Cinematography Case Study: The Monuments Men - Hollywood Slick

Wandering DP
26 Feb 202409:36

Summary

TLDRIn this podcast episode, the host delves into the cinematography of 'The Monuments Men,' exploring the concept of 'Hollywood slick' visuals that elevate storytelling beyond the mundane. They break down the film's lighting techniques, such as backlighting and strategic use of shadows and highlights, to create a visually stunning and immersive experience. The discussion emphasizes the importance of understanding these techniques to improve one's own cinematography, suggesting that mastery of creating beautiful, non-realistic visuals can lead to job security and success in the film industry.

Takeaways

  • 📽️ The podcast features a breakdown of 'The Monuments Men' film, encouraging listeners to join the Patreon for extended content and better jokes.
  • 🎬 Regular feature film breakdowns on Patreon help cinematographers analyze and make better decisions by reviewing more scenes.
  • 🌟 Hollywood slick means creating a cinematic world that looks more appealing than reality, which can lead to more work and job security.
  • 🏠 The host humorously suggests that real life might be less glamorous, emphasizing the appeal of beautiful, fictional worlds in cinema.
  • 💡 Lighting techniques in 'The Monuments Men' are analyzed, including using highlights, shadows, and practical lights to create visually interesting scenes.
  • 📏 Attention to detail in framing and lighting is crucial, as seen in specific examples from the film, such as the use of backlighting and reflections.
  • 🎥 The importance of creating a visually appealing world that feels real, even if it isn't, to engage the audience and distract them from their everyday lives.
  • 🛠️ Achieving high-quality cinematography requires a skilled team and the ability to manage various departments effectively.
  • 🎓 The learning process involves analyzing successful work, understanding the techniques used, and applying them in practice to improve over time.
  • 👍 Persistence and continuous improvement are key; even if initial results are not perfect, consistent effort and learning will lead to better outcomes in filmmaking.

Q & A

  • What is the main topic of the podcast episode discussed in the transcript?

    -The main topic of the podcast episode is an analysis of the cinematography in the film 'The Monuments Men', focusing on the concept of 'Hollywood slick' style.

  • What does the term 'Hollywood slick' refer to in the context of the podcast?

    -In the podcast, 'Hollywood slick' refers to a cinematographic style that is polished and visually appealing, often creating a more idealized and beautiful version of reality for storytelling purposes.

  • Why might a filmmaker choose to create a 'Hollywood slick' look in their film?

    -A filmmaker might choose to create a 'Hollywood slick' look to make their film visually stunning and to provide an escape from reality for the audience, as well as to increase their chances of getting more work due to the appeal of creating beautiful, non-existent worlds.

  • What is Patreon, and how does it relate to the podcast?

    -Patreon is a platform where creators can receive financial support from their audience. In the context of the podcast, it is mentioned as a way for listeners to support the content and gain access to more in-depth film breakdowns with additional insights.

  • What is the significance of the 'L of the room' mentioned in the transcript?

    -The 'L of the room' refers to the lighting setup where light and shadow meet, creating a visually interesting contrast that is often used in cinematography to enhance the mood and depth of a scene.

  • What does the podcast suggest about the importance of analyzing scenes in filmmaking?

    -The podcast suggests that analyzing scenes is crucial for understanding the decisions made by filmmakers and for learning how to apply similar techniques effectively in one's own work.

  • What is the role of backlighting in the scenes discussed in the podcast?

    -Backlighting is used in the scenes to create a silhouette effect, add depth, and emphasize the shape and form of characters or objects, contributing to the overall visual appeal of the film.

  • What is the purpose of using a green screen in the film 'The Monuments Men' as discussed in the podcast?

    -The green screen is used to composite additional elements into the scene later in post-production, allowing for greater control over the final image and the ability to create scenes that would be difficult or impossible to film on location.

  • What is the significance of the practical light mentioned in the transcript?

    -The practical light refers to lights that are part of the scene itself, such as lamps or other visible light sources. These lights contribute to the realism of the scene and can also be used to shape the lighting and create depth.

  • How does the podcast suggest that filmmakers can improve their work?

    -The podcast suggests that filmmakers can improve their work by studying successful films, understanding the techniques used, and practicing these techniques on set. It emphasizes the importance of learning from others and the value of persistence and practice.

  • What is the role of the camera move in the scenes analyzed in the podcast?

    -The camera move plays a significant role in the scenes, adding dynamism and guiding the viewer's focus. It can also contribute to the storytelling by revealing information or creating a sense of movement and energy.

