Othello Theme of Appearance and Reality Analysis - Shakespeare Today Series

Schooling Online
6 Apr 202012:52

Summary

TLDRThis video script delves into Shakespeare's exploration of deception through the character Iago in 'Othello'. It highlights how Iago manipulates truth and appearances to create chaos, using soliloquies and asides to reveal his true, malevolent nature to the audience. Shakespeare employs language, metaphors, and stage management to depict Iago's skill in twisting reality, cautioning viewers to question what they see and hear, rather than blindly accepting it.

Takeaways

  • ๐ŸŽญ Shakespeare's plays often explore the theme of appearance versus reality.
  • ๐Ÿ Iago from 'Othello' is a master manipulator who deceives others with a facade of honesty.
  • ๐Ÿ—ฃ๏ธ Iago uses language to create a false image of himself as a loyal friend.
  • ๐Ÿ‘ฅ He convinces Roderigo of his loyalty by using inclusive language and a friendly tone.
  • ๐Ÿ‘ป Iago's true nature is revealed through soliloquies, where he shares his malicious plans with the audience.
  • ๐Ÿ”ฎ Iago's soliloquies often end with rhyming couplets, a tool used by Shakespeare to emphasize key points.
  • ๐Ÿ˜ˆ Iago's language and actions are linked to Satan, suggesting his evil intentions.
  • ๐Ÿค” Iago warns of his own duplicity by saying 'I am not what I am', a twist on a biblical phrase.
  • ๐Ÿ•ท๏ธ Iago is compared to a spider, weaving a web of deceit to manipulate those around him.
  • ๐ŸŽป He also likens himself to a musician, tuning the situation to create the desired outcome.
  • ๐Ÿท Iago manipulates Cassio into drinking, leading to his downfall and dismissal.
  • ๐Ÿ‘€ Iago uses 'ocular proof' to convince Othello of Desdemona's supposed infidelity, despite no affair occurring.
  • ๐ŸŽญ Iago's staging skills are evident as he constructs scenes to fit his narrative and deceive Othello.
  • ๐Ÿ“œ The handkerchief incident is a pivotal moment where Iago's manipulation leads Othello to believe in Desdemona's unfaithfulness.
  • โš–๏ธ The play serves as a cautionary tale about the dangers of blindly accepting appearances and the importance of seeking the truth.

Q & A

  • How does Shakespeare use Iago to explore the theme of deception?

    -Shakespeare uses Iago as a master of deception to demonstrate how appearances can be manipulated to hide one's true intentions. Iago presents himself as an honest friend while secretly plotting against others.

  • What is the significance of Iago's soliloquies in revealing his true nature?

    -Iago's soliloquies are significant because they allow the audience to hear his innermost thoughts, revealing his true malicious nature, which contrasts with his outward appearance.

  • How does Iago manipulate Roderigo in Act 1, Scene 3?

    -Iago manipulates Roderigo by convincing him not to drown himself and promising to help him win Desdemona's love. He uses a friendly tone and inclusive language to make Roderigo feel like they are a team.

  • What does Iago's language reveal about his true feelings towards Roderigo after he leaves?

    -After Roderigo leaves, Iago uses derogatory language, referring to him as a 'fool' and a 'snipe,' showing his contempt and revealing that he is using Roderigo for his own gain.

  • How does Iago's rhyming couplet at the end of his soliloquy contribute to his characterization?

    -Iago's rhyming couplet, 'Hell and night must bring this monstrous birth to the world's light,' uses religious imagery to link him to Satan, emphasizing his evil intentions and the contrast between his outward appearance and his true nature.

  • What is the significance of Iago's statement 'I am not what I am'?

    -Iago's statement 'I am not what I am' is a direct inversion of a biblical reference, aligning himself with deceit and the devil, rather than honesty and God.

  • How does Shakespeare use the epithet 'honest' to develop Iago's character?

    -Shakespeare uses the epithet 'honest' to highlight Iago's successful facade as an honest and faithful friend, despite his true deceptive nature.

  • What is the role of asides in Iago's manipulation of appearances?

    -Asides allow Iago to share his secret thoughts with the audience, revealing his plans to manipulate others. They also serve to create dramatic irony, as the audience is aware of his schemes while the characters are not.

  • How does Iago use the metaphor of a spider to describe his deception?

    -Iago likens himself to a spider weaving a web of deceit, suggesting that he is trapping his victims with his cunning plans.

  • How does Iago use stage management to frame reality in Act 2, Scene 3?

