La generación de los 30 en la literatura ecuatoriana.
Summary
TLDRThe Generation of the 30s in Ecuadorian literature was marked by social realism, focusing on the lives of marginalized groups such as indigenous people, peasants, and laborers. Inspired by societal issues, these writers used their work to protest injustice and exploitation, challenging traditional Spanish literary norms. Divided into two geographical groups, from the Sierra and Guayaquil, authors like Fernando Chávez, Joaquín Gallegos Lara, and Adalberto Ortiz highlighted the daily struggles of ordinary people. Their works, such as 'Plata y Bronce' and 'Las Cruces sobre el Agua,' became significant in the indigenist and social literature movements.
Q & A
What is the main literary movement associated with the Generation of 1930 in Ecuadorian literature?
-The main literary movement associated with the Generation of 1930 in Ecuadorian literature is social realism, particularly focusing on indigenous and rural communities.
What themes were central to the Generation of 1930's literary works?
-The central themes included the lives of ordinary people, indigenous populations, and rural communities, as well as topics like social injustice, exploitation, and political rebellion.
Which literary work is considered foundational for Ecuadorian indigenist literature?
-The work 'Plata y Bronce' by Fernando Chávez is considered foundational for Ecuadorian indigenist literature.
What characterized the writing style and ideology of the Generation of 1930?
-The Generation of 1930 shared a common literary style and ideology based on a commitment to social issues, reflecting the historical, sociopolitical, and cultural context of their time.
What was the main objective of the Generation of 1930 writers when portraying indigenous and rural characters?
-Their main objective was to denounce exploitation and injustice, representing indigenous and rural characters authentically, often using popular slang and strong scenes to raise awareness.
How did the Generation of 1930 challenge traditional literary norms in Ecuador?
-They rebelled against the traditional literary language inherited from Spanish literature by introducing vernacular expressions and focusing on harsh social realities.
How were the authors of the Generation of 1930 divided geographically?
-The authors were divided into two groups: one based in the Sierra region, including writers from Quito, Cuenca, and Loja, and another based in Guayaquil.
Who were some prominent authors from the Sierra region in the Generation of 1930?
-Notable authors from the Sierra region included Humberto Mata, Jorge Casa, Jorge Fernández, Enrique Terán, Alfonso Cuesta y Cuesta, Ángel Felicísimo Rojas, and Pablo Palacio.
Who were some prominent authors from the Guayaquil group in the Generation of 1930?
-Notable authors from the Guayaquil group included Joaquín Gallegos Lara, José de la Cuadra, Enrique Gilbert, Demetrio Aguilera Malta, and Alfredo Pareja.
What were some key works produced by the Generation of 1930?
-Key works include 'Un Hombre Muerto a Puntapiés,' 'Débora,' 'Vida del Ahorcado,' 'El Muelle,' 'Don Goyo,' 'Sangurimas,' 'Juyungo,' 'Las Cruces Sobre el Agua,' and 'El Éxodo de Yangana.'
Outlines
📖 Social Realism in Ecuadorian Literature
The literature of the 1930s in Ecuador was marked by a strong influence of social realism. This intellectual movement drew inspiration from society, particularly focusing on the struggles of the working class and indigenous communities. Common characters in this narrative style include landowners, priests, soldiers, politicians, and indigenous peoples. The work 'Plata y Bronce' by Fernando Chávez opened the path to what would become known as indigenista literature, addressing the concerns of these marginalized groups.
✍️ The 1930s Generation: A Shared Ideology
The 'Generation of the 30s' was a group of Ecuadorian writers united by a shared literary style and ideology shaped by their common socio-political and cultural background. These writers, observing historical events, translated them into narratives using various literary and artistic techniques. Their works reflected their commitment to finding solutions to societal problems through a direct engagement with the issues of their time.
🌍 Focus on the Everyday Ecuadorian
The central theme of this generation's literature was the everyday person and their connection to the land of Ecuador. Their works aimed to define the national culture by portraying the human condition of marginalized groups like the indigenous, montubio (coastal peasants), and cholos (mixed-race people). These characters were represented with authentic language, often crude and vulgar, to highlight exploitation and injustice. This was a clear rebellion against the traditional Spanish literary norms.
🏞️ Geographic Division of the 1930s Writers
The writers of this generation were divided geographically into two main groups. From the Sierra (highlands), key figures included Humberto Mata, Jorge Casa, and Ángel Felicísimo Rojas, among others. Meanwhile, in Guayaquil, writers like Joaquín Gallegos Lara and José de la Cuadra made their mark. This division reflected different regional perspectives within their common focus on social issues.
📚 Notable Works and Social Reflection
The works of the 1930s generation, such as 'Un Hombre Muerto a Puntapiés', 'Débora', and 'Las Cruces Sobre el Agua', gained attention for their raw portrayal of social issues. These novels and stories exposed harsh realities, inviting readers to reflect and empathize with the struggles of marginalized communities. The strong social content of these works extended their influence beyond the literary sphere.