Outlines

00:00

🎬 Cinematography Techniques in 'The Monuments Men'

In this podcast segment, the host delves into the art of cinematography, specifically focusing on the film 'The Monuments Men'. They discuss the concept of 'Hollywood slick' style, which is characterized by a polished, unrealistic look that contrasts with the mundane aspects of everyday life. The host emphasizes the importance of creating visually appealing content to captivate audiences and enhance career opportunities. They provide an in-depth analysis of various scenes from the film, highlighting the use of backlighting, key lighting, and practical lights to create depth, contrast, and a sense of realism. The discussion also touches on the practical aspects of film production, such as the potential use of green screen technology and the challenges of managing a large number of extras. The host encourages aspiring cinematographers to learn from successful examples and to continually refine their skills through practice and analysis.

05:02

🌟 The Art of Character Introduction and Lighting in Film

This paragraph explores the nuances of character introduction and lighting techniques in film, using 'The Monuments Men' as a reference. The host describes a scene where a character is dramatically backlit, creating a silhouette effect that is both visually striking and narratively impactful. They discuss the strategic use of light to enhance the visual storytelling, such as the use of a giant backlight to create a halo effect around a statue, and the careful placement of light to highlight characters without overwhelming the scene. The host also points out the use of diffusion to soften the light on actors and the importance of framing to make the most of the set design. They conclude by emphasizing the collaborative nature of filmmaking, acknowledging that achieving such high production values requires a talented team working in harmony, and they encourage aspiring filmmakers to learn from the masters and apply those lessons to their own work.

Mindmap

Keywords

💡Patreon

Patreon is a membership platform that allows creators to receive financial support from their fans in exchange for exclusive content and experiences. In the context of the video, the creator is promoting Patreon as a way for viewers to gain access to more in-depth content, such as feature film breakdowns with additional analysis and insights, which is central to the video's theme of cinematography education.

💡Cinematographer

A cinematographer is a professional responsible for the visual aspects of a film, including lighting, camera angles, and composition. The video script emphasizes the importance of learning to become a better cinematographer, as it directly relates to the content being discussed, which is the analysis of film scenes and the techniques used to create a 'Hollywood slick' aesthetic.

💡Hollywood Slick

The term 'Hollywood Slick' refers to a polished and visually appealing style often associated with mainstream Hollywood films. It suggests a high production value with an emphasis on aesthetics that may not always reflect reality but are designed to be engaging and pleasing to the viewer. The script uses this term to contrast the ordinary with the extraordinary visuals that can be achieved in film, which is a key point in the discussion of cinematography.

💡Storytelling

Storytelling is the art of narrating stories, and in the context of film, it involves using visual and auditory elements to convey a narrative. The script mentions that viewers do not want to see the 'real world' as it is, but rather something more captivating and beautiful, highlighting the importance of storytelling in creating an engaging cinematic experience.

💡Lighting

Lighting is a critical aspect of cinematography that shapes the mood and visual style of a film. The script discusses various lighting techniques such as backlighting, key lighting, and the use of practical lights to create depth and interest in the scenes of 'The Monuments Men,' demonstrating the role of lighting in achieving the 'Hollywood Slick' look.

💡Backlight

Backlighting is a lighting technique where the light source is positioned behind the subject, creating a silhouette or outlining the subject against the light. The script describes the use of backlight in several scenes to give characters a dramatic outline and to enhance the visual appeal, which is integral to the video's exploration of cinematography.

💡Practical Light

A practical light is a light source that is part of the scene itself, such as a lamp or a fixture visible to the audience. The script mentions the use of practical lights to add realism and depth to the scenes, as they can provide a source of light that makes the scene feel more authentic and lived-in.

💡Green Screen

A green screen is a technology used in film production where a green-colored background is replaced with other images or footage during post-production. The script speculates that certain scenes might have used green screens to add elements that were not present during filming, illustrating the video's focus on the techniques behind creating cinematic visuals.

💡Composition

Composition refers to the arrangement of visual elements within a frame to create a harmonious and aesthetically pleasing image. The script discusses the importance of composition in creating visually interesting and meaningful shots, such as framing characters within the architecture of a scene to enhance the storytelling.

💡Camera Move

A camera move involves the physical movement of the camera during a shot, which can add dynamism and depth to a scene. The script describes specific camera moves, such as tracking shots and wipes, to illustrate how they contribute to the overall visual storytelling and the creation of a 'Hollywood slick' style.

💡Feden

Feden is likely a reference to a cinematographer or director of photography who is credited with creating the visual style of the film 'The Monuments Men.' The script suggests that aspiring filmmakers should study the work of professionals like Feden to understand how to achieve a similar aesthetic in their own films, emphasizing the importance of learning from the masters in the field.

