What Makes Buildings Beautiful (And Why Beauty Does Matter)

The Aesthetic City
21 Oct 202214:11

Summary

TLDRThe video script from 'The Aesthetic City' explores the significance of beauty in architecture and urban design. It challenges the modern trend of prioritizing functionality over aesthetics, arguing that beautiful environments enhance emotional well-being and community satisfaction. The script delves into the philosophical debate on beauty's subjectivity and objectivity, suggesting that certain universally appealing elements like symmetry, natural patterns, and ornamentation can be identified. It calls for an evidence-based design approach that considers human preferences and evolutionary responses to create buildings and cities that are not only functional but also emotionally resonant.

Takeaways

  • 🏙️ The attractiveness of buildings and urban environments is not solely due to their fame but also because of an inherent quality that compels people to seek them out: beauty.
  • 🌆 Modern cities have seen a rise in unattractive structures, leading to a yearning for beauty, which is why people flock to aesthetically pleasing cities like Amsterdam and Barcelona.
  • 🎨 The concept of beauty in architecture has shifted over time, with contemporary focus on personal expression and innovation, often overlooking the importance of beauty.
  • 🤔 The belief that 'beauty is subjective' is a common refrain, yet studies show there are commonalities in how people perceive beauty, suggesting a degree of objectivity.
  • 📊 Research indicates a strong correlation between the physical beauty of a place and people's satisfaction, emotional attachment, and even health.
  • 🏛️ Philosophical debates on beauty range from objective qualities inherent in objects to subjective experiences in the mind, with some arguing that beauty can be recognized and learned.
  • 🔍 The 'design disconnect' reveals a gap between what architects prefer and what the general public finds appealing, suggesting a mismatch in aesthetic values.
  • 🌿 Our innate preferences for certain shapes and features in our environment, such as fractals, symmetry, and nature, are linked to our evolutionary history and the biophilia hypothesis.
  • 🧠 The brain's response to visual stimuli, particularly the role of the thalamus and amygdala, influences our perception of beauty and can lead to feelings of safety or stress.
  • 🏗️ Evidence-based design, which considers what is naturally appealing to humans, can lead to the creation of buildings and environments that are more likely to be appreciated and have lasting value.

Q & A

  • Why do some buildings and places attract more visitors than others?

    -Some buildings and places attract more visitors because they possess a certain quality that makes them attractive, which is often beauty. This quality compels people to travel great distances to experience these places.

  • What is the significance of beauty in architecture and urban environments according to the video?

    -Beauty in architecture and urban environments is significant because it can lead to an emotional attachment to places, contribute to people's happiness and health, and is a factor in attracting skilled workers to an area.

  • Why do modern cities sometimes appear to be increasingly ugly?

    -Modern cities may appear increasingly ugly due to the construction of unattractive structures such as giant concrete overpasses, outdated business parks, and depressing housing complexes, which lack aesthetic consideration in their design.

  • What is the common argument against prioritizing beauty in architecture?

    -The common argument against prioritizing beauty in architecture is that beauty is subjective, and thus it is not considered a useful criterion for further discussion or design.

  • How has the perception of beauty in architecture evolved over time?

    -In older works of architecture and urbanism, beauty was considered an essential element and a goal for buildings and urban areas. However, in contemporary times, it is often overlooked in favor of personal expression, innovation, and the concept in architectural education.

  • What does the video suggest about the relationship between beauty and people's emotional attachment to places?

    -The video suggests that there is a measurable emotional attachment to places that are beautiful, with studies showing a strong correlation between a place's physical beauty and people's satisfaction.

  • What is the 'design disconnect' mentioned in the video?

    -The 'design disconnect' refers to the phenomenon where architects and the public have different preferences for building designs. This was discovered through a study where architecture students and non-architecture students had contrasting views on the attractiveness of buildings.

  • How does the video explain the preference for certain architectural features?

    -The video explains that people's preferences for architectural features are linked to our evolutionary history and our innate attraction to natural forms and patterns, which are associated with survival and well-being.

  • What are some of the features that people are hardwired to like in buildings and environments?

    -Some features that people are hardwired to like include fractals, symmetry, ornament, organized complexity, curves, and nature. These features are often found in natural environments and evoke positive responses in humans.