Mindmap
Keywords
💡Generación de los 30
💡Realismo social
💡Literatura indigenista
💡Plata y bronce
💡Montubio
💡Cholo
💡Rebeldía
💡Personajes recurrentes
💡Protesta social
💡Lenguaje vulgar
Highlights
The Generation of the 1930s in Ecuadorian literature was framed within social realism.
This intellectual movement was inspired by society, with a particular focus on popular sectors and indigenous communities.
Recurring themes and characters in their narrative include landowners, priests, political figures, indigenous people, and montubios (Ecuadorian coastal peasants).
The work that marked the beginning of what is known as indigenous literature (literatura indigenista) is 'Plata y Bronce' by Fernando Chávez.
The Generation of the 1930s was a group of writers united by similar characteristics, shared political and social ideologies, and a common socio-political and cultural environment.
These authors aimed to capture historical events and describe them through various literary, poetic, and artistic resources.
Their central theme was the everyday man and his land, focusing on Ecuador and its people.
The goal of this movement was to define the national identity of Ecuadorian culture by reflecting the human condition of the montubio, cholo, indigenous, and working-class populations.
Characters in their works often used colloquial language, vulgar expressions, and portrayed intense scenes to denounce exploitation and injustice.
This movement represented a rebellion against the traditional literary language inherited from Spain.
The Generation of the 1930s is divided into two geographical groups: one from the Sierra (highlands) and another from the coastal city of Guayaquil.
The Sierra group included notable authors such as Humberto Mata, Jorge Casa, Jorge Fernández, Enrique Terán, Alfonso Cuesta y Cuesta, Ángel Felicísimo Rojas, and Pablo Palacio.
The Guayaquil group included Joaquín Gallegos Lara, José de la Cuadra, Enrique Gilbert, Demetrio Aguilera Malta, and Alfredo Pareja Diezcanseco, with Adalberto Ortiz joining later.
These writers were deeply committed to social issues and aimed to depict the reality of the cholo, montubio, and indigenous peoples as they were.
Their works, such as 'Un Hombre Muerto a Puntapiés,' 'Débora,' 'Don Goyo,' 'Juyungo,' and 'Las Cruces sobre el Agua,' are known for their strong social content and raw portrayal of reality.
Transcripts
la generación de los 30 en la literatura
ecuatoriana enmarcada en una literatura
de realismo social esta corriente
intelectual se inspiró en la sociedad en
general pero tuvo cierto apego con los
sectores populares y las comunidades
indígenas de los cuales surgieron
personajes y temas recurrentes en la
narrativa hacendados curas tenientes
políticos indios y
montubios la obra que abrió el paso a lo
que se conoce como literatura
indigenista o indigen es plata y bronce
de Fernando
Chávez la generación del 30 fue un grupo
de escritores que compartieron
características similares englobadas en
un lenguaje literario y una ideología
común proveniente del compartir un
espacio temporal sociopolítico cultural
Y una educación homogénea estilos
tendencias el ser testigos de hechos
históricos y apropiarse de ellos para
plasmar en papel su respectiva
descripción haciendo uso de diferentes
recursos literarios poéticos artísticos
instintivos estos exteriorizan su
compromiso y acción en las posibles
soluciones a los problemas que acarrea
la sociedad en ese momento en diversos
ámbitos el tema central que caracteriza
la narrativa de Esta generación es el
hombre cotidiano y su tierra el Ecuador
Todo esto buscó definir el sentido
Nacional de la cultura por medio de un
acercamiento a la condición humana del
montubio el cholo el indio el obrero
grupos humanos que en la obras son
representados mediante personajes con
sus jergas populares palabras vulgares
escenas fuertes y a través de los cuales
se pretendió denunciar protestar y
reclamar la explotación y la injusticia
lo cual fue una evidente acción de
Rebeldía en contra del lenguaje heredado
de la tradición literaria
española de acuerdo con la situación
geográfica se ha dividido a la
generación de los 30 en dos grupos el
grupo de la Sierra está conformado por
los quiteños Humberto mata Jorge casa
Coronel Jorge Fernández y Enrique Terán
de Cuenca Alfonso cuesta y cuesta y los
lojanos Ángel felicísimo rojas y Pablo
Palacio por otro lado en Guayaquil
estaban Joaquín Gallegos Lara José de la
cuadra Enrique Gilbert Demetrio Aguilera
Malta y Alfredo pareja
descanso Poco después a este grupo se
integraría Adalberto
Ortiz tod estos escritores comprometidos
con los temas sociales y determinados a
mostrar la realidad del Cholo monio tal
y como era compusieron obras
representativas como un hombre muerto a
puntapiés
Débora vida del orcado en la ciudad ha
perdido una novela El muelle Don Goyo
sangurimas juyungo Las Cruces sobre el
agua El Éxodo de yangana El Chuya Romero
y
flores
estas obras han llamado la atención por
su fuerte contenido social y por la
crudeza con que se retrata la realidad
sobre la que hubo un llamado de
reflexión y sensibilización hacia otros
estratos diferentes al literario y mucho
más allá de lo que fue Esta
generación
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