a Western legend.
  • 🛡️ The film explores themes of legends, power, and the impact of heroes and villains on society, as well as the corruption of legends by those in power.

Q & A

  • What is the current most popular genre in mainstream cinema?

    -The current most popular genre in mainstream cinema is superhero stories and comic adaptations.

  • What genre dominated the box office and popular culture from the 1940s to the 1970s?

    -The Western genre dominated the box office and popular culture from the 1940s to the 1970s.

  • How did the Western genre reflect the ideals of the time politically and culturally?

    -The Western genre reflected the ideals of the time by portraying highly romanticized depictions of righteous lawmen, heroic ranchers, and outlaw gunslingers.

  • What type of Western films replaced the big budget Hollywood Westerns in the 1960s?

    -Smaller budget Italian spaghetti Westerns replaced the big budget Hollywood Westerns in the 1960s.

  • What was unique about the production of the animated film 'Rango'?

    -The unique aspect of 'Rango' was that the actors performed their scenes together in live action, which was then used as a reference for the animators, a process described as 'emotion capture' rather than motion capture.

  • Who was the cinematography supervisor for 'Rango' and what is significant about him?

    -The cinematography for 'Rango' was supervised by Roger Deakins, who is one of the most celebrated cinematographers in the history of filmmaking known for his mastery of lighting and color.

  • What themes does the story of 'Rango' explore?

    -The story of 'Rango' explores themes of identity, the power of legends, and the search for meaning and purpose.

  • How does the character Rango initially present himself to the town of Dirt?

    -Rango initially presents himself as a dangerous outlaw named Rango, using his acting skills to convince the townspeople.

  • What is the significance of the character Rattlesnake Jake in the film 'Rango'?

    -Rattlesnake Jake is a visually intimidating and memorable antagonist who represents a looming threat and contributes to the film's dark Western tone.

  • What message does the film 'Rango' convey about becoming a legend?

    -The film 'Rango' conveys the message that to become a legend, one must first believe that they are one, and that legends can inspire both hope and fear in people.

  • How does the film 'Rango' use the character of the Spirit of the West?

    -The Spirit of the West, modeled after Sergio Leone's 'The Man With No Name' character, serves as a mentor figure to Rango, providing advice and reminding him of his purpose.

Outlines

00:00

🎬 The Rise and Fall of Genres in Cinema

This paragraph discusses the cyclical nature of popular genres in cinema, highlighting the dominance of superhero films in contemporary culture and drawing a historical parallel with the Western genre's peak from the 1940s to the 1970s. It explores the cultural significance of Westerns, their eventual decline, and the emergence of Italian spaghetti Westerns as a reflection of changing societal values. The paragraph also introduces the transition of director Gore Verbinski from the 'Pirates of the Caribbean' franchise to his first animated Western film, 'Rango,' which was both a critical and commercial success, winning the Academy Award for Best Animated Feature.

05:00

🏆 The Artistry and Impact of 'Rango'

The second paragraph delves into the unique production process of 'Rango,' which involved live-action performances by the actors to inform the animators, leading to a more emotionally resonant final product. It praises the film's visual style, character design, and the use of photorealism combined with anthropomorphism. The narrative of 'Rango' is summarized, focusing on the protagonist's journey of self-discovery and the film's themes of identity, legend, and the power of storytelling. The antagonist, Rattlesnake Jake, is highlighted for his visual intimidation and impact on the story's tone. The paragraph also touches on the film's homage to classic Westerns and its use of music to enhance the genre's atmosphere.

10:02

🔍 The Evolution of the Western Legend in 'Rango'

The final paragraph examines the transformation of the protagonist in 'Rango' and his embodiment of various Western archetypes, including the lawman, the outlaw, and the stranger. It discusses the film's commentary on the nature of legends and their ability to inspire hope and fear, as well as how they can be manipulated by those in power. The paragraph concludes with an analysis of the film's finale, which emphasizes the importance of self-belief in becoming a legend, and the acknowledgment of Rango's growth into a hero who upholds the law despite the corruption around him.

