5 TIPS to INSTANTLY IMPROVE your PORTRAITS 📷

Summary

本视频分享了五个专业技巧，帮助摄影师拍出具有深度的人像照片。摄影师强调与被摄者的连接至关重要，建议通过放松的交谈、使用三脚架保持眼神交流、注意引导被摄者的视线以及倾听被摄者的故事来建立这种联系。通过这些技巧，摄影师可以在拍摄过程中创造出更自然、更有生命力的作品。

Takeaways

• 📸 拍摄肖像的关键在于建立与被摄者的联系，而不仅仅是拍摄一张照片。
• 👥 在拍摄前与被摄者进行充分的交流，可以帮助他们放松并减少紧张感。
• 📷 使用三脚架并保持眼神交流，可以让被摄者感到更加舒适，同时维持对话。
• 🎯 了解被摄者的喜好和特点，有些人直视镜头表现好，有些人则适合看向别处。
• 👁️ 指导被摄者通过手指看去，而不是直接看手指，可以让眼神更有生气。
• 💻 在拍摄过程中向被摄者展示照片，但关注点应放在拍摄过程而非他们的外貌上。
• 🎧 倾听比说话更重要，通过倾听可以获得关键信息，影响拍摄方式。
• 🌟 拍摄肖像的艺术不在于设备，而在于与人沟通的技巧。
• 🚦 保持耐心，拍摄过程中减少快门点击次数，专注于创造高质量的作品。
• 🗣️ 与被摄者交谈时，让他们感到重要，谈论他们的家庭、工作和兴趣。
• 📌 拍摄肖像时，要注重捕捉被摄者的真实情感和个性。

Q & A

摄影师在拍摄人物肖像时，为什么强调与被摄者建立联系的重要性？

摄影师强调与被摄者建立联系的重要性，是因为这种联系能够让被摄者在照片中展现出更多的情感和个性，而不仅仅是一个静态的形象。通过建立联系，被摄者能在镜头前更加放松和自然，从而拍出更有生命力和故事感的肖像。

摄影师提到的第一个拍摄技巧是什么？

摄影师提到的第一个拍摄技巧是在拍摄前与被摄者进行充分的交流和沟通，让他们感到放松和舒适。例如，在拍摄二战老兵时，摄影师会先到被摄者家中，与他们一起喝茶聊天，建立起友好的关系，使他们在拍摄时能够更加自然。

为什么摄影师建议使用三脚架来帮助被摄者放松？

摄影师建议使用三脚架，是因为这样可以让摄影师在拍摄时保持与被摄者的眼平线接触，同时避免因为手持相机而遮挡脸部。这样的姿势有助于维持双方的交流，让被摄者感到摄影师的注意力并不完全集中在拍摄上，从而减少他们的紧张感。

Betaris Box原则在拍摄中有什么作用？

Betaris Box原则说明了一个人的态度会影响他的行为，进而影响他人的行为。在拍摄中，如果摄影师表现出紧张和匆忙，这种情绪会传递给被摄者，使他们感到不安。因此，摄影师需要保持冷静和放松的态度，以便营造出一个舒适的拍摄环境。

摄影师如何帮助被摄者找到最适合他们的拍摄角度？

摄影师会引导被摄者的视线不仅仅局限于镜头，而是通过移动手指形成一个虚拟的钟面，并让被摄者的眼睛跟随手指移动，从而找到最能展现他们个性的角度。这种方法可以让被摄者的视线看起来更有生命力，而不是空洞无神。

为什么摄影师建议在拍摄过程中向被摄者展示照片？

摄影师建议在拍摄过程中向被摄者展示照片，是为了让他们感到参与和重要。但是，为了避免让他们过于自我意识，摄影师不会直接赞美被摄者的外貌，而是称赞拍摄过程中的技术和环境，如光线和背景，这样可以让被摄者感到更加放松和自在。

倾听在拍摄中的重要性是什么？

倾听在拍摄中非常重要，因为它可以让摄影师了解被摄者的故事和情感，从而更好地捕捉他们的个性和情感。例如，了解被摄者的经历和感受可以帮助摄影师调整拍摄的光线和氛围，使照片更加贴近被摄者的真实感受。

摄影师在拍摄一个99岁的二战老兵时，是如何调整拍摄方式的？

在拍摄99岁的二战老兵时，摄影师通过倾听了解到老兵患有创伤后应激障碍（PTSD），因此改变了拍摄方式。他使用了视频灯而不是闪光灯，并开启了静音快门和使用快门线，这样在老兵讲述自己的故事时，摄影师可以无声地拍摄，减少对老兵的干扰和压力。

