APAKAH MERUGIKAN? TANGGAPAN GUE SOAL PP NOMOR 56 TAHUN 2021 TENTANG PENGELOLAAN ROYALTI HAK CIPTA!

Summary

Rian Ekky Pradipta, vocalist of D'Masiv, discusses Indonesia's government regulation on copyright royalties for music. He highlights the importance of awareness and enforcement of these royalties, which have been in place for years but are often overlooked by businesses like restaurants and cafes. The regulation ensures that musicians and songwriters receive fair compensation when their music is used in public spaces, TV, and events. Rian emphasizes the need for better socialization of the rules, as well as tackling digital piracy. He hopes this initiative will create a more prosperous environment for Indonesian musicians.

Takeaways

• 😀 The script features Rianekkypradipta, the vocalist of D'Masiv and a song creator, discussing the importance of royalty management for songwriters and musicians in Indonesia.
• 😀 The Indonesian government regulation No. 56 of 2001, which governs the management of royalties for songs and music, has gained attention after being emphasized by President Joko Widodo.
• 😀 This regulation is not new, as royalty management has been established under the Copyright Law No. 28 of 2014, but the recent announcement by the President brought it into the spotlight.
• 😀 Many TV stations, radios, and public places such as restaurants and malls have already been paying royalties, although there is still a lack of awareness about copyright among some businesses.
• 😀 Songwriters must register their works with Collective Management Organizations (LMK) to ensure that royalties are properly collected and distributed to them.
• 😀 Royalties are generated when music is played in public spaces like restaurants, malls, or karaoke bars, and businesses are required to pay for the use of copyrighted songs.
• 😀 The process of royalty payment involves both domestic and international collaborations, where royalties from foreign artists performing in Indonesia are paid through local LMKs to their counterparts abroad.
• 😀 Despite long-established systems for royalty collection, there is still a gap in awareness, especially among small and medium-sized businesses, about their obligation to pay royalties for public music usage.
• 😀 Rianekkypradipta encourages business owners to understand that paying royalties is not burdensome and is much smaller compared to the profits they make from using music in their venues.
• 😀 The government’s attention to this issue has raised awareness among the public, especially after President Joko Widodo’s statement, which could lead to better enforcement of copyright laws and fair compensation for creators.
• 😀 Ultimately, the goal of these regulations is to ensure fair compensation for songwriters and musicians, fostering a more prosperous and sustainable music industry in Indonesia.

Q & A

What is the main topic discussed in the transcript?

The main topic discussed in the transcript is the regulation of music royalties in Indonesia, particularly the Presidential Regulation No. 56 of 2001 and its impact on songwriters and performers.

How long has royalty management been in place for music in Indonesia?

Royalty management for music in Indonesia has been in place since 1991, with the regulation on royalties and copyright being formalized through various laws over the years.

What is the role of LMK (Lembaga Manajemen Kolektif) in royalty distribution?

LMK (Lembaga Manajemen Kolektif) is responsible for collecting and distributing royalties on behalf of songwriters and performers to ensure they are compensated when their works are used in public spaces like restaurants, malls, TV, and radio.

What was the recent change that brought attention to the issue of music royalties in Indonesia?

The recent change was the announcement by President Joko Widodo regarding the Presidential Regulation No. 56 of 2001, which addresses the management of royalties for music and has drawn increased attention to the importance of paying royalties.

How does the new regulation affect businesses that use music in public spaces?

Businesses such as restaurants, cafes, and malls that play music in public spaces are required to pay royalties to songwriters and performers through LMK. This is to ensure that the creators of the music are compensated for its use.

What challenges does Rian Ekky Pradipta highlight regarding the implementation of the regulation?

Rian Ekky Pradipta highlights that while the regulation has been in place for a long time, many businesses and individuals are still unaware of the need to pay royalties, leading to a lack of proper implementation and enforcement.

What is Rian's opinion on the financial impact of paying royalties for businesses?

Rian believes that the cost of paying royalties is minimal compared to the profits businesses generate, especially in the case of cafes and restaurants that use music to enhance the customer experience.

How has digital piracy affected the music industry in Indonesia, according to Rian?

Rian mentions that digital piracy is a significant problem, with many songs being used without permission, resulting in lost royalties for the songwriters and creators. This has been an ongoing issue, particularly in the digital age.

What does Rian hope will result from the increased awareness of royalty payments?

Rian hopes that the increased awareness of royalty payments will lead to fair compensation for songwriters and performers, improving their welfare and enabling them to continue creating music.

How does Rian suggest the music industry can improve its royalty management practices?

Rian suggests that there should be more education and better enforcement of the regulations, as well as collaboration between businesses and collective management organizations (LMK) to ensure royalties are paid properly.