FULL Dialog - Konser Bruno Mars dan Efeknya Untuk Indonesia [TOP NEWS]

METRO TV
14 Sept 202411:49

Summary

TLDRThe discussion revolves around Bruno Mars' concert in Indonesia, which lasted for three days and its economic impact. Despite fans' complaints about the concert not being as impressive as those abroad, it was noted that Bruno Mars' extensive fanbase could support such events. Challenges in organizing international concerts include bureaucratic red tape and obtaining permits. The government's role in providing incentives for international artists to perform in Indonesia is highlighted, along with the need for better infrastructure and planning to compete with countries like Singapore.

Takeaways

  • 🎀 Bruno Mars' concert in Indonesia was a significant economic boost, but fans complained about the experience not being as grand as international shows.
  • 🌐 The length of Bruno Mars' 3-day concert could set a trend for future concerts in Indonesia, depending on the artist's popularity and fan base.
  • πŸ“ˆ Bruno Mars reached a career peak with his 2021 album, which expanded his global fan base and contributed to the success of his extended concert.
  • 🚫 The main challenge for concert organizers in Indonesia is obtaining permits, which can be a bureaucratic hurdle and sometimes lead to venue changes or cancellations.
  • 🏒 To make concerts a reference for creative economy in Southeast Asia, the government could provide incentives like tax reductions for musical event organizers.
  • 🚦 Poor transportation and parking access were significant issues for attendees of Bruno Mars' concert, leading to very late returns home.
  • πŸ’Έ The cost of tickets and accommodation, along with accessibility to the venue, are factors that make some fans prefer to attend concerts in neighboring countries like Singapore.
  • 🌟 The success of international concerts relies on a long and interconnected ecosystem, including hotel availability, transportation, and ticket prices.
  • πŸ™οΈ Jakarta and other Indonesian cities might need to improve in terms of infrastructure, accessibility, and ticket pricing to compete with countries like Singapore or Thailand for hosting large concerts.
  • πŸ“‰ The government's attention to the economic impact of music concerts is growing, with hopes that it will lead to better infrastructure and a more supportive ecosystem for such events.
  • 🌍 Learning from Singapore, Indonesia could adopt a mindset that sees international concerts as a significant opportunity for economic growth and tourism.

Q & A

  • What is the impact of Bruno Mars' concert on Indonesia's economy?

    -The Bruno Mars concert in Indonesia is considered to have a fresh and significant economic impact, especially over the three days it was held.

  • How does the length of Bruno Mars' concert in Indonesia reflect on future trends?

    -The extended length of the concert could become a trend in Indonesia, depending on the popularity and fan base of the artists.

  • What challenges does Indonesia face in organizing concerts for international stars like Bruno Mars?

    -The main challenges include bureaucratic issues such as obtaining permits, which can be a bottleneck and even lead to concert cancellations or venue changes.

  • What incentives could the Indonesian government provide to attract more international artists for concerts?

    -Incentives could include tax reductions or relaxations for event organizers, particularly those focused on musical events.

  • How does the Indonesian government's approach to concert permits affect international artists' willingness to perform in the country?

    -Uncertainty in permit approvals can disrupt artists' tight schedules, potentially making Indonesia a less attractive venue compared to other countries with more streamlined processes.

  • What are the transportation and accessibility issues faced by attendees of Bruno Mars' concert in Indonesia?

    -There were complaints about transportation and parking, with attendees struggling to get home late due to poor access and having to wait until the early morning.

  • How does the cost of attending a concert in Indonesia compare to attending one in Singapore?

    -Some Indonesian music fans find it more appealing to attend concerts in Singapore due to more affordable ticket prices and better accessibility.

  • What is the importance of considering the entire ecosystem when organizing international concerts in Indonesia?

    -It's crucial to consider the entire ecosystem, including hotel availability, transportation, ticket prices, and the overall experience for visitors from outside the city or country.

  • What can Indonesia learn from Singapore in terms of hosting international concerts?

