Reel Time: Ang kuwento ng mga Martial Law victim at desaparecidos

GMA Public Affairs
29 Nov 201611:02

Summary

TLDRThe transcript recounts a harrowing tale of torture and loss during martial law in the Philippines. A 23-year-old man was captured and subjected to brutal torture, including being hung upside down and beaten. He survived two years of captivity. The story also recounts the disappearance of his sister, Rizalina, a 23-year-old student, whose fate remains unknown despite the family's desperate search. The narrative includes a visit to a public cemetery, where unidentified victims of military encounters were buried, and the family's unsuccessful attempts to identify her remains. The speaker's father, seeking closure before his death, is deeply affected by the unresolved disappearance, leaving a lasting impact on the family.

Takeaways

  • 😢 The narrator recounts a traumatic experience of being tortured, with details of physical abuse and humiliation.
  • 🕯️ A family is searching for their missing sister, Rizalina, who was 23 years old when she disappeared.
  • 📸 The sister's identification photo from her freshman year in college is used as a reference in the search.
  • 🏚️ The family visits a cemetery in Quezon, suspecting it might be a burial site for victims of conflict.
  • 🗣️ The narrator describes the dehumanizing treatment of bodies, suggesting a pattern of violence and disregard for human dignity.
  • 👥 The family's search is met with resistance and lack of cooperation from authorities.
  • 🔍 The family finds scattered belongings of their missing sister, raising suspicions about her fate.
  • 🏢 The sister's dormitory room is found ransacked, with no clear leads on her whereabouts.
  • 🚨 The narrator recounts a history of military encounters with young rebels, suggesting a broader context of conflict.
  • 🏡 The family's search is ongoing, with no closure or resolution in sight for their missing loved one.

Q & A

  • What was the torture method described in the script?

    -The torture method described involved the victim being hung upside down with their back and feet tied to opposite sides, followed by physical abuse that resulted in the skin of the back and feet almost peeling off after being whipped.

  • How old was the narrator when they were captured?

    -The narrator was 23 years old when they were captured.

  • What was the significance of the tree mentioned in the script?

    -The tree was significant as it was a landmark near the location where the narrator's brother was last seen and where the family was directed to look for his remains.

  • What happened to the narrator's brother, Rizalina?

    -Rizalina, the narrator's brother, went missing. There were indications that she might have been killed and buried in Lucena, but the family could not confirm this until they were directed to a specific location by someone who claimed to have information about her fate.

  • How old was Rizalina when she disappeared?

    -Rizalina was 23 years old when she disappeared.

  • What was the narrator's role at the cemetery?

    -The narrator worked at the cemetery, where they were responsible for burying the bodies brought by soldiers during a time of conflict.

  • What was the condition of the bodies buried at the cemetery?

    -The bodies were often brought in without any identification and were buried hastily, sometimes in a state of disarray, indicating a lack of respect for the deceased.

  • What was the significance of the dentures mentioned in the script?

    -The dentures were significant because they were a unique feature that could help identify the body of the narrator's brother, who had a distinctive dental feature.

  • What was the cause of death listed on the death certificates found by the family?

    -The cause of death listed on the death certificates was cardiac arrest due to multiple gunshot wounds.

  • What was the narrator's father's last wish regarding his son's case?

    -The narrator's father wished to know what happened to his son before he passed away. He wanted closure on his son's disappearance and the truth about his fate.

  • What was the final outcome for the narrator's brother?

    -The final outcome was that the brother's body was never found, and the family did not get the closure they sought. The brother's case remained unresolved.

Outlines

00:00

🕯️ Torture and Disappearance

The speaker recounts their own experience of torture and the subsequent disappearance of their sibling. They describe the physical abuse, including being hung upside down and beaten until their skin was almost torn off. The victim was 23 years old when they were captured and fortunately released after more than two years. The speaker's sister, Rizalina, is also mentioned as missing, and they believe she is buried in Lucena. The speaker also shares their search for answers in Quezon Public Cemetery and the difficulty in identifying the bodies due to the condition of the remains. They mention finding a young rebel's remains and the emotional turmoil of not being able to identify if it was their sibling.

