R.A Kartini

AKUNTANSI 1
17 Apr 202215:00

Summary

TLDRThis script recounts the story of Raden Ajeng Kartini, a young Javanese woman from Jepara in 1891, who is forced into seclusion due to traditional customs. Despite her desire for education and freedom, Kartini must adhere to the societal expectations placed on women, including being secluded and later married off. She struggles with the limitations imposed by tradition, yet finds solace in learning through books provided by her friends. Kartini’s journey ultimately becomes a symbol of her fight for women's education and emancipation, inspiring future generations.

Takeaways

  • 📅 The story is set in Jepara, Central Java, in the year 1891.
  • 👧 Kartini, a young girl, is distraught because she is expected to undergo 'pingitan', a traditional practice where girls are secluded and not allowed to continue their education.
  • 🏫 Kartini's desire is to continue her schooling and become an educated, enlightened woman who can contribute to society.
  • 👨‍👩‍👧‍👦 Her parents, Raden Mas Adipati Ario Sosroningrat and Mas Ajeng Ngasirah, inform her of the tradition and insist on its importance despite Kartini's pleas.
  • 🚫 'Pingitan' is portrayed as a restrictive practice that confines women and limits their potential.
  • 📚 Despite the tradition, Kartini's friends and family support her desire to learn by providing her with books and tutoring.
  • 🌍 Kartini's friends, Rosa Abendanon and Stella, visit her and discuss their plans to study abroad, inviting Kartini to join them, but she is unable to due to her situation.
  • 💡 Kartini's aspirations include establishing schools for indigenous people, especially women, to reduce the educational gap and empower women.
  • 💌 Through letters, Kartini maintains contact with her friends abroad, sharing her thoughts and learning about their experiences with higher education.
  • 🎓 Kartini's struggle and eventual acceptance of her situation highlight the societal norms and expectations placed on women during her time.
  • 🌟 Kartini's legacy lives on through her efforts to emancipate women and improve the lives of indigenous people through education.

Q & A

  • Who are the parents of Kartini in the script?

    -Kartini's parents are Raden Mas Adipati Ario Sosroningrat and Mas Ajeng Ngasirah.

  • Why was Kartini sad on the day mentioned in the script?

    -Kartini was sad because she received the news that she would be 'pingit,' which means she would be secluded at home and stop attending school, as per the traditional customs for Javanese girls.

  • What was Kartini's dream, and why did she oppose being secluded?

    -Kartini dreamed of continuing her education and becoming an intelligent native girl who could bring positive changes to the world. She opposed being secluded because she wanted to pursue her ambitions and believed that women should have the right to education.

  • What did Kartini’s father say about her request to continue her education?

    -Kartini’s father explained that it was a tradition for women not to pursue higher education and that it was time for her to be secluded and learn the skills required of a woman before marriage.

  • Who were Kartini’s European friends that visited her during her seclusion?

    -Kartini’s European friends who visited her were Rosa Abendanon and Stella.

  • What support did Kartini receive from her friends during her seclusion?

    -Kartini’s friends brought her books, including some in Dutch, so she could continue learning even during her seclusion. They also promised to keep visiting and supporting her.

  • What was the societal view on women’s education according to the script?

    -The societal view in the script was that women did not need to pursue education since their role was to marry and take care of the household. Education was primarily reserved for men and European children.

  • What opportunity did Kartini's friends offer her, and what was her reaction?

    -Kartini's friends offered her an opportunity to continue her studies in the Netherlands, but Kartini was aware that she would not be allowed to leave due to the cultural restrictions placed on her.

  • Who did Kartini's family arrange for her to marry, and how did she feel about it?

    -Kartini's family arranged for her to marry Raden Mas Adipati Ario Singgih Djojo Adhiningrat, the Regent of Rembang, who had been married three times before. Kartini was hesitant as she worried that marriage would prevent her from realizing her dreams.

  • What was Kartini's primary goal or vision as conveyed in the script?

