🎨 Comment peindre les cheveux (tuto technique peinture acrylique)

Peinture pour Tous

13 Nov 202207:18

Summary

TLDRIn this engaging tutorial, the artist shares their process of creating a realistic painting of a woman with a beautiful braid. They begin by sketching the braid using guiding lines and zigzag patterns to capture the volume and direction of the hair. After outlining the hair with acrylic paint and a round brush, they apply a transparent glaze of natural sienna diluted in water to establish a base color. The artist then builds up layers of opaque color using a combination of titanium white, primary blue, and sienna, adjusting the saturation to achieve a natural look. They highlight the lights and shadows with additional layers, and finally, add fine details such as stray hairs for added realism. The tutorial encourages viewers to experiment with the technique, even suggesting they can simplify it by omitting a few steps. The artist invites viewers to share their experiences with the technique in the comments section.

Takeaways

🎨 The artist shares a technique for painting realistic hair by using alternating layers of opaque and glazing.
👩‍🎨 Start with a simple method to sketch a braid, using guiding lines that get narrower as they descend.
📐 Draw zigzag lines to represent the strands of hair, narrowing them as you go down and extending them upwards.
🧵 Use curves to close and intertwine the braid strands, erasing the initial guiding lines.
🖌️ For painting, begin by blocking the sketch with black to mark shadows, using a round brush for fine lines.
💧 Add water to acrylic paint to achieve a fluid consistency, suitable for painting fine strokes.
🏼 Apply a transparent glaze with a diluted natural sienna layer to provide a base color and allow the underlying layer to show through.
🎨 Prepare colors for subsequent layers using titanium white, primary blue, and natural sienna, adjusting saturation with white.
🖌️ Use a round or liner brush to apply the darkest color first, then the lighter values, allowing each layer to dry before proceeding.
✨ Highlight the brightest areas with pure white, allowing the previous layer to show through slightly.
🌑 Add shadows and contrast with diluted glazes made from mixing natural sienna with blue, black, cadmium red, and black.
👩‍🦰 Enhance the realism by painting in fine hairs that emerge from the braid knots using a fluid paint and a liner brush.
✅ The artist emphasizes that this is one technique among many and encourages viewers to experiment and adapt the process to their own painting style.

Q & A

What was the main focus of the artist's painting in the script?
-The main focus of the artist's painting was the realistic depiction of hair, particularly a woman's braid from the back.
What new technique did the artist use to achieve a realistic effect in their painting?
-The artist used a new technique that alternates between layers of opaque paint and glazes to create a realistic effect.
How did the artist start drawing the braid?
-The artist started by drawing guiding lines to define the width of the braid, with the gaps becoming narrower as they descended.
What did the artist do after drawing the initial lines of the braid?
-After drawing the initial lines, the artist drew zigzags that narrowed as they descended, with each zigzag slightly protruding from the middle.
How did the artist proceed with the painting after completing the sketch?
-The artist blocked the sketch with acrylic paint, marking the shadows with black using a round brush, and then added fine strokes to indicate the direction of the hair.
What was the purpose of using a transparent glaze over the entire surface?
-The transparent glaze allowed the previous layer to show through while providing a first base color for the painting.
How did the artist prepare the colors for the following layers?
-The artist prepared the colors by mixing titanium white, primary blue, and sienna earth, adjusting the colors to create a more neutral and less saturated palette.
What type of brush did the artist use for applying the opaque layers?
-The artist used a round brush and a liner brush for applying the opaque layers, depending on the fineness of the area being painted.
How did the artist apply the lighter color in the painting process?
-The artist applied the lighter color after reaching the bottom with the previous layer, allowing it to dry before proceeding.
What did the artist do to add more realism and naturalness to the painting?
-The artist added fine hairs coming out of the knots and used a more fluid paint with a liner brush to enhance the naturalness and realism of the painting.
How did the artist approach the painting technique for the hair?
-The artist emphasized that the technique used was specifically for painting hair and not the only technique to follow, suggesting that different methods might be used in other contexts.
What advice did the artist give regarding the complexity of the technique?
-The artist acknowledged that the technique might seem tedious but assured that it took less time than it appeared and encouraged trying the technique even by omitting one or two steps.

Outlines

00:00

🎨 Painting Technique Tutorial: Realistic Hair with Opaque and Glaze Layers

The artist shares their experience of painting a realistic portrait focusing on the hair, which was the main element of the piece. They experimented with a new technique involving alternating opaque and glaze layers to achieve depth and naturalness. The tutorial begins with a simple method to sketch a braid, using guide lines to outline the width and direction of the hair strands. After sketching, the artist moves on to painting with acrylics, blocking the sketch and marking shadows with black paint thinned with water. The process continues with applying a transparent glaze layer of natural sienna to provide a base color and allow the previous layer to show through. The artist then prepares colors for subsequent layers using titanium white, primary blue, and natural sienna, adjusting the saturation to create a neutral color palette. They apply these colors in layers, starting with the darkest and gradually adding lighter values, allowing each layer to dry before proceeding to maintain the integrity of the painting.