05:01

🔍 The Search for Truth

The narrative continues with the family's relentless search for the truth about the missing sibling. They describe the challenges they faced in trying to identify the bodies of the victims, including the lack of intact teeth or other distinguishing features. The family's quest leads them to exhume bodies from the Quezon Public Cemetery, where they find death certificates stating the cause of death as cardiac arrest due to multiple gunshot wounds. The speaker reflects on the military's claims of encounters and the stories of the living who remember the events. They also mention the recovery of a body that resembled their sibling's last known clothing but were told it was not her due to the presence of a military commander's portrait, adding to the confusion and lack of closure.

10:03

💔 A Family's Unending Grief

The final paragraph focuses on the emotional impact of the disappearance on the family, particularly the father's vow to never forget his son before his death. The speaker expresses the pain of losing both their father and sibling, with the latter's fate remaining unknown. The father's death in 2001 after cremation brings a sense of finality to his search, but the speaker is left with the unresolved quest for their sibling. The lack of closure and the ongoing pain are palpable as the speaker describes the family's ongoing struggle to find peace and answers.

Mindmap

Keywords

💡torture

Torture refers to the act of inflicting severe physical or psychological pain on someone, often as a means of punishment or to extract information. In the video's context, it is used to describe the cruel treatment the narrator endured, including being hung by their feet and subjected to physical abuse. The mention of 'tinorture ako' and the subsequent description of the torture methods provides a vivid and disturbing account of human rights abuses.

💡detainee

A detainee is a person who is being held in custody, typically in relation to legal proceedings or as a prisoner of war. The script mentions the narrator being detained at 23 years old, highlighting the theme of state-sanctioned violence and arbitrary detention. The personal account of the detainee's experience adds a human dimension to the broader issue of state oppression.

💡disappearance

Disappearance, in the context of the script, refers to the act of forcibly making someone vanish, often implying abduction or kidnapping by state or non-state actors. The mention of the narrator's sister's disappearance at the age of 23 and the subsequent search for her whereabouts underscores the theme of forced disappearances as a form of state terror.

💡Quezon

Quezon is likely referring to Quezon City or Quezon Province in the Philippines. In the script, it is mentioned in relation to a public cemetery where some of the so-called 'Young Rebels' were supposedly buried after a confrontation. The mention of Quezon ties the narrative to a specific geographic location and historical events, adding authenticity to the story.

💡Young Rebels

The term 'Young Rebels' seems to refer to a group of young individuals who were involved in a confrontation with the military, as suggested by the script. The reference to their burial in Quezon Public Cemetery and the narrator's search for his sister among them implies a broader narrative of youth resistance and state violence.

💡exhumation

Exhumation is the act of digging up a body from a grave, often for the purpose of identification or reburial. The script describes the family's search for the narrator's sister through exhumation, highlighting the desperate measures families take to find their missing loved ones and the lack of closure they experience.

💡dentures

Dentures are removable substitutes for missing teeth. In the script, the narrator mentions his sister's distinctive dentures as a means of identification during the exhumation process. This detail adds a personal and poignant element to the search, emphasizing the family's determination to find their lost member.

💡death certificates

A death certificate is an official document that declares the details of the time, place, and cause of a person's death. The script mentions 'death certificates' in the context of the family's search for closure, illustrating the bureaucratic hurdles and the struggle for justice faced by families of the disappeared.

💡cardiac arrest

Cardiac arrest refers to the sudden loss of heart function, leading to the cessation of blood circulation and loss of consciousness. The script mentions 'cardiac arrest due to multiple gunshot wounds' on the death certificates, which is a stark reminder of the violent circumstances under which many of the disappeared met their end.

💡closure

Closure, in this context, refers to the emotional resolution or sense of finality that comes from knowing the truth about a traumatic event. The script conveys the family's ongoing quest for closure regarding the disappearance and presumed death of the narrator's sister, reflecting the deep emotional impact of such events on families.

💡NPA

NPA stands for the New People's Army, a communist rebel group in the Philippines. The script mentions the NPA in relation to the supposed death of the narrator's sister in a confrontation, suggesting the complex dynamics of political violence and the impact on civilian lives.