Highlights

Introduction to the podcast discussing 'The Monuments Men' and the Patreon feature film breakdown.

The importance of analyzing scenes to understand cinematography decisions and their outcomes.

The concept of 'Hollywood slick' and its deviation from real-world visuals for storytelling purposes.

The desire for stories to present a more appealing world than reality, enhancing viewer experience.

The career benefits of creating visually stunning, non-existent worlds in film.

The technical breakdown of lighting in a scene, including the use of backlight and practical lights.

The role of backlighting in creating depth and interest in a scene.

The use of green screen and compositing to enhance production value.

The impact of camera movement on lighting and the importance of maintaining light direction.

The strategic use of practical lights to add realism and depth to a scene.

The importance of balancing key light levels to create shadows and highlights effectively.

The framing techniques used to introduce characters and set the scene's mood.

The creative use of environmental elements like particles and reflections to enhance visual appeal.

The significance of understanding the lighting setup to achieve a desired look in film.

The role of a cinematographer in shaping the visual narrative and the collaborative nature of film production.

The acknowledgment of the limitations of individual knowledge and the necessity of a team effort in film production.

Encouragement for aspiring filmmakers to learn from successful examples and apply that knowledge to their work.

The importance of persistence and continuous learning in the pursuit of improvement in cinematography.

Transcripts

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[Music]

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ladies and gentlemen welcome back to the

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podcast here we go we're looking at The

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Monuments Men today a small little

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snippet from patreon if you like this

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content if you learn to be a better

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cinematographer this way like I do uh

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then the easiest spot to join up is with

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patreon we do a feature film breakdown

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like this but with better jokes each and

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every week it's much longer we go

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through many more scenes the benefit is

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the more scenes that you go through the

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more decisions that you are able to

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think about and to analyze and then to

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see the ex results it's like there's no

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mystery behind it it's like this is the

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result do you like it yes or no if you

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like it good for you continue to do that

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if you don't like it you have the answer

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as well you just do the opposite of this

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right we're looking at Hollywood slick

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which means when I think Hollywood slick

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it means the real world doesn't look

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like this but guess what in your story

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you probably don't want your story to

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look like the real world why because I

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don't know go outside your life probably

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sucks right you probably live in a shoe

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box you don't have any furniture you

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sleep on the floor it's a bummer right

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you don't want to go to the movies and

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see a bummer you want to see something

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beautiful something amazing something

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that doesn't actually exist

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and career-wise if you can make

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something beautiful that doesn't

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actually exist people like that so

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you're going to get more work it's very

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hard to do uh it seems easy now just

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looking at it you're like obviously it's

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beautiful uh I would like the real world

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to look like that yeah me too this isn't

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a Utopia we don't live in some fairy

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tale uh but if you can make people

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believe that that fairy tale World

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exists guess what you my friend have job

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security which is good because then

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maybe you can move out of The Shoe Box

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choices okay uh let's take a look at The

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Monuments Men again if you like it

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patreon Link in the description below

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many thanks and let's go we come to this

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Frame and I mean this could be every

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single commercial that we've ever looked

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at on the channel or every single uh

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breakdown that we've ever done shears

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little bit of heat little bit of

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heat across the image over to here we we

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got a little highlight from down here

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whatever the sun is bouncing off of

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whatever our 18K is bouncing off of ends

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up in the eyeballs here just to get a

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little bit of return on the shadow side

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but we're into the L of the room where

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these things meet you can see the actual

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lighting that is going on

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outside Crossing it this way shooting

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into the Shadow and then peppering the

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background with stuff that looks halfway

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interesting and also helps to have that

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smoke in there okay so this is now we're

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into the 35 millimeter stuff

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and back

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lit and Tada same idea Sun peeking

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through this one is like a little

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sandwich though right because we got Sun

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seeking through this way but then we're

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going to push all of our key level this

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way and that is also I think green

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screen right this one doesn't feel near

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as bad as I mean do we really need that

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many extras here on this day for the one

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shot of this guy I think just from a

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production ction standpoint that is

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going to be green screen and comped in

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later you can also sort of feel you know

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he's like this you got this little Edge

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light that is happening here doesn't

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feel like he's really there and it only

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gets worse when we go to John

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Goodman's this one notice the dolly

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track and the

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move is left of the light so we got a

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little tiny uplight which is return from

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our practical then we're pushing level

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this way that creates our shadow down

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the line we balance it with whatever

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those stage lights are and let's come

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around there's our

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PRACK so he's outlined the whole time

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like look at this this is what we want

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that little outline is what we are

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after and T you see how there's also