Mindmap

Keywords

💡Genre

A genre in the context of film refers to a category of cinematic content that can be characterized by similarities in form, style, or subject matter. In the video, the term is used to discuss the dominance of certain genres, such as the Western and superhero genres, in different eras of cinema. The video notes how the Western genre was a staple of popular culture from the 1940s to the 1970s, similar to how superhero stories are today.

💡Western

The Western genre is a category of films that depict narratives set in the American Old West. The video script highlights the Western genre's peak in popularity from the 1940s to the 1970s, with its romanticized depictions of lawmen, ranchers, and outlaws. It also discusses the decline of the traditional Western and the emergence of the Italian spaghetti Westerns, which introduced morally ambiguous characters.

💡Superhero

Superhero stories are a genre of film that features protagonists with extraordinary abilities, often derived from comic books. The script points out that superhero adaptations are currently the most popular genre in mainstream cinema, dominating box offices and cultural attention, much like the Western genre did in its heyday.

💡Swashbuckler

A swashbuckler is a genre of film characterized by adventure, romance, and derring-do, often set in historical or fantastical settings. The video mentions the 'Pirates of the Caribbean' franchise as a modern example of a swashbuckler film that achieved significant success.

💡Spaghetti Western

Spaghetti Western is a term used to describe Western-style films produced during the 1960s and 1970s by Italian filmmakers. The script notes that these films featured morally gray protagonists and were a response to the decline of the traditional Hollywood Western, reflecting a changing public sentiment.

💡Rango

Rango is an animated film released in 2011, directed by Gore Verbinski. The script discusses the film as an example of a modern Western that was both critically and commercially successful, winning the Academy Award for Best Animated Feature. The film's unique production method, involving live-action performances by the actors to inform the animation, is highlighted.

💡Emotion Capture

Emotion capture, as described in the script, is a filmmaking technique used in 'Rango' where actors perform scenes together in live action, allowing for more natural and expressive animation. Johnny Depp referred to this process as 'emotion capture' rather than motion capture, emphasizing the emotional authenticity it brought to the characters.

💡Anthropomorphism

Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. In the context of 'Rango,' the script describes how the film presents its animal characters in a world scaled down to their size, creating a unique blend of photorealism and anthropomorphism.

💡Cinematography

Cinematography refers to the art of capturing and creating visual images on film or video. The script mentions Roger Deakins' supervision of the cinematography in 'Rango,' emphasizing his mastery of lighting and color, which contributed to the film's distinctive visual style.

💡Legend

A legend is a traditional story or myth that has come to be accepted as historical. In the script, the concept of a legend is explored in relation to the characters in 'Rango,' who embody different aspects of Western legends, such as the lawman, the outlaw, and the stranger. The film's narrative is about how these legends can inspire hope and fear, and how they can be manipulated by those in power.

💡Identity

Identity in the script refers to the sense of self or personal characteristics that define an individual. The main character, Rango, goes through a journey of self-discovery and identity formation, starting as a pet chameleon without a clear identity and evolving into a heroic figure that the town of Dirt needs.

💡Rattlesnake Jake

Rattlesnake Jake is the primary antagonist in 'Rango,' characterized by his visually intimidating and photorealistic depiction as a snake. The script describes his role as a looming threat that significantly alters the tone of the scenes he appears in and his confrontation with Rango as a pivotal moment in the film.

Highlights

The historical dominance of a single film genre in popular culture and its eventual decline, followed by the rise of a new genre.

Superhero stories and comic adaptations are currently the most popular genre in mainstream culture.

The Western genre's significant influence from the 1940s to the 1970s across various media forms.

The shift in public sentiment from romanticized Westerns to the more morally ambiguous Spaghetti Westerns.

The unique production method of 'Rango' using live-action performances for animators' reference, termed 'emotion capture'.