    -Iago uses stage management by getting Cassio drunk and then manipulating the situation to make it appear as though Cassio has attacked Roderigo and Montano, leading to Cassio's dismissal.

  • What is the significance of the 'ocular proof' Iago provides to Othello in Act 4, Scene 1?

    -The 'ocular proof' Iago provides is a false piece of evidence that convinces Othello of Desdemona's infidelity. It is significant because it is the final piece of manipulation that drives Othello to extreme actions.

  • How does the handkerchief incident in Act 3 contribute to Iago's plan?

    -The handkerchief incident, where Iago plants the handkerchief in Cassio's room and Cassio gives it to Bianca, provides the 'ocular proof' needed to convince Othello of Desdemona's supposed infidelity.

Outlines

00:00

๐ŸŽญ Master of Deception: Iago's Manipulation

This paragraph delves into how Shakespeare uses the character Iago to explore the disparity between appearances and reality. Iago is portrayed as a master manipulator who deceives others through his facade of nobility and honesty. He butters up Roderigo, convincing him not to drown himself and promising to make Desdemona fall in love with him. Iago's friendly tone and inclusive language are contrasted with his true feelings revealed through derogatory terms and metaphors when alone. Shakespeare uses soliloquies to reveal Iago's true nature to the audience, highlighting his evil intentions. Iago's duplicity is further emphasized by his confession, 'I am not what I am,' which inverts a biblical reference to signify his two-faced character. The paragraph also discusses how Iago uses asides to manipulate Othello's perception of Desdemona's fidelity, skillfully spinning innocent interactions into something sinister.

05:01

๐Ÿ•ท๏ธ Web of Deceit: Iago's Stage Management

This section examines Iago's ability to manipulate appearances through his mastery of language and staging. Iago is likened to a spider weaving a web of deceit, using minimal information to ensnare his victims. He positions himself as a musician tuning the situation to his liking, further developing his image as a master deceiver. Iago's staging skills are showcased as he orchestrates events to frame reality in a way that isn't accurate, such as getting Cassio drunk and then using his inebriated state to create a false narrative. Iago's ultimate goal is to convince Othello of Desdemona's infidelity, which he achieves through the use of ocular proof. The paragraph highlights Iago's strategic use of asides to create dramatic irony, where the audience is aware of his manipulations, while the characters are not. The handkerchief incident, where Iago plants evidence in Cassio's room and manipulates the situation to appear as proof of an affair, is a key example of his skillful staging.

10:03

๐Ÿ” Unveiling Truth: The Consequences of Deception

The final paragraph discusses the dramatic irony and the consequences of Iago's deceptions. Iago shares his plans with the audience through asides, revealing his manipulations to be far more sinister than the characters on stage realize. The paragraph highlights how Iago uses the stolen handkerchief to frame Cassio and further convince Othello of Desdemona's unfaithfulness. The handkerchief becomes the 'ocular proof' that seals Cassio's fate in Othello's eyes. The paragraph concludes with a reflection on the importance of skepticism and inquiry, warning against blindly following appearances and emotions. It emphasizes the tragic outcomes that can result from failing to uncover the truth behind lies, as demonstrated in the play's final scenes.

Mindmap

Keywords

๐Ÿ’กDeception

Deception refers to the act of deliberately causing someone to believe something that is not true, often with the intention of gaining an advantage. In the context of the video, Iago is a master of deception, manipulating others through lies and half-truths. His ability to deceive is highlighted when he convinces Roderigo not to drown himself by promising to help him win Desdemona's love, while secretly plotting against him.

๐Ÿ’กFacade

A facade is a false outward appearance or a pretense that hides a person's true character or intentions. The video discusses how Iago establishes his facade as a noble and honest friend, which contrasts with his true, malicious nature. This is exemplified when Iago speaks kindly to Roderigo's face but insults him as soon as he leaves.

๐Ÿ’กSoliloquy

A soliloquy is a dramatic device where a character speaks their thoughts out loud while alone on stage, revealing their innermost feelings and intentions to the audience. The video mentions that Iago's soliloquies allow the audience to see his true nature, which is in stark contrast to the facade he presents to others.

๐Ÿ’กMetaphor

A metaphor is a figure of speech that describes an object or action in a way that isn't literally true, but helps explain an idea or make a comparison. The video uses the metaphor of Iago making Roderigo his 'purse' to illustrate Iago's exploitation of Roderigo for personal gain.