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this little there's a black book down

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here but there's a white book too just

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to give a little bit more give me a

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little bit more level at him same here

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the white wraps around his face from

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this practical light in the frame also

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see how the Practical light is actually

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lit

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if you keep things really really

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contained it's harder even for me or for

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you or for any cinematographer looking

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to to notice because this is where all

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of our energy is going so you feel the

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practical but then where is this light

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coming from like what is this but it is

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nice to have it there because then you

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get the shape of the lamp and it feels

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real and it's much more interesting than

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just having flat nothing black which is

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what you would have if you only used

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this PR

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light come on now we come out into the

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warm little area just behind his head

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like why have we chosen this area for

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him to sit well because we've got this

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opportunity behind

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him come around same angle look at

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George being lit from

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above and now we keep

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moving

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Tada again looking at your

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levels where is it come

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on notice the level on so he's soft

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hobbed right brightest thing in the

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image and watch his level versus what's

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in the foreground this wipe this is at

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least a stop down right one stop

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down we get the full wipe across and

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then hottest thing in the image Tada

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right there across the chest this is

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probably my favorite introduction to the

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characters big cool looking Studio we

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backlight it with some giant light keep

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it fairly beamed up so it doesn't spill

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everywhere and we just aim it at the

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back of this statue's head and what do

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you get you get yes can I get some free

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particles in the air and nice little I

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mean there's a little bit of bump to

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that camera move but it's pretty

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good let's

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see and go the camera

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move yep runs up the stairs all right so

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on the running let's go back here on the

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running what do we

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get perfectly back lit silhouette to

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camera let's not fill it in we don't

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need it just put the light over here and

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Trust the range of the camera is going

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to be whole be able to hold all the

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values that we need right so we go up

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the

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stairs there's a little bit of level

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coming this way right to see the front

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of the statue it's not just backlight or

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there's a little bit there and then

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there's also this like gold reflection

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that is coming either there's a gold

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reflector down here that is bouncing

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this stuff up or it's a lamp my guess is

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reflection though and then a little bit

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coming around the front but the majority

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is the work is being done from this

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giant backlight so up we come you can

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feel a little bump in the move there and

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Q

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yes I mean look at this light right just

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a tiny bit there there's no we're not

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don't to push anything back at him and

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then he's getting whatever this you know

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we've laid like a 4X frame or a 4X piece

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of diffusion you just tape it to the

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Statue and then that is what it's giving

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John Goodman when he moves out of the

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way there that's what's giving him all

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of his level he just returned from up

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here a beautifully designed shot and

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then look at the framing right keeping

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him inside this thing so you get take

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full advantage of the statue and then

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you get this nice hot area into Tada the

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L of the

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room right just a beautiful beautiful

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looking

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move and then as he looks away as well

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like it only gets darker over here

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really really nice touch and then this

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one is definitely green screen if it's

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not green

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screen um I don't know I think this is

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green screen to

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me let's

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see down same light every single time

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make it big and

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soft Darkness over here you can feel a

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little leak down the side of his face

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it's the same setup over and over same

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over here light to dark to light to dark

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all right you see what I mean there like

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that is not how it looks like outside

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that window for me but I like it and it

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distracts me from the fact that my life

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doesn't look like that so if I was going

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to shoot a movie and I wanted it to be

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beautiful uh that is who I would get to

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do that job right you just have to look

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at the credits who did that oh feden

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okay can I get him to do my movie

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because I want my movie to look like

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that guess what that's how you get more

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work so do that learn how to do it and

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will your results look as good as that

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no no because just no knowing this stuff

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is not enough right you need a whole

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team of people there's other people

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moving these things you can't have uh

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you're not going to have control over

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every single decision you can set the

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general direction you can do your best

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to manage each and every Department as

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best you can uh but eventually it takes

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a lot of really talented people to be

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able to pull something like this off so

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don't be hard on yourself or don't beat

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yourself up because your short film

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looks like dog let's be honest

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right your mom won't be honest with you

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your dad won't be honest with you your

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family won't I will right most of your

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stuff probably doesn't look that great

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but I like that you're trying to get

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better I like that you're sitting here

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you're going through the process how do

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I get better I know uh let's see uh if I

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look at something good and then I find

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out how they did it and then I can take

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that information and try and repeat it

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on set when I'm there I'm probably going

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to get a little bit closer and if I get

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a little bit closer a hundred times a

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year after five years guess what I mean

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you're probably still not going to be

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very good but you'll be better than you

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would have been and that is the goal at

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least for you okay uh that's going to do

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it for this one many thanks we'll see

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you in the next one goodbye

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