Highlights

The narrator describes a harrowing experience of torture involving being hung upside down and beaten.

The individual was 23 years old when they were captured.

After more than two years, the person was fortunate to be released.

A sibling, Rizalina Ilagan, went missing at the age of 23.

Rizalina's ID photo from her freshman year at the University of the Philippines, Los Baños, is mentioned.

The family was informed that Rizalina might be in Lucena.

The family, along with others, went to Quezon Public Cemetery in search of answers.

The narrator recalls a tree near the cemetery that was significant to their search.

The family found a lightning-struck tree that was mentioned in a diary article about a military encounter.

The narrator was around 13 years old during the time of the incident.

The narrator worked in the cemetery where many unidentified bodies were brought by soldiers.

The bodies were buried without proper identification.

The family's search led them to exhume bodies to find dental records that could identify Rizalina.

The family found that the teeth of the exhumed bodies were broken, making identification difficult.

The family received death certificates stating the cause of death as cardiac arrest due to multiple gunshot wounds.

The narrator recounts a story of a military encounter in Mauban and the aftermath.

The bodies of the victims were said to have been taken away by the military.

The family was told that the bodies were buried in a mass grave.

The narrator describes the clothes found on a female body, which resembled the last clothes worn by their sister.

The family was given a body to identify, but they could not be certain it was Rizalina.

The narrator's father's plea to know what happened to his son before he dies.

The father passed away in 2001 without ever finding closure.

The family's search for closure continues without success.

Transcripts

play00:02

[Musika]

play00:04

tinorture ako pinlantsa yung aking

play00:07

talampakan pinahiga ko sa hangin ang

play00:09

ibig Nong sabihin yung batok at saka

play00:12

yung paa ay nasa Magkabilang katre sa

play00:15

ganong posisyon magtatanong sila Pag

play00:18

hindi nila nagustuhan ng sagot

play00:20

susuntukin sa ti bagsak ako sa

play00:24

sahig halos matuklap na yung balat nung

play00:27

aking batok at paa pagkatapos pinahubad

play00:30

nila ang aking pantalon at ang briefs at

play00:34

pilit nilang pinasukan ng tingting ang

play00:36

aking ari nagtuloy-tuloy yung ganong

play00:38

klase ng torture Hanggang isang araw

play00:41

humihina ako ng

play00:45

dugo 23 years old ako nung akoy nahuli

play00:49

maswerte ako dahil mahigit dalawang taon

play00:51

lang nakalaya ako ang masama nito nung

play00:55

lumaya ako yun namang kapatid

play00:57

kabe naala 77

play01:02

ah July ng mawala ang aking kapatid na

play01:05

babae ang nasa larawan ay ang aking

play01:09

kapatid na si rizalina Ilagan siya ay 23

play01:12

years old noong Nawala ang picture na

play01:15

ito ay reproduction ng kanyang ID

play01:17

picture nung siyaay freshman sa yil Los

play01:20

bos so She must be 16 17 sa picture na

play01:25

ito hanggang Lumipas ang isa dalawang

play01:29

taon may nakapagsabi sa amin na

play01:33

nasa Lucena dito sa ating kinaroroonan

play01:37

ngayon doon daw inilibing nagpunta kami

play01:41

ah kasama ang kapamilya ng iba

play01:45

[Musika]