  • What is the role of evidence-based design in creating beautiful and functional buildings?

    -Evidence-based design plays a crucial role in creating buildings that are both beautiful and functional by using scientific evidence to inform design decisions, which can lead to environments that people naturally find attractive and comfortable.

  • Why might some contemporary architects' personal living preferences differ from the architectural styles they design?

    -Some contemporary architects might prefer to live or work in traditionally designed buildings because they find them more attractive, despite designing modernist buildings professionally. This could be due to a deeper, instinctual preference for traditional aesthetics that align with our evolutionary history.

Outlines

00:00

🏙️ The Aesthetic City: Why Beauty Matters

The video script begins by posing questions about why certain buildings and places are more beloved than others. It suggests that while some may attribute this to fame, there is a deeper quality at play: beauty. The script introduces the concept of 'The Aesthetic City' and sets the stage for an exploration of why beauty in architecture and urban environments is significant. It critiques modern cities for their ugliness, contrasting them with the allure of historically beautiful cities like Amsterdam and Barcelona. The script challenges the notion that beauty is too subjective to be a design goal, arguing that there is a commonality in human appreciation for beauty, supported by studies showing a correlation between physical beauty of a place and people's satisfaction.

05:02

🎨 The Philosophical and Psychological Aspects of Beauty

This section delves into the philosophical debate over whether beauty is objective or subjective. It references historical thinkers and their evolving views on beauty, from the belief that beauty resides in the object itself to the 18th-century shift towards subjectivity. The video introduces the concept of 'design disconnect', where architects and the public have differing preferences for building styles. It discusses the impact of architectural education on taste and the paradox of architects preferring traditional designs in their personal lives despite promoting modernist styles professionally. The script also touches on evolutionary psychology, suggesting that our brains are hardwired to respond to certain natural forms and patterns, which influence our perception of beauty in built environments.

10:04

🌿 Biophilic Design and the Elements of Beauty

The final paragraph discusses biophilic design principles and the specific elements that humans are naturally drawn to in architecture. It covers concepts like fractals, symmetry, ornamentation, organized complexity, curves, and the inclusion of nature in design. The script argues that these elements are not just aesthetically pleasing but are also linked to our evolutionary history and psychological well-being. It uses the Louvre in Paris as a case study to illustrate these principles. The video concludes by advocating for evidence-based design that incorporates these elements to create environments that are not only beautiful but also contribute to the happiness and health of city dwellers. It calls for a collective effort to prioritize beauty in urban planning and architecture for the well-being of millions.

Mindmap

Keywords

💡Beauty

Beauty in the context of the video refers to the aesthetic appeal of buildings and urban environments that draw people to them. It is presented as a quality that transcends subjective interpretation and has a significant impact on people's emotional attachment to places. The video suggests that beauty is not just a matter of personal taste but can be recognized through certain qualities that resonate with human nature. For instance, the video discusses how people are drawn to visit beautiful cities like Amsterdam and Barcelona, indicating that beauty plays a crucial role in the desirability and attractiveness of urban spaces.

💡Subjective

Subjective in the video is used to describe the idea that beauty is a matter of personal opinion and can vary from person to person. This concept is challenged by the video, which posits that while the perception of beauty might be influenced by individual experiences, there are universal qualities that make certain buildings or environments more universally appealing. The script mentions how the notion of 'beauty is subjective' is often used to dismiss the importance of beauty in architectural design, but the video argues for a deeper, more objective examination of what constitutes beauty.

💡Aesthetic City

The Aesthetic City is the title of the video series and represents the central theme of the discussion. It refers to the concept of cities and urban environments that are designed with a focus on aesthetic appeal and beauty. The video suggests that the aesthetic quality of a city is not just a superficial aspect but is deeply connected to the well-being and satisfaction of its inhabitants. The term is used to frame the exploration of why some places are more loved and visited than others, emphasizing the importance of beauty in urban planning and architecture.

💡Evolutionary

Evolutionary in the video is used to explain the human preference for certain architectural and environmental features from an evolutionary perspective. It suggests that our brains have evolved to respond positively to shapes, patterns, and elements found in nature, which are associated with survival and well-being. The video connects this evolutionary background to our modern-day preferences for beauty in buildings and cities, indicating that our attraction to certain environments is rooted in our biological heritage.