    -Indonesia can learn from Singapore's mindset of viewing international concerts as a significant tourism opportunity that brings substantial economic benefits.

  • What are the infrastructure challenges Indonesia needs to address to compete with other countries in hosting large concerts?

    -While the infrastructure for staging concerts is not a problem, accessibility and ticket pricing are significant issues that need to be addressed.

  • What is the biggest hope for the Indonesian music industry regarding the organization of international concerts?

    -The hope is for the government to streamline bureaucracy, making it easier for promoters to bring international artists to Indonesia and ensuring the success of concerts.

Outlines

00:00

🎀 Bruno Mars Concerts in Indonesia

The script discusses the impact of Bruno Mars' concerts in Indonesia, which lasted for three days and were considered a fresh economic breeze. Despite this, fans complained that watching the concert abroad was more appealing than in Indonesia. The conversation with music journalist Sindu Alpito from mcom.id explores how Indonesia can maintain public trust and attract foreign artists. It mentions Bruno Mars' career peak and his broad fanbase in Indonesia. Challenges such as bureaucratic red tape and unclear permits were highlighted, which sometimes led to venue changes or cancellations. The government's role in providing incentives for international stars to perform in Indonesia was also discussed, including tax reductions or relaxations for event organizers. The need for better infrastructure, transportation, and venue accessibility was emphasized to compete with countries like Singapore.

05:01

πŸš— Transportation and Accessibility Issues

This paragraph focuses on the transportation and parking issues faced by attendees of Bruno Mars' concert, leading to complaints on social media. The poor access and distant parking resulted in concertgoers not reaching home until the early morning. The discussion points out that the Indonesian music scene needs to improve in terms of infrastructure and support elements to host international concerts. The comparison with Singapore is made, where the government's proactive approach to hosting international events is seen as beneficial for the economy. The paragraph also touches on the need for the Indonesian government to streamline bureaucracy and consider the economic impact of concerts on the country's revenue.

10:03

🌏 Learning from Singapore's Concert Strategy

The final paragraph of the script emphasizes the importance of learning from Singapore's approach to hosting international concerts. Singapore views such events as opportunities for economic gain, treating them as a form of tourism that brings in substantial revenue. The paragraph suggests that Indonesia should adopt a similar mindset, recognizing the economic impact of concerts on society. It also mentions the need for the Indonesian government to fully support international events, not just in music but in other areas as well, to create a sustainable and thriving ecosystem for hosting such events.

Mindmap

Keywords

πŸ’‘PSA

PSA stands for Public Service Announcement. In the context of the video, it likely refers to an announcement or discussion about a public service matter, such as the organization and impact of a concert by Bruno Mars in Indonesia. It is related to the theme of the video as it sets the stage for discussing the broader implications of such events on the local economy and public perception.

πŸ’‘Bruno Mars

Bruno Mars is a popular American singer, songwriter, and producer. In the video, he is a central figure as the discussion revolves around his concert in Indonesia. His presence in the country is significant as it is an indicator of the potential for international artists to attract large audiences and contribute to the local economy, which is a key theme of the video.

πŸ’‘Economic Impact

The economic impact refers to the effects that events, such as concerts, have on the local economy. In the script, it is mentioned that Bruno Mars' concert is seen as a fresh breeze for the Indonesian economy, indicating that such events can stimulate economic activity through ticket sales, hospitality, and other related sectors. This is a core concept in the video as it explores how Indonesia can capitalize on the popularity of international artists.

πŸ’‘Fan Base

A fan base refers to the collective group of fans that support a particular artist or band. The script mentions that the size of an artist's fan base in Indonesia can influence the length and success of their concert, which is directly related to the video's theme of understanding the dynamics of hosting international concerts and their economic benefits.

