Basic Principles of Oral Interpretation #OralCommunication

Summary

This video script from a social studies student at Negotiator State University introduces the basic principles of oral interpretation. It defines oral interpretation as performing literature to communicate meaning, emphasizing the importance of analysis and vocal techniques. The script discusses key principles such as characterization, setting the mood, finding suitable material, and the types of oral interpretation, including storytelling and dramatic interpretation. It highlights the use of voice variety, eye contact, and physical gestures to enhance the narrative and connect with the audience.

Takeaways

• 📚 Oral interpretation is the performing of literature to communicate meaning to an audience.
• 🎭 It involves analyzing literature and using voice to convey the author's intended message.
• 🗣️ Key techniques include reading the literature aloud, analyzing it, and then reading it again with discovered nuances.
• 👤 Characterization is a principle of oral interpretation, involving narration, narrator voice, and physical cues.
• 🔊 The use of a 'confidential' tone, or sotto voice, is important for creating an intimate and impactful delivery.
• 👁️‍🗨️ Eye contact and character placement are crucial for establishing a connection with the audience.
• 🤸‍♂️ Physical characterization through facial expressions, postures, and gestures adds depth to the interpretation.
• 🌟 Setting the mood involves creating a specific state of mind or feeling through voice, involvement, and imagery.
• 📖 Finding good material is essential for successful oral interpretation; it should be short, strong, and relevant.
• 🎭 Types of oral interpretation include storytelling, dramatic interpretation, humorous interpretation, and poetry, each with its unique approach and memorization requirements.

Q & A

What is the main focus of the video presentation?

The main focus of the video presentation is to discuss the basic principles of oral interpretation.

How is oral interpretation defined in the script?

Oral interpretation is defined as the performing of literature to communicate meaning to the audience, where an interpreter analyzes the literature and uses their voice to convey the results of the analysis.

What is the first step in formulating a successful pattern for interpreting literature?

The first step is to read the literature aloud, which helps in analyzing it and understanding the author's intended message.

What are the key components of oral interpretation mentioned in the script?

The key components of oral interpretation mentioned are storytelling, dramatic interpretation, humorous interpretation, choral readings, and readers theater.

What does the term 'characterization' refer to in the context of oral interpretation?

Characterization in oral interpretation includes narration, the narrator's voice, verbal and non-verbal cues, and physical characterization.

How does the narrator's voice contribute to oral interpretation?

The narrator's voice is crucial as it helps put imagery towards the context of the literature, using voice, eye contact, character placement, and physical movements such as facial expressions, postures, and gestures.

What is the significance of using a 'confidential tone' or 'soto voice' in oral interpretation?

A 'confidential tone' or 'soto voice' is used to convey the interpretation of the text in an undertone, which helps in creating a more intimate and impactful connection with the audience.

Why is eye to eye contact important during oral interpretation?

Eye to eye contact is important to establish a connection with the audience and to convince them of the thoughts or narration being presented.

What are the two types of imagery that can be portrayed during oral interpretation?

The two types of imagery are physical imagery, which is created using physical movements or senses, and emotional imagery, which involves the emotions the characters need the audience to feel.

Why is finding good material essential for successful oral interpretation?

Finding good material is essential because it promotes effectiveness and success in presenting the chosen material, which can be sourced from print media, books, novels, or even personal creative writing.

What are the different types of oral interpretations mentioned in the script?

The different types of oral interpretations mentioned are storytelling, dramatic interpretation, humorous interpretation, and poetry.

Outlines

00:00

🎤 Introduction to Oral Interpretation

The speaker, a social studies student from Negotiator State University, introduces the topic of oral interpretation as part of their M403 subject. Oral interpretation is defined as the performance of literature to communicate meaning to an audience. The speaker explains that it involves analyzing literature and using one's voice to convey the author's intended message. The process includes reading the literature aloud, analyzing it to understand the author's intent, and then reading it again with the discovered nuances. Oral interpretation encompasses various forms of literature such as storytelling, dramatic interpretation, humorous interpretation, choral readings, and readers' theater.

