8 Tips for Better Color Photography

Summary

本视频探讨了色彩在摄影中的重要作用，介绍了如何通过拍摄和后期制作来控制和编辑色彩。通过实例分析，讲解了如何将色彩作为照片的主题、创造超现实效果、选择性使用色彩以及利用有色光源等技巧。同时，视频还提供了关于色彩理论的基础知识，以及如何在Lightroom等软件中使用色彩调整工具的实用指南。最后，强调了在良好条件下编辑色彩的重要性，并推荐了Squarespace作为建立个人网站的平台。

Takeaways

• 🎨 色彩是摄影中最重要的元素之一，学会控制和编辑色彩对提升作品水平至关重要。
• 📸 在拍摄和编辑过程中，色彩的选择和调整对照片的最终效果有重大影响。
• 🖼️ 将色彩作为照片的主要主题，可以通过强调主题或构建风格来传达摄影师的概念。
• 🌈 抽象摄影中，色彩可以完全脱离具象，通过光线、反射、色彩和形状来创造作品。
• 🔮 通过红外胶片或数字编辑软件，可以创造出超越现实的、超现实主义的彩色作品。
• 🎨 色彩的选择和排除对照片的和谐感至关重要，了解色彩理论可以帮助摄影师更好地运用色彩。
• 💡 利用彩色光源可以为照片增添独特的视觉效果，创造出与众不同的作品。
• 📏 色彩感知是相对的，编辑时要考虑色彩之间的关系和大脑对色彩的处理方式。
• 🛠️ 掌握编辑软件中的色彩调整工具，可以更精确地实现创意视觉。
• 🌟 编辑时要选择适当的环境和条件，以确保色彩的准确性和视觉效果。
• 🔗 尝试不同的色彩组合和风格，不断实验和探索，以提升摄影和编辑技能。

Q & A

为什么某些颜色组合看起来很搭配？

颜色搭配得好与否很大程度上取决于颜色的选择和后期调整。颜色可以用于强调照片的主题，也可以用来构建独特的风格。此外，颜色的使用还与我们对颜色语言的潜意识理解有关，能够影响我们对场景的感知和期望。

如何控制无法直接控制场景中的颜色？

当无法直接控制场景中的颜色时，可以通过后期制作来调整。这包括使用编辑软件中的色调曲线、HSL面板、颜色分级等功能来调整颜色，使照片达到预期的效果。

摄影师Mazie Cousins是如何使用颜色的？

Mazie Cousins使用传统的女性色彩调色板，以饱和和甜美的方式呈现，并将其与社会认为令人厌恶的事物（如蜗牛、昆虫和腐烂食物）以及女性身体的特写（如头发、妊娠纹和皮肤瑕疵）并置，通过这种方式，她的作品传达了女性主义的概念。

如何使用颜色来构建摄影作品的风格？

艺术家Louis Porter通过使用鲜艳明亮的颜色，使他的作品具有几乎超现实的品质，即使是平凡的主题也因为人工色调的交织而发光。这种对颜色的独特运用使得他的作品易于识别。

什么是颜色和谐？

颜色和谐是指颜色之间相互协调的关系。常见的颜色和谐包括类似色和谐和互补色和谐。类似色和谐是指在色轮上相邻的颜色组合，它们给人以平静和柔和的感觉；互补色和谐则是使用色轮上相对的颜色，它们在一起时可以使图像感觉平衡。

如何通过选择性地使用颜色来增强照片效果？

选择性地使用颜色意味着在照片中有意地包含或排除某些颜色。这可以通过理解颜色理论，如颜色和谐，以及在后期编辑中有意地强调或抑制某些颜色来实现。

使用彩色光源对照片有什么影响？

使用彩色光源可以为照片增添特别的效果。可以通过购买彩色滤镜用于闪光灯，或者利用周围环境中的彩色光源，如霓虹灯招牌、公交车站的广告牌等，来创造出具有特定色彩氛围的照片。