💡Fractals

Fractals are described in the video as self-similar patterns that repeat at different scales, a feature commonly found in nature and sometimes mimicked in architecture. The video suggests that the presence of fractal qualities in buildings can make them more appealing because they resonate with our innate preferences for patterns seen in the natural world. Fractals are used as an example of how our hardwired attraction to certain shapes and structures can be leveraged in design to create more beautiful and engaging environments.

💡Symmetry

Symmetry is highlighted in the video as a key element of beauty that humans are biologically predisposed to appreciate. It is presented as a quality that provides a sense of balance and harmony, which is often associated with positive emotions and a sense of order. The video explains that symmetry can be found in various forms, such as bilateral, rotational, and translational, and that it is a feature that has been consistently valued across different cultures and time periods in architecture.

💡Ornament

Ornament in the video refers to the decorative elements and details added to buildings that can enhance their aesthetic appeal. It is discussed as a way to connect humans to their built environment by providing visual interest and complexity. The video suggests that the right amount of ornamentation can stimulate the brain and contribute to the overall beauty of a building, drawing from our innate attraction to patterns and details found in nature.

💡Organized Complexity

Organized complexity is a concept in the video that describes a balance between order and chaos in design. It refers to the preference humans have for environments that are complex enough to be engaging but not so chaotic as to be overwhelming. The video argues that buildings and urban spaces that strike this balance are more likely to be perceived as beautiful because they cater to our cognitive preferences for environments that are neither too simple nor too cluttered.

💡Biophilia

Biophilia is a term used in the video to describe the innate human tendency to seek connections with nature and natural processes. It is suggested that our preference for certain architectural and environmental features, such as curves, fractals, and symmetry, is rooted in our evolutionary history and our deep-seated need for contact with the natural world. The video uses biophilia to explain why features that mimic natural forms and patterns are often perceived as more beautiful and appealing in our built environments.

💡Evidence-Based Design

Evidence-based design is a concept introduced in the video as a method of creating buildings and environments that are informed by scientific research and human preferences. It is presented as a contrast to purely subjective or creative-driven design approaches, advocating for the use of empirical evidence to guide the creation of spaces that are more likely to be appreciated and enjoyed by people. The video suggests that by using evidence-based design, architects can create buildings that are not only aesthetically pleasing but also contribute to the well-being of their inhabitants.

Highlights

The allure of certain buildings and places is not solely due to their fame but also an inherent quality that compels people to seek them out, which is identified as beauty.

Despite the subjective nature of beauty, there is a measurable emotional attachment to beautiful places, as indicated by various studies.

Modern cities have seen a decline in aesthetic appeal, with examples like concrete overpasses and outdated business parks being cited.

Tourists prefer historical inner-cities with beautiful architecture over modern, unattractive areas, demonstrating a clear preference for beauty.

Architects often argue that beauty is too subjective to be a design goal, which contrasts with the historical importance of beauty in architecture.

Current architectural education prioritizes creative expression and innovation over beauty, leading to a disconnect with public preferences.

Studies show that people have striking similarities in their reactions to certain environmental qualities, suggesting a commonality in what is perceived as beautiful.

Aesthetic attraction to a city is ranked highly in surveys, even above factors like education, safety, and basic services.

There is a strong correlation between the scenicness of an area and health, indicating that beauty has tangible benefits.

Philosophers have debated whether beauty is objective or subjective, with modern thought leaning towards subjectivity.

Roger Scruton argues that beauty has recognizable properties and is the subject matter of taste, which can be learned.

The 'design disconnect' phenomenon shows that architects and the public have different preferences for building styles.

Some architects, despite designing modernist buildings, choose to live in traditional environments, suggesting a personal preference for traditional aesthetics.

Our brains are hardwired to respond to certain shapes and features in our environment, such as fractals, symmetry, and curves.

Biophilia, the innate human preference for nature, influences our attraction to buildings and environments that mimic natural forms.

Ornament and organized complexity in architecture can stimulate the brain and provide a connection to nature.