    -Kartini's primary goal was to establish a school for native girls and advocate for women’s rights to education and equality. She wanted to end the practice of women being considered inferior and ensure that women had opportunities to pursue their aspirations.

  • What was the outcome of Kartini’s efforts as mentioned at the end of the script?

    -Despite Kartini passing away young, her efforts and vision contributed significantly to the emancipation of women and improved educational opportunities for native girls. Her legacy led to a change in societal views, allowing all people, including women, to pursue education.

Outlines

00:00

😢 Kartini Faces an Unwanted Tradition

In 1891, young Kartini, living in Jepara, Central Java, is devastated when her parents announce that it is time for her to be secluded (or 'pingit'), a tradition that prevents girls from continuing their education and forces them into isolation until they are married. Kartini, who dreams of continuing her studies and becoming a smart native woman, pleads with her father to let her stay in school. However, her father insists that it is tradition for girls to be prepared for marriage by learning domestic skills. Despite Kartini's protests, she is told to accept her fate, though she feels trapped and heartbroken.

05:00

📚 Kartini's Supportive Friends Visit

While dealing with her seclusion, Kartini is visited by her two European friends, Rosa Abendanon and Stella. They bring her books in Dutch to help her continue learning. Though Kartini appreciates their gesture, she shares her deep sadness about being unable to attend school and live freely, unlike before. Rosa and Stella sympathize with her struggle and promise to visit again. Kartini's friends try to cheer her up, knowing how much she misses her education and social life. Kartini remains determined to learn despite her restricted circumstances.

10:01

🎓 Kartini's Dream of Higher Education

Kartini's friends tell her about scholarships and educational opportunities in the Netherlands, but Kartini knows that her dream of studying abroad is impossible due to her family's and society's expectations. Her mother believes that Kartini should marry instead of pursuing education, reminding her that at 24, many women have already married. Kartini firmly expresses her wish to fight for women's education, but her mother insists that marriage will allow her to escape the seclusion. Kartini is torn between her ambition to uplift women and the traditional path laid out for her.

💍 A Marriage Proposal for Kartini

Kartini’s parents inform her that Raden Mas Adipati Ario Singgih, a regent of Rembang who has been married three times, is interested in marrying her. Although hesitant, Kartini meets him and questions his thoughts on women's education and emancipation. Surprisingly, he supports Kartini’s ideals, expressing a willingness to help her achieve her dream of empowering native women. This leaves Kartini feeling hopeful, despite her inner conflict about balancing her ambitions with the pressure to marry.

🌟 Kartini's Lasting Legacy

Though Kartini eventually succumbs to the traditional expectations of marriage, her letters and efforts in advocating for women’s education leave a significant impact. After her untimely death, her dreams of emancipation inspire changes that benefit future generations. Thanks to Kartini’s advocacy, native women, especially from the Javanese society, gain better opportunities for education, leading to a transformation in how women are treated and respected. Her legacy as a pioneer for women’s rights and education lives on.

Mindmap

Keywords

💡Pingit

The term 'pingit' refers to the traditional practice of secluding young women in preparation for marriage, common among the Javanese nobility in the late 19th century. In the script, Kartini is forced to undergo this seclusion, which limits her freedom and prevents her from continuing her education. This custom symbolizes the broader societal restrictions placed on women at the time, a key theme in Kartini’s struggle for women’s rights.

💡Tradition

'Tradition' in this context refers to the societal customs that dictate the roles and behaviors of individuals, particularly women. The script highlights the conflict between Kartini's desire to pursue education and the rigid traditions that require her to stop schooling and prepare for marriage. The adherence to tradition by her parents reflects the societal norms of the time, which Kartini ultimately challenges.

💡Education

Education is central to Kartini’s aspirations and symbolizes freedom and empowerment for women in the script. Despite societal expectations, Kartini longs to continue her education and dreams of building schools for women. Her struggle to access education highlights the theme of gender inequality and the limitations imposed on women by traditional customs.