我们对颜色的感知是如何变化的？

我们对颜色的感知是相对的，受周围其他颜色的影响。在编辑颜色时，需要考虑到这一点，有时可以比预期更多地调整颜色，而它们仍然看起来是正确的。

如何使用Lightroom中的HSL面板来调整颜色？

HSL面板在Lightroom中用于调整图像中特定颜色的色调、饱和度和亮度。通过移动相应的滑块，可以改变图像中特定颜色的表现，从而对整体的色彩效果进行微调。

在编辑颜色时，环境条件有多重要？

编辑颜色时的环境条件非常重要。需要在能够正确显示屏幕内容的环境下进行编辑，并且屏幕应该进行颜色校准。此外，定期休息并用新鲜的眼光看待你的作品，可以帮助你更好地评估颜色调整的效果。

视频中提到的彩色滤镜和光线效果有哪些实际应用？

彩色滤镜和光线效果可以用于创造超现实和引人注目的作品，例如通过拍摄红外胶片或使用数字编辑软件来操纵颜色。此外，通过在镜头前放置棱镜和凝胶，或者使用彩色烟雾弹等，可以创造出独特的色彩效果。

Outlines

00:00

🎨 色彩的运用与控制

本段讨论了色彩在摄影中的重要性，如何通过选择画面内容和后期制作中的色彩调整来控制和使用色彩。强调了色彩对于提升摄影作品水平的关键作用，介绍了一些拍摄和编辑时的色彩技巧和思路，如将色彩作为照片的主题、抽象色彩作品的创作、以及如何通过色彩传达信息和构建风格。

05:00

🌈 色彩的和谐与选择

这一段深入探讨了色彩理论在摄影中的应用，包括常见的色彩和谐如类似色和互补色，以及如何通过色彩的选择和排除来增强照片的视觉效果。提到了色彩的情感和象征意义，以及如何利用彩色光源和软件工具来进一步增强照片的色彩效果。

10:01

📸 理解色彩的相对性

本段讨论了色彩感知的相对性，指出我们大脑如何处理和解释色彩，以及在编辑过程中如何利用这一点来调整和优化照片的色彩。介绍了一些具体的编辑技巧，如使用色调曲线和HSL面板来精细调整色彩，以及如何通过色彩分级来改变照片的整体氛围。

15:01

🎬 电影感的营造

这一段通过实例讲解了如何通过色彩调整来给照片赋予电影感，包括对特定颜色的强调和调整，以及如何通过色彩的对比和协调来增强视觉冲击力。同时，还提供了一些实用的编辑建议，比如在良好的条件下进行编辑、使用校色工具和预设包来简化编辑过程。

20:03

💻 编辑环境与软件技巧

本段强调了在适当的环境下进行色彩编辑的重要性，并详细介绍了如何使用Lightroom等编辑软件中的各种工具来调整和优化照片的色彩。讨论了色彩校正的不同方法，包括白平衡、色调曲线、HSL面板和色彩分级，并提供了一些具体的操作技巧和建议。

Keywords

💡色彩控制

色彩控制是指在拍摄和后期制作中对照片中颜色的调整和管理。视频中提到，良好的色彩控制是区分业余和专业摄影作品的关键因素之一。例如，通过后期制作调整颜色，可以使照片看起来更具有专业感。