Evidence-based design, which considers what is naturally attractive to humans, can lead to buildings that are more likely to be appreciated and have lasting value.

The call to value beauty in architecture and urban design is essential for the well-being of city dwellers and the sustainability of the built environment.

Transcripts

play00:00

Why are some buildings more loved than others?

play00:02

And why do some places attract enormous crowds, while others are ignored?

play00:06

Some would say: “It is because these popular places and

play00:08

…buildings are well known, and the others or not."

play00:10

But the places that do attract these massive amounts of

play00:12

…visitors, or which are always photographed, must have some other

play00:16

…quality that makes them attractive. This quality makes people climb mountains,

play00:20

…traverse jungles, or travel all over the world to

play00:22

…see them, showing how badly people crave it.

play00:25

Which quality is it? Well, you might have guessed it: Beauty!

play00:29

Welcome, this is The Aesthetic City and in this video we're

play00:32

…going to investigate why we find some buildings and urban environments

play00:35

beautiful, and others less so. And: why the beauty of our buildings and our

play00:38

cities is indeed more important than you might think.

play00:41

So let's get started!

play00:43

[THE PROBLEM]

play00:45

It seems that are modern cities have become increasingly ugly over the years.

play00:49

Giant concrete overpasses, outdated business parks, strip malls and depressing concrete housing complexes

play00:54

so much has been built that makes you wonder: “Who

play00:56

on earth thought that that was a good idea? Did

play00:58

anyone even consider the beauty of the design of this

play01:01

building or place?" Because everybody still yearns for some beauty in

play01:04

their lives. That's why millions of people visit beautiful

play01:07

cities like Amsterdam or Barcelona each year. These tourists don't

play01:11

go to the rundown business park at the edge of

play01:13

the city. They don't walk around underneath concrete overpasses to

play01:16

take pictures, and they certainly don't go for a picnic

play01:18

next to a stinky random pond somewhere. No, they go

play01:21

to the historical inner-city, with its beautiful buildings, its parks and boulevards.

play01:26

And it’s obvious why! Those are beautiful places. So, adding

play01:29

1 + 1 together, what we should be doing is

play01:31

obvious right? Just build more beautiful places! Well that's where

play01:34

Well, that’s where things get a bit difficult.

play01:37

Because when talking to an architect,

play01:39

the person who designs the buildings you will see around you, he or she will give you

play01:42

all sorts of reasons why building beautiful is too limited or problematic because

play01:46

of some philosophical reason. The thing you will hear most

play01:49

often is that “Beauty is subjective”. Let’s dive

play01:53

a bit deeper into the concept of beauty. The idea that

play01:55

'beauty is subjective' and it's therefore not useful to discuss any further

play01:59

it's quite common. It didn’t use to be that way.

play02:01

In older works in architecture and urbanism, beauty was always

play02:05

named as one of the essential elements. One of the goals

play02:07

of a building or an urban area. But today it doesn't

play02:10

seem to be important. In architecture schools, creative personal expression

play02:14

and innovation, and of course: ‘The Concept' are most important.

play02:18

Complete artistic freedom and a future oriented mind is necessary

play02:21

to push the art of architecture forward. We see this

play02:24

in the architecture today, that sometimes gets quite crazy!

play02:27

In our increasingly technocratic world, many civil servants, decision-makers and

play02:31

politicians but also developers don't consider beauty. They have bought into

play02:36

the other way of thinking, namely that architecture should always

play02:39

strive forward - for progression's own sake. Beauty is too difficult

play02:43

to translate into numbers, too much a subject to debate. So

play02:46

why bother? It's easier to build a glass box anyway!

play02:50

Although it might be true that the ultimate interpretation of

play02:52

what you see and hear is a mental process, and that

play02:55

the resulting opinion is slightly different for every person, studies

play02:59

show that there are striking similarities in how people react

play03:02

to certain qualities of things they see in their surroundings.

play03:05

In other words, people tend to like the same kind of

play03:07

things. We’ll dive a bit deeper into that later.