πŸ’‘Permits and Bureaucracy

Permits and bureaucracy are mentioned as significant challenges in organizing concerts in Indonesia. The script discusses how unclear or delayed permits can hinder the smooth execution of events, leading to venue changes or cancellations. This is a critical issue highlighted in the video as it affects the ability of Indonesia to reliably host international artists and maintain public trust.

πŸ’‘Incentives

Incentives are benefits or rewards offered to encourage certain behaviors or actions. In the context of the video, incentives such as tax reductions for event organizers are discussed as potential ways to attract top global stars to perform in Indonesia. This keyword is integral to the video's exploration of strategies to enhance Indonesia's appeal as a destination for international concerts.

πŸ’‘Accessibility

Accessibility refers to the ease with which people can reach a location or service. The script highlights issues with transportation and parking as complaints from attendees of Bruno Mars' concert, indicating that poor accessibility can detract from the overall experience and is a factor that needs to be addressed to improve future events.

πŸ’‘Public Complaints

Public complaints are grievances or criticisms expressed by the public. In the video, complaints on social media about transportation and parking issues are mentioned, showing that they are an important feedback mechanism for organizers to understand and improve the attendee experience at concerts.

πŸ’‘Infrastructure

Infrastructure refers to the basic physical and organizational structures needed for the operation of a society or enterprise. The script discusses the need for adequate infrastructure, such as suitable venues, to compete with other countries in hosting large concerts. This keyword is crucial as it ties into the broader conversation about Indonesia's readiness to accommodate international events.

πŸ’‘International Concerts

International concerts are musical performances by artists from outside the host country. The video's theme revolves around the challenges and benefits of organizing such concerts in Indonesia. The script uses Bruno Mars' concert as a case study to explore the complexities of managing international events, including logistics, public expectations, and economic opportunities.

πŸ’‘Ecosystem

An ecosystem, in this context, refers to the interconnected network of elements that support the hosting of concerts, including venues, transportation, accommodation, and ticketing. The script mentions the need for a well-functioning ecosystem to ensure the success of international concerts in Indonesia, which is a key takeaway from the discussion about improving the country's ability to host such events.

Highlights

Bruno Mars' 3-day concert in Indonesia is seen as a fresh economic boost.

Fans still complain that watching concerts in Indonesia is not as good as abroad.

Indonesia needs to maintain the trust of the public and foreign artists to perform in the country.

The length of Bruno Mars' concert could become a trend in Indonesia.

The success of long concerts depends on the popularity of the artist in Indonesia.

Bruno Mars has reached the peak of his career twice, expanding his demographic reach.

The challenge of managing concerts like Bruno Mars' involves bureaucracy and permit issues.

Indonesia needs to streamline bureaucracy to attract international artists.

Government incentives, such as tax reductions, could be given to attract top global stars.

The government should consider concerts as a form of creative economy and tourism.

The third day of Bruno Mars' concert in Indonesia was considered a success in terms of organization.

Transportation and parking issues were major complaints from concert attendees.

Some Indonesian music fans find concerts in Singapore more appealing due to ticket prices and accessibility.

The concert industry is a long and interconnected ecosystem.

The government should consider the economic impact of concerts on the country.

Infrastructure and accessibility are key for Jakarta to compete with Singapore and Thailand for hosting large concerts.

The government should provide a more integrated bureaucracy to help promoters bring international artists.

Indonesia can learn from Singapore's mindset of using international concerts as a tourism opportunity.

The government should support international events fully, not just in music but in other areas as well.