💡色彩主题

色彩主题是指在照片中将色彩作为主要的视觉元素来传达信息或情感。视频中强调，将色彩作为照片的主题可以创造出具有强烈视觉冲击力的作品。

💡抽象

抽象在视频中指的是一种不依赖具体物体或场景，而是通过色彩、形状和线条等视觉元素来表达艺术家想法的艺术形式。

💡超现实

超现实是指通过技术手段或创意构思，创造出超越现实常规的视觉效果，给人以梦幻或非现实的感觉。

💡色彩理论

色彩理论是关于色彩如何相互作用、如何搭配以及如何影响视觉感知的一套规则和原则。

💡选择性

选择性是指在摄影中有意选择或排除某些颜色，以达到特定的视觉效果或传达特定的情感。

💡彩色光源

彩色光源是指使用非白色光源来为照片或视频提供照明，以创造出独特的色彩效果。

💡色彩感知

色彩感知是指人类大脑对色彩的理解和解释，它与周围其他颜色的相对关系有关。

💡编辑软件

编辑软件是指用于对照片或视频进行后期制作处理的计算机程序，如Lightroom和Photoshop等。

💡拍摄条件

拍摄条件是指进行摄影或摄像时的环境因素，如光线、天气和背景等。

Highlights

颜色组合的重要性

在无法控制场景的情况下如何控制色彩

色彩作为主要拍摄对象

抽象摄影中色彩的使用

超现实主义色彩的使用

选择性使用色彩

理解色彩的感知是相对的

使用彩色光源

了解你的编辑软件

HSL面板与校准面板的区别

编辑环境的重要性

尝试不同的颜色编辑技巧

使用Lightroom预设包进行颜色编辑

Squarespace赞助的视频

使用Squarespace建立作品集网站

Transcripts

this video is sponsored by squarespace

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option for this

why do some color combinations work so

well how much color is too much

and how can you control color in your

shot when you can't control the scene

you're shooting

good or bad use of color is one of the

biggest factors in why some photographic

work looks amateurish and some look

stunning

learning how to use control and edit

colour is a vital part of learning

colour photography

a lot of that is down to what you choose

to put in the frame but there's also a

large influence from how those colours

are tweaked in post-production

so i'll take you through eight quick

tips tricks techniques and ideas for

shooting and editing that will hopefully

help you create photographs that use

color well

[Music]

one make color a major subject in your

photo

before we edit and ideally before we

shoot we need to decide

why we're using color and how we want to

use it

color can be used to great effect to

emphasize the subject of your photo

take a look at these images by mazie

cousins cousins is a very interesting

photographer and one you really should

be following on instagram

she uses traditionally feminine color

palettes being a saturated and

saccharine way and these are juxtaposed

with things society associates with

disgust

snails insects and rotting food but also

with close-ups of the female body

showing hair and stretch marks and

blemishes on skin

with project titles like what girls are

made of her work has been described as

feminist

cousins is using colour as a key element

to communicate her concept

by using colour in the way that she does

she's tapping into our subconscious

understanding of the language of colour

and subverting our expectations of it

this photography would not work in black

and white

as well as using colour to convey a

message it can also be used to construct

a style

artist louis porter uses colour to

create a distinctive style

his usage is so vibrant and bright that

his images take on an almost

surreal quality mundane subjects glow

with a tapestry of artificial hues

as a result his work becomes easily

recognizable

in addition to emphasizing a subject

color can become the subject of your

photo

this shot by steve mccurry is as much

about color

as it is about the people in it ian

berry's image of this recently married

couple

is largely about the pink of the

cadillac against the green foliage

alessio ferrari's photo of captain

beanie is

about the color orange if we were to

turn any of these images black and white

they wouldn't work two be abstract

taking colour is the subject a step

further there's no need to be figurative

at all

your photography can become completely

abstract

photographer ola konamen makes abstract

work of architecture that often employs

strong use of colour

he inverts flips and recolours his shots

until he achieves the vision that he was

looking for

try going out with a view to making

abstract colour work with your camera

look for light look for reflections

color casts shapes

take a mental step back from what you

see and experiment with

not viewing the things around you as

people or buildings or objects with a

function

but instead analyzing a scene in terms

of shapes and areas of color

think about what you could do in post to

bring out particular colors

concentrate purely on the aesthetic

value of the frame

rather than representing something that

we recognize

three be surreal

whether you're using infrared film or

digital editing software

we have the power to manipulate

different colors in our shots

normally we just tweak the hues and

tones slightly to achieve

the image that we want but we can also

take color

very far away from its origin we can

take it far away from what we expect to

see we can create very surreal and

striking work that

plays on our expectations of the scene

photographer richard moss takes some

really stunning imagery of conflict

using kodak aerochrome film

which picks up infrared light and turns

the greens of foliage into reds and

pinks and purples

the results are a series of very surreal

landscapes soldiers wielding large guns

surrounded by this sea of

unexpectedly vibrant colour

you can also manipulate colour by

editing your images in digital software

i made some aerochrome style presets for

lightroom and photoshop i'll leave a

link to them in the video description

i'll show you later on in this video

some techniques that you can use to

manipulate color in post yourself

photographer magik jasik likes to create

surreal colorscapes in camera he shoots

through prisms and gels that he places

in front of the lens in his project the

world with us

this creates a series of surreal and

fragmented landscapes

maybe experiment with holding things

over your lens to see

what color effects you could create try

shooting through gels

even through things you might find lying

around like some colored cellophane

packaging or

a translucent plastic folder

[Music]

coloured smoke grenades can be fun to

experiment with too but they're a little

overused so do

try to do something interesting with

them like jasic has done here

think about how you could use them to

create an unexpected image

don't just have someone hold it and wave

it around

[Music]