play03:11

If there is consensus about what is beautiful, then still:

play03:14

why should decision-makers and developers care? Well, according to multiple

play03:17

studies, there is a measurable emotional attachment to places that

play03:21

are beautiful. For instance. A 2011 survey in the

play03:24

United States found the strongest correlation between a place’s physical

play03:27

beauty, and peoples satisfaction out of any other attributes!

play03:31

That's quite remarkable. But listen to this: in a Gallup survey of

play03:35

43.000 people in 26 U.S. cities, the same

play03:38

result came out. Aesthetic attraction to the city was the

play03:41

third most important, even scoring above education, safety and basic

play03:45

services! Finally, in another study in the UK,

play03:48

using an online crowd sourced database of pictures that were judged for

play03:52

their scenicness, a strong correlation was found between health and

play03:55

scenicness of the area. So not only the presence of

play03:58

nature turned out to be important to people's health, but

play04:01

also how scenic the nature looks like in an area!

play04:03

In other words, it's beauty! So if you are a decision maker

play04:07

and you want a happy, healthy community, if you want

play04:09

to bind skilled workers to your area, you better start

play04:12

caring about beauty as well. But how then do we build

play04:14

beautifully? What are the features and buildings and environments that

play04:17

people like? And why does the majority of people prefer

play04:20

a very different type of architecture, compared to what contemporary

play04:23

architects design, according to many polls and studies?

play04:26

Before we go into practical matters, let's (shortly) dive into the philosophical side

play04:30

of beauty. Philosophers have had great trouble with the concept

play04:33

of beauty, and if it is objective or subjective. Earlier thinkers

play04:37

believed beauty lay the object itself. But in the 18th

play04:40

century, this started to change. Thinkers like like Hume

play04:43

and Kant argued that beauty was subjective, as the feelings connected to

play04:47

the experience of beauty were always created in the mind

play04:50

of the beholder. What do more recent thinkers say of this?

play04:53

Well, according to a British philosopher, Roger Scruton, beauty does

play04:57

have properties which you can recognise. He

play04:59

talks about how beauty pleases us, how one thing can

play05:02

be more beautiful than another thing, and that we give

play05:05

attention to things because they are beautiful. He also states

play05:08

that beauty is the subject matter of a judgement, which

play05:11

is the judgement of taste. One of the interesting things

play05:14

about taste is that it can be learned. This is

play05:17

often visible among architecture students. Over time, their taste for

play05:21

buildings changes. This leads us to an interesting phenomenon which

play05:24

is called is the 'design disconnect’. Architects and the public each

play05:28

seem to like different kinds of buildings. This effect

play05:31

was discovered by psychologist David Halpern. He did a study

play05:34

in 1987 with students in the UK.

play05:37

A group of volunteer students were shown photographs of unfamiliar

play05:41

people and buildings, and asked to rate them in terms of

play05:43

attractiveness. Some of the volunteers were architects, some weren’t.

play05:47

All the students had similar views of which people were attractive.

play05:50

But, this changed when they were rating buildings. The architecture

play05:54

students' favourite building was the least favourite building of the

play05:56

other students, and vice versa. One of the most interesting things

play06:00

was, the longer the architecture students had been studying,

play06:03

the stronger this effect was. These outcomes are shocking, because

play06:06

it is the architecture students that are supposed to later

play06:09

design buildings for a population that has exactly the opposite views

play06:12

on what is beautiful in a building. But this study

play06:15

does not give the full picture. There's something even stranger

play06:18

going on. What architects like professionally and what they like

play06:22

in private might be different as well! Even some of

play06:24

the most avant-garde architects seem to prefer living or

play06:27

working in traditionally designed buildings. Instead of modernist buildings,

play06:31

like they design. Take Rem Koolhaas, for example.

play06:34

He is the founder of the Office for Metropolitan Architecture, which

play06:37

has designed buildings looking like this. You would expect that

play06:41

he lives in something like a minimalist apartment himself, right?

play06:44

Well, no: he lives in a Victorian townhouse in London

play06:47

that is quite different from what he designs himself. Apparently,

play06:50

he finds London town houses so attractive that when

play06:53

he got a means to live in one, he paid the premium

play06:55

to live there. But he would probably not agree that

play06:58

something looking like a Victorian town house got built today, in

play07:01

our time. There are many other examples of Modernist architects

play07:04

living or working in traditional environments. Norman Foster for example

play07:09

Or the headquarters of Herzog & De Meuron. Or Jean Nouvel

play07:12

in Paris, or Zaha Hadid.

