El Indigenismo en la pintura ecuatoriana y su valor para la sociedad

Gabriela Fajardo
7 Apr 202110:04

Summary

TLDRThe script discusses Indigenism, a cultural movement highlighting marginalized indigenous cultures in Latin America. It emphasizes the historical underestimation of indigenous people and their social injustices. The movement is portrayed through various art forms, particularly indigenist painting, which values aesthetic elements of national identity. Artists like Camilo Egas, Eduardo Kingman, and Oswaldo Guayasamín are highlighted for their contributions to indigenist art, denouncing social discrimination and promoting indigenous authenticity and national culture.

Takeaways

  • 🌐 Indigenous movements highlight the invisible elements of Latin American indigenous cultures.
  • 📊 The indigenous community's role in society is emphasized while denouncing historical social injustices.
  • 🎨 Art, including music, dance, sculpture, and painting, is involved in expressing indigenism.
  • 🖌️ Indigenist painting seeks to highlight and value the aesthetic elements of the national culture and language.
  • 👨‍🎨 Artists like Camilo Egas, Eduardo Kingman, and Oswaldo Guayasamín denounced social messages through their art.
  • 🌟 Camilo Egas is internationally recognized for his modern art and contributions to indigenist painting.
  • 🏛️ Egas' work transcended artistic expression and anchored in the life forms of an oppressed society.
  • 👤 Eduardo Kingman was a prominent figure in Ecuadorian art, emphasizing the humanized and provocative nature of art.
  • 🏆 Kingman's work, such as 'El Carbonero', depicted the arduous nature of indigenous labor.
  • 🌍 Oswaldo Guayasamín, a key figure in indigenist expressionism, focused on the suffering of oppressed indigenous classes.
  • 🗣️ Art has the capacity to denounce, give space to the voiceless, and provide a broader view of our reality.

Q & A

  • What is Indigenism?

    -Indigenism is a cultural and social movement that highlights elements that have been made invisible from indigenous cultures of Latin America. It follows the role of the indigenous community in society while denouncing the social injustices this group has historically faced.

  • How was the indigenous community historically perceived in Latin America?

    -Historically, the indigenous community was underestimated due to their ethnicity and considered inferior to Europeans or their descendants in Latin America.

  • How did art get involved in Indigenism?

    -Art, including music, dance, sculpture, and painting, became involved in Indigenism by expressing the movement's values. In particular, Indigenist painting sought to highlight and value the aesthetic elements of the national culture in terms of cultural and linguistic tendencies.

  • What is the significance of Indigenist painting?

    -Indigenist painting acquired a special meaning by aiming to highlight and value the aesthetic elements of the national culture, going against European canons and emphasizing local themes.

  • Who are some notable artists that contributed to Indigenism in art?

    -Notable artists that contributed to Indigenism include Camilo Egas, Eduardo Kingman, and Oswaldo Guayasamín.

  • What was Camilo Egas' contribution to Indigenist painting?

    -Camilo Egas was a pioneer in Ecuadorian Indigenism, painting works that went beyond expression to reflect the life forms of an oppressed society. He is known for not isolating the indigenous figure from its social context.

  • What is the significance of Eduardo Kingman's artwork?

    -Eduardo Kingman's artwork emphasized the arduous nature of indigenous work, often depicting characters in a state of rest that highlights their laborious conditions. His work had a social relevance, aiming to provoke thought and action in viewers.

  • How did Oswaldo Guayasamín's background influence his art?

    -Oswaldo Guayasamín, being the son of an indigenous father and a mestiza mother, focused on the suffering of oppressed classes and his indigenous roots in his art, making him one of the most appreciated painters for reflecting the daily life and cruelty in society.

  • What is the message conveyed by the artworks of the Indigenist movement?

    -The artworks of the Indigenist movement convey messages of social denunciation and serve as a form of protest against the discriminatory social system of the time. They aim to restore dignity and highlight the reality of indigenous people.

  • What role does art play in the Indigenist movement according to the script?

    -Art in the Indigenist movement serves to denounce social injustices, give space to those who are marginalized, and provide a broader view of reality, helping to understand and fight against discrimination and devaluation of indigenous identity.

  • How does the script describe the evolution of Camilo Egas' artistic style?

