The Gaze: How Men and Women Look
Summary
TLDRThe concept of the 'male gaze' in media, introduced by Laura Mulvey, suggests that women are often sexualized and objectified for the pleasure of the male viewer. This gaze operates through the camera's perspective, the audience's viewing experience, and the characters' interactions within the film. Despite progress in female representation, the male gaze persists in modern cinema. The 'female gaze', in contrast, aims to make the audience feel and experience from a female perspective, as seen in films like 'Birds of Prey'. The discussion also highlights the need for more diverse perspectives beyond the gender binary and intersectionality in film representation.
Takeaways
- π The concept of the 'male gaze' refers to the way men look at and perceive women in media, particularly in film.
- π¬ British feminist film theorist Laura Mulvey introduced the term 'male gaze' in her 1973 essay 'Visual Pleasure and Narrative Cinema'.
- πΊ The male gaze objectifies women, presenting them as passive objects of desire for the active male viewer.
- π½οΈ The male gaze operates on three levels: how the camera looks at women, how the audience looks at the screen, and how characters look at each other within the film.
- π The male gaze is evident in the way women are portrayed in films, often focusing on their physical appearance for visual and erotic impact.
- π Despite awareness and changes, the male gaze persists in modern film, although there have been efforts to provide stronger representation of women.
- ποΈβπ¨οΈ The 'female gaze' is a concept that suggests women's perspective in media, focusing on making the audience feel and experience what women see, not just objectifying men.
- πͺ Examples like 'Wonder Woman' and 'Birds of Prey' illustrate the difference between films made with and without the female gaze, affecting how characters are portrayed.
- π€ The male gaze is criticized for being heteronormative and enforcing the gender binary, with limited discussion on queer perspectives and intersectionality.
- π There is a call for further discussion and consideration of how different bodies, especially those of color, are objectified and represented in film.
Q & A
What is the 'male gaze'?
-The 'male gaze' is a concept in film theory that refers to the way in which women are often oversexualized and objectified on screen, as a result of the film industry being historically dominated by male directors, writers, and cinematographers.
Who coined the term 'male gaze'?
-British feminist film theorist Laura Mulvey coined the term 'male gaze' in her 1973 essay 'Visual Pleasure and Narrative Cinema'.
How does the male gaze manifest in film?
-The male gaze is manifested through three interconnected ways: how the camera looks at women, the audience watching the screen, and the way characters in the film look at each other.
What does Laura Mulvey argue about the purpose of women on screen?
-Mulvey argues that the purpose of women on screen is to be looked at by men, with their appearance designed for strong visual and erotic impact.
How does the male gaze differ from the female gaze?
-The female gaze is not merely about women looking at men, but rather about making the audience feel what women see and experience, focusing on emotions and personal narratives rather than objectification.
What are some examples of the male gaze in comic book films?
-Examples include the portrayal of Amazon warriors in 'Wonder Woman' directed by Patty Jenkins, and the way Harley Quinn was initially portrayed in 'Suicide Squad' directed by David Ayer.
How is the female gaze exemplified in 'Birds of Prey'?
-In 'Birds of Prey' directed by Cathy Yan, the film utilizes the female gaze by focusing on a group of women with real goals and personalities, rather than just being objects for erotic pleasure.
What are some limitations of Mulvey's theory of the male gaze?
-Mulvey's theory is criticized for being heterocentric and enforcing the gender binary. It does not account for intersectionality or the ways in which race and other factors relate to objectification in film.
How has the male gaze persisted in modern films despite increased awareness?
-Despite increased awareness and efforts for better representation, the male gaze still lingers in modern films, often through subtler means such as camera angles and character objectification.
What are some implications of the male gaze that have yet to be fully discussed?
-Implications that have yet to be fully discussed include queer gazes and the objectification of black and brown bodies in distinct ways from white bodies.
Why is it important to consider the representation of the body in film?
-Considering the representation of the body in film is important because it influences how people perceive and understand gender, race, and other social constructs, and it can perpetuate harmful stereotypes if not addressed.
Outlines
π¬ The Male Gaze in Cinema
The concept of the 'male gaze' is explored, which refers to the way men are typically portrayed as the active viewers and women as passive objects of their gaze in media. Originating from Laura Mulvey's 1973 essay, 'Visual Pleasure and Narrative Cinema,' the male gaze is characterized by the camera's objectification of women, the audience's erotic pleasure from viewing, and the characters' interactions that mirror the audience's gaze. This gaze is not just about men looking at women but also about how women are displayed for male pleasure. Despite progress in recent years, the male gaze continues to be a prevalent issue in the film industry. The concept of a 'female gaze' is also introduced, which is not simply about women looking at men but rather about creating a narrative that allows the audience to experience what women see and feel.
π The Impact of Body Representation in Film
This paragraph emphasizes the significance of how bodies are portrayed in film, a medium fundamentally based on visual representation. It suggests that the way people are seen on screen can shape societal perceptions and expectations about body image and appearance. The paragraph serves as a reminder that film has a powerful influence on how we perceive and value different bodies, and it encourages a critical examination of these portrayals.
Mindmap
Keywords
π‘Male Gaze
π‘Visual Pleasure and Narrative Cinema
π‘Objectification
π‘Sexual Imbalance
π‘Exhibitionist Role
π‘Female Gaze
π‘Harley Quinn
π‘Queer Gaze
π‘Intersectionality
π‘Representation
π‘Gender Binary
Highlights
The concept of the male gaze involves men looking, but it is much more complex.
The male gaze has been present in film and visual media since the beginning.
Laura Mulvey coined the term 'male gaze' in her 1973 essay 'Visual Pleasure and Narrative Cinema'.