play07:15

I think we can safely say that there is something going on here that goes beyond

play07:19

taste and ideology of architects. We must look deeper. Is

play07:23

what we find beautiful in our surroundings perhaps linked to

play07:26

our human nature? Every day we look at our surroundings

play07:29

since humans started living in cities, buildings are an important

play07:32

part of those surroundings. However, our brains evolved to

play07:35

survive in nature. Long before buildings existed. In those days

play07:38

we were always looking for safety, shelter, food or things

play07:41

like fertility cues. From an evolutionary point of view, happiness

play07:45

comes from the natural forms and patterns that we as

play07:47

humans associated with a higher chance of survival. We are

play07:51

basically still Stone Age beings. Agriculture and modern cities are only

play07:55

a blip on the timeline of our species, Homo Sapiens that

play07:58

goes back at least 200,000 years, and according to

play08:01

recent findings, maybe even more. Denis Dutton, an American

play08:05

philosopher who give an excellent Ted talk on beauty, he states that

play08:08

we experience beauty because beauty is nature's way of

play08:11

acting at a distance. It can magnetise certain things by giving

play08:15

us pleasure looking at it. According to Denis Dutton, all

play08:18

things that we find beautiful have three things in common:

play08:21

Firstly: they have a shape or characteristics we inherently like.

play08:24

Secondly, they are fit for their purpose. And thirdly, they are well-made

play08:29

and display skill in their making. But, why is that?

play08:32

What happens in our brains when we see something? And, what

play08:34

happens if we see something we don't like? Our brain

play08:37

has a part called the thalamus, which is a part of

play08:39

the limbic system or our 'emotional brain'. The thalamus transfers

play08:43

visual data to the amygdala, which also processes fear and

play08:47

takes us into a fight or flight reaction - sometimes even

play08:50

without us knowing what is in front of us!

play08:52

This way, our brain keeps us safe and alive. Some features of

play08:56

the built environment, like sharp angles, evoke exactly that

play08:59

fight-or-flight response, and cause stress. We need to be

play09:02

aware that everything we design will lead to some form

play09:05

of interaction with our deeper brain structures. We can choose

play09:08

to design things that make us feel safe and pleasant

play09:11

or stressed and anxious. So, now it's finally time to

play09:14

take a look at shapes that we as humans are

play09:16

hardwired to like. According to some intriguing research by, among

play09:20

others, Ann Sussman and Dr Justin B Hollander. In the

play09:23

book Cognitive Architecture, they describe how our hardwired behaviour

play09:26

relates to what buildings and environments we like.

play09:28

They even used eye tracking technology to see exactly what

play09:32

our eyes focus on. You will probably not be surprised

play09:34

to hear that the shapes and the features we like most

play09:36

are those we have been surrounded with in nature for

play09:39

many thousands of years. Animals, plants, faces and humans - all

play09:43

these things draw our eyes. There is a word for this

play09:46

love of nature: biophilia. We cannot get rid of these

play09:50

preferences. They were pre- installed in our hardware.

play09:52

We simply have to deal with them. So, let's finally look at the

play09:56

features which I keep referring to.

play09:57

Here we go!

play09:59

Fractals.

play10:00

These are nested structures, self-similar on multiple levels of scale

play10:03

you'll find them everywhere nature. But, buildings can have fractal

play10:06

qualities in their facades as well. Symmetry. Symmetry is

play10:10

also a very important biophilic element. There are various kinds

play10:13

of symmetry, like bilateral, rotational, and translational symmetry. Symmetry makes a

play10:17

building feel balanced and it is often used to invoke

play10:20

the feeling of power, spiritual might, or wealth. Humans seem to

play10:24

strongly prefer symmetry above asymmetry, which is according to

play10:27

biologists a preference that this embedded within our DNA.

play10:30

Ornament. According to Professor Nikos Salingaros, details and ornament

play10:35

allow human beings to connect to geometrical structures like buildings!

play10:39

Our brains have evolved to quickly recognise areas of high

play10:42

contrast and patterns. The right amount of ornament stimulates our brain.

