Zamba: Excursión al Museo de Bellas Artes - Fernando Botero - Canal Pakapaka

Pakapaka
10 Feb 201504:08

Summary

TLDRThe video script presents an engaging journey into the world of Colombian artist Fernando Botero, known for his signature style of portraying subjects with exaggerated proportions, often referred to as 'Boterismo'. The script takes the audience on an educational and entertaining tour through a museum in Bogotá, Colombia, where they are introduced to Botero's sculptures and paintings. The narrative is playful and informative, highlighting the artist's unique approach to art, which involves a process of sketching, molding, and metal casting. Botero's sculptures are described as having a 'hunger for space', reflecting their voluminous forms. The script also reveals Botero's creative insight, which was inspired by the simple act of drawing a guitar and noticing how the central void made it appear inflated. This discovery led to his distinctive style, which is characterized by the fullness and roundness of his subjects. The video emphasizes the tactile and interactive nature of sculptures, inviting viewers to engage with the art on a personal level, and concludes with a sense of wonder about the impact of Botero's work on the world.

Takeaways

  • 🎨 The script discusses the art of Fernando Botero, a Colombian artist known for his distinct style.
  • 🖼️ Botero's style is often referred to as 'Boterismo', which is characterized by the exaggerated, voluptuous figures in his work.
  • 🗿 The mention of 'sculptures' and 'mural installations' indicates that Botero's art extends beyond paintings to three-dimensional works.
  • 🏛️ The script references a visit to the Museum of Fine Arts in Bogotá, where Botero's sculptures are prominently displayed.
  • 👥 The sculptures are described as being full-figured or 'fat', which is a common interpretation of the human form in Botero's work.
  • 🧵 The artist's creative process is hinted at, starting with a drawing on paper, then creating molds, and finally casting the metal.
  • 🎈 Botero's 'secret' to his signature style involves creating a small hollow in the center of his subjects, giving them an 'inflated' appearance.
  • 🤹‍♂️ The artist enjoys making sculptures because they allow for interaction; people can touch, talk to, or even play around them.
  • 👕 There is a humorous mention of the sculptures being 'hungry for space', which could be a metaphor for their large presence.
  • 🌍 The script suggests that Botero's work has made a significant impact globally, as indicated by the child's question about the artist's sculptures being everywhere.
  • 📦 The sculptures are also referred to as 'Boter imos', which might be a playful term or a local nickname for Botero's sculptures.

Q & A

  • Who is the artist mentioned in the transcript that is known for his distinctive style?

    -The artist mentioned in the transcript is Fernando Botero, a Colombian artist known for his unique style.

  • What is the term that Fernando Botero uses to describe his style?

    -Fernando Botero refers to his style as 'Boterismo', which is a term derived from his last name.

  • What type of art does the transcript mention that is not just limited to paintings?

    -The transcript mentions sculptures as a type of art that is not limited to paintings.

  • What is the name of the artwork featured in the transcript?

    -The specific artwork mentioned in the transcript is 'La Mujer Vestida 1989' by Fernando Botero.

  • In which city is the museum that the transcript refers to?

    -The museum referred to in the transcript is the Museum of Fine Arts in Bogotá.

  • What is the common feature of the sculptures mentioned in the transcript?

    -The common feature of the sculptures mentioned is that they are all characterized by a rounded, inflated appearance, often referred to as being 'fat' or 'full of air'.

  • What is the term used to describe the sculptures in the plaza mentioned in the transcript?

    -The term used to describe the sculptures in the plaza is 'Boterismo', which is the same as the artist's style.

  • What is the reason behind the sculptures appearing 'inflated'?

    -The sculptures appear 'inflated' because of the artist's technique of making the central hollow of the objects very small, giving the impression that they are filled with air.

  • Why does the artist enjoy creating sculptures?

    -The artist enjoys creating sculptures because people can approach, touch, talk to them, and even play hide and seek with them, making them interactive pieces of art.

  • What is the first step the artist takes when creating a sculpture?

    -The first step the artist takes when creating a sculpture is to make a drawing on paper to visualize how it will look.