05:01

🎭 Principles of Characterization in Oral Interpretation

The speaker delves into the first principle of oral interpretation, which is characterization. This includes narration, the narrator's voice, verbal and non-verbal cues, and physical characterization. Narration is the storytelling part of the selection, and the narrator is a crucial character, often characterized by voice, eye contact, character placement, and physical movements like facial expressions and gestures. The speaker also discusses the use of a 'confidential' or 'sotto' voice, which is an undertone used to convey the text's interpretation. Voice variety is essential, with changes in pitch, volume, speed, and pauses for effect, to match the literature's mood and message.

10:02

🌟 Setting the Mood and Imagery in Oral Interpretation

The second principle discussed is setting the mood, which involves creating a state of mind or feeling through voice, involvement, and imagery. The speaker emphasizes the importance of matching the mood with the literature's tone and being mentally and emotionally involved in the piece. Imagery is also crucial, with two types: physical imagery created through physical movements and senses, and emotional imagery, which is the feelings the audience experiences. The speaker stresses the need for harmony between these two types of imagery for effective oral interpretation.

15:03

📚 Selecting Material and Types of Oral Interpretation

The speaker addresses the importance of finding good material for oral interpretation, suggesting sources like print media, books, novels, and creative writing. The fourth and final principle is the types of oral interpretation, which include storytelling, dramatic interpretation, humorous interpretation, and poetry. Each type has its unique characteristics and requirements, such as memorization and ad-libbing. The speaker concludes by summarizing the basic principles of oral interpretation: characterization, setting the mood, finding good material, and understanding the types of oral interpretation.

Keywords

💡Oral Interpretation

Oral interpretation refers to the art of performing literature to communicate its meaning to an audience. It involves analyzing a piece of literature and using one's voice and other expressive tools to convey the author's intended message. In the video, the concept is central as it is the main subject being discussed, with various techniques and principles being explained to perform effective oral interpretation.

💡Characterization

Characterization in the context of oral interpretation includes the use of narration, narrator's voice, verbal and non-verbal cues, and physical characterization to bring a story to life. The narrator's role is emphasized as being crucial in setting the tone and image of the literature. The video script provides examples of how to use voice, eye contact, and physical movements to enhance the storytelling experience.

💡Narrator

The narrator is described as the most important character in an oral interpretation, responsible for telling the story and guiding the audience through the narrative. The narrator uses voice modulation, eye contact, and physical gestures to convey different aspects of the story. The video script illustrates the importance of the narrator's role in making the literature come alive for the audience.

💡Voice

Voice in oral interpretation is not just about speaking but using the tone, pitch, volume, and speed of speech to convey the mood and emotions of the literature. The video script discusses the use of a 'confidential tone' or 'sotto voice' to create intimacy and the importance of voice variety to match the atmosphere of the piece being interpreted.

💡Eye to Eye Contact

Eye to eye contact is highlighted as a crucial non-verbal cue in establishing a connection with the audience. It helps in convincing the audience and making the narrative more engaging. The video script mentions the importance of maintaining eye contact to enhance the effectiveness of the oral interpretation.

💡Physical Characterization

Physical characterization involves using facial expressions, postures, and gestures to portray a character and convey the message of the literature. The video script emphasizes the importance of physical movements as a non-verbal cue to help the audience understand and feel the emotions and actions described in the text.

💡Setting the Mood

Setting the mood in oral interpretation is about creating a particular state of mind or feeling in the audience. The video script discusses how to use voice, involvement, and imagery to set the mood effectively. It explains the importance of matching the mood with the content of the literature to enhance the audience's experience.

💡Imagery

Imagery in oral interpretation involves creating mental pictures and sensations that the audience can visualize and feel. The video script distinguishes between physical imagery, which is conveyed through physical movements, and emotional imagery, which is felt by the audience. Effective use of imagery helps in making the interpretation more vivid and impactful.