๐Ÿ’กReligious Imagery

Religious imagery is the use of symbols, stories, or characters from religious traditions to convey deeper meanings or comparisons. In the video, Iago's evil plans are linked to Satan through religious imagery, highlighting his malevolent character.

๐Ÿ’กDuplicitous

Duplicity refers to the quality of being deceitful or untrustworthy. The term 'duplicitous' is used in the video to describe Iago's two-faced character, as he pretends to be loyal while plotting against those he claims to befriend.

๐Ÿ’กEpithet

An epithet is a descriptive term or phrase, often used as an insult or a nickname. In the video, Shakespeare uses the epithet 'honest' ironically to show how Iago maintains his facade of honesty, despite his deceitful actions.

๐Ÿ’กAside

An aside is a statement or comment made by a character in a play, which is intended to be heard only by the audience and not by other characters. The video explains how Iago uses asides to share his manipulations with the audience, creating dramatic irony.

๐Ÿ’กIrony

Irony is a rhetorical device, event, or situation in which there is a contrast between expectation and reality. The video discusses dramatic irony, where the audience is aware of Iago's manipulations, which the characters on stage are not.

๐Ÿ’กStaging

Staging refers to the way a scene or action is set up in a play or performance. The video highlights how Iago's skillful staging of scenes manipulates reality, leading Othello to believe Desdemona is unfaithful despite no affair occurring.

๐Ÿ’กOcular Proof

Ocular proof refers to evidence that is believed because it is seen or witnessed. In the video, Iago's manipulation leads Othello to believe he has witnessed proof of Desdemona's infidelity, when in fact it is all a deception.

Highlights

Shakespeare's exploration of the gap between appearance and reality.

Iago as a master of deception, orchestrating the play's major conflicts.

Iago's facade as a noble and honest friend.

Iago's manipulation of Roderigo in Act 1, Scene 3.

Contrast between Iago's friendly tone and his true disdain for Roderigo.

Iago's soliloquies revealing his true nature to the audience.

Religious imagery linking Iago to Satan.

Iago's duplicity revealed to Roderigo in Act 1, Scene 1.

Iago's contempt for honest people symbolized by the metaphor of predatory birds.

Iago's inversion of the biblical 'I am that I am' to signify his deceit.

Iago's successful facade as 'honest'.

Iago's use of asides to reveal his secret thoughts to the audience.

Iago's metaphor of a spider weaving a web of deceit.

Iago's stage management to manipulate appearances.

Iago's cunning plan to get Cassio fired in Act 2, Scene 3.

Iago's framing of Cassio's reality to Othello.

Iago's use of ocular proof to convince Othello of Desdemona's infidelity.

Iago's construction of a scene to incriminate Cassio.

The dramatic irony of Iago's manipulation.

Iago's control over Othello through manipulation.

The consequences of failing to find the truth behind the lies.

Shakespeare's reminder to be skeptical and inquisitive.

Transcripts

play00:00

we will go through the way Shakespeare

play00:03

explores the differences between how

play00:05

things appear and how they actually are

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reminding us why it's not a great idea

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to blindly believe the things we hear

play00:12

let's begin by looking at Iago who is a

play00:16

master of deception and orchestrates all

play00:18

of the sins that we will be looking at

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Iago's ability to manipulate the truth

play00:23

is clear as he establishes his own

play00:26

facade or outward appearance as being a

play00:29

noble and honest friend let's look at

play00:34

the way Iago butters up Roderigo in act

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1 at the end of scene 3 he convinces

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Roderigo not to drown himself because he

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is sure that he can get Desdemona to

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fall in love with him his tone is

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friendly and he seems concerned for the

play00:50

welfare of Roderigo as he says no more

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of drowning do hear he also uses

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inclusive pronouns as he talks about our

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revenge to show Roderigo that they are a

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team

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however this contrasts with his language

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and demeanor as soon as Roderigo leaves

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he uses derogatory or disrespectful

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language such as fool and snipe to

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describe him he says that he is

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metaphorically making Roderigo his purse

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that is he is only using Roderigo for

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his own profit

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Shakespeare clearly shows us the huge

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chasm between how Iago presents himself

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to others and how he truly is by using

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soliloquies to share his real nature

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with the audience remember that a

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soliloquy is when a character shares

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their innermost thoughts with the

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audience and usually happens when they

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are alone on stage Iago finishes his

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soliloquy with a rhyming couplet two

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lines which rhyme a common tool which

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Shakespeare users to highlight important

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points Iago says hell and night must

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bring this monstrous birth to the

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world's light

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the religious imagery here links Iago to

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Satan who uses the dark forces of Hell