  • What is the process of creating a sculpture according to the artist mentioned in the transcript?

    -The process of creating a sculpture includes drawing on paper, fabricating molds, casting the metal, and finally, applying the 'inflated' effect that is characteristic of the artist's style.

  • What is the name of the plaza that is mentioned in the transcript?

    -The transcript does not provide the specific name of the plaza, but it is implied that it is a plaza filled with Botero's sculptures.

Outlines

00:00

🎨 Introduction to Art and Botero's Sculptures

The paragraph introduces the concept of art beyond painting, mentioning murals and sculptures. It highlights a specific sculpture by Colombian artist Fernando Botero located in Bogotá's Museum of Fine Arts. The speaker invites children to follow along, emphasizing the distinctive style of Botero's work, which is humorously referred to as 'Voltaireism' or 'Potterism'. The main point is that art is not limited to paintings and that Botero's sculptures are a significant part of the museum's collection.

Mindmap

Keywords

💡Fernando Botero

Fernando Botero is a renowned Colombian artist known for his signature style of depicting subjects with exaggerated volume and rounded forms. In the video, Botero's work is central to the theme, as the children visit a museum and a plaza filled with his sculptures. The script mentions 'La mujer vestida 1989' as one of his works, showcasing his characteristic style.

💡Sculpture

Sculpture refers to the three-dimensional art form that creates shapes or figures by carving, molding, or assembling materials. The video script discusses Botero's sculptures, emphasizing their tactile nature and the way they invite interaction from the public. The term is used to describe the physical art pieces that the children encounter during their excursion.

💡Museo de Bellas Artes

Museo de Bellas Artes translates to Museum of Fine Arts. The script mentions a visit to this museum in Bogotá, indicating it as the location where the children are introduced to various forms of art, including Botero's sculptures. It represents an educational setting within the video's narrative.

💡Boterismo

Boterismo is a term coined after Fernando Botero, referring to his distinctive artistic style characterized by the voluminous and rounded forms of his subjects. The script explains that Botero's style is so unique that it takes his name, which is a testament to his influence and the recognizability of his work.

💡Art

Art is a broad concept that encompasses various forms of creative expression, as alluded to in the script when it mentions that art is not just about paintings. The video uses the term to introduce the children to different artistic mediums, including sculptures by Fernando Botero.

💡Excursion

An excursion is an outing or trip, usually for a recreational or educational purpose. In the context of the video, the children are on an educational excursion to the Museum of Fine Arts to learn about art and specifically, the sculptures of Fernando Botero.

💡Inflación

Inflación, or inflation in English, is used metaphorically in the script to describe Botero's artistic technique of making his subjects appear 'inflated' or fuller. This effect is central to his style and is how he gives his sculptures and paintings their distinctive look.

💡Espacio

Espacio, which translates to 'space', is mentioned in the script with a humorous twist, suggesting that Botero's sculptures have 'hambre de espacio' or 'hunger for space', implying their large size and the impact they have on the environment they inhabit.

💡Samba

Samba appears to be a name or a term used by the speaker in the script to engage with the children, possibly as a playful way to maintain their interest. It is used repeatedly throughout the script, serving as a narrative device to keep the children involved in the discussion about art.

💡Moldes

Moldes refers to 'molds' in English, which are used in the process of creating sculptures by casting. The script describes the step-by-step process of making a sculpture, starting from drawing, creating molds, casting metal, and finishing with the final product, illustrating the technical aspects of sculpture creation.

Highlights

Introduction to the concept of art beyond painting, including murals and sculptures.

Mention of a museum trip to the Museum of Fine Arts in Bogotá.

Discussion about Colombian artist Fernando Botero and his distinctive style.

Botero's style referred to as 'Boterismo' or 'Voltairean'.

Description of a sculpture named 'La mujer vestida 1989' by Fernando Botero.

The presence of a plaza filled with Botero's sculptures.

The common feature of Botero's sculptures being 'full of space' or 'inflated'.