💡Finding Good Material

Selecting the right material is essential for a successful oral interpretation. The video script suggests looking for short but strong stories or incidents that can be effectively communicated. It also mentions various sources for finding good material, such as print media, books, novels, and even creating original content.

💡Types of Oral Interpretation

The video script outlines different types of oral interpretation, including storytelling, dramatic interpretation, humorous interpretation, and poetry. Each type has its unique characteristics and requirements, such as memorization and the use of ad-libs in poetry. The script provides a brief overview of each type and how they contribute to the diversity of oral interpretation.

Highlights

Oral interpretation is the performing of literature to communicate meaning to the audience.

An interpreter analyzes literature and uses voice to communicate the analysis results.

Oral interpretation allows reconstructing the concept of literature.

To interpret literature, read it aloud, analyze, then read again with discovered resonances.

Oral interpretation includes storytelling, dramatic interpretation, humorous interpretation, choral readings, and readers theater.

Characterization in oral interpretation involves narration, narrator voice, verbal and non-verbal cues, and physical characterization.

Narrator is crucial in setting the image of the literature through voice, eye contact, and physical movements.

Confidential tone, or sotto voice, is used for intimate or aside comments in oral interpretation.

Voice variety is essential, changing pitch, volume, speed, and pace for effect.

Eye to eye contact is vital for establishing connection with the audience.

Character placement involves where the eyes move when looking at other characters in the scene.

Physical characterization includes facial expressions, postures, and gestures to convey the message.

Setting the mood in oral interpretation involves considering the mood, voice, involvement, and imagery.

Mood refers to the state of mind or feeling an interpreter tries to create with their voice.

Poise is essential, showing composure, confidence, and self-possession.

Involvement means being mentally and emotionally attached to the piece being interpreted.

Imagery in oral interpretation includes physical and emotional imagery to engage the audience.

Finding good material is crucial for successful oral interpretation.

Types of oral interpretation include storytelling, dramatic interpretation, humorous interpretation, and poetry.

Storytelling in oral interpretation involves children's stories and holiday stories.

Dramatic interpretation requires memorization and is serious and numerous.

Humorous interpretation is lighter and requires a natural character of being humorous.

Poetry in oral interpretation must be memorized, with ad-libs adding spice to the performance.

Transcripts

hi everyone i am

a basic four social studies student from

negotiator state university uh chat on

campus and as part of our requirement in

the subject

m403

speech and neural communications for

teachers

i'm going to present to you my topic the

basic principles of oral interpretation

[Music]