    -The script describes Camilo Egas' artistic style evolving from Indigenism to Expressionism in the 1930s, Surrealism in the 1940s and 1950s, and then returning to Indigenism with a queer perspective, ending his career with abstract art.

Outlines

00:00

🎨 Indigenous Art Movement

The paragraph discusses the indigenismo movement, a cultural and social movement that highlights the often invisible elements of indigenous cultures in Latin America. It emphasizes the role of indigenous communities in society and denounces the historical injustices they have faced. The movement seeks to counter social inequalities based on ethnicity and class. Art, including music, dance, sculpture, and painting, has played a significant role in expressing indigenismo. Indigenous painting, in particular, sought to highlight and value the aesthetic elements of the national culture, initially in opposition to European canons. Artists like Camilo Egas, Eduardo Kingman, and Oswaldo Guayasamín used their work to denounce social injustices and promote the indigenous cause. The paragraph also provides a brief biography of Camilo Egas, his international recognition, and his contribution to Ecuadorian indigenismo art.

05:01

👨‍🎨 Profiles of Indigenous Artists

This paragraph delves into the lives and works of indigenous artists, focusing on Eduardo Kingman and Oswaldo Guayasamín. Kingman, born in 1913, was an internationally recognized artist and a key figure in Ecuadorian art. He was known for his expressive style and his focus on creating socially relevant art that provoked thought and action. His works, such as 'El Carbonero' and 'La Minga', depicted the harsh realities of indigenous life, emphasizing the cyclical nature of their labor and the despair of their circumstances. Oswaldo Guayasamín, an indigenous-Ecuadorian expressionist artist, was born in 1919 and passed away in 1999. His art was influenced by his mixed heritage and his experiences traveling through Latin America, where he witnessed the oppression of indigenous peoples. Guayasamín's work, including his murals and the series 'Ua Caña', reflected the daily life and suffering of the oppressed classes, particularly indigenous people. The paragraph concludes by reflecting on the importance of indigenismo art in rescuing the role of indigenous people in the construction of national identity and history, and in denouncing racial superiority theories that justified their exploitation.

Mindmap

Keywords

💡Indigenismo

Indigenismo refers to a cultural and social movement that highlights the often invisible elements of indigenous cultures in Latin America. It plays a significant role in the video as it is the central theme. The movement not only celebrates indigenous cultures but also denounces the social injustices that indigenous people have historically faced. The script mentions that indigenismo emerged as a counterpoint to class division and aimed to address social inequalities based on ethnicity and class.

💡Camilo Egas

Camilo Egas is an internationally recognized Ecuadorian artist mentioned in the script. He is known for his contributions to modern art and his role as a teacher and cultural manager. Egas is particularly noted for his pioneering work in indigenismo, painting indigenous subjects in a way that restored their dignity and challenged the traditional, often discriminatory, depictions of indigenous people. His work is exhibited at the museum named after him in Quito, Ecuador.

💡Indigenous

The term 'indigenous' is used throughout the script to refer to the native peoples of Latin America. The video discusses how these individuals have been historically underestimated and considered inferior to Europeans or their descendants. The script emphasizes the importance of recognizing and valuing the contributions of indigenous people to society and culture.

💡Social Injustice

Social injustice is a recurring theme in the script, particularly in relation to the treatment of indigenous people. The video discusses how indigenismo as a movement seeks to address and denounce the social injustices that indigenous communities have faced, such as being considered inferior and being subjected to exploitation and discrimination.

💡Art Movement

The script discusses art movements such as indigenismo, expressionism, surrealism, and others that have been involved in the depiction of indigenous cultures. These movements are not just about aesthetic expression but also about social commentary and protest. They provide a platform for indigenous voices and experiences, challenging societal norms and prejudices.

💡Ethnicity

Ethnicity is a concept discussed in the script in the context of the discrimination faced by indigenous people. It is highlighted as a factor that has contributed to social inequalities and the historical marginalization of indigenous communities in Latin America.

💡Cultural Identity

Cultural identity is a key concept in the script, especially in relation to the indigenismo movement. It refers to the unique cultural characteristics and expressions of a group of people. The video emphasizes the importance of preserving and promoting indigenous cultural identity as a means of empowering these communities and countering the effects of historical oppression.

💡Authenticity

Authenticity is mentioned in the context of the art created by Camilo Egas and other artists. It refers to the genuine representation of indigenous culture and life. The script suggests that these artists aimed to depict indigenous people and their experiences authentically, without romanticizing or stereotyping them.