The idea that the sculptures have a hunger for space, humorously suggesting they 'ate it all'.

Explanation of how Botero's sculptures are made, starting with a drawing on paper.

Process of creating molds, casting metal, and finishing the sculptures.

Botero's fondness for sculptures as they allow people to interact and play.

The artist's revelation of his 'secret' technique of making hollows appear inflated.

Botero's application of his 'inflated' technique to various subjects like cats, dogs, and people.

A playful moment where a child is asked about the sculptures' appearance and their commonality.

The sculptures' humorous interpretation as being 'fat' or 'inflated'.

Final thoughts on the sculptures' impact and presence in the world.

Transcripts

play00:02

vamos niños

play00:03

presten atención de todos juntos vamos

play00:06

de estación donde donde enseñó por favor

play00:10

a misterio adivina adivinador yo lo sé

play00:14

me aburro

play00:17

de instalaciones murales y esculturas el

play00:21

arte no es solo la pintura cuadros están

play00:25

dos inglesas para grandes

play00:32

estábamos de excursión de samba al museo

play00:38

de bellas artes

play00:40

bogotá está niños es una escultura del

play00:47

artista colombiano fernando botero se

play00:50

suele referir a su estilo como voltaire

play00:53

ismo

play00:55

potter ismo si samba cuando un modo de

play00:59

pintar es tan distintivo toma el nombre

play01:02

de su creador bueno niños vamos todos

play01:06

juntitos síganme moral

play01:08

la mujer vestida 1989

play01:13

fernando botero que linda

play01:21

fernando botero fernando botero

play01:28

y bueno una plaza llena de boteros no

play01:35

son boter imos ambas son esculturas

play01:38

potter y mismo se llama al estilo que

play01:41

comparten todas ellas que crees tú que

play01:43

tienen en común en que están en una

play01:47

plaza ajá es cierto y que más samba

play01:51

que no se mueven muy bien y ve algo más

play01:55

que todos son gorditos empuje no es una

play01:59

forma de interpretarlo pero te diré un

play02:01

secreto lo que tienen en común y

play02:03

esculturas es que tienen hambre de

play02:06

espacio me parece que tenían tanto

play02:10

hambre que ya se lo comieron todo

play02:12

fernando botero es como si fueran

play02:16

esferas llenas de aire esta plaza lleva

play02:19

mi nombre y hay muchas de ellas te

play02:22

gustaría conocerlas ambas son esta creo

play02:27

que ya te la han presentado es la mujer

play02:29

vestida menos mal fernando botero porque

play02:32

es unas estatuas que están sin ropa y

play02:37

como se hace las estatuas en realidad

play02:40

éstas se llaman esculturas ambas hay

play02:43

muchas maneras de hacerla te mostraré la

play02:45

que más me gusta a mí

play02:48

primero hago el dibujo en papel para ver

play02:51

cómo va a quedar luego se fabrican los

play02:54

moldes

play02:56

se funde el metal y por último está la

play03:02

y porque son todos así moteros

play03:06

te contaré mi secreto si no se lo dice a

play03:10

nadie pero un día dibujando una guitarra

play03:14

se me ocurrió hacer el hueco del centro

play03:17

muy chiquito ahí me di cuenta de que

play03:20

parecía que la guitarra estaba inflada

play03:22

ese efecto me gustó tanto que comencé a

play03:26

repetirlo en todas mis obras entonces

play03:29

hice gatos perros caballos hombres

play03:34

mujeres manos y muchísimas cosas más me

play03:39

gustan las esculturas porque la gente

play03:42

puede acercarse tocarlas hablar con

play03:45

ellas o hasta jugar a las escondidas no

play03:49

es cierto samba samba o porque habré

play03:53

hecho tantas esculturas y tan grande

play03:56

samba está aquí donde se habrá metido

play04:00

este niño

play04:03

el mundo

play04:06

y

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Related Tags
Fernando BoteroSculptureArt StyleChildren's PerspectiveExplorationArtistic InterpretationColombian ArtMuseo de Bellas ArtesBogotaSambaInflationism