so before that i'm going to first define

uh what is oral interpretation

so when we say oral interpretation it

involves the performing of literature to

communicate meaning to the audiences

for instance ad interpreter analyzes the

literature and uses his or her voice to

communicate the results

of the analysis of his

of piece of literature

so

oral interpretation gives us an

opportunity

to put a literature

concept back together again after it was

turned apart so we can also use the

following technique to formulate a

successful pattern in interpreting

any form of literature

first is

read the concept aloud that helps

then analyzing it so that is the basic

foundation of

interpreting

any piece of literature to analyze it

before you're going to

determine or gather the concept that the

author wanted to

relate on its reader or audiences

then third is read it aloud again with

the

resonances

discovered in after analyzing it

so

this oral interpretation this is one of

the most practical

usable form of drama

so it includes several aspects of

literature such as storytelling

dramatic interpretation humorous

interpretation uh choral readings and

readers theater

and now that we are able to determine

the

definition and the components of oral

interpretation

to this section

we're going to discuss or tackle the

different principles of oral

interpretation so first we have the

characterization

so when we say characterization it

includes the narration the narrator

voice the verbal and non-verbal cues

so

and also including the physical

characterization so when we say

narration so it is the part of

your selection in which it's the uh

tells which tells the story

the narrators the narrator is the most

uh important character because it may be

characterized uh by using the voice the

eye to eye contact and character

placement and physical movements such as

the facial expression

postures and the gestures so overall

the narrator is the one who

put image towards the

context of the literature the piece of

a

piece of

literature literature then another thing

under the characteristic realization is

aside from the narrator is the voice so

upon doing or performing an oral

interpretation the speaker shall use

confidential confident confidential tone

they call it a soto voice

which is done in an undertone or an uh

or an aside voice so

uh when you say sort of voice it is not

really uh

a huge

usage of your voice or big it's just

when you say confidential it's just very

low using the undertone of your voice

in order to

put up the

uh interpretation of the text

so remember that

uh remember that from

from vocal uh preparation unit we have

to use our voice voice variety voice by

changing the pitch

uh volumes speed and pose for effect

because uh when you are speaking

you should always use the variety of

your voice because uh with

uh

basing on the

atmosphere of the or the tune of the

concept of your

uh

message or the message of the literature

for instance if if

it's atmosphere is low of course you

your voice must be

low if it is in the climax uh climax

point your voice must

be

of course to play must become an

effective one

next is another part of characterization

as principle is eye to eye contact so

eye to eye contact and character

placement so remember that

remember to maintain eye contact

to establish connections towards your

genes of course because

when you speak you should uh either

convince your audience to believe on

your thoughts or done or your narration

you must uh

put some eye to eye contact with your

audiences

then in character

uh placement so

where do your eyes move when you are

look uh looking with other characters in

your scene so keep that in mind that uh

when you are moving you should

always your character placement must uh

also you need to attach a eye to a eye

to eye contact in which if you move the

words uh which you are talking to

you must also

use

eye to eye contact with them

and

lastly under the still under the

principles of characterization is the

physical characterization so it is the

way you portray your character with

physical movements such as facial

expression postures and gestures of

course this is a very important

non-verbal cues in order for you to

in order for you to

relate

the message

from a piece of literature you have to

this is very important to

maintain

maintain good image uh

good

resonance towards what you are talking

about or about the literature you are

interpreting with gesture

is the movement of your hand or

arm or any other part of your body which

conveys feeling or emphasis of uh

up and speaking or communicating towards

other person you need to use gestures in

order to provide

some

good atmosphere or some

additional impact of your message or the

literature you are

speaking then another principle is

another principle number two is setting

the mood so just consider this question

how do you set the mood so in order in

setting the mood uh while doing the oral

interpretation is you need to consider

of course the first the mood then the

voice the involvement

and the imagery so when you say mood so

it is the state of mind or feeling you

are trying to create with your sin of

course uh

every moment of the agreement of the

poem or story or literature that you are

trying to

do with interpretation as

of course several

emotions several moods that you need to

you need to

interpret very carefully

so then the

the poise so when we say

boys it refers to an attitude of

composure

confidence and self

possession so while

in order to become an effective oral

interpreter with some literary

literary

literary

peace

you need to consider voice because

uh

it brings uh for instance if you're

confident

confident on your on the face you are

telling or the story that you are

telling us

audiences of course you will really get

the point we'll get

excited we'll get

will get the point or the the point you

are trying to tell or

interpret from which you know to be what

the author is telling towards the

audience

then involvement so

involvement is still under the mood

setting the mood so