four be selective a large part

of what makes color work in your photos

it's not so much the colors that you use

as the colors that you leave out

you might have heard about color theory

but this can maybe seem a little bit

intimidating

and confusing as it's a really massive

subject

[Music]

this is the colour wheel we have our

primaries

our secondaries and our tertiaries

colour theory is about how colours work

together

we have our list of colour harmonies

monochromatic

analogous complementary split

complementary triadic tetradic double

split complementary square compound

etc you can see why this gets a little

bit intimidating

while it may seem too complex in a way

it's also

an oversimplified way of looking at

color

it deals only with hue and it doesn't

account for other factors like

saturation or

brightness or how much color is actually

in the frame

my advice here would be not to worry too

much about all the variations

and start with learning the two most

common color harmonies

which is analogous and complementary

once you start seeing where and how

these are used

you'll begin to notice photos that don't

use these rules and that's probably the

best time to

do further reading and learn a bit more

but just take it one step at a time

and you'll start to absorb these and

ultimately they'll just become intuitive

analogous colours are groups of colours

that sit next to each other on the

colour wheel

analogous harmonies tend to give a calm

and soft feel to your images when used

in more natural tones

they can also make an image more about

one particular color when they're used

in more saturated combinations

they're also used a lot in films to

create a feeling different colors can

have different associations for us

depending on the context they're used

for example analogous sets of blues and

greens can feel

natural and fresh or they can feel cold

and sad

or even monotonous and boring until the

complementary color of red is brought in

to stand out from all that green

one instance of the complementary colour

in a frame of analogous or monochromatic

colours will stand out

and catch your eye were you listening to

me neo

or were you looking at the woman in the

red dress

these complementary harmonies use colour

from opposite sides of the colour wheel

these sit well together and they make an

image feel balanced and this is by far

the most common way people use color in

photography and in film

this is the reason for many popular

color combinations

including the classic cinematic orange

and teal look that you see everywhere

more on that later

and the reds and greens of film like

emily

some of the most famous and revered

color photos throughout history

use this color harmony to great effect

it's one of the reasons that

mccurry's afghan girl portrait works so

well

once you start looking for this

technique you'll start to see

complementary color harmonies used

absolutely everywhere

and you'll also start to find that you

have a more clear direction when looking

to compose your own shots

5. use colored lighting coloured

lighting can work to great effect in

your images

you can buy coloured gels for your flash

guns very cheaply online

you can also just use other things i

shot these just using two desk lamps

with a couple of colour changing smart

bulbs that i can control from an app on

my phone

you can also look for sources of colored

light while you're out and about

maybe things like neon signs in shop

windows or

glowing adverts on bus stops there's

plenty of stuff you can find around your

house too

maybe use your tv or your computer

screen to give off a colored light

just fill the screen with that color and

then you have an effective light

play around because you'd be surprised

at how good the results can look

number six understand that our

perception of color

is relative like many things in life

our brains understand color largely in

relation to the other colors around

it make sure to take this into account

when editing colors because we can often

push colors further than we expect

and still perceive them as looking

correct

for example these are what we may call

good skin tones

and there are formulas out there to

achieve them i've referenced them myself

before on my channel

so when we look at these to add in a

bright orange like this would seem

completely out of place it would be a

bad skin tone

but this is the color of the skin tone

used in the film amelie

and when we see it in context it looks

perfectly fine because of the way the

film is graded

to use a correct skin tone here would

look weird

number seven know your software

whether you shoot digital or you shoot

film it's important to know how to

achieve the effect you're looking for

in your editing software it's generally

a better idea to

have a vision in mind for your image

rather than to just play around until

you hit on something you like

there's so much to go through in editing

software that i'm just gonna give you an

overview just a really top level

sort of rundown in lightroom but

hopefully you'll be able to translate

what i'm saying

to whichever program you use to edit

okay so i'm in lightroom now and i'm

just gonna give you a very brief

overview of the different ways to edit

color in your images

now i've got an image here from a canon

eos r i can see

straight away actually that these colors

don't look right and i know the reason

for that so this is another little tip

here the reason for this is because

lightroom is set to adobe default