摄影师提到的'M.M.F.I'是什么意思？

'M.M.F.I'是摄影师用来提醒自己与被摄者交流时的一个缩写，代表'Make Me Feel Important'（让我感到重要）。这意味着在与被摄者交谈时，摄影师应该专注于对方的生活、家庭、工作和爱好等，让被摄者感到自己的重要性，从而更加放松和愿意展现自己。

摄影师如何描述肖像摄影与器材的关系？

摄影师认为肖像摄影与器材的关系不大，更重要的是摄影师的人际交往能力。通过与被摄者建立联系和沟通，摄影师能够捕捉到更有情感和故事感的肖像，而不是单纯依赖高级的摄影器材。

摄影师在视频最后给出的建议是什么？

摄影师在视频最后建议观众如果觉得视频有用，可以点赞支持，并订阅频道以获取更多类似的内容。同时，他还强调了如果不知道与被摄者聊什么，可以想象他们额头上有'M.M.F.I'四个字母，即让被摄者感到重要，谈论他们的家庭、工作、爱好等。

Outlines

00:00

📸 肖像摄影的五个关键技巧

本段讲述了作者在多年拍摄人像后总结的五个关键技巧，以确保拍出优秀的肖像照片。首先，作者通过自己的第一个付费人像摄影工作的例子，强调了拍摄中缺失的“联系”元素。接着，作者分享了如何通过让被摄者放松和舒适来建立这种联系，并提出了五个技巧：1) 在拍摄前与被摄者进行充分的交流；2) 使用三脚架保持相机稳定，以便在拍摄过程中保持眼神交流；3) 了解被摄者的个性，有些人直视镜头表现更好，而有些人则适合看向别处；4) 在拍摄过程中向被摄者展示照片，但要专注于夸奖拍摄过程而非被摄者的外貌；5) 倾听被摄者的故事，这可能会改变拍摄的方式。最后，作者强调肖像摄影更多依赖于人际交往技巧而非设备。

05:01

🤝 让被摄者感到重要

在这段视频中，作者继续分享了他在人像摄影中的经验，特别强调了倾听的重要性。作者通过讲述与一位99岁的二战老兵约翰·斯利普的交流经历，说明了倾听可以如何影响拍摄过程。在了解到约翰因为战争经历而长期遭受创伤后应激障碍（PTSD）的痛苦后，作者调整了拍摄方式，使用视频灯和无声快门，让约翰在讲述自己的故事时自然地拍摄，而不是直接使用闪光灯。这种方法让约翰感到舒适，拍摄结束后他感到很满意。作者最后建议，如果不知道与被摄者谈论什么，就想象他们额头上写着'M.M.F.I.'（让我感到重要），谈论他们的家庭、工作、爱好等，让被摄者感到自己是拍摄的重点。

Keywords

💡肖像摄影

肖像摄影是一种摄影艺术形式，专注于捕捉人物的独特性格和情感。在视频中，讲述者分享了他的肖像摄影经验，强调了与被摄者建立联系的重要性，以及如何通过技巧和方法来提高肖像的质量。

💡连接

在肖像摄影中，连接指的是摄影师与被摄者之间的情感联系，这种联系可以使照片更有生命力和表现力。讲述者在视频中强调了连接的重要性，并分享了他如何通过交流和建立信任来增强这种连接。

💡放松

放松是指让被摄者在镜头前感到舒适和自然，以便更真实地展现他们的个性。讲述者提供了多个技巧，比如使用三脚架来保持眼神交流，以及通过聊天来缓解被摄者的紧张情绪。

💡眼神交流

眼神交流是指摄影师与被摄者之间通过眼神的互动来建立联系和传递情感。在肖像摄影中，保持眼神交流可以使照片更有表现力和吸引力。

💡Betaris Box

Betaris Box是一个关于行为的原则，它表明一个人的态度会影响另一个人的行为。在肖像摄影中，摄影师的态度和行为会直接影响被摄者的情绪和表现。

💡看穿

看穿是指被摄者在拍摄时不仅仅看向镜头，而是看向镜头后方的某个点，这样可以创造出更有深度和故事感的照片。讲述者通过指导被摄者看穿手指，来增加眼睛的活力和表情的自然度。

💡实时预览

实时预览是指在拍摄过程中，让被摄者实时看到拍摄的照片。讲述者建议在拍摄过程中使用笔记本电脑来展示照片，但不是直接赞美被摄者的外貌，而是赞美拍摄过程中的技术细节，如光线或背景，这样可以减少被摄者的自我意识，让他们更加放松。