this be mentally and emotionally

involved when presenting your

selection of course because uh there

should be an attachment with

uh

the piece you are

the piece you are interpreting with with

you because uh if there is a possibility

if there is a possibility that

you are you are far you are far

between the peace that you are um the

peace that you are interpreting with the

the emotional involvement that you have

is even a bit uh you will not be

effective uh interpreter or you will

your piece or your your work is really

not

effective with your audiences and of

course your other

there is possibility with other

other

members of your team

then the

imagery

imagery is the images

and uh what you have imagined

uh

imagine a feel what your selection

causes the audience to image and feel so

under the imagery there are two types of

image imagery that you can

portray

first is the physical imagery and the

emotional imagery so when we say

physical imagery is the that is the

images created using

uh your physical

movements or the senses that can see

uh towards what audience your audience

could see

next is the emotional imagery so that is

uh is sensing the emotions the

characters need to feel that is the

imagery that the audience usually feel

not really

that can be seen that can be here uh

that is just being felt the images that

can be that is very uh that is

thus

the two the two imagery must be uh

harmony but there must be harmony

towards each other in order to uh in

order for it to happen

effectiveness

towards the whole um oral interpreting

of the piece

then the third principle of oral

interpretation is

finding a good material is it really

nice or is it really important to find a

good material of course yes

in doing an oral interpretation it is

very important to find a good material

or

to

have a good material before presenting a

normal interpretation in order to be

successful in doing so so finding a good

material to be delivered or presented is

very

very essential to promote effectiveness

and success in presenting

your chosen material so for instance

into a financial material you have to

look for a short

strong

short but strong incident or story

you can also find

you can also use

several sources in finding your good

materials such as print or newspaper uh

books

or

novels or anything uh any kind of

printed materials then media which i

know this is very

relevant that we can use that is uh

nowadays are we are usually using

because it is very accessible uh

anywhere and everywhere anytime you just

have to click and find the piece you are

you wanted to

use in your invitation

there we go nana uh it is already in

there

uh compact

then another thing is you're going to

create a creative writing

of course if you have your own

your own creative writing that is one

good material that you can use in

interpreting because you are the author

and as well you are the narrator and you

can tell what you wanted to turn towards

your readers that is not limited only

towards what for instance you made your

own creative writing that is not limited

to what the reader could see because you

as a narrator is doing the oral

interpretation you could tell the whole

package of the things that you have

written in there uh or the emotions the

uh lessons the moral the

uh

the about of the story and that is

one way to

deal in finding a good material and

doing oral interpretation

then lastly under the principles of

foreign interpretation is the types of

oral interpretations

as i have mentioned earlier in my

introduction in this video so i have

mentioned that there are types of order

interpretation that we can use in doing

so so there are storytelling dramatic

interpretation humorous interpretation

and poetry so when i say storytelling it

involves the children's stories and

holiday stories

then another thing is the dramatic

interpretation when you say dramatic

interpretation it includes all the

serious non-numerous interpretations so

this must be

memorized so

the opposite of the dramatic

interpretation is the humerus

interpretation so this is a bit lighter

than the dramatic interpretation because

if you have the character of being

humorous or that it's natural to you to

become a

humorous one today you are very

effective

uh

oral interpreter in this type of

oral interpretation in the humorous

interpretation because it takes lighter

to you if you have those characters and

simpler look at the world open has an

upbeat ending

so

since uh still this must be memorized

in order to

to put up this type of oral

interpretation and lastly is the poi

so still poetry must be memorized and

ad-lib is

uh

during doing poetry usually

you select your pau you select your poem

and that is

the poem is already in there so it must

be memorized and of course it's

important also to do some ad-libs or

making up something on the spot while

reading or memorizing the poem in order

to put up some spice or bottoms put up

some additional

uh

information of course that is related to

the bone because if you put

some ad lips towards the bone it's not

really necessary or that it's not really

related towards the

you are interpreting with and that is

not

it it will make

it will create a messy

messy output for outcome towards

erosions and misconnection towards you

and

the whole

so that is all for the basic principles

of oral interpretation so before we

going to end my video or this video

uh let us review first what are the

basic principles of oral interpretation

so we have first is the characterization

so under the uh characterization is the

narration the narrator the voice the eye

to eye contact the character basement

and the physical characteristic

characterization

then number two is setting the mood so

under the setting we have the mood the

voice involvement and imagery the third

is finding a good material

then

and lastly are the types of foreign

interpretation which are

storytelling

romantic interpretation numerous

interpretation and poetry and that is

all for my video once again i am going

to a bbc 4 social studies student

and thank you

[Music]

you