💡Discrimination

Discrimination is a central issue in the script, particularly in relation to the historical and ongoing treatment of indigenous people. The video discusses how discrimination has been used to justify the exploitation and oppression of indigenous communities, and how the indigenismo movement seeks to challenge and change these discriminatory practices.

💡Cultural Expression

Cultural expression is discussed in the script in relation to the various art forms that have been used to represent indigenous cultures, such as music, dance, sculpture, and painting. These forms of expression are seen as important ways of preserving and promoting indigenous culture and identity.

💡Social Commentary

Social commentary is a key aspect of the art discussed in the script. Many of the artists mentioned, such as Camilo Egas, Eduardo Kingman, and Oswaldo Guayasamín, used their work to comment on and critique the social systems that perpetuate inequality and discrimination against indigenous people.

Highlights

Indigenismo is a social and cultural movement that highlights previously ignored aspects of indigenous cultures in Latin America.

The movement denounces the social injustices faced by indigenous communities throughout history, emphasizing their marginalization by European or European-descended groups in Latin America.

Indigenismo challenges the conventional class divides and critiques the social inequalities based on ethnicity and class.

Art forms such as music, dance, sculpture, and especially painting play a key role in the expression of the indigenismo movement.

Indigenist painting aimed to highlight and value the aesthetic elements of indigenous culture, moving away from European artistic standards.

Artists like Camilo Egas, Eduardo Kingman, and Oswaldo Guayasamín used their art to address social discrimination and promote the dignity of indigenous people.

Camilo Egas, a prominent figure in Ecuadorian indigenismo, sought to restore the dignity of indigenous people through his depictions of their lives and expressions.

Egas' works, such as 'Cabeza de Indio' and 'Las Floristas,' emphasize the indigenous individual as the protagonist, breaking away from earlier depictions that placed them as background subjects.

Eduardo Kingman, another significant indigenist artist, focused on social realism and highlighted the arduous labor of indigenous people in works like 'El Carbonero.'

Kingman's use of disproportionate hands in his art became a signature style, symbolizing the difficult and unrelenting nature of indigenous labor.

Oswaldo Guayasamín, a major figure in both indigenism and expressionism, infused his works with the suffering and oppression faced by indigenous communities across Latin America.

Guayasamín's personal background, being of indigenous and mestizo heritage, heavily influenced his artistic themes of social justice and indigenous struggle.

His works, such as 'El Camino del Llanto,' a series of 103 paintings, poignantly depict the suffering and resilience of indigenous peoples.

The indigenismo movement in Ecuadorian art underscores the exploitation and discrimination faced by indigenous groups and critiques racial superiority ideologies.

Indigenist artists used their platform to offer visibility to marginalized voices, using art as a means of protest and cultural affirmation.

Indigenismo emphasizes the indigenous role in the construction of national identity, pushing for recognition and rectification of historical abuses.

Transcripts

play00:00

[Risas]

play00:00

[Música]

play00:06

y el indigenismo es un movimiento

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cultural social que destaca elementos

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invisibilizados de las culturas

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indígenas de américa latina- esta

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corriente ideológica siguió el rol de la

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comunidad indígena en la sociedad

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al mismo tiempo denunciando las

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injusticias sociales que este grupo ha

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tenido que plantar históricamente el

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indígena fue subestimado por su etnia y

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considerado como un ser inferior a los

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europeos o los descendientes de europeos

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en américa latina como un movimiento

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contrario a lo convencional el

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indigenismo nace en contraparte de la

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tendencia de división de clases para ser

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maldición de las desigualdades sociales

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por razón de etnia y por ende también de

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clase o estatus el arte también se ha

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involucrado en sus diferentes

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expresiones como lo es la música la

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danza la escultura la pintura entre

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otros

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en particular la pintura indigenista es

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una expresión pictórica que adquirió un

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significado especial buscó destacar y

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valorar los elementos estéticos propios

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del ser nacional en lo cultural y

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lingüístico de tendencia estética e

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ideológica hacia lo propio donde se

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expone la temática verde

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contra los cánones europeos inicialmente

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fue revanchista y más tarde folclórica y

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costumbrista artistas como camilo egas

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eduardo kingman y oswaldo guayasamín de

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los cuales hablaremos a continuación