In the 1970s, the film industry was monopolized by male directors, writers, and cinematographers.
Women were often over-sexualized and objectified on screen, according to Mulvey.
The male gaze projects fantasies onto the female figure, which is styled for visual and erotic impact.
The purpose of women on screen is to be looked at by men, according to traditional views.
The male gaze operates through three interconnected ways: the camera, the audience, and the characters in the film.
The male gaze is still apparent in modern film despite significant work towards better representation.
The female gaze is not just about asserting female dominance or objectifying men.
The female gaze is about making the audience feel what women see and experience.
Comic book films serve as an example of the male gaze due to their history of less than ideal representation of women.
The portrayal of Amazon warriors in 'Wonder Woman' versus 'Justice League' illustrates the male gaze.
Harley Quinn's character in 'Suicide Squad' versus 'Birds of Prey' shows a shift from male to female gaze.
The film world isn't yet free from the male gaze, and there's still a lot of implications to discuss.
The theory of the male gaze is heterocentric and enforces the gender binary.
There is a need for more discussion about queer gazes and intersectionality, especially regarding race.
Representation of the body matters in film, a medium all about looking, and it's important to consider how people are seen.
Transcripts
if you've spent any time in Media
Studies you've undoubtedly come across
the phrase the male gaze even if you've
never heard of it you can probably
assume that it involves men looking and
you'd be right but the concept of the
male gaze is much more complex and it's
been present in film in all visual media
for that matter since the beginning so
let's break down the male gaze and try
to see exactly what it is that we're
looking at British feminist film
theorist - Laura Mulvey coined the term
in her 1973 essay visual pleasure and
narrative cinema which has since become
one of the most assigned readings and
film classes during a time in which the
film industry who monopolized by male
directors writers and cinematographers
will we notice the ways in which women
were often over sexualized and
objectified on the screen she states in
world ordered by sexual imbalance
pleasure and looking has been split
between active male and passive female
the determining male gaze projects its
fantasies onto the female figure which
is styled accordingly and their
traditional exhibitionist role women are
simultaneously looked at and displayed
with their appearance coated for strong
visual an erotic impact so that they can
be said to connote to be looked at nests
according to movies the purpose of women
on the screen is to be looked at by men
men are acting in a sense of scope of
philia deriving an erotic pleasure from
seeing the presence of women and when
you look at the films around when movie
was writing it's pretty difficult to
disagree women exist as spectacle their
bodies are nothing more than an object
but how exactly does this work
movie says that the male gaze looks in
three different yet interconnected wait
the first is the way in which the camera
looks these lengthy slow pans across the
woman's body exhibit this idea the
second look in the cinema is the
audience watching the screen the male
gaze operates from the erotic pleasure
of the spectator and the third look is
the way in which characters in the film
look at each other these looks mimic the
act of looking done by the audience in
an act of shared scope of feeling
pleasure despite such a heightened
awareness of how the male gaze works in
Smalley's essay was published it's still
incredibly apparent and modern film
there's been significant work and
providing strong representation of women
in film especially in recent years but
unfortunately the male gaze still
lingers but hey you may be asking if the
male gaze is all about how men look at
film
how do women look is there a female
guess the short answer to that question
is yes but it's not just the gays turned
on male bodies in an article called yes
there's such thing as a female gaze but
it's not what you think
Stephanie Forster explains to the female
gaze isn't just a rata sizing men she
states the female gaze isn't about
asserting female dominance on screen and
it doesn't mean that we therefore get to
man Jack to five men in Reverse so no
seeing a buff Chris Evans and Captain
America for the first time isn't the
female gaze however nice he'll is to
look at Forster continues if the male
gaze is all about what men see and the
female gay is about making the audience
feel what women see an experience crazy
right let's see how this works in a few
interesting examples that feature the
exact same character seen from two
different perspectives comic book films
serve as a solid example because of the
less than ideal representation of women
in a long history of comic book medium
the first example comes from the Amazon
warriors in Wonder Woman in and justice
Lee the Wonder Woman standalone film was
directed by patty Jenkins while justice
league was directed by Zack Snyder and
Joss Whedon the armor worn by the Amazon
warriors have significantly stripped
down to the point of impracticality
over the sake of providing eye candy
when they became nothing more than a
sexual object everything that makes them
a badass warriors with brawling
backstory falls the wayside the second
example comes from Harley Quinn her
first live-action appearance was in the
2016 film Suicide Squad
directed by David I air his portrayal of
the character was um
[Music]
what yeah Harley Quinn later had a
chance to lead a film of her own in
2020s birds-of-prey a fantabulous
emancipation of one Harley planet which
is directed by Kathy yen and written by
Christina Hudson I would argue that this
film utilizes the female gaze it's all
about a group of badass women who team
up in order to kill the man who's
wronged them all in one way or another
the movie doesn't focus on Harley Quinn
is just a side piece for the Joker in
fact it focuses on her emotions it shows
her making a new life for herself she's
a character with real goals and
personality rather than just an object
for erotic pleasure although there's
been progress the film world isn't yet
free from the male gaze and beyond that
there's still a lot of implications that
have yet to really been talked about
well I by no means want to discredit the
work that will be did her essay is
definitely a product at the time overall
the idea of the male gaze is Harrow
centric and it's enforcing of the gender
binary there hasn't yet been much
discussion about queer means of looking
furthermore the theory doesn't account
for intersectionality especially the
ways in which race relates to looking
black and brown bodies are objectified
in ways that are distinct from white
bodies these are all just a few things
to consider as we push forward in cinema
representation of the body matters in
film in a medium all about looking it's
important to consider just how people
are seeing
[Music]
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