💡Raden Ajeng Kartini

Kartini, the protagonist of the script, is a historical figure who fought for women's rights and education in Indonesia. Her journey, as depicted in the video, involves her resistance to the oppressive tradition of 'pingit' and her desire to uplift the status of indigenous women through education. Kartini's experiences embody the larger narrative of women's empowerment and social reform.

💡Emansipasi Wanita

'Emansipasi Wanita' or 'Women’s Emancipation' is a key theme in the script, representing the movement toward gender equality and women’s rights. Kartini advocates for the emancipation of women, particularly through education, challenging the patriarchal structures that keep women oppressed. Her efforts eventually lead to better opportunities for women in Indonesia.

💡Belanda (Dutch)

The Dutch colonial rule in Indonesia plays a background role in the script. Kartini's exposure to Dutch education and culture, as well as her interactions with Dutch friends, expands her worldview and fuels her desire for reform. The Dutch language and education system become symbols of opportunity, contrasting with the local traditions that restrict Kartini’s ambitions.

💡Gender inequality

Gender inequality is a pervasive issue in the script, manifesting through the societal expectations that limit women's roles to domestic responsibilities. Kartini's inability to pursue her education and her eventual seclusion reflect the broader systemic inequalities between men and women during her time. Her fight to change these norms emphasizes the need for gender equality.

💡Marriage

Marriage, as depicted in the script, is a traditional expectation for women and a means of further restricting their autonomy. Kartini’s parents push her towards marriage as the next step after being 'pingit,' which would mark the end of her dreams of further education. The concept of marriage in the script symbolizes the loss of personal freedom for women.

💡Beasiswa (Scholarship)

Beasiswa or 'scholarship' is mentioned as a means for Kartini to continue her education, despite the societal restrictions placed on her. The idea of receiving a scholarship to study in the Netherlands represents the possibility of breaking free from traditional confines. However, the script shows the tension between Kartini’s dreams and the cultural pressures to conform to the role of a wife.

💡Surat (Letters)

Letters play a significant role in the narrative, serving as a means for Kartini to communicate with her friends abroad and express her thoughts and ideas. These letters allow her to maintain her connection to the outside world and continue her intellectual pursuits, despite being physically confined. The exchange of letters highlights Kartini’s resilience and commitment to her cause.

Highlights

Kartini is informed by her parents that it’s time for her to be sequestered as per traditional customs.

Kartini feels saddened by the restriction but expresses her desire to continue schooling and become a knowledgeable woman.

Her father explains the tradition that women must be secluded and do not need higher education, which disappoints Kartini.

Despite her discontent, Kartini’s parents allow her to learn from books, with her father promising to teach her Dutch.

Kartini struggles with the concept of being secluded, feeling imprisoned yet grateful for the support of her family.

Kartini’s friends, Rosa and Stella, visit and express their sympathy for her situation.

Rosa and Stella provide Kartini with books in Dutch, encouraging her to keep learning and supporting her intellectual growth.

Kartini reflects on her limitations and feels the weight of tradition as she engages with her friends, who are more free.

Kartini’s friends propose that she could come with them to Europe to pursue further education, which she dreams of.

Kartini remains in correspondence with her friends abroad, sharing thoughts and receiving inspiration.

Kartini’s mother suggests that it might be time for her to marry, which conflicts with Kartini’s aspirations.

She is introduced to Raden Mas Adipati Ario Singgih Djojo Adhiningrat, a potential suitor, and contemplates her future.

Kartini expresses her goals to build a school for native women and advocates for women’s equality with her suitor.

Raden Mas Adipati supports Kartini’s ambitions, showing empathy and willingness to help her fulfill her dream.

Kartini's efforts lead to long-lasting impacts on education and women’s rights, and her legacy continues to inspire generations.