The critical and commercial success of 'Rango', including its Academy Award for Best Animated Feature.

The distinctive visual style of 'Rango', blending photorealism with anthropomorphism.

The detailed and realistic texturing in the character designs and environments of 'Rango'.

The use of color and lighting in 'Rango' supervised by celebrated cinematographer Roger Deakins.

The narrative of 'Rango', focusing on the search for identity and the power of legends.

The thematic exploration of how legends can inspire hope and fear, and be corrupted by power.

The character development of Rango from a fraud to a true hero, embracing his role as the town's sheriff.

The memorable antagonist Rattlesnake Jake, a visually intimidating and iconic character.

The climactic confrontation between Rango and Jake, highlighting the transformation of Rango into a legend.

The importance of believing in oneself to become a legend, as exemplified by Rango's journey.

The homage to classic Western films and characters throughout 'Rango', including references to John Wayne and Clint Eastwood's 'Man With No Name'.

The musical score by Hans Zimmer that captures the essence of the Western genre.

Transcripts

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when looking at the history of popular

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mainstream Cinema it's interesting to

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note how often a single genre of film

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will dominate the box office for years

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become a major staple of popular culture

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for its time and then when the ticket

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sales start to go down B slowly fizzled

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out and replaced by the next big thing

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this has been going on for decades and

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it's interesting to take a look at the

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genres and sub-genres that brought home

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the big bucks for their generation I'm

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sure we are all aware of what is by far

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the most popular genre of well anything

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right now superhero stories and comic

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adaptations are the biggest thing not

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just in theaters but everywhere it's

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hard to imagine that at any point in

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history there has been a type of story

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that has gotten this much mainstream

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attention that's why it's so interesting

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to look back on just how massive the

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Western genre was from the 1940s to the

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1970s just like superheroes now you had

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massive hit films TV shows Comics albums

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radio shows and merchandise also

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celebrating the highly romanticized

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depictions of the righteous law man or

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heroic Rancher and eventually The Outlaw

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Gunslinger westerns at one point were a

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pop culture phenomenon but like all

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popular things the next big thing will

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come along westerns represented the

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ideals of the mainstream at the time

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politically and culturally but as times

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changed and media began to show the

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world in a more realistic light the

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public no longer believed in the

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righteous man in a badge as their hero

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the big budget Hollywood romanticized

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Golden Age westerns were soon overtaken

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by the smaller budget Italian spaghetti

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westerns while they were still

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romanticized the morally gray

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protagonists of the spaghetti western

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that only served themselves but might

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help one another out for a price and

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often stood at odds with local

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government better reflected the public

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sentiment at the time and helped the

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Western genre to stay alive throughout

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the 1960s however by the 1970s a new

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language of film was being popularized

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and the greedy realism better reflected

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the current landscape was bringing in

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bigger audiences and the Western genre

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with notable exceptions of course has

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never truly returned to the popularity

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that it once had

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in 2007 director Gore verbinski had just

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released the final film of the Pirates

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of the Caribbean franchise that he would

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be involved with the series that he had

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started with the Curse of the Black

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Pearl was a rare film in the

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schwashbuckler genre that was a gigantic

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hit in recent memory spawning a

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franchise that has earned billions of

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dollars for his next project rubinsky

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would look to another genre that had

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been seemingly Left Behind like the

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swashbuckler Not only would he tackle

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his first Western but he would also be

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at the helm of his very first animated

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feature reuniting with his lead from

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Pirates Johnny Depp in 2011 Gore

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rubinsky would unleash the bizarre funny

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sometimes surreal and at points very

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mature animated Western Rango onto

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mainstream audiences and it was a major

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success both critically and commercially

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it took home the Academy Award for best

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animated feature making it one of only

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two films in the 2010s to beat out

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Disney and Pixar and like the other

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winner it is very distinct in its visual

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style and tone when compared to the

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other animated films of its time a lot

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of that style can be attributed to the