💡倾听

倾听是指在拍摄过程中，摄影师认真听取被摄者的话语和故事，这不仅可以帮助建立信任和连接，还可以为拍摄提供灵感和方向。讲述者通过倾听被摄者的经历和感受，调整拍摄方式，使照片更加贴近被摄者的真实情感。

💡人像三要素

人像三要素是指在肖像摄影中最为重要的三个元素：光线、构图和表情。讲述者在视频中强调，虽然技术设备很重要，但最终决定肖像质量的是摄影师与被摄者的互动和情感交流。

💡重要性

重要性指的是某事物在特定情境下的价值和优先级。在视频中，讲述者强调了与被摄者建立联系的重要性，以及倾听和观察他们的需求和反应对于拍摄成功肖像照片的关键作用。

💡M.M.F.I

M.M.F.I是一个缩写，代表'Make Me Feel Important'，即'让我感到重要'。在肖像摄影中，摄影师通过关注和讨论被摄者的个人生活、兴趣和经历，使他们感到被重视和尊重。

Highlights

在过去几年中，我学到的关于拍摄人物的知识比任何时候都多。

这将分享我的前5个最佳技巧，以确保拍出出色的肖像照片。

这是我的第一份肖像摄影师的付费工作，当时我对此非常满意。

肖像和普通照片之间的区别在于是否有联系，是否能展现出被摄者的内在。

与被摄者建立联系的关键在于让他们在镜头前感到放松和舒适。

在拍摄前与被摄者进行交谈，帮助他们放松，然后在拍摄时使用三脚架来维持眼神交流。

Betaris Box原则指出，摄影师的态度会影响被摄者的行为，进而影响照片的效果。

不同的人可能适合看向镜头或看向别处，摄影师应该通过实践来找到最适合被摄者的角度。

在拍摄过程中向被摄者展示照片，并专注于夸奖拍摄过程而非被摄者的外貌，可以使他们感到更自在。

倾听比说话更重要，通过倾听可以获得关键信息，从而改变拍摄方式。

在拍摄一位99岁的二战老兵时，通过倾听了解到他的创伤后应激障碍（PTSD），从而改变了拍摄的光线和方式。

肖像摄影与设备关系不大，更重要的是人际交往技巧。

如果不知道谈论什么，就想象被摄者额头上有四个字母：M.M.F.I.（让我感到重要），谈论他们的家庭、工作、爱好等。

这是视频的全部内容，希望对你有所帮助。

Transcripts

Now, over the past couple of years, I've learned more

about photographing people than any other time.

So in this video, I'm going to share my Top 5 Tips

for guaranteeing great portraits.

Okay.

So let me just quickly explain something.

This here is my first ever paid job as a portrait photographer.

Now, at the time, I was really pleased with it.

But looking back now, there's definitely something missing.

Look at these images here.

A tattooed guy and a tough guy.

Would you call these portraits or just photographs?

Now you see, I’d call them photographs,

not portraits, because again, there is something

vital missing ... connection.

They’re just stood there.

They might just as well have been a mannequin.

Look at their faces.

Are they looking at you or through you?

Look at this one here.

My great friend

Steven Cook, a four time world kickboxing champion.

Now, this photograph was taken shortly after we’d first met.

Is it a portrait or a photograph?

Again, look at his face. Look at his eyes.

Are they looking at you or through you?

But now compare it to this one ...

once we'd got to know each other.

Look at the eyes now. Big difference.

And that's because there's a connection.

So how do we get a connection?

Well, we need the person in front of the camera

to be relaxed and comfortable.

So here's my 5 Top Tips that'll help with that big time.

Now, I know there are times when a photo shoot is

literally minutes long, but this still applies.

When I was taking portraits of World War 2 veterans, my 39 -

45 portraits project we'd never met before

until the day of the photo shoot.

So my process was to turn up at their home, having

made sure they had a friend

or family member there with them too.

And I would leave all my kit in the car.

If they were anxious about being photographed,

seeing someone at the door laden down with kit wouldn't help.

So leaving my kit in the car, I'd knock on the door,

be invited in,

and then we'd sit and chat whilst having a tea or coffee.

This chat could last 30 minutes or maybe a little longer.

But eventually, when I felt we were getting on,

there was some laughter

and we both had relaxed in each other's company,

then I could say something like, “I tell you what, let's

go and get the kit from the car.

Let's get the portrait done as it’ll only take a few minutes

and we can have another brew”.

And this is where Tip 2 comes in.