Transcripts

play00:00

di Jepara Jawa Tengah tanggal dan bulan

play00:03

di tahun 1891

play00:06

Hai hari itu Kartini kecil tidak bisa

play00:09

berhenti bersedih kedua orangtuanya

play00:12

Raden Mas Adipati Ario sosroningrat dan

play00:16

Mas Ajeng ngasirah

play00:18

menyampaikan sebuah berita yang

play00:21

membuatnya sangat terkejut

play00:23

Hai

play00:24

sudah waktunya baginya untuk dipingit

play00:29

Hai seperti gadis pribumi lainnya yang

play00:32

berhenti sekolah dan bersembunyi dibalik

play00:34

tembok tinggi

play00:36

hai tuh pak Trinil ingin melanjutkan

play00:40

sekolah

play00:41

Trinil ingin menjadi gadis pribumi yang

play00:44

cerdas memiliki cita-cita membuat dunia

play00:47

ini terangkat Trinil tak mau dipingit

play00:51

Rini melanjutkan sekolah Pak Bu tidak

play00:55

channel Bapak tidak bisa menuruti

play00:58

permintaanmu ini adalah tradisi adat

play01:02

istiadat sejak dulu perempuan tidak

play01:04

perlu bersekolah tinggi nak Sudah

play01:06

saatnya untukmu dipingit mempelajari

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segala hal yang harus dikuasai oleh

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seorang perempuan kemudian menikah

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dengan orang yang tepat

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tidak Bisakah sesekali tradisi ini tidak

play01:19

dilaksanakan channel Bapak adalah Bupati

play01:23

pemimpin rakyat Jepara tidak seharusnya

play01:26

Bapak menghancurkan tradisi kita sendiri

play01:32

Hai to wo

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streaming mohon full

play01:36

Sudahlah premium

play01:38

laksanakan apa yang sudah menjadi

play01:40

tradisi

play01:41

klub kau akan mengerti mengapa semua ini

play01:44

dilakukan

play01:47

yang

play01:47

sangat Kartini adalah anak perempuan

play01:50

tertua maka ialah yang pertama kali

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merasakan bagaimana rasanya dipingit

play01:59

Bagaimana rasanya dipingit ia Entahlah

play02:03

training yang pasti tentu saja kotak

play02:06

bisa terlalu bebas berinteraksi dengan

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semua orang kau akan dikawal Kemanapun

play02:11

kau pergi ke

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Hai aku tak mau dipingit Aku ingin

play02:16

bersekolah

play02:17

Tenanglah Trinil ini sudah menjadi adat

play02:19

dan kita tidak bisa menghancurkannya

play02:22

kami akan meminjamkan k buku Agar kau

play02:25

tetap bisa belajar Aku berjanji akan

play02:28

menjadi guru bahasa Belanda mu untuk

play02:30

menggantikan guru lamamu Terima kasih

play02:33

aku sangat menyayangi kalian semua

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perasaanku sekarang sangat kacau

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semuanya terasa seperti dipenjara

play02:42

Bersabarlah hatiku Kau pasti bisa

play02:45

melalui semua ini kau perempuan tangguh

play02:48

Kami yakin itu ya itu pasti

play02:53

sebenarnya apa itu dipingit

play02:56

Hai entah lah Ibu bilang aku tidak akan

play02:59

Sebebas dulu lagi kemanapun aku pergi

play03:02

Aku selalu dikawal Sebenarnya aku tidak

play03:05

masalah dengan ini semua Aku hanya ingin

play03:08

bersekolah aku rok mini dan karena juga

play03:11

masih bersekolah kapan kami akan dipilih

play03:13

juga saat umur kita 12 tahun simetri ya

play03:17

kan Trinil

play03:19

Hai

play03:21

Kartini sedang duduk disalah satu bangku

play03:23

kayu yang terletak di halaman belakang

play03:26

rumahnya tiba-tiba dua gadis berwajah

play03:30

Eropa terlihat berjalan dari kejauhan

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Kartini memicingkan matanya dan segera