Transcripts

play00:00

PSA konser Bruno Mars di Indonesia

play00:02

selama 3 hari dinilai menjadi angin

play00:04

segar khususnya efek ekonomi bagi

play00:06

Indonesia namun penggemar masih saja

play00:08

mengeluhkan konser di Indonesia nyatanya

play00:11

tidak semulus jika harus menonton di

play00:13

luar negeri Bagaimana Indonesia bisa

play00:16

menjaga kepercayaan publik atau artis

play00:18

luar negeri untuk percaya tampil di

play00:21

Indonesia kita sudah terhubung dengan

play00:23

jurnalis musikmcom.id Sindu alpito

play00:27

Selamat malam Mas Sindu Halo selamat

play00:29

malam

play00:30

Mas baik jadi Mas Sindu fenomena konser

play00:35

Bruno Mars 3 hari ini apakah konser

play00:38

panjang memang akan menjadi tren ke

play00:39

depan di Indonesia mengingat hal serupa

play00:41

kan bukan hal yang baru juga di

play00:42

Singapura ya ya Eh tentu yang harus kita

play00:46

perhatikan adalah itu bergantung

play00:48

terhadap besarnya atau eh tingginya

play00:51

Animo dan fan base mereka artis-artis

play00:53

itu di Indonesia gitu ya ketika

play00:55

fanbase-nya besar animonya besar tentu

play00:58

akan lebih bisa eh extend gitu artis itu

play01:01

konser di Indonesia nah ini e jadi

play01:03

catatan menarik adalah Bruno Mars ini

play01:05

menurut catatan saya dia telah mencapai

play01:07

titik puncak karirnya untuk kedua kali

play01:09

gitu sehingga eh secara landscap eh

play01:13

demografi penggemar itu sangat-sangat

play01:15

luas gitu kita tahu Bruno Mars pertama

play01:17

kali merilis album pada tahun 2010

play01:20

kemudian eh era selanjutnya gitu era

play01:23

barunya Bruno Mars itu di 2021 lewat e

play01:26

lift the door Open yang akhirnya lagu

play01:28

hit global itu

play01:30

yang mendapat Gramy Awards di 2022 itu

play01:33

memperpanjang atau memperluas segmen

play01:36

pendengar dari Bruno Mars itu sendiri

play01:38

gitu Resa jadi eh

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sangat-sangatib ketika sosok sefenomenal

play01:42

seperti Bruno Mars bisa konser lebih e

play01:45

panjang gitu di Indonesia dan e tentu ke

play01:47

depannya artis-artis yang seperti itu

play01:50

itu akan sangat-sangat posib gitu oke

play01:53

apa sih sebenarnya menjadi tantangan

play01:55

terberat begitu ya mengelola konser

play01:57

bintang Seperti Bruno Mars dan juga

play01:59

bintang lain agar bisa menarik penonton

play02:02

dari mancanegara Mas Hindu

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Oke ee tantangan yang paling utama dari

play02:07

ee penyelenggara tentu saja gitu ya itu

play02:10

bisa dikatakan adalah soal perizinan

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gitu Jadi kalau saya ee ngobrol gitu

play02:15

dengan teman-teman promotor hal yang

play02:18

paling tidak pasti di Indonesia ini kan

play02:19

tentang perizinan gitu nah ini yang yang

play02:22

bisa saja menjadi bumerang gitu buat

play02:24

kita ya ketika kita sudah Ee siap secara

play02:27

venue secara tempat kemudian birokrasi

play02:30

kita sendiri yang justru menghambat itu

play02:32

semua gitu dan itu sempat terjadi juga

play02:34

gitu kayak

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eh beberapa konser yang yang akhirnya

