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Confused Breakfast

15 Jan 202401:00

Summary

TLDRThe transcript describes an inspiring scene in a movie directed by Edgar Wright, involving a continuous tracking shot done twice. Wright insisted on including it despite resistance, aiming to rally the crew. Details were added to make cutting it impossible - it became an amazing technical feat. In the second take, subtle changes build on the first version. The transcript praises Wright's ambition in pushing boundaries, taking risks and achieving something extraordinary through determination.

Takeaways

😊 The script discusses an acclaimed scene from an Edgar Wright film featuring a continuous tracking shot.
🎥 Edgar Wright wanted to do a challenging scene early on to rally the crew and set high standards.
🎞 Some crew members initially wanted to cut the tracking shot scene out thinking it was unnecessary.
😤 Edgar Wright kept the scene in partly out of defiance and to prove how great it was.
🎬 More and more details were added to the tracking shot scenes to make them impossible to cut.
🌟 The resulting tracking shot scene is considered one of the best ever made.
🎥 A second tracking shot is done later in the film showing how things have changed.
🔍 Small details in the second tracking shot tell the story of what happened.
💕 The script expresses love and appreciation for Edgar Wright's ambitious filmmaking.
🎉 The tracking shots show the passion and dedication of Edgar Wright and his crew.

Q & A

What scene is the script referring to that Edgar Wright wanted to rally the troops to do?
-The continuous one-take tracking shot following the main character through town as events happen around him, which Wright does twice in the movie.
Why did the cinematographer want to take the scene out of the movie?
-Because he felt no one would care about such a technically complex long take scene.
How did Edgar Wright use the cinematographer's doubt as motivation?
-He felt it rallied the crew as a challenge to undertake, and he kept adding more details to make the scene impossible to cut out.
What new details do we see in the second walk sequence?
-There is now a hole in the windshield of the car being washed, showing the passage of time.
How does the film creatively indicate the passage of time in the second walk scene?
-By having the TV click through stations, telling part of the story.
Why does the script say Wright didn't have to 'go this hard in the paint'?
-Because the continuous tracking shot was already so complex and well-done the first time.
What does 'go this hard in the paint' mean in this context?
-It means put so much effort into something, like Wright did by doing a second even more complex tracking shot.
What does the line 'I already love you' suggest about the speaker's opinion of the scene?
-It shows they greatly enjoyed and appreciated the ambitious creativity shown in the tracking shots.
Why do you think Edgar Wright chose to do this scene twice?
-Most likely both as a creative challenge to himself and the crew, and to emphatically open the movie with an impressive technical feat.
What makes the complexity of the one-take tracking shots so impressive?
-They require extremely careful planning, choreography and timing involving many elements like sets, actors, props, cameras, etc. all coming together seamlessly.

Outlines

00:00

Praising Edgar Wright's directing in Baby Driver 😄

The paragraph praises director Edgar Wright for including two ambitious one-take car chase scenes in Baby Driver despite resistance from some members of the production crew. It states that Wright rallied the crew to take on the challenging scenes to prove they could achieve something difficult. The paragraph also notes how Wright kept adding more details to make the scenes impossible to cut due to their high quality.

Mindmap

Keywords

💡Edgar Wright

Edgar Wright is an English director, screenwriter and producer known for his comedic style and fast-paced visual editing. He directed the film being discussed in the video script. The narrator mentions how Wright wanted to do an extremely challenging scene at the start to rally the crew and prove they could accomplish hard things, despite objections from others.

💡one shot

A "one shot" refers to a continuous, unedited take in a movie or video. The narrator describes how Wright did an elaborate "one shot" scene where the camera follows the main character through events over several minutes without any cuts. This was very complex to choreograph but demonstrated Wright's directorial skills.

💡details

The narrator explains how Wright kept adding more and more details to the one shot scenes to make them impossible to cut out because of how impressive they were. This refers to the visual elements, action, and other complexities he built into the long takes.

💡clicking

This refers to the sound of the TV changing channels rapidly. After the second one shot scene, the narrator describes how when the character sits down, you hear the clicking sounds that creatively progress the story without need for dialogue.

💡rallying cry

A rallying cry is something that motivates and excites a group to come together for a common cause. The narrator uses it to describe how doing the challenging one shot scene was like a rallying cry from Wright to the crew to accomplish something difficult.

💡cinematographer

The cinematographer is the person who oversees the camera work and visual style of a film. The narrator mentions how a cinematographer wanted to remove the complex one shot scene, but Wright kept it to prove them wrong.

💡editor

The editor is the person who takes all the footage shot during production and assembles it into a coherent movie. Like the cinematographer, the editor also objected to the one shot scene, but Wright again refused to cut it.

💡long take

A long take refers to an uninterrupted shot in a film that continues without any editing for an extended duration. The ambitious one shot scenes described in the video would be considered long takes.

💡tracking shot

A tracking shot is when the camera moves alongside the action to follow a subject continuously. The complex one shot scenes in the video require intricate tracking shots to follow the character seamlessly through the long take.

💡storytelling

The narrator praises the TV clicking sounds as creatively telling the story without dialogue, and says Wright kept adding details to progress the story within the one shots. This refers to the way the scenes are structured to convey narrative information visually.

Highlights

Edgar Wright did a challenging one-shot scene early on to rally the crew and prove naysayers wrong

Wright kept adding more details to the one-shot scenes to make them impossible to cut out

The one-shot goes through intricate blocking with actors going in and out of scenes

Details like the car windshield hole and TV channel clicking tell a story

Wright didn't have to go so elaborate with the one-shot scenes, but did to prove a point

The crew tried to convince Wright to cut the ambitious one-shot scenes out

Wright rallied the crew to do the hard one-shot scenes before the rest of filming

The one-shot scenes were considered some of the best filmmaking ever

The crew saw the one-shot as a challenge to accomplish as a team

Wright views restrictions and challenges as inspiration for creativity

The intricate one-shots show the creativity and skill of Edgar Wright

Wright made the scenes impossible to cut to force their inclusion

The crew doubted the necessity of the elaborate one-shot scenes

Wright was determined to include the one-shots to prove their worth

The one-shots ended up amazing despite initial doubts from the crew