Best Ways To Amplify Amp Modellers | FRFR or Guitar Cab? | Thomann

Summary

In this video, G and Chris explore four different ways to amplify and monitor your multi-effects or modeler pedals, such as the Quad Cortex. They demonstrate using a traditional tube amplifier, an external power amp, a full-range flat-response speaker, and PA wedges. Each method provides a unique experience for both the performer and audience. The duo also discusses mic'ing techniques to give viewers an accurate representation of what they hear during their testing. The video aims to help guitarists find the most effective amplification solution for live performance or studio work.

Takeaways

• 😀 The video focuses on four ways to amplify and monitor the sound from a guitar modeler, specifically the Quad Cortex.
• 😀 A traditional tube amplifier with a power amp is used to demonstrate a warmer, pushier tone but may require more tweaking.
• 😀 An external power amp specifically designed for modelers is compact and offers clarity, though it lacks the tonal warmth of a tube amp.
• 😀 The FRFR speaker (Fender FR12) delivers a neutral, flat sound that replicates the tone of a combo amp, making it suitable for precise, full-frequency reproduction.
• 😀 PA speakers (wedges) are an effective way to monitor on stage, providing a natural experience and reliable sound for large performances.
• 😀 Miking each setup accurately is crucial for capturing the true sound, and the video uses specialized microphones to create realistic stereo images.
• 😀 The Quad Cortex modeler is capable of sending separate outputs to speakers and front-of-house, which is essential for stage performances and recordings.
• 😀 Different power amps may sound differently, and not all of them offer EQ adjustments, making it important to select a versatile option.
• 😀 The hosts express a preference for the Fender FR12 as their favorite in-room monitoring solution, appreciating its sound quality.
• 😀 The PA wedges were favored for larger stages because they provide a solid, full-frequency tone, and the sound felt the most natural when using modelers.
• 😀 Viewers are encouraged to share their preferences on how they monitor and amplify modelers, with a lighthearted suggestion to rename the video if enough comments are received.

Q & A

What is the purpose of the video?

The video aims to explore and demonstrate four different ways to amplify and monitor a guitar modeler or multi-effects unit, such as the Quad Cortex. The goal is to showcase how each method affects sound and monitoring during a live performance.

What are the four methods demonstrated for amplifying and monitoring the modeler?

The four methods demonstrated are: 1) Using a traditional tube amp power amp with cab simulation disabled, 2) Using a dedicated power amp for modelers with a guitar cabinet, 3) Using a Full Range Flat Response (FRFR) speaker, and 4) Using PA monitors (wedges) placed in front of the player.

How did the hosts feel about the sound of the modeler through a traditional tube amp power amp?

The hosts found the sound to be warm and responsive, but they noted that it may require some tweaking. The tone was described as ‘pushier’ and ‘warmer,’ but the sound was different from what they expected.

What did the hosts like about using a dedicated power amp for modelers with a guitar cabinet?

The hosts appreciated the dedicated power amp’s ability to amplify the modeler's signal and how it worked well with a guitar cabinet, providing a more traditional amp-like experience with a focused sound suitable for stage use.

What was the hosts' opinion of the Fender FR12 FRFR speaker?

The hosts were impressed with the Fender FR12, describing it as giving a natural and clear sound, similar to a traditional combo amp. They particularly liked that it delivered a flat, full-range response and felt it was the best in-room solution for amplification.

How did the PA monitors (wedges) perform compared to other methods?

The hosts found the PA wedges to be the most natural sounding method when used with a modeler designed to go directly into full-range speakers. Despite previous concerns about using miking with wedges, they found this method to offer a true guitar-playing experience on stage.

What were the main differences between using the Power Stage 200 and the Rev D20 power amp?

The Power Stage 200 was described as a compact and efficient solid-state option, which the hosts found versatile and easy to use. In contrast, the Rev D20 provided a warmer tone but required more adjustments, making it less predictable compared to the solid-state option.

What was the key takeaway regarding using power amps with modelers?

The key takeaway was that using power amps with modelers can significantly alter the sound, with each power amp providing a unique character. Some amps offer more control over EQ, which can be crucial for achieving the desired tone during a performance.

How did the sound from the Quad Cortex change when sent through different setups?

The sound from the Quad Cortex varied based on the amplification method. Through the traditional tube amp, it was warmer and pushed more. The dedicated power amp gave a focused, stage-ready sound, while the FRFR speaker provided a flat, clear response. The PA wedges delivered a natural and full experience, especially for live performances.

What was the final recommendation for using these methods in live performances?

The hosts recommended using the PA wedges or FRFR speakers for larger stages or live performances, as these provided a more natural monitoring experience. However, for personal preference and versatility, they leaned toward using the Power Stage 200 with a guitar cabinet, which offered a solid, traditional feel with more flexibility.