play02:38

pindah venue gitu karena karena tidak e

play02:41

jelas gitu ya soal soal kepastian

play02:43

perizinan atau bahkan ada juga yang

play02:45

dibatalkan nah itu yang eh menjadi

play02:47

catatan penting sih Eh rea kalau kita

play02:50

mau menjadikan konser sebagai pariwisata

play02:53

ekonomi kreatif yang Eh jadi rujukan

play02:56

gitu di kawasan Asia

play02:58

Tenggara insentif apa yang bisa

play03:00

diberikan oleh pemerintah agar bintang

play03:02

top dunia bersedia eh sering menggelar

play03:06

konser di Indonesia masindu tentunya eh

play03:10

kembali lagi tadi ya mungkin kalau

play03:11

insentif kita Bara insentif bisa masuk

play03:13

ke pajak gitu ya penurunan pajak E atau

play03:16

mungkin relaksasi pajak untuk

play03:18

penyelenggara acara eh berbasis kesenian

play03:21

gitu tetapi kembali lagi soal

play03:24

administrasi dan birokasi birokrasi

play03:26

perizinan gitu kita di Indonesia sendiri

play03:29

teman an promotor itu banyak yang

play03:31

akhirnya baru mendapatkan izin H min sat

play03:33

konser atau bahkan mungkin hari H konser

play03:36

baru keluar izinnya sehingga eh itu

play03:39

tidak menjamin para pembeli tiket dan

play03:42

dan tidak menjamin artisnya untuk bisa

play03:44

benar-benar tampil secara aman dan

play03:46

kondusif Di Indonesia kita tahu ketika

play03:49

mengundang artis internasional mereka

play03:51

punya jadwal yang sangat padat setiap

play03:53

hari pindah negara dan ketika itu ee

play03:55

tidak jadi gitu misalkan ditunda atau

play03:57

batal konsernya karena izin tidak Kel

play04:00

ya mereka akan kacau ee jadwalnya gitu

play04:03

sehingga kita harus memberikan kepastian

play04:05

soal ee keamanan dan kondusifnya konser

play04:09

itu sendiri gitu RAA Mas Hindu sendiri

play04:11

bagaimana melihat jalannya konser Bruno

play04:14

Mars sejauh ini ini hari ini sudah hari

play04:16

ketiga ya hari terakhir dari segi

play04:18

penyelenggaraan dari segi venue

play04:19

Bagaimana anda menilainya eh saya

play04:22

melihat ini sangat luar biasa ya dan eh

play04:24

brunoar sendiri kalau kita lihat ke

play04:26

belakang sebenarnya punya cerita yang

play04:28

menarik tentang Indonesia juga gitu

play04:31

karena Indonesia itu jadi salah satu

play04:32

negara

play04:33

eh di mana Bruno Mars untuk pertama

play04:36

kalinya konser paling jauh pada tahun

play04:38

2011 gitu jadi Indonesia tuh termasuk

play04:41

negara e terjauh yang dikunjungi Bruno

play04:44

Mars di awal karirnya sehingga ketika

play04:46

mereka E ketika dia kembali gitu ya

play04:48

kemarin di hari pertama dia bilang sudah

play04:50

menunggu sangat lama untuk tampil

play04:52

kembali di Indonesia artinya secara

play04:53

gimik show itu sangat-sangat ee menarik

play04:56

kemudian Eh tadi Seperti yang

play04:58

disampaikan oleh rekan kita k ee ada ada

play05:00

masalah soal ee transportasi publik dan

play05:03

EE parkir juga akses menuju lokasi yang

play05:06

ini saya lihat banyak sekali keluhannya

play05:08

di sosial media gitu ya Mas Resa ya jadi

play05:11

ee acara selesai jam 10. tapi karena

play05:15

akses yang buruk dan e parkir yang jauh

play05:18

akhirnya teman-teman yang nonton itu

play05:20

baru bisa sampai rumah jam . pagi jam

play05:22

3.00 pagi gitu karena mereka terhalang

play05:25

oleh EE akses itu sendiri gitu nah itu

play05:27

yang e harus diperhatikan ke depannya

play05:29

gitu Tapi secara secara e pertunjukan

play05:32

Saya kira ini jadi ee semangat yang baik

play05:34

juga ya untuk teman-teman promotor dan

play05:36

penggemar musik di Indonesia gitu masa

play05:38

iya soal akses itu juga masih menjadi

play05:40

apa ya banyak keluhan kemarin ya dari

play05:42

para penonton yang hadir ee di konser

play05:45

Bruno Mars ini bahkan sejumlah penggemar

play05:47

musik tanah air juga merasa menonton

play05:49

konser di Singapura lebih menarik begitu

play05:51

ya Daripada di dalam negeri khususnya

play05:53

terkait harga tiket dan akomodasi akses

play05:55

menuju ke venue jadi ke depan ini apa