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tertawa gembira melihat Siapa yang

play03:42

datang mengunjunginya

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dua sahabatnya Rosa abendanon dan Stella

play03:52

Hai prosa spela

play03:58

[Musik]

play04:00

bukan ini bagaimana kabarmu secara fisik

play04:05

aku memang baik-baik saja tetapi aku

play04:07

tidak bisa memungkiri bahwa Fatin ku

play04:10

terasa perih kau lihat tahu bahan aku

play04:12

tidak bisa ke diam diri kami mengerti

play04:15

Kartini kami pun sangat merindukanmu

play04:17

tidak ada lagi gadis pribumi yang cerdas

play04:20

dan ceria sepertimu kelas sangat serasa

play04:22

sepi sekali aku juga sangat merindukan

play04:25

kalian Aku ingin kembali tapi tradisi

play04:29

ini membuatku tidak bisa melakukan apa

play04:31

yang kumau Akupun tak mengerti dengan

play04:34

tradisi itu Kartini Apa salahnya

play04:36

perempuan bersekolah aku juga berpikir

play04:38

seperti itu kalau kotak sekolah apa yang

play04:41

kau lakukan Kartini aku hanya melakukan

play04:44

apa yang dilakukan perempuan pribumi

play04:46

lakukan selayaknya kemudian aku akan

play04:49

menikah itulah yang perkatakan ibuku ya

play04:52

di sini kau harus bersabar kalau kau

play04:55

membutuhkan bantuan kami kami akan

play04:57

selalu ada untukmu Terima kasih telah

play05:00

berusaha Kartini ini kami bawakan

play05:03

buku-buku untukmu beberapa diantaranya

play05:06

berbahasa Belanda Kok bisa mempelajari

play05:08

dari buku-buku ini sungguh aku tidak

play05:12

bisa mengatakan apapun lagi

play05:14

Hai Papa Kartini kami berjanji nanti

play05:17

akan mengunjungimu laki dengan Ali dan

play05:19

bangkok Kami akan membantu melewati

play05:21

masa-masa Sidempuan

play05:25

hari-harinya pun diisi dengan semua hal

play05:27

yang katanya harus bisa dilakukan oleh

play05:30

wanita sejati

play05:32

ditambah dengan belajar bahasa Belanda

play05:36

melalui buku-buku yang dipinjamkan oleh

play05:41

sahabat-sahabatnya dan kakaknya Raden

play05:45

Mas busono

play05:49

hai hai

play05:54

Hai kardinah Gemini sumatri apa Yang

play05:57

kenapa di sini

play06:00

oke

play06:03

Pril Ayo kita pergi ya ayo kita

play06:05

berdenyut parah ke

play06:08

kau tahu kan kalau aku dipingit Aku

play06:11

harus pergi dengan pengawalan dan tidak

play06:14

mungkin aku bebas berinteraksi dengan

play06:16

masyarakat maka dari itu jangan sampai

play06:19

kita ketahuan Bapak dan Ibu Sawargi Ayo

play06:22

kita pergi kamu bertiga akan mengawalmu

play06:24

baiklah

play06:26

[Musik]

play06:45

Hai

play06:46

ada apa katanya ayo kita hampir

play06:49

mantan-mantan hidup begitu apa yang

play06:52

mengganggu pikiran Kartini ada beberapa

play06:54

hal ini diketahui resmi lagipula tak apa

play06:57

jika sesekali Aku berbicara kepada

play07:00

pribumi lainnya

play07:01

Hai begini

play07:10

[Musik]