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denunciaron mensajes sociales desde el

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arte hacia el sistema social

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discriminatorio de la época y sus obras

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pasaron a ser elementos de propugnación

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y protesta antes de exponer a nuestros

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autores quiero citar una frase según lo

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expresa

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víctor gabriel garcés la nación quiere y

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pretende ser blanco mestiza pero no

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indígena de manera que se admite a todos

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menos al nativo que vive lejos

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camilo egas nació el 1 de diciembre de

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1889 en quito ecuador- y falleció en

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1962 a los 72 años fue reconocido

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internacionalmente por su trayectoria

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como artista docente gestor cultural y

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por su arte moderno se formó como pintor

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en escuela de bellas artes de quitó en

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las academias real de roma y hacia la

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real academia de bellas artes de san

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francisco en madrid y en el académico

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larosi de parís está alegre

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salud de europa tuvo la intención de

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radicarse en el ecuador y ahí pintó

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cuadros precursores del indigenismo

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además del indigenismo llega el sexto el

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expresionismo en la década de los

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treinta el surrealismo en la década de

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los cuarenta y principios de los

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cincuenta luego retomó el tema

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indigenista pero desde el queer

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terminando su carrera con las

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posibilidades del abstracto parte de sus

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obras se exhiben y conservan en el museo

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que recibe su nombre en la ciudad de

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quito donde podemos apreciar sus obras

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más importantes el aporte que tuvo

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camilo egas en la pintura indigenista

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traspasó los límites de la expresión se

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ancló en las formas de vida de una

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sociedad que era oprimida para ellas el

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tratamiento de la figura indigenista sin

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mantenerse aislada en su contexto social

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y su cosmovisión lo convierte en el

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precursor en el indigenismo ecuatoriano

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llegando a tener mucha influencia de la

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generación de artistas indigenistas fue

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amigo de eduardo kingman oswaldo

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guayasamín quienes revolucionaron la

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imagen del indígena desde sus distintos

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estilos lo elevaron el estatuto es

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símbolo de autenticidad y cultura

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nacional

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[Música]

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entre sus obras más representativas

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tenemos cabeza de indio de gas fue el

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primer artista en plasmar al indio en

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sus obras su objetivo fue restaurar la

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dignidad perdida de los indígenas

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este tratamiento del indígena captó el

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misterio del alma andina a través de las

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expresiones del rostro y las posturas

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del cuerpo

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entre otras de sus obras más conocidas

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tenemos las floristas esta obra recrea

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la imagen del indio a través de los

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cánones clásicos anatómicos utilizando

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una fina línea de contorno en la obra la

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atención se centra en el indio como su

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objeto protagonista del cuadro con lo

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que rompe con la tradicional

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costumbrista de antaño que situaba al

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indio como un sujeto aparte como parte

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del paisaje y contexto de la temática

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central utilizó para ello colores vivos

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a pesar de ser denominado como comunista

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su autor no tuvo más intención que la de

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representar al indigenismo en una

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condición social y económica dentro de

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una sociedad hijos

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eduardo kingman nació en loja en 1913

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hijo de madre ecuatoriana y padre

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estadounidense fue un artista plástico

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de gran reconocimiento nacional e

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internacional formando parte de los

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inicios de la pintura del realismo

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social e indigenismo fue miembro

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fundador de la casa de la cultura

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ecuatoriana benjamín carrión director

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del museo de arte colonial director del

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salón de mayo presidente del sindicato

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de escritores y artistas entre otras

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actividades de divulgación y

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fortalecimiento para el arte este

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personaje emblemático del arte

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ecuatoriano es uno de los mayores

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exponentes de la corriente indigenista

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en el país destacando su gran capacidad

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como dibujante hizo un manejo de un

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estilo expresivo en sus pinturas

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presentaba criterios específicos para la

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creación de un arte social relevante

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insistiendo ante todos que el arte debe

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de ser humanizado y provocativo que

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instigue al espectador no sólo a pensar

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sino a actuar esto se plasma en obras

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emblemáticas como el carbonero la cual

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obtuvo el primer lugar en el salón

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mariano aguilera en 1936 esta obra nos

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muestra un vendedor de carbón sentado

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sobre un saco

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sus grandes brazos musculosos

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descansando de forma desproporcionada de

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las manos es una característica

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recurrente en la obra de kidman e indica