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to ruin good people so even though he

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acts like a good guy around Rodrigo

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secretly he is full of evil plots Iago

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is so good at twisting reality that he

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even tells Rodrigo exactly what he is

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doing earlier in act 1 scene 1

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he shares his duplicitous nature with

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Rodrigo meaning his two-faced character

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Iago explains that he is only pretending

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to be loyal to a fellow he shows

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complete disdain for honest people who

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wear their heart on their sleeve for

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doors to peck at he uses the metaphor of

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these hearts being pecked at and eaten

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by predatory birds to show his contempt

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for such honesty this should be a huge

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warning for Rodrigo that Iago is not to

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be trusted

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Iago even explicitly says I am not what

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I am while he seems to be reassuring

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Rodrigo of his friendship by explaining

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how he is only pretending to be loyal to

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a fellow Shakespeare uses this biblical

play03:25

reference to deepen Iago's character his

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admission is an inversion or twisting of

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the line I am that I am from the book of

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Exodus in the Bible in this passage God

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is presenting his true face to the

play03:41

Israelites in order to help them but

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Iago subverts or undermines the honest

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portrayal and aligns himself with the

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devil by saying he is not how he seems

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this is developed throughout the play as

play03:55

well sello frequently refers to Iago

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using the epithet honest remember an

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epithet is a descriptor in this case

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Shakespeare's use of honest shows us how

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successful Iago is in maintaining this

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facade

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in act 2 scene 1 Shakespeare also gives

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us a taste of the way Iago is able to

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successfully manipulate appearances

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through the use of asides which is a

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device used to tell the audience what

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the character is secretly thinking after

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sharing with the audiences planned to

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convince Othello that Desdemona and

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Cassio are having an affair he stands

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back to watch the happy bridal party

play04:39

arrive at Cypress remember that Cassio

play04:42

is good friends with Desdemona and

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Othello and even helped them to elope so

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it's no surprise that they all greet

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each other warmly in an aside Iago

play04:53

commentates the way Cassio and Desdemona

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behave spinning the innocent

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relationship into a sordid affair he

play05:01

says I

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well said whisper I smile upon her do

play05:05

well kissed indicating the way he will

play05:09

twist the innocent interactions of two

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friends into something more sinister

play05:14

Shakespeare uses the metaphor of a

play05:17

predatory spider weaving a web of deceit

play05:21

Iago notes that with as little a web as

play05:24

this will iron snare as great a fly as

play05:27

Cassio this is reinforced when Iago

play05:30

likens himself to a musician later in

play05:33

the scene he remarks about Othello you

play05:36

are well tuned now but I'll set down the

play05:39

pegs that make this music the metaphor

play05:42

of the musician tuning his musical

play05:45

instrument to make the tune of his

play05:47

choosing further develops Iago's

play05:49

characterization as a master of

play05:51

deception continuously molding the world

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to appear the way he wants it to

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while Iago is a master of language and

play06:01

uses his words to present himself as an

play06:03

honest and faithful friend he is also a

play06:06

master of staging have you heard the

play06:09

saying seeing is believing

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Shakespeare uses Iago's stage management

play06:14

to show how easy it is to frame reality

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in a way that isn't necessarily accurate

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we see this first in act 2 scene 3

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when Iago causes Cassio to be fired

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remember the way he used a friendly

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humorous tone to convince Roderigo that

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they were on the same side he takes a

play06:34

similar approach with Cassio singing

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drinking songs and slapping him on the

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back in an attempt to get him to drink

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some wine harmless right Cassio resists

play06:45

for a while because he is on duty which

play06:47

means that he absolutely cannot be drunk

play06:50

but he eventually caves and is snared in

play06:53

Iago's web when Cassio leaves Iago

play06:58

begins to dismantle his good reputation

play07:01

telling Montano that Cassio is a soldier

play07:04

fit to stand by Caesar do but see his

play07:07

vice meaning that Cassio is a great guy

play07:10

but look he drinks way too much by

play07:15

convincing Montano that Cassio has a

play07:17

drinking problem he makes it seem more

play07:19

believable that Cassio who definitely

play07:22

isn't sober at the moment has lost the

play07:24

plot and attacked Roderigo and Montano

play07:27

out of his own drunken judgment rather

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than being goaded into it by Roderigo

play07:32

with Cassio finally out of the picture

play07:36

Iago begins to work on twisting or

play07:38

fellows reality to make it seem as

play07:40

though his wife is being unfaithful

play07:42

despite trying his best

play07:44

Iago is unable to convince Othello of

play07:47

Desdemona's infidelity until he gets the

play07:50

ocular proof or hard evidence of her

play07:53

affair this should be impossible to

play07:56

collect considering that no affair is

play07:58

actually happening but that doesn't stop

play08:00

Iago in Act four scene one

play08:05

he preps or fellow for the ultimate game

play08:07

of bait and switch by taunting him with

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images of Desdemona and Cassio having an

