Thomas Ostermeier: El teatro, un arte local globalizado

Summary

In this insightful reflection, Thomas Ostermeier discusses the role of theatre as both a local and global art form, emphasizing its relevance in connecting diverse audiences worldwide. He challenges colonialist attitudes in international theatre, arguing that regions facing post-colonial struggles should not be excluded from global cultural exchanges. Ostermeier also highlights the desire of younger audiences for more relevant, socially and politically engaged storytelling, foreseeing a revival of the actor’s role and the craft of acting in modern theatre.

Takeaways

• 😀 Theatre is a local art form that connects deeply with specific communities, but in a globalized world, its themes can transcend borders.
• 😀 Globalized local communities share similar cultural traits, allowing theatre to resonate across different cities like Berlin, New York, and Mexico City.
• 😀 Theatre can be universally shared around the world, fostering connections between diverse audiences through common human experiences.
• 😀 Ostermeier critiques the colonialist attitude that excludes certain regions from the global theatre scene, particularly due to post-colonial economic struggles.
• 😀 Excluding countries from the international theatre world because they are economically disadvantaged is a form of modern colonialism.
• 😀 International theatre should be inclusive, allowing all countries to participate in global cultural conversations, regardless of their economic situation.
• 😀 Younger theatre makers and audiences are demanding more relevant, relatable storytelling that reflects their personal and political experiences.
• 😀 There is a growing desire among younger generations for theatre that engages with contemporary social and political issues, making a direct connection to their lives.
• 😀 The role of the actor in delivering complex, dramatic storytelling is expected to regain prominence as the demand for such narratives increases.
• 😀 Ostermeier is optimistic about the return of the art of acting as a crucial element of impactful theatre in the future.

Q & A

How does Thomas Ostermeier view the relationship between local and global theatre?

Ostermeier believes theatre is fundamentally a local art form, designed to speak to specific communities. However, he acknowledges that due to globalization, local communities in major cities worldwide have become more similar, making it possible for theatre performances to resonate globally.

What role does globalization play in the impact of theatre according to Ostermeier?

Globalization has led to a homogenization of urban cultures, meaning that cities like Mexico City, New York, Berlin, and Indian cities share similarities. This allows performances to transcend geographical boundaries, making it possible for people around the world to connect with the stories being told.

How does Ostermeier address the issue of colonialism in the context of international theatre?

Ostermeier critiques the colonialist attitude that suggests certain countries or regions should be excluded from the global theatre scene because of their economic challenges. He argues that this perspective is unfair and that all parts of the world should have the opportunity to engage with international theatre.

What is Ostermeier's stance on why poorer countries should not be excluded from the international theatre world?

Ostermeier suggests that excluding economically disadvantaged countries from international theatre festivals and cultural exchanges is a colonialist attitude. He emphasizes that poverty or post-colonial economic struggles should not determine a country's participation in the global theatre conversation.

What do younger theatremakers and audiences want from modern theatre performances?

Younger theatremakers and audiences are looking for relevant storytelling that they can connect with. They want characters and conflicts that reflect their own lives, as well as political and social issues in their societies.

How does Ostermeier see the future of the role of the actor in theatre?

Ostermeier believes that the role of the actor, particularly in complex dramatic storytelling, will become more important in the future. He anticipates a resurgence of the art of acting, with a focus on strong, emotionally connected performances.

What does Ostermeier believe younger audiences seek in terms of theatre's impact on their lives?

Younger audiences are eager to see theatre that provides a meaningful connection to their lives, offering narratives that speak to current political and social questions. They want to identify with the characters and the drama unfolding on stage.

What does Ostermeier suggest about the universality of theatre in a globalized world?

Ostermeier suggests that due to globalization, theatre can be universally relevant, even if it originates from a specific local community. The shared experiences of globalized urban environments make it possible for theatre to resonate across cultural boundaries.

Why does Ostermeier believe theatre is still relevant in a globalized world?

Ostermeier believes that theatre remains relevant because it provides a space for reflection and connection. Despite the globalized world, people still desire theatre that addresses personal, social, and political issues, creating emotional resonance and connection.

How does Ostermeier view the relationship between economic conditions and the opportunity for global cultural exchange in theatre?

Ostermeier sees economic conditions as an unjust barrier to global cultural exchange in theatre. He argues that economic challenges should not prevent any region or country from participating in international festivals or being represented on the world stage.