05:01

🖌️ Adding Contrast and Details to Enhance the Hair Portrait

After discussing the possibility of simplifying the process for those who find it too intricate, the artist proceeds to add contrast and volume to the hair portrait using shadow glazes. They mix natural sienna with blue and black, and introduce a touch of cadmium red for depth. The process starts with a very diluted layer using a flat brush, focusing on the darkest areas where the hair strands are most intertwined. Following this, a darker, less diluted layer is applied to emphasize the strongest shadows. The final stage involves retouching with prepared colors from earlier steps, repainting any lost strands, enhancing certain highlights, and adding fine hairs protruding from the strands for a more natural and realistic effect. The artist encourages viewers to try this technique and share their feedback in the comments and concludes with a prompt to check out other related videos.

Mindmap

Keywords

💡Realism

Realism in art refers to the depiction of subjects as they appear in real life, with a focus on accurate representation. In the video, the artist pushes the boundaries of realism by meticulously painting the woman's hair, aiming for a lifelike quality. This is evident in the detailed portrayal of the hair strands, colors, and textures.

💡Technique

A technique in art is a method or way of doing something. The artist introduces a new technique involving alternating opaque layers with glazes to achieve depth and naturalness in the hair. This technique is central to the video's theme of demonstrating how to create a realistic painting.

💡Hair Strands

Hair strands are individual locks of hair. The artist focuses on the hair as the main element of the painting, using a technique that involves painting individual strands to give the impression of volume and direction. The script describes the process of drawing zigzag lines to represent the strands, which is a key part of creating the realistic effect.

💡Opaque Layers

Opaque layers in painting are thick applications of paint that do not allow the previous layer to show through. The artist uses opaque layers to build up the base color and form of the hair, which is then followed by glazing to add depth and transparency.

💡Glaze

A glaze in painting is a thin, transparent layer of paint that is used over a dried opaque layer to adjust color and tone without covering details. The artist applies a glaze of natural umber diluted with water to provide a transparent layer that reveals the underlying work and adds a base color.

💡Acrylic Painting

Acrylic painting is the process of using acrylic paint, which is fast-drying and water-soluble, on a canvas or other support. The artist works with acrylic paint, starting by blocking the sketch and marking shadows with black, which sets the stage for the subsequent layers and techniques discussed in the video.

💡Titanium White

Titanium white is a pigment used in painting that provides a bright white color. The artist uses titanium white to lighten and reduce the saturation of the colors for the subsequent layers, which is crucial for creating the illusion of light and depth in the hair.

💡Naples Yellow

Naples yellow is a warm, transparent pigment used in painting. The artist incorporates Naples yellow into the color mix to achieve a lighter value for the hair, contributing to the natural and varied coloration of the painting.

💡Cadmium Red

Cadmium red is a vibrant red pigment used in the artist's color mixing process to add a touch of red and black for the shadows, enhancing the contrast and volume of the hair in the painting.

💡Sketching

Sketching is the initial stage of drawing, where an artist creates a rough outline or representation of the subject. In the video, the artist begins by sketching the braid, using lines as guides to shape the strands of hair, which is a fundamental step before moving on to painting.

💡Contrast

Contrast in art refers to the difference in lightness and darkness or color intensity that helps define shapes and create a sense of depth. The artist uses shadows and highlights to add contrast and volume to the hair, making it appear more three-dimensional and realistic.

Highlights

The artist created a realistic painting of a woman's hair using a new technique that alternates between opaque and glazing layers.

They are sharing this technique in a tutorial to help others achieve a similar level of realism in their own paintings.

A simple method is provided for drawing a braid as a guide before painting, starting with lines to define the width and using a zigzag pattern.

The artist uses acrylic paint and begins by blocking in the sketch and defining shadows with black paint thinned with water.

Adding highlights and direction to the hair with fine brushstrokes helps to suggest the shape and volume of the braid.

A transparent glaze of raw sienna thinned with water is applied over the entire painting to provide a base color while maintaining the underlying details.

The artist emphasizes the importance of allowing each layer to dry thoroughly before proceeding to prevent mixing or lifting of the paint.

Colors for the subsequent layers are mixed using titanium white, primary blue, and raw sienna to create a range of neutral, desaturated tones.

Opaque layers are built up using a round brush, starting with the darkest color and gradually adding lighter values while the previous layer is drying.

Pure white is used for the lightest areas, allowing the underlying layers to show through and creating a sense of depth.

Another thin glaze is applied over the hair using very diluted raw sienna to enhance the lights and create soft transitions.

The artist demonstrates how to selectively strengthen lights and add fine hairs using a liner brush with thinned paint for a more natural, realistic effect.

Contrast and volume are added with glazes of shadows, mixing raw sienna with blue, black, cadmium red, and a touch of black for deeper tones.

Starting with a very diluted layer on the darkest areas helps to create a subtle transition into the mid-tones.

Observing the model carefully while applying the shadows ensures that the strongest areas of darkness are accurately represented.

In the final stage, the artist goes back in to repaint any lost strands, reinforce certain lights, and add fine hairs for a more naturalistic finish.

The artist acknowledges that the technique may seem time-consuming but emphasizes that it took less time than it appears and encourages experimentation.

They invite viewers to try the technique, even if it means omitting one or two steps, and to share their experiences and feedback in the comments.