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affair he says that Cassio has admitted

play08:15

to doing a whole bunch of unmentionable

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things with Desdemona with her on her

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what you will knowing that by being

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vague and suggestive or sellers jealous

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mind will fill in the blanks with far

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more outrageous and painful details than

play08:31

he ever could he turns out to be right

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and or fellow is so incensed by the

play08:36

images of Cassio and Desdemona together

play08:39

that he falls into an epileptic fit

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Iago stands coldly over a fellow's

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twitching body and says work on my

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medicine using the metaphor of medicine

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to cast himself as an evil doctor who

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now has full control over his patient

play08:58

now look at how Shakespeare uses staging

play09:01

to show how expertly Iago constructs the

play09:05

scene while Othello is out cold Cassio

play09:08

enters wanting to speak with him about

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getting his old job back Iago lets him

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know that or thilo is a bit under the

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weather and needs some rest but give him

play09:16

a minute and they can have a chat about

play09:18

what's been going on then he goes back

play09:21

to our cellar and tells him that Cassio

play09:23

is there and that if he hides himself he

play09:26

will hear Iago draw a confession out of

play09:28

Cassio throughout the scene we can see

play09:31

the way that Iago leads or fellow

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suggesting that Cassio and Desdemona are

play09:35

behaving in a certain way he instructs

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othello to hide and mark the flares the

play09:41

jibes and notable scorns that dwell in

play09:44

every region of his face knowing that a

play09:47

fellow will now be unable to think of

play09:50

anything else

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Iago personifies Cassio's guilt that is

play09:55

he gives it human qualities suggesting

play09:58

that it can be seen all over his face

play10:00

this makes his guilt to seem even more

play10:03

real

play10:06

and aside Yago shares with the audience

play10:09

that he will be discussing Cassio's

play10:10

interactions with Bianca a prostitute

play10:13

who he enjoys but doesn't respect

play10:16

Shakespeare is creating some very

play10:18

effective dramatic irony which is where

play10:21

the audience knows something that the

play10:23

characters on stage don't hear the

play10:26

audience is clearly shown how Iago is

play10:28

able to manipulate the truth to suit his

play10:31

own needs Shakespeare uses another aside

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to show Iago predicting that Othello's

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unbook ich jealousy must construe poor

play10:41

Cassio smiles gestures and light

play10:44

behaviors quite in the wrong the stage

play10:47

is set in such a way that we can see the

play10:50

way the conversation between Iago and

play10:52

Cassio effects or fellow and can

play10:55

immediately gauge the success of his

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plan also remember back in act 3 how

play11:01

Iago hid the stolen handkerchief in

play11:03

Cassio's bedroom and poor unsuspecting

play11:05

Cassio gave it to Bianca this is about

play11:09

to come back to haunt him as Bianca

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storms in to throw the handkerchief at

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Cassio crying that it is some Minx's

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token Bianca doesn't believe that Cassio

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just innocently found it exclaiming a

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likely piece of work that you should

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find it in your chamber and not know who

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left it there

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thanks to Iago's cunning way of framing

play11:33

the scene or thilo cannot believe it

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either

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instead seeing Cassio in possession of

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the handkerchief that he lovingly gave

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to his wife is the ocular proof and the

play11:44

final nail in Cassio's coffin after

play11:49

exits or fellow steps out of the

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darkness asking how shall I murder him

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Iago his tone is certain and by having

play11:59

him ask Iago for advice Shakespeare

play12:01

shows how powerful Iago has become he is

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the director who is in complete control

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by showing us the way that truth and

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reality can be twisted Shakespeare is

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reminding us that we need to be

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skeptical and inquisitive rather than

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letting friends and emotions rule us the

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final scene of the play shows just how

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dire the consequences can be if we are

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unable to find the truth behind all the

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lies we hope you enjoyed this schooling

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online production

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for more easy lessons on north ello

play12:43

check out our analysis of the theme of

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gender in the play

play12:47

[Music]

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ShakespeareOthelloIagoDeceptionManipulationSoliloquiesDramaLiteratureAnalysisWebinar