play01:47

pa Natatandaan niyo ba sir Bon talagang

play01:50

ano naako

play01:52

lost completely lost pero sir malapit sa

play01:56

puno din Oo may puno a kaya lang kung

play01:59

anong puno Wala na Hindi ko na matandaan

play02:01

Sir May

play02:02

pader may pader kang tanda na malapit Oo

play02:06

ay dito ngao ito rin diyan e Ah wala na

play02:10

ngayon yung puno tamaan ako ng

play02:12

kidlat L na sir 197 1983 yung tama ng

play02:18

kidlap nawasak ng wasak ho

play02:23

siya Ako ay mga 13 siguro nung panahon

play02:26

na yon batang-bata pa ay may lumabas na

play02:30

isang artikulo sa diyaryo sinabi sa

play02:33

diyaryo ay nagkaroon daw ng engkwentro

play02:35

ang

play02:36

military sa gawing Quezon sa mga young

play02:40

Rebels sabi ng aking ama Mabuti pa

play02:43

i-check natin ito baka sakali matapos

play02:47

yon kami ay nagtungo na sa Quezon public

play02:52

Cemetery at doon daw inilibing yung

play02:55

ilang mga tinatawag na young Rebels na

play02:57

nakaengkwentro

play03:01

ito yung ilang mga litrato nung aking

play03:05

kapatid nung siya a bata Ang Tanging

play03:08

naiiwan sa amin na pwede naming balikan

play03:12

at

play03:14

tigan ang kapatid ko ay si Jerry

play03:16

Faustino graduating student ng up los

play03:20

baos n panahon

play03:23

1977

play03:25

21 nung nung wi

play03:32

so sinubukan namin pumunta sa Los banos

play03:36

napag-alaman namin na ang kanyang

play03:39

dormitory ay hinalughog naka-lock sa

play03:42

labas

play03:43

padlock pero pagbukas namin ang lahat ng

play03:46

gamit niya ay nagkalat sa loob ng kwarto

play03:50

tanong kami sa mga kasamahan nila sa

play03:52

kolehiyo Ngunit walang may alam kung

play03:55

nasaan siya at d na nagsimula ang aming

play03:58

paghahanap sa kung ano ang nangyari sa

play04:00

kanya nung Nakarating na kami sa Quezon

play04:04

public Cemetery naaalala kong kinausap

play04:07

nila yung suul Tero doon at itinuro sa

play04:11

kanila dalawang hukay kung saan di pa

play04:15

nagtatagal ay nilibing ang mga bangkay

play04:18

na sinasabing nakaengkwentro

play04:25

ah 12 anyos pa ako Nagsimula ako rito

play04:28

nagtrabaho sa sementeryong ito nung

play04:32

marshalo po kamusta Ong sementeryo na

play04:35

ito ay libingan ito ng mga dinadala rito

play04:38

ng mga sundalo nung panahon non daming

play04:40

dinadala rito sakay ng truck ng sundalo

play04:43

binaba namin dito nung panahon non

play04:46

patong-patong sila walang pagka hukay

play04:48

namin Lampas tao basta ilalaglag na lang

play04:51

sila sabihing sasapan mo para ano hindi

play04:54

Wala basta pagkabagsak na ganyan

play04:56

babagsak na uli isa patongpatong sila

play04:58

hanhan saka tatabunan hindi niyo po

play05:01

tinatanong kung sino sila ay hindi na

play05:04

kami nagtatanong dahil kahit tanungin mo

play05:06

naman yung mga scort na sundalo walang

play05:08

naimik par minsan galit pa nga eh na

play05:11

Hwag daw Hwag daw mabusisi Hwag daw

play05:13

maano basta ilibing na lang yun na lang

play05:15

sabi ang habol lang ho namin sa

play05:19

exhumation ang pamilya namin ay tignan

play05:23

ang lahat ng dentures na aming makukuha

play05:27

dahil ang aking kapatid ay may napaka na

play05:30

dentures meron siyang matulis na ngipin

play05:32

na maliit ah in between the two front

play05:35

tee Napansin

play05:37

ko na wala kaming nakita na kahit na

play05:41

isang bungo na buo at that time ang

play05:46

tangi kong naiisip

play05:48

ay binasag ang mga bungo nila sa

play05:54

paghihirap soon naglabas itong kampo ng

play05:58

siam na death certificates ang lahat n

play06:01

siam ay cardiac arrest due to multiple

play06:04

gunshot

play06:07

wounds nagsimula kami dito

play06:11

1972 hindi ko rin mabilang baka lampas

play06:14