play05:58

yang perlu dievaluas lagi masu I ini

play06:02

betul sekali Mas Resa kita kalau bicara

play06:05

ee konser gitu ya terutama konser

play06:07

internasional Itu adalah sebuah

play06:09

ekosistem yang sangat panjang dan saling

play06:11

terkait gitu kita tahu kalau eh kita

play06:14

menggelar konser itu bukan hanya

play06:16

konsernya saja tetapi kita menjadi Host

play06:20

juga untuk para penonton yang datang

play06:22

dari luar kota dan dari luar negeri gitu

play06:24

misalkan Nah itu tentu akan terkait

play06:26

dengan Hotel ketersediaan Hotel

play06:28

ketersediaan akses transportasi dan

play06:31

tentu saja harga tiket pesawat gitu

play06:33

selama ini Mungkin banyak teman-teman

play06:34

yang akhirnya memilih untuk ee

play06:36

teman-teman dari luar Jakarta gitu ya

play06:38

memilih untuk nonton ke mungkin ke Kuala

play06:41

Lumpur gitu atau ke Singapura karena

play06:43

akses tiketnya lebih terjangkau daripada

play06:46

harus ke Jakarta dulu gitu nah ini ini

play06:49

juga jadi persoalan penting nah eh ingin

play06:51

saya sampaikan adalah ee mungkin

play06:53

pemerintah sekarang akhirnya memberi

play06:55

perhatian gitu ya setelah kemarin ee

play06:57

dalam tanda kutip kecolongan soal taayor

play06:59

gitu yang manggung sangat sangat panjang

play07:02

di Singapura ee Semoga ke depannya

play07:05

pemerintah melihat bahwa konser musik

play07:07

adalah salah satu

play07:09

eh cara untuk meningkatkan eh devisa

play07:13

juga gitu meningkatkan dampak ekonomi

play07:14

yang besar juga gitu untuk untuk sebuah

play07:16

negara dan akhirnya membuat sebuah

play07:18

ekosistem yang eh sangat eh baik dan

play07:22

berkesinambungan gitu Mas Resa jadi

play07:23

tidak hanya berpangku pada promotornya

play07:25

saja tapi juga elemen-elemen

play07:27

pendukungnya juga gitu tapi dari segi

play07:30

infrastruktur Apakah Jakarta dan kota

play07:32

besar lain di Indonesia bisa bersaing

play07:34

dengan Singapura atau mungkin dengan

play07:36

Thailand untuk menggelar konser besar

play07:38

Mas kalau secara infrastruktur mungkin

play07:42

Secara vendor secara secara Tata

play07:45

panggung tata suara saya rasa itu tidak

play07:47

masalah ya tetapi memang yang jadi

play07:48

persoalan adalah tadi aksesibilitas dan

play07:51

kemudian mungkin keterjangkauan

play07:53

harga-harga tiket itu itu yang jadi jadi

play07:56

persoalan selama pemerintah komit untuk

play07:59

secara birokrasi kemudian mungkin Secara

play08:02

pajak diperhatikan juga bagaimana yang

play08:04

menguntungkan untuk penonton Saya rasa e

play08:06

bukan jadi persoalan untuk kita bisa

play08:09

bisa bersaing dengan dengan Singapura

play08:11

atau negara-negara lain gitu kita tahu

play08:12

Jakarta sangatsangat mampu Untuk itu

play08:15

gitu tapi memang juga harus diperhatikan

play08:18

kita di Jakarta

play08:20

e Mungkin sedikit sekali

play08:23

alternatif yang dapat menamp penonton

play08:27

secara gitu itu terjadi berkali-kali E

play08:31

menjadi hambatan gitu kayak sebelumnya

play08:33

konser gitu yang harus dipindah karena

play08:36

bentrok dengan agenda lain karena eh

play08:39

Stadion kita gitu ya stadion yang

play08:41

dipakai GBK misalkan itu kan bukan hanya

play08:43

untuk konser tetapi juga untuk acara

play08:45

olahraga dan non olahraga gitu jadi e

play08:48

mungkin pemerintah juga bisa mencarikan

play08:49

solusi Bagaimana membuat venu mungkin

play08:53

atau mungkin menyediakan venue yang

play08:55

lebih e Siap dan dan proper untuk

play08:59

event-event internasional gitu oke mas

play09:01

Hindu apa harapan terbesar anda untuk

play09:04

dunia musik di Indonesia khususnya dalam

play09:06

hal menggelar konser eh bertaraf

play09:10

internasional dengan mengundang

play09:11

artis-artis besar dari luar negeri dan

play09:14

tidak kecolongan lagi jadi apa harapan

play09:16

anda untuk pemerintah khususnya agar

play09:19

bisa bisa apa ya menggelar konser yang

play09:22

lebih teratur dan ini kan berkaitan

play09:25