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la ardua naturaleza del trabajo indígena

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el artista enfatiza la tediosa y cíclica

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naturaleza de la labor de sus personajes

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a través de su postura expresión y la

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selección de color

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representando la desesperanza y la

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imposibilidad del trabajador de cambiar

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las circunstancias otra obra que

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ejemplifica el tratamiento que este

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artista hace de la figura indígena es la

play05:54

minga ya que a diferencia de otras

play05:56

representaciones

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el artista elimina toda referencia a la

play06:00

artesanía y a las costumbres indígenas

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no incluye instrumentos musicales la

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cerámica o cualquier otro símbolo

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estereotipado de la identidad indígena

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esto hace que la mayoría de sus obras

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nos relaten escenas reales de indígenas

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con la sencilla ropa de un trabajador

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pobre sin buscar plasmar figuras

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pintorescas sino evidenciando su

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realidad la cual nos lleva a recordar

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los siglos de explotación de los que han

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sido víctimas

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kidman no censuraba la pobreza o la

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opresión al indígena moderno de aquí el

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carácter revolucionario que adquirió su

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obra y su importancia

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oswaldo guayasamín un artista

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ecuatoriano perteneciente al movimiento

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indigenista expresionista nació el 6 de

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julio de 1919 en la ciudad de quito y

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falleció el 10 de marzo de 1999 fue un

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destacado pintor dibujante escultor

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grafista y muralista ecuatoriano el

play07:00

hecho de que osvaldo haya sido hijo de

play07:02

padre indígena y madre mestiza influyó

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mucho su carrera como artista ingresó en

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la escuela de las bellas artes de quito

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en la época de guerra de los cuatro días

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en donde su amigo manjarrés murió y eso

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le inspiró a realizar su obra en los

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niños muertos a los 23 años de edad tuvo

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la oportunidad de exponer por primera

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vez

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en 1943 viajo por diversos países de

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américa latina' encontrando en todos

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ellos una sociedad de indígena oprimida

play07:30

temática que desde entonces aparece en

play07:33

sus obras gracias a su reconocimiento

play07:36

internacional fue elegido como

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presidente de la casa de la cultura en

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el año de 1971 y en 1976 crea la

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fundación guayasamín a la que dona sus

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obras y sus colecciones de arte

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yo barack y 1978 osvaldo fue nombrado

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miembro de la real academia de las

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bellas artes de san fernando españa y

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1982 en el aeropuerto de barajas se

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inauguró un mural de 120 metros pintados

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por guayasamín el mismo que está

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dividido en dos partes uno dedicado a

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españa y la otra mitad a hispanoamérica

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y os he conocido por sus diversos

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murales en distintas partes del mundo

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[Música]

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una de sus primeras obras pictóricas fue

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ua caña o también conocido como el

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camino del llanto que consta de 103

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cuadros pintados luego de haber

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recorrido toda américa

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su sensibilidad para captar el

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sufrimiento de las clases oprimidas y

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sus raíces indígenas convirtieron al

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ecuatoriano oswaldo guayasamín en uno de

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los pintores más apreciados por su

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manera de reflejar la vida cotidiana y

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la crueldad en la sociedad en la que

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prima la discriminación y la violencia

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especialmente contra los pueblos

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indígenas

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[Música]

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luego de hacer un recorrido por las

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obras más representativas del

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indigenismo en el arte de nuestro país

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podemos señalar que esta tendencia desde

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una perspectiva mestiza pretende

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rescatar la importancia de los indígenas

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en la construcción de la identidad e

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historia nacional cada pintura evidencia

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la realidad indígena llevándonos a

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reparar en los abusos cometidos por

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siglos y permitiéndonos entender también

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aquella tesis de superioridad racial que

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justificó su explotación

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de este modo comprendemos el valor del

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arte al tener la capacidad de denunciar

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de dar espacio a quienes no lo tienen

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brindado no es una visión más amplia de

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la realidad en la que vivimos y

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permitiéndonos comprender sobre todo la

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lucha en contra de la discriminación y

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la desvalorización de nuestra propia

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identidad

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[Música]

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[Música]

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[Música]

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Related Tags
Indigenous ArtSocial MovementCultural IdentityLatin AmericaArt HistorySocial JusticeCamilo EgasEduardo KingmanOswaldo GuayasamínExpressionismRealism