So one thing I'd found that

if I'd spent time talking to people before the photo shoot

to help them to get relaxed,

if I held the camera to my eye and covered my face,

that seemed to make the person I was

photographing start to feel anxious again.

Instead, what I found best was to have my camera on a tripod.

And once I had the composition right,

have my head above or to the side of the camera.

That way I can maintain the eye contact

and keep the conversation going.

Keeping my voice calm, slowing down and relaxed.

Now there's a famous principle about behavior

called Betaris Box, and it goes like this.

My attitude affects my behavior,

affects your attitude and affects your behavior.

So if I'm tense, rushing and all go, go, go,

that's going to affect the person

I'm photographing and make them tense ...

make sense?

Now, one thing I discovered that really surprised me

was that some people look great looking at the camera,

but some people look great looking past the camera.

Trouble is, you don't know who.

So one thing I always do is this ...

If I'm photographing you,

I've already taken one photograph of you

looking straight down the lens,

then I'll say something like “Alright,

so now I'm going to kind of

move my hand around in like a clock face rotation,

and all I want you to do is just turn your eyes

and your face towards my hand.” So I'll start here

and say “Alright.

So rather than looking at my hand,

try to look through my fingers, try to see what's behind”,

then I'll go lower and then lower again.

I'll then repeat this on the other side.

Now it's really important that you say,

Look through my fingers,

because if you say, Look at my hand,

you get the 1000 yard stare where the eyes are open,

but there's just no life.

When you say try to look through my fingers,

it makes them squint ever so slightly,

which adds life into the eyes.

Now, I know lots of photographers

that would never show the pictures that they're taking

to the person that they're photographing

during the photo shoot.

They’d never want them to see them until they were edited.

But I'm going to suggest you try something different.

What I used to do was this ...

When taking the portraits,

I always shoot tethered and I would stop, get my laptop

and turn it to them and say something

like, “You look amazing.” Now, if you say that to a model,

they will love you, but if you say that to somebody

in front of the camera who's already

feeling conscious of themselves, this will make it even worse.

I've never in all the time I tried that had somebody agree

with me. I'd always get those ...

I never liked photos of myself comments,

so I stopped doing that, I still stop,

I turn the laptop around to show them the photograph.

But instead of complimenting them, I say something like,

“I'm really happy with the lighting in these”.

So instead I'm complimenting what I'm doing

and not complimenting them,

and people generally want to please you, so if they find the

what you're doing is making you really happy,

they seem to be more inclined

and happy to sit in front of the camera.

They're not the focus.

They don't feel that they're being judged.

You're more interested in the lighting

and in the background, and because of that,

that relaxes them.

Okay, final tip, Tip 5.

Now, this is a BIGGIE.

Now, talking is important, but listening even more so

because you could gain vital information that could

potentially change how you approach the photoshoot.

For example, a few years back I went to photograph a 99 year

old World War 2 veteran called John Sleep.

But when sitting and talking with him over a cup of tea,

it seemed like John was close to tears.

He explained to me that it was because he'd suffered with PTSD,

post traumatic stress disorder all of his life

because of something that happened

during the war almost 80 years ago.

“And he looked down at them and shook his head and

and he walked off.

It was my cue to walk off.”Now,

hearing this made me change

everything about the lighting in John's portrait.

Whereas before, I'd used a flash,

I didn't know how that was going to make him react.

So I used a video light, a daylight balanced,

constant video light, but I also turned on

silent shutter in the camera and used a cable release.

So when we were doing the pictures,

I just got John to talk about

the training that he went through to become

a member of the Parachute Regiment.

And whilst he was talking,

I was taking photographs, but he didn't know this

because there was no flash going off.

There was no click of the shutter.

And he didn't see my finger, press the shutter button ...

and it worked a treat.

And I left John with a feeling that he'd had a pleasant

experience, all because of listening.

So there you go. My Top 5 Tips.

Slow down, Talk more, take less photographs.

Maintain eye contact, Look at and past the camera.

Complement what you are doing.

Don't compliment them, and Listen.

Portrait Photography has very little to do with kit,

but everything to do with people skills.

Oh, and one more thing.

If you don't know what to talk about,

just imagine that the person in front of you has four letters

on their forehead ...

M.M.F.I. ...

Make Me Feel Important.

Talk about them family, jobs, hobbies, whatever.

Just talk about them.

Right that's all for this video

so I really hope that's been useful.

As always, gives a thumbs up.

And if you haven't yet, click on subscribe

because it's just a great free way

that you can support this channel.

But for now, that's me. I'm done.

I'll see you in the next video.