play07:18

nge-review

play07:20

tidak perlu

play07:23

Apakah kalian putri putri Adipati Ario

play07:26

sosroningrat ya bagaimana itu bisa tahu

play07:29

tentu saja beliau adalah Bupati Jepara

play07:32

kami beberapa kali melihat kalian

play07:35

bersama dan Bapak Bupati Mengapa Kalian

play07:38

pergi tanpa pengawalan Apa kalian tak

play07:40

dipingit uh Bolehkah saya bertanya tentu

play07:44

boleh Apakah memang dibikin adalah hal

play07:46

yang harus dilakukan oleh seluruh

play07:48

masyarakat pribumi Tentu saja Ini adalah

play07:52

ada sejak zaman nenek moyang kita

play07:54

lagipula dipingit membuat kita bisa

play07:57

menjaga diri dan terus berhati-hati

play07:59

terhadap kaum lelaki yang bukan muhrim

play08:02

kita hingga kita menikah

play08:03

hai lalu Apakah ibu bersekolah kami

play08:07

hanya rakyat biasa sejak kecil kami

play08:09

tidak bersekolah

play08:11

Hai yang dapat bersekolah hanya rakyat

play08:13

Belanda dan kaum pribumi Selain itu

play08:16

tidak ada yang bersekolah terkecuali

play08:18

laki-laki lagipula bukannya wanita

play08:20

memang tidak perlu bersekolah suatu saat

play08:23

mereka akan menikah dan kembali

play08:26

melakukan hal seharusnya dilakukan oleh

play08:28

wanita seperti kami

play08:33

rusak dengan Siapa pendiri atau bersama

play08:38

dengan sahabat-sahabat yang lain tidak

play08:40

pasti aku bersama kedua orang tuaku

play08:42

Benarkah kalau begitu aku yang bertemu

play08:45

dengan mereka sudah lama aku tidak

play08:46

bertemu dengan tuan dan nyonya abendanon

play08:48

bentar Kartini ada yang harus

play08:50

kubicarakan denganmu Aku harus pergi

play08:52

Kartini Apa maksudmu Rossa Aku akan

play08:56

melanjutkan sekolahku di Belanda aku

play08:57

sudah lulus dan ingin meraih pendidikan

play08:59

yang lebih tinggi Lalu bagaimana dengan

play09:01

Stella Ani dan Van kol mereka juga pergi

play09:05

kami akan berangkat

play09:08

sebenarnya kami ingin mengajakmu ke

play09:11

Belanda Hai

play09:12

kami ingin kau meraih cita-citamu Kami

play09:16

ingin kau melanjutkan sekolahmu Kartini

play09:18

tapi kami sadar bahwa kau takkan

play09:21

diijinkan untuk pergi aku Aku tidak tahu

play09:25

harus berbakti bahasa berpisah dengan

play09:28

kalian resah sangat kita berbalas surat

play09:31

Kartini Yakinlah kalau aku meninggalkan

play09:34

parakansalam barat suatu masa lemot

play09:37

menceritakan keadaan dewasa

play09:42

hari-hari dilewati oleh Kartini dengan

play09:45

lebih bersemangat

play09:47

ia selalu berkirim surat dengan

play09:49

sahabat-sahabatnya termasuk tuan dan

play09:52

nyonya abendanon

play09:54

Ada banyak hal yang diceritakan oleh

play09:57

sahabat-sahabatnya termasuk melanjutkan

play10:00

pendidikan melalui beasiswa kedokteran

play10:03

di Belanda untuk Kartini

play10:08

hai hai

play10:09

hai hai

play10:11

Hai bagaimana dengan pendapat Ibu

play10:14

mengenai beasiswa kedokteran itu Bu

play10:19

Trinil untuk apa kau melanjutkan sekolah

play10:22

mengikuti tahu melanjutkan sekolah

play10:25

Fadilah keinginanmu ditambah melalui

play10:28

beasiswa yang artinya ibu dan bapak

play10:31

tidak menanggung uang pembayaran tapi

play10:34

nak Kau adalah perempuan kau sudah

play10:37

dewasa

play10:38

Bagaimana maksud ibu Mengapa kau tidak

play10:41

menikah saja Trinil Ibu Bukankah Ibu

play10:44

tahu Kernel ini memiliki cita-cita untuk

play10:47

membuat kaum perempuan bersekolah untuk

play10:50

membuat kaum pribumi ini mengenyam

play10:52

pendidikan jika terima menikah maka

play10:55

Mimpi Terindah tidak akan terwujud

play10:57

pernikahan itu hanya menghambat

play10:58

segalanya Trinil Kau adalah wanita

play11:01

umurmu sudah cukup bahkan biasanya Tidak

play11:05

ada wanita berumur 24 tahun yang belum

play11:08

menikah di Jepara kau harus sadari itu

play11:10

Trinil sudah nyapa berhenti dipingit

play11:14

berhenti dipingit Bu tentu apabila kau

play11:17

menikah kau akan berhenti di pinggir

play11:19

semangatku karena sesungguhnya pingitan

play11:22

itu untuk melindungimu untuk melindungi

play11:24

kaum perempuan dan kau harus tahu sudah

play11:27

ada seseorang yang ingin meminang Ummu

play11:30

siapa lelaki tersebut Ibu Ia adalah

play11:34

Raden Mas Adipati Ario Singgih djojo

play11:36

adhiningrat

play11:37

Bupati Rembang dia memang pernah menikah

play11:40

tiga kali namun Ibu yakin dia orang yang

play11:43

tepat untukmu

play11:45

Trinil ini menemui terlebih dahulu ku

play11:48

ada beberapa hal yang perlu tringin

play11:51

pertimbangkan baik-baik

play11:54

[Musik]

play11:58

Hai Kartini kedua orangtuanya kardinah

play12:02