dengan devisa meningkatkan devisa begitu

play09:27

masu i tentu saja harapan saya besar

play09:30

terhadap pemerintah untuk dapat membuat

play09:33

birokrasi yang eh terpadu gitu sehingga

play09:36

para promotor sangat terbantu dan eh

play09:39

optimis gitu ketika mendatangkan

play09:41

artis-artis internasional eh soal

play09:44

perizinan dan eh birokrasi ini adalah

play09:47

hal utama dan terutama untuk

play09:49

berlangsungnya sebuah konser yang sukses

play09:52

itu saya rasa eh yang paling

play09:55

diperhatikan dan kita harus melakukannya

play09:57

secepat mungkin gitu karena kalau tidak

play10:00

seperti itu tentu artis juga akan

play10:02

menjadikan kita eh bukan pilihan utama

play10:05

gitu ya ketika dia bilang saya bisanya

play10:07

tanggal segini gitu terus kemudian kita

play10:09

Aduh izinnya enggak tentu lagi gitu kita

play10:12

masih melihat kondisi e di internal

play10:15

negara gitu kondisi politik kondisi

play10:17

sosial ee budaya sosial politik sehingga

play10:20

e izin atau atau

play10:22

eh akses jadi jadi terbatas gitu nah itu

play10:26

yang harus segera diselesaikan sih Mas

play10:28

Resa Oke jadi jadi singkatnya nih Mas

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indindu dibandingkan dengan Singapura ya

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mas indindu sebenarnya apa yang bisa

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kita pelajari dari

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Singapura ya dari Singapura kita

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pelajari bahwa mereka melihat Ini adalah

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sebuah kesempatan bagi ee negaranya

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untuk bisa Mendulang lebih banyak eh

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uang gitu ya Artinya mereka punya

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mindset bahwa konser internasional

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adalah pariwisata yang eh mendatangkan

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keuntungan berlipat ganda gitu buat

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negara nah ini yang harus kita pelajari

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jadi mindset dari pemerintah melihat

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konser itu bukan hanya sekedar ee

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hura-hura gitu ya bukan hanya sekedar

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senang-senang tetapi punya dampak

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ekonomi yang sangat-sangat besar

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terhadap ee masyarakat gitu nah itu yang

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harus Ee kita pelajari dari Singapura

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dan bagaimana pemerintah mereka

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mendukung sepenuhnya event-event

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internasional gitu enggak hanya soal

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musik ya tetapi soal hal lain gitu ya

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termasuk mereka juga punya mungkin ada

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Grand Prix gitu nah itu yang harus di ee

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pelajari gitu Mas baik baik Terima kasih

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jurnalismikmetcom.id Sindu alpito sudah

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bergabung bersama kami dalam top news

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Selamat malam terima kasih kembali Mas

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Resa jelajahi cara baru mendapatkan

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informasi download Metro TV extend

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sekarang

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