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unique way that Rango was produced the

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actors all performed their scenes with

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one another filming them in live action

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so that the animators would have better

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reference for their movements and so

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that the actors could have more room to

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express themselves and work off of one

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another Johnny Depp famously described

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it as not motion capture but emotion

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capture those emotions can be felt in

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the final product whether it's a

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dramatic moment or a comedic scene

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involving many characters the dialogue

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and interactions all feel natural and

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spontaneous it also helps that the cast

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is absolutely stacked with some insanely

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talented character actors all adding

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their own little Flair to this unique

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world the world of Rango namely the town

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of Dirt is presented in a way that feels

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very grounded and realistic everything

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is scaled down to the size of the animal

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characters and it's fun to see some

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normal sized objects repurposed as

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buildings and other structures Rango

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exists in this strange Middle Ground of

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photorealism and anthropomorphism the

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environment look and feel like they were

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actually photographed yet the characters

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range in how realistically they're

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depicted the level of detail that's put

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into the texture of their clothing skin

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fur and weaponry is astonishing but the

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character designs themselves I think

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were made to feel more unsettlingly real

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if the character's personality called

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for it the more antagonistic the

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character is written the more like the

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actual animal they look like the most

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striking example of that being Jake but

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we'll get to him in a minute the staging

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of the shots and the way scenes are lit

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is really what makes wrangler's visuals

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still hold up today the majority of

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these shots are just downright gorgeous

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not only is this a result of the

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planning of the filmmakers during the

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emotion capture performances it's also

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because the cinematography was

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supervised by Roger deegans if you don't

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know who he is he's one of the most

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celebrated cinematographers in the

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history of filmmaking and his list of

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credits is beyond impressive he's a

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master of lighting and color so having

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someone like him on board to supervise

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the way scenes are staged along with the

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high level of detail tales on the

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characters and environments is what

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makes Rango what I can only describe as

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beautifully ugly that ugliness is

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reflective of the dark Western world

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that the story plays out in that story

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follows a pet chameleon who is flung out

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of a car onto a desert highway finding

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himself in the town of Dirt whereby

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using his honestly really impressive

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skills as a wannabe actor is able to

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convince the townspeople that he's a

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dangerous Outlaw named Rango the mayor

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of dirt names Rango the new sheriff and

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he's put in charge of finding the stolen

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water from the bank that the entire town

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survives off of Rango actually ends up

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being pretty damn good at his job

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despite being a total fraud and actually

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comes to bond with the people of dirt on

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their Journey to Find The Stolen water

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that journey is filled with some very

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funny character interactions thrilling

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action sequences and some real heart

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that ultimately made Rango one of my

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favorite westerns it celebrates the

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genre with visual callbacks and

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references as well as a phenomenal

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musical score by Hans Zimmer that feels

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reminiscent of some of the Spaghetti

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Western scores composed by ennio

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morricone and at one point I noticed on

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my latest watch even directly lifts from

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Elmer Bernstein's score for the

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Magnificent Seven

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[Music]

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foreign

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bodies the classic Western law man

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archetype so well that he ends up

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rallying his new friends together and

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inspiring them having underestimated the

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effect he would have on the people the

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mayor the real villain of The Story

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begins to see Rango as a threat and

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ultimately decides to dismantle the

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legend he's building up by calling in

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another

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for many Rattlesnake Jake is the most

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memorable element of this film as far as

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animated antagonists go he's one of the

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most visually intimidating right off the

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bat for anybody who has a phobia of

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snakes the fact that Jake is the most

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photorealistic depiction of any animal

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in the film will probably immediately

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strike as much fear as he does into the

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people of dirt and Rango in his first

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appearance that first appearance

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occurring way later into the film than

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you would think Jake is a great example

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of an antagonistic force that looms over

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the story before ever appearing he only

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has about six minutes of screen time but

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the way that characters speak of him

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before he arrives makes him feel like

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the Grim Reaper coming to collect one of