if you go into your preferences in your

presets tab change that to camera

settings

and then it will apply the profile from

your camera rather than adobe's default

so if i change that and then reset

this then we get the proper colors

that's the colors that are meant to come

out of the canon

little tip there so first off we start

at the top and we got our white balance

that's very simple just makes it cooler

or warmer and you've got your tint to

just tweak that

but try and think beyond just getting a

correct white balance try and think

what you want your image to say do you

want it to feel really warm do you want

it to feel

cold and don't be afraid to really push

the white balance you can really change

how an image looks

you can make this shot feel like it was

a night shot or you could push it into

the

kind of afternoon sun do you want it to

feel clinical do you want it to

feel comforting do you want to feel too

hot there's a lot of things you can do

with white balance if you

push it so play around with that a

little bit so next down here we've got

our vibrance and saturation

saturation takes all the colors

and adds saturation to them what

vibrance does

it adds saturation and takes it away but

it adds

more saturation to the less saturated

colors so it kind of brings them all

together a little bit and the more

saturated colors it doesn't push up

so you get a more natural look so if i

push my saturation up

that looks quite weird but if i was to

push my vibrance up

doesn't look quite so weird so the next

one down is your tone curve

and you can get a lot of control out of

your tone curve you've got

your basic tone curve here but you've

also got your red

green and blue and

if you look here you can see you've got

red

and a sort of cyan there

and you've got a green and a magenta and

a blue and a yellow

so if i want to warm up the white

balance another way i could do that

would be i could push

this red up but i need to get rid of

some of that magenta so i'd go to the

green

and i'd pull that up to there a little

bit

and i can push that down there that's

very very warm white balance

so the tone curve is probably the best

way to grade your image you can get a

lot of control out of it more control

than

anything else in pretty much any program

it's the most powerful tool it's quite

tricky to use but you just need

practice and if you're in lightroom you

can hold alt

or option and it will slow down your

movement so you can make more

gradual incremental shifts so the next

one down

the hsl the hue saturation and luminance

this deals with the perceived color of

the image and i'll explain what i mean

by that in a minute

because we also have the calibration

which deals with the

actual color so it does the same thing i

will come back to this because we've got

one more thing

the color grading now

i would generally stay away from color

grading

if you do use it use it very minimally

because it puts a whole

wash just over the whole image and it's

not very selective

and it can start to look very weird very

fast

but it can be used a good effect if you

use it right

so now let me try to explain the

difference between

the hsl panel the hue saturation and

luminance

and the calibration

so they basically do the same thing but

hsl deals with the perceived colors

and calibration deals with the actual

colors

so i'll explain what i mean by that

using the color wheel

perceived colors what we see when we

look at the screen

so this color here we see red

so if i were to change the luminance of

the red slider

the colors with red in change their

luminance

same with blue if i were to change the

hue value of the blue

the colors with blue in change

but these aren't actually just the

colors with blue in if i were to hover

over the blue

what we can see up here on the screen

we've got 40 red in there

and 18 green as well as 93 percent

blue and on red we have 75

red but we've also got 34 green 13 blue

because every pixel in your image is

made up

of a level of red a level of green and a

level of blue

so what the hsl sliders do is they

affect

the outcome of the red and blue and

green channels

mixed together so what we perceive as

red what we perceive as blue

whereas the calibration sliders affect

the actual breakdown of each color

they just affect the red channel or the

green channel or the blue

channel this is one of the reasons why i

like lightroom as opposed to

capture one because lightroom has this

calibration capture one doesn't

photoshop has it as well in its camera

raw feature

um i'm not aware of any other editing

programs that do have this

i'm sure there are some around if you

know any please let me know in the

comments and

so other people can see which ones have

them

but if i were to change the hue of the

red or the saturation of the red

with these you'll see that every single

color

changes because every single color has

red in it same with the green

every single color has green in it and

the blue

but the interesting thing about the

calibration palette is when you pull the

hue sliders

to one side or the other you start to

get breakdowns of color

like here we have teal and orange or

green and purple we are creating

complementary color palettes and this

can be used

great effect to grade your images so

if i take this for example and i just go

to this image here and i just click the

previous button

it's cropped it there but if you ignore

the crop

if you look at what the calibration's

done

it's giving you a bit of a teal and

orange look

[Music]