Panji dan busono berdiri diambang pintu

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menunggu kehadiran sosok yang sudah

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ditunggu-tunggu

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jantung Kartini berdegup kencang

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pikirannya kacau ia masih belum siap

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Bagaimana bila lelaki itu akan

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menghambat mimpinya

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tentunya keluarga Adipati Ario

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sosroningrat

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sudah mengetahui maksud kedatangan saya

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ini untuk bertemu dengan Real

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Oh yayaya mohon maaf sebelumnya Adipati

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Ario Singgih semuanya Kami serahkan pada

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Kartini Bagaimana jawabannya kami

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membiarkan ia mengambil keputusannya

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sendiri

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hai lalu Bagaimana dengan jawaban

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Kartini sendiri adalah

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ini Bapak Ibu bolehkah Trinil berbicara

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berdua saja dengan Raden Mas Adipati

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Ario Singgih djojo adhiningrat baiklah

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hai hai

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hai hai

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Hai ada beberapa hal yang ingin saya

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tanyakan Raden tentu Apakah itu Kartini

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Saya mempunyai cita-cita untuk membangun

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sekolah bagi kaum pribumi khususnya

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perempuan

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Ya setidaknya mereka tidak berada dalam

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keterbelakangan

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Hai saya ingin wanita disamaratakan

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dengan laki-laki

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saya ingin wanita tidak lagi ditindas

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dan menjadi kaum yang lemah

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Bagaimana

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dengan pendapat Adipati sendiri

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sungguh bagi saya hal itu sangat mulia

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saya juga sempat memikirkan hal tersebut

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namun ada beberapa hal dan pertimbangan

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yang membuat saya belum melaksanakannya

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apabila Kartini ingin melakukannya

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lakukan saja

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Hai saya siap mendukung apapun itu

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hai hai

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[Musik]

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Hai Setelah perjuangan panjang

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Emansipasi Wanita dan berbagai mimpi

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yang ia coba wujudkan

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akhirnya ia menutup usia

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kelak berkat perjuangannya masyarakat

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pribumi terutama wanita hidup lebih baik

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dan tak lagi ditindas

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di seluruh rakyat pribumi dapat

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bersekolah siapapun itu

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berkat perjuangan Raden Ajeng Kartini

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Related Tags
KartiniWomen's rightsEducationColonial IndonesiaTraditionEmancipationGender equalityCultural conflict19th centuryHistorical figures