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the characters goes as far to say just

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that Jake's appearance drastically

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Alters the tone of whatever scene he's

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in just about every moment with him is

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played straight with no real comedic

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relief the way he moves the hissing

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sounds he makes the Gatling gun tale and

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the outstanding performance of Bill Nye

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Elevate Jake to a level near iconic for

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me I guess I just like movies where

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Johnny Depp and Bill Nye face off with

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one another with Jake being introduced

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he actually helps to bring the major

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thematic element of the story to its

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climax that element being the search for

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identity when we first meet Rango he's

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an unnamed pet that's searching for some

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defining characteristics to make up who

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he is he's alone and when he finally

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meets people that he could develop

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relationships with he defaults to a

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dangerous Outlaw Persona that earns him

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the respect of the townsfolk who see him

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as a Fearless killer ironically building

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for himself the same Legend as

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villainous entities like Jake the mayor

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then gives him a new identity a sheriff

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of dirt and as Rango grows to care for

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his friends he Embraces that new role

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for himself acting heroically because

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that's what the people need although

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still not entirely letting go of that

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Outlaw past he's made up for himself to

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keep his reputation Rango keeps up the

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LIE believing that if he keeps

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pretending to be the law man then he'll

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be respected and loved even if he isn't

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a hero he doesn't even realize lies that

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he actually is becoming the resourceful

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heroic figure he's playing at along the

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way the only reason Jake is even brought

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in is because the mayor sees this

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version of Rango as a threat to him when

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Jake exposes Rango as a liar he's left

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without purpose and wanders aimlessly to

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the metaphorical other side once there

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he meets another character that's

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mentioned throughout the story the

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mythical spirit of the West the spirit

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gives Rango some much needed advice most

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importantly he reminds Rango why he

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needs to go back to dirt and become the

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legend he's pretending to be it's not

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for adulation or reputation or ego don't

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you see it's not about you

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about them

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Rango has to transform into the hero

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that the people need Rango has to grow

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into a western Legend this story is

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about Legends and how Legends can

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Inspire both hope and fear in a

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collective of people but also be

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corrupted and used by those in power the

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mayor used Rango to distract dirt from

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his schemes of controlling the water and

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taking their land and even uses Jake to

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get rid of him when he's served his

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purpose but even Jake is just a tool to

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him and he turns on him just as quick

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once he scares everyone into submission

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early in the film Rango dresses

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similarly to characters portrayed by

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John Wayne or Gary Cooper the classic

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Western Heroes who often serve the law

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but just like the audiences so many

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years ago the people of dirt could no

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longer look up to someone who was

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falsely propped up by a corrupt person

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in power it's clear as to why the spirit

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of the West is modeled after Sergio

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Leones The Man With No Name character

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famously portrayed by Clint Eastwood the

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man with no name was an ally to some and

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enemy to others but but he wasn't

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controlled he was who he wanted to be

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and what audiences needed him to be at a

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time when those Dawning badges weren't

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as celebrated as they used to be when

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Rango returns to dirt he wears the same

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Dusty Poncho and squint as the man with

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no name but still choosing to do things

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his way he dons the badge deciding to

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uphold what the law stands for even if

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those in power don't the finale of Rango

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is just a suspenseful action-packed and

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badass as any Great Western that

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inspired it however rather than ending

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with one man standing Victorious over

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the body of another Rango concludes with

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an acknowledgment an understanding

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between two legends who both know their

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place in this story Rango is an amazing

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Western because it understands the

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importance of Western Legends the law

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man The Outlaw and the stranger Rango

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played all three at some point but

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became his own legend by the end so much

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so that even the widely feared

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Rattlesnake Jake was rendered terrified

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after look into the eyes of the changed

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Rango knowing what he intended to do

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this is my favorite moment in Rango

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because it plainly states one of the

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story's most important messages if you

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want to become a legend first you have

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to believe that you are one you we got

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the nerve

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try me

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[Music]

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