Figuras de Linguagem - Aula 02 [Prof Noslen]

Summary

This transcript provides a dynamic and engaging explanation of various figures of speech that are commonly tested on the ENEM exam. The speaker uses musical examples and clear, accessible language to describe concepts such as anaphora, alliteration, assonance, pleonasm, onomatopoeia, parallelism, neologism, hyperbatons, paronomasia, ellipsis, and gradation. Through playful examples from popular songs and poetry, the speaker makes abstract linguistic concepts understandable and entertaining, ensuring that students can easily grasp and apply them in their studies. The overall tone is casual, motivating students to prepare effectively for the exam.

Takeaways

• 😀 Anaphora is the repetition of the same word or phrase at the beginning of clauses or sentences to create emphasis and rhythm.
• 😀 Alliteration involves the repetition of consonant sounds, which can help with the melody and rhythm of a poem or song.
• 😀 Assonance is the repetition of vowel sounds in a text, often used to enhance the sound and flow of a piece.
• 😀 Pleonasm is the use of redundant expressions, such as 'me beija com a boca' or 'sorri um sorriso,' to reinforce an idea.
• 😀 Onomatopoeia mimics sounds through words, such as 'trá trá trá' to imitate a machine gun or other real-life noises.
• 😀 Parallelism is the repetition of similar syntactic structures or ideas within a text, creating a balanced and harmonious effect.
• 😀 Neologism refers to the creation of new words, often to fit a specific context or artistic requirement, like 'caetanear' in a song.
• 😀 Hyperbatons involve the inversion of the usual syntactic order, often used to create emphasis or a poetic effect, as seen in the Brazilian national anthem.
• 😀 Paronomasia is the use of similar-sounding words with different meanings, such as the play on 'manhas' and 'manhãs' in song lyrics.
• 😀 Ellipsis involves omitting words that are understood through context, making a sentence more concise while still maintaining clarity.
• 😀 Gradation is the progression or sequence of ideas, often used in songs to show a development of thought or action, as in 'eu sou, eu fui, eu vou.'

Q & A

What is an anaphora and how is it used in the script?

An anaphora is a rhetorical device where a word or phrase is repeated at the beginning of successive clauses or verses. In the script, the speaker explains it with an example from a song where the phrase 'quando' is repeated multiple times, such as 'quando não tinha nada, eu quis'. This repetition emphasizes the structure of the song and creates a rhythmic effect.

What is alliteration and how is it demonstrated in the script?

Alliteration is the repetition of consonant sounds at the beginning of words close to each other. In the script, the speaker uses a song example that repeats the 'M' and 'N' sounds, such as 'minha amiga, minha mina, minha namorada'. This repetition of consonants enhances the melodic flow of the song.

What does assonance refer to in language, and how is it shown in the script?

Assonance refers to the repetition of vowel sounds within nearby words. In the script, the speaker gives an example of the song 'a minha alma tá armada e apontada' where the 'a' sound is repeated. This repetition of vowel sounds helps to create a musicality and rhythm in the text.

How does the script explain pleonasm and provide examples?

Pleonasm is the use of redundant phrases where the same idea is expressed twice using different words. The script mentions examples like 'subir para cima' or 'descer para baixo', which are redundant because 'subir' already implies 'para cima', and 'descer' implies 'para baixo'. The speaker also provides examples in lyrics, such as 'sorrir um sorriso' and 'beijar com a boca'.

What is an onomatopoeia, and how is it used in the script?

Onomatopoeia refers to words that phonetically imitate the sound they represent. In the script, the speaker uses the example of the sound 'tr tr tr' in a song, mimicking the sound of a machine gun. This helps convey a vivid auditory experience to the listener.

What is parallelism in writing, and how is it applied in the script?

Parallelism involves repeating the same grammatical structure or syntactic patterns in a text to create balance and rhythm. In the script, the speaker uses an example from a poem where the phrase 'a voz de alguém' is repeated in parallel structures to emphasize the repetition of a similar idea.

Can you explain the concept of neologism as discussed in the script?

Neologism refers to the creation of new words or expressions that did not exist previously. In the script, the speaker gives the example of 'caetanear,' a verb created by Caetano Veloso to fit the lyrics of a song. Neologisms are often used in poetry or songs to match the meter or express a specific idea in a creative way.

How does the script describe the use of hyperbatons in language?

A hyperbaton is a figure of speech that involves altering the natural order of words in a sentence. In the script, the speaker uses the example from Brazil's national anthem, 'Ouviram do Ipiranga', where the normal order would be 'As margens plácidas do Ipiranga ouviram o brado retumbante'. The inversion of words creates emphasis and a unique rhythm in the anthem.

What is paronomasia, and how is it explained in the script?

Paronomasia involves using words that sound similar but have different meanings. The script demonstrates this with the phrase 'manhas e manhãs' and 'massas e maçãs', where the words 'manhas' and 'manhãs', as well as 'massas' and 'maçãs', sound alike but have different meanings, creating a play on words.

What is ellipsis, and how does it appear in the script?

Ellipsis is the omission of words that are understood from the context. The script uses an example from a song, where the line 'se não sou eu quem vai fazer você feliz' omits words like 'é que'. The listener automatically fills in the missing words based on the context, which is a characteristic feature of ellipsis.