play10:45

And, as studies show, humans need a certain amount of

play10:48

informational load from our environment to function in a normal

play10:51

way. Finally, ornament can give a surface the fractal and symmetrical

play10:55

qualities we enjoy from nature, in form of plants, animals

play10:59

and human bodies and faces.

play11:01

Organised complexity. As humans, we

play11:03

seem to need some complexity or diversity of form but

play11:06

not too much. Only order is boring, but only complexity

play11:09

is chaos. We seem to like things that are somewhere

play11:12

in the middle. A plain facade too ordered, so we

play11:14

ignore it. A facade like this on the other hand is too chaotic.

play11:17

This facade gives the clear structure the brain prefers

play11:20

Curves. Many psychology research papers have shown that people find

play11:24

curves more beautiful than straight lines. In architecture, arches are

play11:27

a beautiful example of curves. Domes and spirals as well.

play11:31

Nature. Finally, and this should speak for itself, we find nature

play11:34

attractive. According to studies it makes people feel calmer, heal

play11:37

faster and even increases happiness! Plants and trees, in the

play11:41

right amount, always add to the beauty of a place. No wonder people

play11:44

love parks and fountains! Architects know this all too well.

play11:47

they often use it in the architectural renders as a sort

play11:50

of trick to hide an otherwise boring or ugly design proposal.

play11:56

Now we have a better grip on what we

play11:58

naturally find attractive, let's put this theory to the test,

play12:01

by analysing a building: the Louvre, in Paris. So, what

play12:04

do we see? We see symmetry, curves and ornament.

play12:08

The facade has a lot of detail, but it is structured, so we get

play12:11

organised complexity as well. So far for the features of

play12:14

inherently like. But what about Denis Dutton’s two other requirements

play12:18

for beauty? Well, the building looks fit for purpose, the

play12:21

building look strong and solid, but also displays a lot of

play12:24

skill in its making.

play12:25

All in all, we could predict that this building will pass the test.

play12:28

Now let’s look at some other buildings. Almost all

play12:31

of them lack one or multiple elements which we have

play12:33

discussed. These buildings will probably not be widely judged as

play12:37

being beautiful. Sure, many modern buildings do have some feature

play12:41

or quality that looks ‘cool' or 'iconic’, but will this still be

play12:44

valued in 50 years? Because gimmicks, like fashion, get outdated

play12:48

at some point. Many buildings built in the last 50

play12:51

years already need to be torn down, as they did

play12:53

not have the qualities that made people connect to them.

play12:56

All this renovating and rebuilding requires massive amounts of new

play13:00

concrete, glass and steel. All at a huge cost for

play13:03

society. And, of course, for the environment. The good news

play13:05

The good news is that

play13:06

any designer can use the qualities we described

play13:09

…and create buildings that will predictably comfort and delight us.

play13:12

We need to design and build using this evidence to create

play13:15

environments people really like. This is called evidence based design.

play13:19

Many architects actually dislike evidence based design as it is

play13:22

a limit on creative expression and design freedom. But I

play13:25

But it could really help as it would prevent designers from making

play13:28

obvious errors such as creating huge blank walls, uncanny

play13:31

dark spaces or monotonous grey slabs. Let’s at least collectively aim

play13:36

for beauty again, as it might be essential for the

play13:38

well-being of millions of people living in cities all over the world.

play13:41

You have made it this far into the video,

play13:44

which means you must be somewhat interested in this

play13:46

topic or also value beauty in our buildings and our cities.

play13:49

I wonder what your thoughts are!

play13:51

Put them in the comments below. Also if you liked this you want

play13:54

me to make more of this type of content, please

play13:56

help me by liking this video and subscribing to this channel.

play13:59

It really matters a lot! Also check out the podcast

play14:02

and the Patreon link if you really want to support

play14:04

this initiative. That's all for now, thank you and cheerio!

Rate This

5.0 / 5 (0 votes)

Related Tags
Architecture BeautyUrban DesignEmotional AttachmentCognitive ArchitectureBiophiliaEvolutionary PreferencesBuilding AestheticsHuman NatureEnvironmental PsychologyEvidence-Based Design