isang daan ako nilibing dito ng mga

play06:16

biktimang ganon nadala ng mga sundalo

play06:19

sabi nila eh engkwentro daw eh h rin

play06:22

naman namin malalaman Basta sabi pagkano

play06:24

Yan inkwentro

play06:26

naglaban yung mga yan living na lang

play06:28

namin

play06:30

meron kayong natatandaang labanan daw sa

play06:33

mauban na dito dinang bangay Ano ho yun

play06:38

limang magkakasama ho yon may dalawang

play06:41

babae tatlong lalaki na ang may karga

play06:44

naman Truck ng sundalo dito sa parteng

play06:48

namin binaon pero h pinahukay din yun

play06:51

ang kinukuha yung babae raw

play06:56

Aila ng sabi ni dumating opal ng kami ng

play07:00

panahon na pinabalik lahat uli yung

play07:03

patay su su Ay baka Saan po yun kuya

play07:07

Jojo dito sa Kart dapit sa Alvarez hindi

play07:11

banda rito ito banda rito itong may puno

play07:13

na ito Oo Dahil ung Truck ng sundalo

play07:16

diyan dumaan e oh wala pang bahayan

play07:18

diyan e diyan Wala pang bahayan diyan

play07:20

diyan Yun yung galing mauban na sabi

play07:23

engkwentro daw sabi ng mga sundalong ano

play07:26

Nagdala pero inano nga ano ba't daw wala

play07:29

mga dalang baril kung inkwentro yung ano

play07:32

yon parang mga estudyante raw galing ano

play07:35

yun eh Up upnp kalimitan Yun yung mga

play07:38

napatay na yun doon na ibin namin

play07:48

diyan yung kapatid kong nakababata na

play07:53

lalaki siya yung

play07:57

[Musika]

play08:00

mukhang yung damit na suot nung bangkay

play08:03

na babae ang huling damit ng kapatid

play08:06

kong siina eh wala namang ibang

play08:10

mapagkikilala

play08:11

naagnas na

play08:15

so bumili na ng apog binubuhusan na

play08:19

nagpagawa na rin ng pansamantalang tabla

play08:22

bilang

play08:24

kabaong may dumating na mga sundalo at

play08:27

may dalang papeles may pangang retrato

play08:30

eh na yun daw babaeng aming iuuwi ay

play08:33

hindi ang aking kapatid na si rizalina

play08:37

ah Commander daw yun ng

play08:41

NPA nanatay sa engkwentro sa

play08:44

mauban kaya ibalik daw namin yung

play08:50

bangkay yung katawan ni rizalina hindi

play08:53

kayo tiak hindi tiyak tiyak sabi ng

play08:56

kapatid Malamang h siya pero parang ang

play08:59

ang tula kasi nandito na rin lang may

play09:02

[Musika]

play09:12

bangkay alam mo ilang ulit ko na Ong

play09:14

nakukwento eh may

play09:16

pagkakataong okay lang mekanikal Pero

play09:19

may

play09:19

pagkakataong tinatamaan din

play09:22

e may bangkay kung hindi man siya pero

play09:27

aktibista yan iuwi na natin para kahit

play09:31

paano mabigyan natin ng desenteng

play09:33

[Musika]

play09:35

living hindi man yan ang ating kapatid

play09:38

parang Gan na rin ang ating idinaos para

play09:41

sa kanya kapan pero hindi nangyari So

play09:44

walang closure

play09:51

[Palakpakan]

play10:02

nung iala nila ang kapatid ko Hindi nila

play10:05

sinaktan ang kapatid ko lamang sinaktan

play10:08

nila ang buo naming pamilya pang

play10:10

hababang

play10:13

buhay panawagan ng aking

play10:16

ama Sabi niya hindi ko makalimutan

play10:19

before the last curtain Falls on this

play10:22

earthly life of mine I would like to

play10:25

know what happened to my son namatay na

play10:28

ho ang aking ama

play10:30

hindi ko hindi ko pwedeng

play10:38

makalimutan namatay po ang aking ama ng

play10:42

2001 matapos ho ang kanyang cremation

play10:45

ang unang pumasok sa isip ko ay mabuti

play10:49

pa ang aking ama at nabigyan na namin ng

play10:51

desenteng

play10:52

[Musika]

play10:54

burial

play10:56

seremonya pero ang kapatid ko wala n

Rate This

5.0 / 5 (0 votes)

Related Tags
Human RightsTortureDisappearanceFamily StruggleJusticePhilippines1970s HistoryMartial LawMemoryTruth Seeking