so let me take you through a couple of

quick edits just to show you why this is

good

so this is an image of some flowers i

took a wedding

it was all the jars together before they

went out onto the table so i just took a

cropped shot filled the frame with it

now it's very colorful but there are so

many different colors in here

you've got this green and this pink and

this

purple and the different purple then a

different purple again

and yellow and orange and red and

none of the colors sit harmoniously

together

so if we go into the calibration and i

start messing around with these

i start taking out colors

so what i'm doing here

if you can see see the effects of this

now i don't need to pull them completely

to the sides

but if i if you look at what was there

before and how this is going now

what's happening is where

there are different oranges and greens

and yellows it's now putting them all

into a similar kind of

hue and so if i were to bump the

vibrance up a little bit of that

and pull the contrast up maybe

dehaze it slightly we've got quite an

interesting looking image

it has a much stronger color theme to it

okay this is another shot from the same

wedding and say we wanted to make this

look

cinematic because that's uh something

you hear a lot of people go oh that

looks really cinematic

so what we do to make this look

cinematic so we'll take

a crop first and just maybe crop them

into the middle third of the frame

when you have a more panoramic shot it

looks more cinematic to start with

but the main thing is the color we don't

have too much color going on here

but we can give it that orange and teal

look by taking the blue primary

pulling it to the left the green primary

can bring back some orange

in there and we're getting very strong

kind of

orange and teal look now that's where we

were

there there we go so i'm going to pull

the warmth up a little bit

but i want to bring back some of that

teal in the sky

and what i'm going to do is use the hsl

panel now so i'm going to take my

targeted adjustment tool which is rather

than going on

the individual color sliders you can

click an area of the image and drag it

up and down

to change the luminance so i'm going to

pull the luminance down a little bit

i'm really overdoing this to um i

wouldn't normally grade an image like

this but i'm

just for purposes of showing you pull

the saturation up

and maybe i just might put a little bit

more green in that

so i think the overall saturation of the

image

needs to come down a little bit and i

need to pull the blacks down a little

bit

uh cinema tends to have quite deep

blacks

in a way that photography tends not to

do

photography tends to have more detail in

the shot and cinema because it's moving

you can get away with losing more

information so that's another

another cinematic look so there we go it

looks a lot more cinematic now and this

is mainly due to the calibration

if we turn that off it just looks it

doesn't look anywhere near as cinematic

and it's because by using the

calibration we've removed colors

and we've made a much stronger color

theme to the image

the calibration can be used in a much

more practical way um i've got a shot of

a bride and a groom here

walking through this sea of kind of

green foliage but it's very overpowering

i don't really like the colors here

if i were to go to the hsl um i could

pull the luminance

down and maybe the saturation

maybe the hue but it's starting to look

weird if we take some of the yellow out

of there like that

it doesn't look right so i'm going to go

to my calibration and i'm going to take

my green primary

and i'm going to pull that up towards

the blue

so that now is looking very weird but if

i take the blue primary

and i pull that down that way and then

to fix their skin tone

i'm just going to pull the reds up a bit

more into orange and just take a bit of

saturation out of it

if you see how the colors have shifted

now with that calibration

we've just taken the focus away from the

green foliage

and we've just pulled the tones

kind of we're going to crunch them

closer together

so you can do lots of very interesting

things with the calibration and what's

great about it is it looks so natural

when you do it

it doesn't look like it's obviously been

tweaked so while your calibration is

good for just grading your whole image

the hsl panel is great for

just taking a specific color and

changing it

so maybe we want to make that chair

purple we can do that

or a vibrant green or we want to

take the saturation out and only

those areas of color are being affected

number eight edit in the right

conditions

please don't go sit in a cafe with your

macbook with sun streaming in at the

window and try to edit color

you need to edit in an environment where

you can see the screen properly

color calibrate your screen as well as

i've said before

in other videos take regular breaks go

away and come back

see your colorful creations with fresh

eyes

experiment with color push the

boundaries a bit

try some new things try abstract work

try creating

surreal colors using just in camera

experiment with maybe re-editing older

photos that you've taken see how

different you can make them

also feel free to further experiment

with color by getting some of my

lightroom preset packs

i'll put a link in the description you

can support my channel this way if you

want i've got kodachrome emulation

sydney still

i've got aerochrome effects i've got

some new ones coming out soon

um i'm talking of supporting this

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i'll see you next time

[Music]

you